Holding the Bag

a short story by

Barbara Haas

My first wife had a habit of reading in the bathtub, and the books and magazines scattered around our bathroom were in various stages of drying out--some stiff, some sopping--after having been dipped in her tepid water.  That she read until the water had gone tepid was evidence, so she once explained, of how lost she became in the words.  The Fur & Feather Digest was the best--70 degree  stuff by her own calculations.  Its curled and discolored edges bolstered this claim.

            I was strictly a shower man, had no interest other than the erotic in easing myself down the sloping sides of that claw-footed tub.  And the closest I got to Mim's reading material was to drape a damp magazine over the radiator from time to time.

            So the first thing I notice when I'm left to stand in her sunny living room while she takes a phone call in the kitchen is that her books and magazines have a pristine, just-off-the-shelf look these days:  no trace of water stains.  The Merck Manual is shelved next to the Afro-Cuban Religious Experience, the Bhagavad Gita next to The Rights of the Citizen in Colonial America.

            Between the bookshelves, a windowful of Lake Michigan glitters in the sub-zero cold outside.  Since dawn twin sundogs have hovered on either side of the sun, their constancy like that of mythical hounds beside a king's throne.  They throw a weird glow across Mim's original art--the Connie Bieber in bronze, the Carmon Slater on the wall.  I'm studying them when I hear Mim from down the hall.   "Babe" this, "babe" that, something about "babe" I don't catch--all of it followed by peals of high-pitched laughter.

            Hers is a textured voice, as multi-layered as Baroque music.  The sound stacks itself, leaves a visible trace when I close my eyes to listen, as if a variegated thread had woven its way through the melody.

            Still in love with the ex-wife?

            I pick up a leather-bound volume--Newton's Mathematical Principles of Natural Philosophy---and begin flipping through it.

            In love or not, it won't matter for 5-7 years, depending on good behavior, the sentence likely for Mim's voluntary manslaughter conviction.  The jury returned its findings this morning, and she's free on her own recognizance until a week from next Tuesday when Judge D'Acquisto of the 3rd District Court, Milwaukee County, makes his determination.

            I close The Mathematical Principles and place it back on an end table.

            I'm here right now not to examine her library, nor to ponder love, but to help settle affairs, the foremost task of which is to take possession of the wild game bagged in her basement freezer.

            When I think back on our marriage, it isn't only the lengthy baths and wet book bindings that I remember.  Mim's was a serrated blade of a body--down to 101 pounds at one point, all five-foot-seven-inches of her.  It hurt to look at her--the gaunt collar bone, ski-slope breasts, the skin-over-muscle look of her thighs, her body lacking that subcutaneous stratum of fat common to women of child-bearing age.  It hurt to look--but look I had to.   After we made love, I'd roll away, half-afraid I'd find bruises on her where our bodies had rubbed.  Folded up on the mattress beside me, she had all the angles of a coat hanger.   Sometimes as she lay, back turned, the knobs of her vertebrae as bare as knuckles, she would shudder--not unlike the shudder I had just eased her to--and it would surprise me to realize she was crying.

            That first time I said, "Did I hurt you?" and she went instantly rigid, as if startled to find me still there.

            Her skin by candlelight was not one hue.  A painter would need peach, olive and cream to capture what I saw--and that would only be half of it.  Rose and lavender, ivory and rust:  flickering candlefire danced these colors before my eyes.  I stared at her back, watching her spine rise and fall as she breathed--which she did at intervals lengthy enough to alarm.  Like her tendency not to eat, she had a tendency not to breathe, and I sometimes lay in bed next to her wondering if she were choking.

            At some point, she lifted up on her elbow and, sheet balled near her chin, turned to me, saying, "Did you want to?"

            I blinked.  "Want to?"  The response was so long in coming I forgot what I'd asked.

            "Hurt me."

            A masculine need to boast my tenderness alongside my strength--as ingrained as the schoolyard dictum never to strike a girl--rose within me, and I rattled on for a few moments.

            It was as if she were listening with her eyes:  dark pupil-less ones that drank in my words.  "That's good," she said after a bit.  She nestled into the crook of my arm.  "You've got it, Richard.  Self-preservation down to an art."

            How so, I wondered.

            "Let's face it.  People stay together when they've had more good times than bad."

            "So we'll stay together?"

            "Look at us."  She raised her arm, a gesture that made a broad sweep of the shadows on the ceiling.  "Not jinxed, not pathetic, as wholesome still as baby booties."

            "Then why the tears?"

            A knot formed between her brows.  "It's a curse that I can look back now on Charlie's faults and feel compassion."  She named her ex-husband, and I felt my scrotum tense.   "Marrying me is like marrying him and me.  It's the baggage I bring--baggage I packed myself."

            "Who mentioned marriage?"  It was hard not to hear ice in my voice.

            A silvery laugh issued forth, one that carried with it a wintry undertone.  "You will.  On January 19th at 7:37pm."  She named a date three months in the future.

            The truth is I proposed to her the next week, partly to nullify her prediction, partly as a hedge against that baggage.

            Where it succeeded with the former, it failed with the latter.  By the time our marriage ground to a halt in 1985, I was a daily martini-aholic and felt like I'd handled a cruise ship's worth of suitcases and steamer trunks.

            When Mim comes back into the room now, she's changed from the boxy gabardine suit in which she approached the Honorable D'Acquisto's bench into a pair of Silver Tab Levi's and a sun-faded aqua t-shirt.  Her bones are noticeable--strong ones, to be sure--but jutting and poking out where another woman--my wife?--might have curves.

            Vulnerable and starved, I think.

            Mim settles a tea tray on the ottomon between us, the pot an upswept stainless creation that a museum gift shop might peddle.  As she pours out, I comment on her elegant surroundings.  Even when we were together and money scarce she had a fondness for neatly made objects.  Her taste in hunting equipment bore this out.  Where I made do in those days with my grandfather's double-barrel side-by-side that was as nearsighted, often, as its original owner, she packed a Winchester Diamond Grade over-and-under with a hand-checkered stock of bird's eye maple.  Both barrels were bored for different chokes--the top with an open pattern, the bottom tighter, more effective at short range.  I never saw anything but a clean kill when she took aim.

            Ironic, now, given her situation.

            That shotgun was confiscated after her arrest, unnecessarily, I might add:  a bullet killed Mim's husband.   The 9mm pistol never surfaced.  Inability to place a murder weapon in Mim's hands led to the reduced charge.

            She sighs now.  "Elegance won't help where I'm headed."  When Mim seats herself on the sofa and tucks her bare feet beneath her, I catch a glimpse of frosty white polish on her toenails.  I think of what my state of mind would be just before sentencing and wonder where she found the nerve to steady a tiny brush.  Mim says, "Most days I'll be lucky to see one exquisite ray of sunlight."

            "Your lawyer said you'll probably land at the minimum-security prison at Appleton."

            "Is that to cheer me up?"

            My smile is weak.  "I thought I'd try for something upbeat."

            "Mr. Bardy.  Always good for a laugh."  She regards me now with those eyes made less for seeing than hearing, and I am surprised to feel a panic of nostalgic proportions, when she uses that pet name, tighten its way through me.  Mr. Bardy and Schmoo.  I'd forgotten that.

            My feet press against the carpet and the tea cup rattles in my hand.  This morning at 4 a.m. as I lay staring up at the ceiling, my wife, whom I thought dead to the world, rolled over and clapped her hand over my heart.

            "She's dogging you, Richard.  She's got your scent."

            I shook my head up at the darkness.

            Beth's breath felt hot.  "Don't keep anything.  Don't bring her stuff here."

            "Relax.  This isn't a souvenir hunt." 

            I could hear the backbone in her voice.  "You will not get through that door, I promise you."

            The thought of Beth-turned-Cerberus, like a cross between Rebecca of Sunnybrook Farm and the hounds of hell, both amused and worried me.  I'd already explained to her that I would sell Mim's wild game.  My word-of-mouth business as a guide for hunters creates a network for all kinds of transactions like that.

            "Dead meat," she said.  "Like people use to bait traps."

            "Don't push me, Beth.  I'm not scared of Mim."

            "That's what worries me."  She scooted over to the edge of the bed, and we did not speak again.  Soon after I had begun following the trial I'd catch Beth muttering, giving me those caught-you-red-handed looks.  The darkness of a marriage gone bad 12 years before had taken up residence in our house, was tracking its gumbo from room to room.   The old shit got mixed with the new, and before long Beth--Beth!--had threatened divorce.

            Mim winks at me now over the tea cups.  "You're gray, balding and a little paunchy."  Her tone is matter of fact enough that this seems a positive appraisal.

            "You've still got the look of a late-season deer run skinny."

            She peers into her cup, swirls its contents.  "This tea is the first thing I've had since a few lettuce leaves on Wednesday."

            It's weak tea, the sort that might steep for hours and nevertheless taste pale and slight.

            "Let me take you out for dinner.  We can celebrate."  I name a fish fry place on Brady Street.

            "Celebrate?  You're daft, Bardy."

            "Okay, then, commiserate."

             She lifts her chin.  "Misery loves company.  I know what I'm getting out of all this."  She settles her cup and saucer on the ottomon.  "What are you in for?"

            I swallow a sip of tea. "Ostensibly to take a load of meat off your hands."

            "Ostensibly."  She shifts her gaze from me to the sundogs outside.

            During the 13 days it took to complete her trial I came to recognize, even greet familiarly during recesses, the crime voyeurs who piggybacked their interest in Mim Rockaway's fate with that of the "gentleman" rapist's down the hall in courtroom 356.  The quest for justice possesses a tension not unlike that of major sports events.  Groupies gather, begin to rally behind that tension, maybe even place bets.  But tension can't explain my presence for 13 days in the row behind the Defense's table.  It can't explain my getting wrapped up in the proceedings to such an extent that I missed my son's pine wood derby at the Scoutarama last Friday.  Tension can't explain my presence here now.

            Mim's gaze slides back to me, to my left hand, where I wear no wedding ring.

            "You're married."

            I affirm this.

            "Happily?"

            I nod--because, really, there's nothing easier right now.

            "Then why are you here?"

            To break gaze would be to admit something.  Even to blink would be a confession, of sorts.  The space between us is bright with winter's icy sunshine, but webby and dense too, as something negotiates itself in the three or four feet that separate us.  Then Mim laughs.

            "Don't worry.  It's not a come-on.  Tiger put me up to it."

            My neck prickles.  "Where's Tiger come in?"

            "On the phone."  Mim gestures toward the kitchen, and I recall the laughing inquiries about 'babe.'  "Worried is how I'd characterize her.  With all this.  She's worried about the goods."  Mim nods at the Bieber, the Carmon Slater, a little Argo maquette  I'd not noticed tucked away as a bookend.   "I'd guess she's hot-footing her way over right about now."

            The thought of her mother sends an instant headache from temple to temple.  During the time of my marriage to Mim, Tiger Bradley not only became Milwaukee's preeminent collector, the woman who built the Channing collection from "an eclectic hodge-podge of forgettable fringe works to the multi-million dollar cash cow it is today" (a quote from the Daily Sentinel ) but also the dirty older woman who serially groped her son-in-law and propositioned him at every turn.  Mim's breasts were less familiar to me than hers, so frequently did Tiger flash them over hors d'oeurves, frittatas, Bloody Marys--even in upscale restaurants where the waitstaff was trained to indulge such behavior.

            I stand, rub my hands together.  "Let's get going on that meat."

            "There.  I've gone and spooked you."

            Nonsense, I tell Mim, reaching out to help her up from the sofa.  "But it's best to let sleeping dogs lie."  Tiger Bradley isn't so much a sleeping dog as she is a rutting jackal.

            Mim remains seated.  "Something she said disturbed me."

            I don't doubt this.

            "She said, 'Detain him.  Just kill some time.'  Can you imagine--telling me that?  To kill time?  Today of all days?"  Her face looks raw and open, the closest she's been to tears in two weeks.

 

 

 

 

 

            The argument is more memorable than what we were arguing about, though less distinct by a long shot than the buck, newly gutted and strapped to the wide trunk of a Plymouth Fury III.

            The one that got away, I thought as it eased past us on I-94.  Nine Boone & Crockett points with a 21" spread, a non-typical whose brush entwined hooves made evident its last forest trek.

            Mim and I  had stalked through timber all morning, waiting for anything to amble by, the shotguns cold enough in our gloved fingers that the metal burned for the first hour and then left no sensation after that save a bone-throb.

            When the deer showed up aboard its primer-painted chariot, it was stiff as a tree, its tongue askew.  Wisconsin weekends are full of such sights, convenience store parking lots a trophy hall of venison.

            The buck whizzed by just as Mim and I had taken a break in our fighting.  But the sight of it--and whatever lost chances it suggested--was ammo enough to fuel us up again.

            She had dropped to 104 pounds by then and had taken to pegging her pants like some 50's tough.  That combined with the kohl eyeshadow and Camel unfiltered slanting most moments from her bottom lip had rendered her employable only in the most intractable of artscene noir settings, circa 1975, Downer Street.

            The craggy lakeshore blurred past the window of our vintage Mustang, and I noticed a ragged V of geese stitching a hieroglyph against the slate sky.  Mim blew a smoke ring when she saw them, stabbed her finger through it and made some curlicues, as if the geese in their flyway were a message she was writing that morning just for me.

            Lord knows, I'd had an earful by then, enough "You saids" and "You didn'ts" and "You, you, you" to know the tone of her voice signalled The End.  That our marriage endured another nine years reveals a lack of imagination on my part and an uncharacteristic lassitude on hers.

            All the way from Sheboygan to Milwaukee she sat scrunched up against the door, knees pressed against the dashboard, looking as doubled over on herself as a compass.  I glared at the gray strip of highway disappearing beneath our wheels, Lake Michigan like an old scar on my left, Mim wounding me on my right, our marriage a surgery performed with dull instruments.

            "Yeah," she says now,  settling a venison haunch in one of the boxes I've brought, "we were charming, you and I.  I fought with you more than I did with Charlie and less than I did with Pascal.  Not that that had anything to do with what happened," she adds quickly.  "I never had a death wish for him."

            When she mentions the deceased, she does it gingerly--a careful experiment--as if tasting the air with his name.

            I lift a stack of chops from her chest-style freezer, settle them in one of the boxes, and wonder if Pascal had a hand in this hunt, if he helped store the meat here for the future meals he'd never have.  The basement is dank and cheerless with a hulking boiler at one end.  Steam whistles through its pipes.  The few windows are buried under snow, which on a bright day like today gives an odd yellow cast to the grayness.  It's tomblike here and cold.  I settle three pheasant roasters in the box.  Cleaning up after the dead husband chills me.

            I say, "We had hunting, you and I.  That's something, I guess."

            "Neither Charlie nor Pascal were much for that.  No feel for the business end of a shotgun.  Not that it matters now for either of them.  Pascal, for obvious reasons.  And Charlie, because...."

            Mim pauses a moment, sucks in a breath.  The dark humor of that remark sinks in.  It's hard to read her face--the way one brow arches while the other does not; the way her lips part--but I'd say she's torn between horror and amusement.

            "Anyway," she says, "I heard Charlie joined an ashram in Telluride.  That he mortifies his flesh once a year.  Steel grappling hooks sunk under the skin.  Along with 20 other devotees he's led around the ashram's courtyard.  Some kind of ritual, huh?"

            "I'll stick with hunting."

            "That's the chaser to a marriage with me.  Death or torture."  She mimes a quick visual scan of me.  "How did you escape so unscathed?"

            "Who said I did?"

            After handling all the meat, the tips of her fingers are cold when she tilts my chin to face her, and I'm reminded of winter's sting, turning your flesh to ice.  "Behold, the eyes of someone who has outlived a haunting."  She studies me, narrows her eyelids.  

            I shake my head, as much to dispute as to move away.

            But her touch follows me.  "I care about your ghosts."

            My fingers twine among hers, and just like a man in love for the first time I begin with my thumb to explore her hand's topography.  "Adding my ghosts to yours would be like a nonstop Halloween.  Travel light, Mim."

            She looks at the meat stacked around us.  "That's what this is all about."  Still holding hands, she asks what I plan to do with it, and I tell her I've brokered deals with several lodges, even a couple hotel chefs, boutique restaurants that delight in serving exotic game..

            The edges of Mim's mouth turn down, and her shoulders slump.  "I wouldn't have eaten it anyway.  I've been a vegetarian for years."

            This news makes me laugh--something I instantly regret.  Her eyes gore me.

            "Well, I mean, it's incongruent, right?  For a vegetarian to hunt."  I swing her hand lightly.

            She pulls away, and her nod is terse, serious.  "Where congruency is a virtue, yes."

            Sometimes talking with her is like tracking a sneaky bird through heavy cover.  The best strategy requires fits and starts:  a lugubrious exchange sandwiched between uncomfortable silences.  But over the years, I have lost my way in Mim Rockaway's domain....  Even today I've rushed in, neglecting to take the lay of the land, consult a compass, draw a preliminary bead or to sniff out telltale scents.

            "I'm sorry, Mim."

            "For what?"

            "It."

            "You haven't asked if I'm guilty as charged."

            A shrug seems the best bet here.  "I believe your lawyer's version of events."

            "You'd make a lousy prosecuting attorney, Bardy boy."

            "It's less of a stretch that way."

            "A lousy juror, too."

            "So be it."

            She flattens her palm against the gray somber walls, and when she speaks again her tone is grave.  "Because none of us is above the law, you know."

            When she notices that I don't warm to the topic, just keep pitching wrapped meat into these boxes, she adds, "I mean the law of Newtonian physics.  For every action, there is an opposite but equal reaction."  Mim waits a bit.  "If you've ever felt a gun recoil you know that."

            I fold the box lid over and under, the prospect of getting into this as appealing as a run-in with Tiger.  "I'm going to hustle on out to the car."

            "Someone died, and someone will pay."  Mim's hand rests against the wall, and she's staring at it, as if judging its paleness against the cinder block.   "You've got to admire the symmetry.  The neatness."

            A crease forms between her eyes.  Beyond how composed and poised she was in courtroom 312 today, beyond how draped she looked on the sofa while ago, I know it's eating away at her, something even justice rendered can't settle.

            Mim always hung with the search the longest, when a cripple went down over rough country.  I can remember her beating through brambly thatch against a stiff nor'easterly for a half hour after even the dogs had given up.  A zealot, to be sure.  After retrieving a cripple, she dispensed with it quickly, palm spanning its back, finger and thumb compressing the heart for a few moments.  She stares at the wall now, trying to puzzle it through--the neatness and symmetry she's determined to admire--a wild thing, gutshot and left to worry its wound.

            "Remember that day, that cornfield south of Rhinelander?"

            The image floats up out of the murk, and I find myself bracing against it, its kick.  "That combine?"

            There's a nod.  She blinks, swallows.  "I lost my innocence that day."

            "Assholes, Mim.  You can't handicap for the assholes."

            Her voice comes as a raspy whisper.  "It started me on a path that led here.  Because"--she stretches out her hand, as if she might clutch my arm, but the action falls short.  I'm left to imagine the bird's weight of those fingers.   "Because someone died, someone will pay."  Alongside the hushed quality, her voice has the neutrality of a math student's when poring over a story problem.  "But there's no symmetry in it for me.  Five-to-seven is not enough.  Whether at Appleton or elsewhere.  I'm still waiting for the recoil."

            "I don't follow you, Mim.  In that field, they were driving the birds.  Harvesting corn and driving the birds all at the same time.  What's that got to do with you?"  A hunting party of bozo farmboys--ten of them--sitting astride a John Deere eight-picker--shotguns banging away at the roosters that scattered out of the corn in advance of the combine.  Running roosters, sitting roosters, not a one of them flushing, wild or close.  It was a day of indiscriminate slaughter.

            Something ignites behind her eyes.  "No one pots a bird on the ground, unless it's wounded.  What's the punishment for something like that?  A fine?  What they did....  It was out of balance, against nature.  No fine can make that right."

            The rest of the Rhinelander image unfurls:  shotgun blasts hurling pheasants into the dirt with such force the dust explodes where they fall.

            Mim leans against the cold cinder block.  She covers her face with her hands, rubs her eyes. "For what I did, for what happened....  Even five-to-seven....  I don't know that retribution is sufficient."

            It's the confession not even the county prosecutor could wrangle from her--and how appropriate, I think:  here in the catacombs as we pull dead meat from the deep freeze.  When I lie down this night to sleep I'll feel like I spent the day in a morgue.  "Serve it first.  Your time.  Then decide if it's enough."

            This response pleases her.  She lifts her hands.  There's a smile.  "Bardy, you're a survivor."  When I shrug this off, she says, "No, I mean it.  You could send an SOS with a thimble.  Purify ditch water.  Find a fresh trail in dry brush. You're the man, Bardy."

            A box of wild game is at my feet, and I stoop to lift it.  "I taught you everything I know."

            Mim slinks back into the shadows.  "But look how far it's gotten me."

 

 

 

            "Present circumstances notwithstanding, of course, she learned how not to be tragic.  In her time with you.  I credit you with that, Dickie.  Settling her down.  You got her away from that frightful warehouse district.  All those lesbians.  Even during your impotency, she didn't jump ship.  You couldn't get it up, but did Mim bail?  Hell, no.  She left those dykes in the dust."  Satisfied with the fortitude her daughter had shown, Tiger punctuates her speech with a snap of the head and a sip of gin.  Then she clasps her hand around my wrist, the pressure that of talons.  "Giving up the sauce was the best thing you could do, Dickie."

            Even though I wiped away the kiss after Tiger greeted me, I still feel her smudge high on my cheek.  She's a woman who applies lipstick so territorially she leaves stains on tea cups and glasses.  Years ago I convinced myself that she stood to piss and half-expected her one day to lift her leg at me.  Tiger is the danger my wife in the darkness this morning could not anticipate.  My shoulders press back against the sofa, and I cock my head.  "I'm no longer impotent, if that's what you mean."

            Tiger's wearing an embroidered kaftan, its collar nehru-esque.  With toggle-stays like these, it would take some tall fumbling to flash a breast or two.  Under the thick fabric, her shoulders shake with mirth.  "Like it's my business?"

            "I mean"--I lean conspiratorially close--"I have a child now."

            Behind the amusement, her eyes sweep me.  The twelve years since we last met have sharpened the force of her gaze, the peregrine-like visage, the predatory smack of her mouth as she enunciates each word.  Swept back from her forehead, her silver-black hair emphasizes the sleek volpine shape of her face.  Her nose, broken decades ago in a domestic spat, completes this effect.  She's a cross between a hard-coiffed ambassador and a thug, the hybrid carried to a vanishing point extreme where there is no difference.

            I give an elbow nudge and speak sotto voce.  "No test tube baby, this one, Tiger.  We got him the old-fashioned way."

            "Take care, Dickie."  Seated there on the sofa, she steadies her drink, shifts it from her left hand to the right.  "Me thinks the lady doth protest too much."  Her frown settles on a nowhere spot high above Lake Michagan, and I glance, too.  The sundogs have tracked their master to the other side of the sky by now, but the light has a cast:  filtered gold.  The temperature had dropped to 11 below last I checked.

            Mim throws us a look when she walks into the room.  She sets a basket of pate and crackers on the end table, and Babe bounds up from his place on the Oriental.  Before Mim can shoo him away he's wolfed down a hunk of pate.

            Babe.  The cause of all that phone laughter while ago.  A hundred pound chocolate labrador with a head like Mt. Rushmore.  He has drooled since Tiger ushered him in, little frothy spots here, frothy spots there, a froth deposit at my crotch.

            "He greets you genitally," Tiger--always helpful--had said.  Apparently she'd been dog-sitting him throughout the trial and has now brought him back.

            Mim opens one panel of the French doors, and Babe scrambles out into the snow.  He trees a squirrel.  In the next instant, he pees on the birdbath.  Then he posts up at the front gate, barking out at the street, balls prominent under uplifted tail.  When he comes back inside, he has ice pellets in the pads of his paws.  Over by the fireplace he stands, one paw lifted, ears drooping, strained tuba sounds issuing from his brickish muzzle.

            "It's obvious how he got his name."  I nod at the brown beast.  "Is he like this on the hunt?"

            Mim presses her lips together and starts rubbing Vaseline into the leathery pad of his paw.  Tiger tosses her head.  "You two and hunting.  I always swore killing small animals was what kept you together so long."  She leans toward me, her ivory teeth wet.  "Hunting isn't everything, Dickie."

            "Don't tell my clients that."

            She scoots closer, wants to hear all about my marvelous little business, all about my fabulous little success.  It must be delightful to have established myself, such a triumph.

            But I've got my sights trained on Mim, who has continued massaging Vaseline into Babe's paw.  Her fingers tend to the details, separate out the chunky toes, coat the fur between them.  There's a maternal quality to her work.

            Mim's voice sounds strained when she says, "He doesn't hunt."

            "What?  A non-hunting labrador?  Do tell."

            "I mean, he hates the blast of a gun.  Can't track.  Won't run ditches.  He's got no nose."

            "The worthless mutt!"

            Babe takes this for praise and dumps his blocky head in my lap.  He grins his goose liver breath up at me.

            Like the proud grandmama, Tiger hunkers toward him.  "How's my big good man?  That's right.  How's my man today?"

            Mim twists the lid on the Vaseline, sets it aside.  She looks around, as if for another domestic task.  An ice bucket stands on the end table.  Mim brought it out when Tiger arrived.  She picks it up, doesn't glance at her mother.  The few cubes inside rattle around.  She says something about a refill.  On her way to the kitchen, she grabs Tiger's now-empty glass.

            After she's gone, Tiger scoots toward me, her whisper cloying.  "Were you frightened in retrospect, frightened for your life?" 

            I bump Babe's head aside and stand.  Packed away in the back of my Blazer and hard as granite in the sub-zero cold, the wild game awaits delivery to its posh venues.  A half-full bag of dog food stands by the door.  Tiger carried it in when she showed up with Babe.  She carried it in, and it hasn't moved from that spot.  No one's said anything, no one's so much as looked at it, but it's been clear ever since Babe thumped his paws against my chest that I'm to leave here when I go with him.  And that bag.

            Tiger's whisper is thick.  "I mean, it could've been you."

            "What could've been me?"

            She smiles.  "Playing the tenderfoot, huh, Dickie.  But that's not you."  Beneath the intense gaze, I can feel her tracking me, trying to draw a bead.  "All the nights you lay beside her, all the years you didn't kill each other.  Both of you armed to the teeth.  Don't you wonder now--why Pascal, not me?  Don't you wonder why you didn't die?"

            "Fuck off, Tiger."

            She laughs.  "That won't fill the bill, Dickie.  It's deeper than that.  The truth is too great for one or two people to bear.  So who else is there, after me, but you?  Mim didn't have anyone else, anyone who once knew her, once loved her."  She tilts her head oddly, and the stiff fabric of her kaftan rustles.  "Or maybe still loves her."

            "Don't be preposterous."

            "Sure, you've got your wife, your son.  But are you free of Mim?  I think not.  Not even murder can help you there."

            "Voluntary manslaughter, Tiger."

             Tiger laces her fingers behind her head and lifts her chin, appraising me.  Her days are spent evaluating brush strokes, color and line, judging aesthetic movement--but I can see her eating insects circa Biblical famines or drinking blood circa the Donner Pass or abandoning her children circa Rwanda:  she would survive by doing what she must.  She says, "You always knew what to do.  I could admire you for that.  So smart."

            "I don't follow you, Tiger."

            She shrugs.  "It's better that way.  In--how long?  Twelve years, more than that?--our paths haven't crossed.  This city is big enough for the both of us.  After today, I don't expect to see you again."

            I have the sense of having been pushed along something, worked out of heavy cover into the light brush--twigs and clumps--along the edges.  "It's not like you to wax sentimental."

            Tiger rises from the sofa, draws near.  "I'm a collector.  I find myself hanging onto things most people would not.  Any other old woman would be called a packrat."  She turns to look out the window, her sleek profile etched against the glass.  "But I've made millions."

            I had forgotten this aspect of Tiger, the one who advertises her wealth, dotes on it.  She is among what must be only a handful of consumers in 1997, according to Cadillac's marketing survey, who favored fully loaded El Dorado sedans.

            She faces me.  "You're not like me, Dickie.  You jettison the excess.  All that tromping through the woods has taught you what to carry, what to leave."

            "You flatter me, Tiger."

            "Oh, it's not a compliment.  But I can admire a survival skill when I see one."

            "So cut to the chase."

            "Mim's been under the gun like nothing else.  It's hounding her."

            "And understandably so.  Take a look."

            "Not everything about this is as on the surface as you might think.  Let me just thank you in advance."  She bows stiffly.  "Maybe we'll all laugh ten years from now."

            "Nobody's going to laugh."

            "It's clear I don't have to spell it out."  She places a hand on my forearm, slides it up to my biceps, fingers lingering.  Her gaze settles on my chest.  "In a different time, under different circumstances, we would have been lovers.  I guess we can both regret that."

            "We would've ended up killing each other, Tiger."

            She arches her brows.  "Runs in the family, that."

           

 

 

 

 

 

            In the kitchen, I lean against the window frame, part the curtains.  Chimney whisps float above frozen rooftops.  True to the end, the sundogs are making their final descent toward the horizon, the sun a blaze between them, and I watch.  It'll be hard for me to shake this day, harder still to walk out of here free.  As recently as four hours ago, at the courthouse, I felt unencumbered, even light.  But when I think back to the courthouse now, I know the lightness to be illusion.

            Designed in the manner of other buildings where Justice must balance her scales, the county courthouse has a cut limestone exterior, its corinthian columns recalling a Golden Era in the improbable Milwaukee downtown.  Inside, the polished marble and the bronze statuary and the walnut paneling can bear the burden of the truths brought forth there.  Those materials are sturdy enough to absorb the crimes, the whispering robes of justice dark enough to swallow whole the ugliness, the panic and desperation, the blood, until they become part of those materials.  Marble isn't just marble but marble-plus-the crime.  The profundity of stone, metal and wood become an ideal counterpart to the dark stalking wolf.  They can bear the weight, even cleanse it.

            But Mim's kitchen can't do that.  Her copper cookware is too slight and jangly, the skillets, though made of heavy gauge aluminum, not strong enough to bear the weight.

            I turn away from the window.  The walls are awash in late afternoon light.  Mim stirs water in a saucepan, her face shadowed by the array of pans hanging over the stove.  Everything looks precarious and insubstantial.  The heaviness of this day bows my shoulders forward, and I sink against the counter.

            The water in the saucepan begins to boil, and Mim stirs more rapidly.  When a funnel forms, she slides an egg from a dish into it.  A timer stands on the counter.  She cranks it to three minutes and turns to me.  "He understands voice commands, believe it or not."

            I stare grimly at the tile floor.  "Babe."

            "He's what I'll miss more than anything.  Not freedom, not people.  I've menstruated once since 1987.  You know yourself I could never have a child....  Please, Bardy boy.  He's my baby."

            "Mim, it's dicey as hell."

            She grabs my shirt sleeve, yanks it up.  "Look.  When I get out, he'll be

--what?--six, maybe eight years old.  He can help me bridge the gap, all that time locked away.  He can bridge the whole goddamn thing."

            "Mim, I've got a family.  I can't...."

            "He knew me before, he'll know me after."

            I push her away, and we face off like that, eyes twitchy.  When the day shakes down to its final ugliness, I'll feel like the one locked up.  "You told your mother I was impotent."

              Mim looks surprised, then stares at the pans hanging above the stove.  "I didn't tell her."

            "How did she find out?"

              Mim places a slotted spoon next to the saucepan.  Plates are stacked in a glass-fronted hutch, and she reaches for one.  "How does she find anything out?  Maybe she guessed it.  I don't have to remind you what my childhood was like."  She pops a slice of bread into the toaster, watches the heat coils glow red.  All at once her eyes widen.  "You know what?  She read about it."

            "Read about it?"

            "In my diary."

            "You wrote that?"  I whirl to face her.  "Something that only happened when I was drinking?"

            "I needed an outlet." She hesitates.  "It was a bad time."

            "How the hell did Tiger get her hands on your diary?"

            Mim frowns down at the toaster, and her response is so long in coming I think she's seeing the future there in the toaster's shiny sides, or at least next week.  "She found it.  Here.  Right afterward...."

            The kitchen counter has an edge of beveled oak.  It cuts into my back as I lean against it.  "She came here?"

            Mim nods.

            It only takes a moment.  "Tiger cleared the evidence.  She secured the crime scene."

            Slotted spoon in hand, Mim skims the poached egg from the saucepan.  She places the egg in a dish and pokes at it with a wedge of toast.  Yolk bleeds onto the gelatinous white, and she lifts the toast for a bite, holds it there balanced for a moment, then drops it onto a plate.  Mim pushes the plate away and meets my gaze.  "The woman worked like a white tornado."

            I lean against the counter, elbows braced.  Now I know what I'll find in that bag of dog food.

 

 

 

            Fully loaded, a 9mm pistol weighs no more than a cigarette case.  It's designed primarily for close range but can be pushed to 100 meters by elevating the barrel 25-30 degrees above the horizontal.  The pearl inlay grip on this model was probably optional, a luxury addition to the platinum finish.  Standing on icy Pier 19, wind spiking about me, I sight down its snub barrel.  Handguns never interested me, whether for self-defense or as collector's items, though I've known dozens of people who acquire them, the trade in weapons as lively as the stock exchange.  This one would fetch a handsome price, would round out someone's collection of curios, especially once its history surfaced.  I squint down the shiny barrel and catch myself trying to see what she must have seen.  I find instead the sluggish water, Lake Michigan's waves heavy with ice chunks and slush.  The eastern horizon is dark enough to make you shiver, a thick and profound blackness that looms over the water as if ready to pounce.  Twilight hovers toward the west, and rush hour headlights wink along the lakefront.  Out here, 100 yards into the lake, the city is pretty remote.  The pier's concrete edges are draped under a slippery crust, all of the pilings sculpturesque and ice-covered, a banquet laid with a frozen tablecloth.

            Bumping against my thigh as he shifts from one paw to the other, Babe whines.  A frost rhime has formed on his muzzle.  He's careful not to hold eye contact with me, though.  The storm flap on my coat flutters in the wind, and he looks no higher than it, some native survival skills of his own kicking in.

            There are laws of the jungle I barely understand, though I fancy myself capable of guiding other men by them.  Of course, Wisconsin meadows are not the jungle.  Anymore than a lakefront living room is.  At least I would not have said as much.  Until today.

            Know the difference between life-without-parole and five-to-seven?  A circle of petticoats.  That's the joke I'll never get to tell, not to my grandchildren or to the guys over a game of Sheepshead or to clients on the hunt.

            Baggage.

            The first report shatters the twilight like a firecracker and splinters the knobby wedge of ice that looks for all the world like an Egyptian deity.  Beside me, Babe goes aerial.  When he lands, he slips and slides, legs akimbo.  His nails dig into the ice, but to no effect.  He sprawls like a spider, ears flapping in the wind.  The second shot ricochets off the concrete ramparts in a way that pleases me, and Babe scrambles.  His back legs have gone out from under him, and he skitters toward the edge of the pier.

            Let him go, let him drown in the fucking lake.  I take a 9mm aim at his ugly head, and never has a target looked so large.  It's the kind of day that makes you want to put something out of its misery, and here in the frozen dark is my chance.

            But I drop the gun to my side, drill the remaining bullets into the ice.  When the chamber clicks, I give a big roundhouse toss and watch out over the water as the pistol arcs.  The waves accept it, fold it in, cold steel sinking into an ice bath.  Like the stone, metal and wood of Milwaukee's courthouse, Lake Michigan can cleanse all evils.

            The dog lunges, still trying to get purchase.  I seize his collar, drag him across the pier with me.  He wheezes, tenses those massive neck muscles, trying to fight.  On ice, his 100 pounds are formidable, and we do this ball and chain routine all the way to the parking lot.  I end up half-yanking, half-wrestling him along.

            Beth said not to bring anything back.  She told me not to keep anything.  But when you've been to the gates of hell, how can you resist?

            He can sleep in the crawlspace beneath the woodshed until I clear out one of the kennels.  He'll be Bubba, not Babe, gnaw beef bones, not lap up pate.  Once spring comes, once the earth bursts again from its wintry grave, my son and I will train him.  If he can't hunt, we'll try tracking.  If he can't track, we'll try obedience.  If he can't obey, we'll give him a poodle cut and sit him on a pillow.  By then, of course, we all will have found a soft spot in our hearts, and he won't be an outdoor dog any longer but have run of the house.  I can see his big paws tracking mud and grit from room to room, I can see him slobbering on the curtains.  By then I'll no longer think about driving him to a nowhere spot along the Eagle River, a place where wolves are known to roam, and dropping the tailgate on the Blazer.  And I'll be free.

 

 

 

 

 

"Holding the Bag" appeared in

THE HUDSON REVIEW