1.1 ::- :=Lois: ferebamus, ferebatis, fere, fere -- 1.1 ::- :=Lois: ferebatis, fere -- fere -- fere -- 1.1 ::- :=Lois: Oh, dear. Utor, fruor, fung -- 1.1 ::- :=Mary: that I would bring you some and -- 1.1 ::- :=Rosalie: long here, and it's short here and -- 1.1 ::- :=Mrs. Mortar: think she quite appreciates it, but -- 1.1 ::- :=Mrs. Mortar: to tell you these things before, but -- 1.1 ::- :=Mary: little thing I do. I'll tell her, I'll -- 1.2 ::- :=Martha: I've got that it's wrong somewhere -- 1.2 ::- :=Martha: God, how I used to hate all that -- 1.2 ::- :=Martha: I don't mean that, but it's so -- 1.3 ::- :=Mrs. Mortar: that you don't resent these things -- 1.3 ::- :=Mrs. Mortar: the Infant Phenomenon in Birmingham -- 1.3 ::- :=Mrs. Mortar: with me! Here I've donated my services -- 1.3 ::- :=Martha: don't like the school or the farm or -- 1.3 ::- :=Mrs. Mortar: as they have something good for me -- 1.3 ::- :=Martha: them any longer. I want you to leave -- 1.3 ::- :=Peggy: We heard voices and we couldn't help -- 1.3 ::- :=Mrs. Mortar: new- fangled notions of discipline and -- 1.3 ::- :=Mrs. Mortar: to have some way to let out steam and -- 1.3 ::- :=Martha: our rope with her. This kind of thing -- 1.3 ::- :=Martha: talking about it this afternoon and -- 1.3 ::- :=Cardin: to make a great deal of difference -- 1.3 ::- :=Martha: I'm sorry. I'm a fool, a nasty, bitter -- 1.4 ::- :=Mary: I want to see my grandmother. I want to -- 1.4 ::- :=Peggy: really. We just didn't think and -- 1.4 ::- :=Evelyn: about lithening. I gueth it wathn't -- 1.4 ::- :=Evelyn: about Mortar going away to England and -- 1.4 ::- :=Rosalie: If you're going to move your things -- 1.4 ::- :=Mary: Don't muss my white linen bloomers -- 1.4 ::- :=Mary: finishing it. There's one part in it -- 1.4 ::- :=Peggy: Oh, Mary -- 1.4 ::- :=Peggy: any place you want. Maybe by that time -- 1.4 ::- :=Peggy: I -- I -- 1.4 ::- :=Evelyn: You can't have that money, Mary -- 1.4 ::- :=Peggy: long -- you took it from me last time -- 1.4 ::- :=Peggy: It took me so long to save that and I -- 2.1 ::- :=Mary: and then a lady gave me a ride and -- 2.1 ::- :=Mary: I ran away, Grandma. They didn't know -- 2.1 ::- :=Agatha: If you're going to let her -- 2.1 ::- :=Mary: so much. I'll study hard, honest, and -- 2.1 ::- :=Mary: little girl, and that it was unnatural -- 2.1 ::- :=Mary: said she was just a jealous fool and -- 2.1 ::- :=Mary: she wouldn't get married right away if -- 2.1 ::- :=Mary: and they punish me all the time for -- 2.1 ::- :=Mary: out the rest of the term, why, then -- 2.1 ::- :=Mrs. Tilford: about the school and Evelyn and Mary -- 2.2 ::- :=Mary: to go and you'll beg on the streets -- 2.2 ::- :=Rosalie: oath there is. Mary! Please don't -- 2.2 ::- :=Mary: have to do it. Say it quick or I'll -- 2.2 ::- :=Mary: to go back. He'll say I really wasn't -- 2.2 ::- :=Cardin: that. Amelia, she's a terribly spoilt -- 2.2 ::- :=Cardin: and now that Mrs. Mortar is leaving -- 2.3 ::- :=Martha: the children being pushed into cars -- 2.3 ::- :=Martha: You fool! You damned, vicious -- 2.3 ::- :=Mrs. Tilford: I realize it very well. And -- 2.3 ::- :=Karen: There didn't seem to be any reason -- 2.4 ::- :=Mary: they're -- because they -- Grandma, I -- 2.4 ::- :=Mary: was why we got punished, just because -- 2.4 ::- :=Mary: and visited Miss Wright late at night -- 2.4 ::- :=Mary: because the sounds were like -- 2.4 ::- :=Mary: Grandma, I -- 2.4 ::- :=Mary: because it was different sort of and I -- 2.4 ::- :=Mary: I -- I -- 2.4 ::- :=Mary: we heard them. Everybody heard them -- 2.4 ::- :=Rosalie: What things? I never -- I -- I -- 2.4 ::- :=Rosalie: and Helen helps me sometimes, if that -- 2.4 ::- :=Rosalie: I never even could have thought of -- 2.4 ::- :=Mary: the day Helen Burton's bracelet was -- 2.4 ::- :=Rosalie: I never did. I -- I -- you're just -- 2.4 ::- :=Mary: something I've got to tell you that -- 2.4 ::- :=Rosalie: said was right. I said it, I said it -- 3.1 ::- :=Karen: suppose we do, what of it? We'll jus -- 3.1 ::- :=Karen: town and go shopping and act as though -- 3.1 ::- :=Martha: circulars and their visits and their -- 3.1 ::- :=Karen: any more. Martha, Martha, Martha -- 3.1 ::- :=Mrs. Mortar: I had a most interesting time. Things -- 3.1 ::- :=Mrs. Mortar: the theater now, and that accounts for -- 3.1 ::- :=Mrs. Mortar: working right along with you and we'll -- 3.2 ::- :=Mrs. Mortar: still be here. They would have felt -- 3.2 ::- :=Karen: for me. What about the hospital and -- 3.2 ::- :=Cardin: now, much colder than you'd expect -- 3.2 ::- :=Cardin: -- All right. Is it -- was it ever -- 3.2 ::- :=Cardin: sorry. I didn't mean to hurt you, I -- 3.2 ::- :=Cardin: leave each other. I can't leave you -- 3.2 ::- :=Cardin: No. I won't -- 3.2 ::- :=Cardin: it won't make any difference. We will -- 3.3 ::- :=Martha: I should be fond of you, that I should -- 3.3 ::- :=Martha: been there ever since I first knew you -- 3.3 ::- :=Mrs. Mortar: what we can do -- You think she's dea -- 3.3 ::- :=Mrs. Mortar: a sin. Shouldn't we call somebody to -- 3.3 ::- :=Mrs. Mortar: -- she was just worried and sick and -- 3.3 ::- :=Mrs. Mortar: to me? I haven't anything. Poor Martha -- 3.3 ::- :=Agatha: Just for a minute, Miss Karen. Please -- 3.3 ::- :=Mrs. Mortar: can't come in here. She caused all -- 3.3 ::- :=Mrs. Mortar: do with it. I'll never let that woman -- 3.3 ::- :=Mrs. Tilford: to me and no one else. She's -- she's -- 3.3 ::- :=Mrs. Tilford: here now, Karen. You can't stay with -- 1.4 ::'CAUSE :=Rosalie: right, I'll do it this time, but just 'cause I got a good disposition. But don't 1.4 ::'EM :=Mary: scared of Grandma -- she helped 'em when they first started, you know -- 1.4 ::'EM :=Mary: you know -- and when she tells 'em something, believe me, they'll sit up 1.4 ::'EM :=Mary: Of course you wouldn't. You'd let 'em do anything to you they want. Well, they 3.3 ::'EM :=Martha: the hawks descend, you've got to feed 'em. Where's Joe? Where's Joe? 1.1 ::'TIS :=Peggy: him that gives and him that takes: 'tis mightiest in the mightiest; it becomes 1.1 ::'TIS :=Peggy: "'Tis mightiest in the mightiest; it becomes 1.1 ::A :=Mrs. Mortar: Just a moment, Peggy. It is very unfortunate that 1.1 ::A :=Peggy: What's a cue? 1.1 ::A :=Mrs. Mortar: A cue is a line or word given the actor or 1.1 ::A :=Mrs. Mortar: A cue is a line or word given the actor or actress 1.1 ::A :=Mrs. Mortar: offers, my dear. But the cinema is a shallow art. It has no -- no -- no fourth 1.1 ::A :=Mrs. Mortar: You are pleading for the life of a man. "But mercy is above this sceptred 1.1 ::A :=Lois: We've got a Latin exam this afternoon. 1.1 ::A :=Mrs. Mortar: In my entire career I've never missed a line. 1.1 ::A :=Mrs. Mortar: This is a pretty time to be coming to your sewing 1.1 ::A :=Mrs. Mortar: at least remember that you owe me a little courtesy. Courtesy is breeding. 1.1 ::A :=Mary: I took a walk. 1.1 ::A :=Mrs. Mortar: So you took a walk. And may I ask, young lady, are we 1.1 ::A :=Mrs. Mortar: classes. Now run along, dear, and get a vase and some water to put my flowers 1.1 ::A :=Peggy: want to go on the stage. I want to be a lighthouse-keeper's wife. 1.1 ::A :=Karen: I can see that. A new style? Looks as thought it has holes 1.1 ::A :=Evelyn: but Rothalie'th got funny hair. I thaw a picture in the paper, and I wath trying 1.1 ::A :=Mrs. Mortar: She picked them for me. It made her a little late to class, but she heard me 1.1 ::A :=Karen: necessary to go so far. There was a bunch exactly like this in the garbage 1.1 ::A :=Mrs. Mortar: Oh, I can't believe it! What a nasty thing to do! And I suppose you have 1.1 ::A :=Karen: Lois. You'll come out all right. Wait a minute, Mary. Mary, I've had the feeling 1.1 ::A :=Karen: it was true until you came here a year ago. I don't think you're very happy 1.1 ::A :=Karen: If you feel that you have to take a walk, or that you just can't come to class, 1.1 ::A :=Mary: I've got a pain. I've had it all morning. It hurts 1.1 ::A :=Mary: It's a bad pain. I've never had it before. 1.1 ::A :=Mrs. Mortar: -- ? Heart trouble is very serious in a child. 1.2 ::A :=Martha: to her? She was perfectly well a few hours ago. 1.2 ::A :=Karen: go to the boat-races and she had a heart attack. 1.2 ::A :=Karen: I doubt it. She's a problem, that kid. Her latest trick was 1.2 ::A :=Karen: trick was kidding your aunt out of a sewing lesson with those faded flowers 1.2 ::A :=Karen: Which would give the school a swell black eye. But we ought to do so 1.2 ::A :=Martha: How about having a talk with Mrs. Tilford? 1.2 ::A :=Karen: She's a strange girl. 1.2 ::A :=Karen: talk about the child as if she were a grown woman. 1.2 ::A :=Martha: girls. I don't know what it is -- it's a feeling I've got that it's wrong somewhere 1.2 ::A :=Karen: best performance of Rosalind during a hurricane. Today in the kitchen you could 1.2 ::A :=Martha: she does Hedda Gabler standing on a chair. Sir Henry taught her do it that 1.2 ::A :=Martha: her do it that way. He said it was a test of great acting. 1.2 ::A :=Karen: You must have had a gay childhood. 1.2 ::A :=Martha: talk to her today. It'll probably be a week or two before she can be ready to 1.2 ::A :=Martha: You haven't talked of marriage for a long time. 1.2 ::A :=Karen: be able to. I've been in love with Joe a long time. It's a big day for the school. 1.2 ::A :=Karen: in love with Joe a long time. It's a big day for the school. Rosalie's finally 1.2 ::A :=Karen: do you say things like that? We agreed a long time ago that my marriage wasn't going 1.2 ::A :=Martha: to make ends meet -- think of having a winter coat without holes in the lining 1.2 ::A :=Karen: This is a silly argument, Martha. Let's quit it. 1.2 ::A :=Karen: Let's quit it. You haven't listened to a word I've said. I'm not getting married 1.2 ::A :=Cardin: that little black bull he bought. He's a baby! There's going to be plenty of good 1.2 ::A :=Karen: come in and see her. She says she has a pain in her heart. 1.3 ::A :=Mrs. Mortar: difference does it make? Why, it was a deliberate snub. 1.3 ::A :=Martha: very little pleasure in watching a man use a stethoscope. 1.3 ::A :=Martha: little pleasure in watching a man use a stethoscope. 1.3 ::A :=Martha: Tell that to Joe. Maybe he'll give you a job as duenna for his office. 1.3 ::A :=Mrs. Mortar: it's true. Where could you have gotten a woman of my reputation to give these children 1.3 ::A :=Mrs. Mortar: Satisfied enough, I guess, for a poor relation. 1.3 ::A :=Mrs. Mortar: beginning you shouldn't have bought a place like this. Burying yourself on a 1.3 ::A :=Mrs. Mortar: a place like this. Burying yourself on a farm! You'll regret it. 1.3 ::A :=Martha: Lily, you've talked about London for a long time. Would you like to go over? 1.3 ::A :=Martha: the money now, and it will do you a lot of good. You pick out the boat you 1.3 ::A :=Martha: Now that's all fixed. You'll have a grand time seeing all your old friends, 1.3 ::A :=Martha: Aunt Lily. Go as soon as you've found a place you like. I'll put the money in the 1.3 ::A :=Mrs. Mortar: Any day that he's in the house is a bad day. 1.3 ::A :=Martha: that goes on in your head could keep a psychologist busy for years. Now go take 1.3 ::A :=Mrs. Mortar: man come into this house, you have a fit. It seems like you just can't stand 1.3 ::A :=Mrs. Mortar: You were always like that even as a child. If you had a little girl friend, 1.3 ::A :=Mrs. Mortar: like that even as a child. If you had a little girl friend, you always got mad 1.3 ::A :=Mrs. Mortar: anybody else. Well, you'd better get a beau of your own now -- a woman of your 1.3 ::A :=Mrs. Mortar: better get a beau of your own now -- a woman of your age. 1.3 ::A :=Cardin: I could have managed a better faint than that when I was six years 1.3 ::A :=Cardin: No, ma'am, not a thing. Just a little something she thought 1.3 ::A :=Cardin: No, ma'am, not a thing. Just a little something she thought up. 1.3 ::A :=Martha: But it's such a silly thing to do. She knew we'd have you 1.3 ::A :=Cardin: at eight thirty. Yes, ma'am, we're a proud old breed. 1.3 ::A :=Cardin: She's always been a honey. Aunt Amelia's spoiling hasn't helped 1.3 ::A :=Cardin: in the contract. Forget Mary for a minute. You and I have got something to 1.3 ::A :=Cardin: but our marriage oughtn't to make a great deal of difference -- 1.3 ::A :=Martha: I wish -- Joe, please, I'm sorry. I'm a fool, a nasty, bitter -- 1.3 ::A :=Martha: -- Joe, please, I'm sorry. I'm a fool, a nasty, bitter -- 1.3 ::A :=Martha: Your friend's got a nice shoulder to weep on. 1.4 ::A :=Evelyn: Wright, we've been together almotht a year. 1.4 ::A :=Karen: That's a very stupid thing to say. I can't imagine 1.4 ::A :=Mary: And it's all because I had a pain. If anybody else was sick they'd be 1.4 ::A :=Cardin: you've stopped working yourself into a fit. I've got to go now. She's not going 1.4 ::A :=Karen: Wait a minute. I'll walk to the car with you. 1.4 ::A :=Peggy: to Miss Wright. I guess it was kind of a lover's gift. People get awfully angry 1.4 ::A :=Peggy: gift. People get awfully angry about a lover's gift. 1.4 ::A :=Evelyn: Did you really have a pain? 1.4 ::A :=Mary: A lot it'll get you to faint. 1.4 ::A :=Mary: And a lot of crawling and crying you both did 1.4 ::A :=Rosalie: I have a class soon. If you're going to move your 1.4 ::A :=Rosalie: right now. Miss Wright's coming in a minute. 1.4 ::A :=Mary: that way. Sit down and stop being such a sissy. Rosalie, you go on up and move my 1.4 ::A :=Mary: on up and move my things and don't say a word about our being down here. 1.4 ::A :=Rosalie: do it this time, but just 'cause I got a good disposition. But don't think you're 1.4 ::A :=Mary: Oh, a little secret we got. Go on, now, what 1.4 ::A :=Peggy: that she was like that when she was a little girl, and that she'd better get 1.4 ::A :=Peggy: and that she'd better get herself a beau of her own because it was unnatural, 1.4 ::A :=Evelyn: we didn't hear any more. Peggy dropped a book. 1.4 ::A :=Mary: A lot of people don't -- they're too ugl 1.4 ::A :=Mary: Ah, she won't say a word. 1.4 ::A :=Peggy: It's a shame about being moved. I've got to go 1.4 ::A :=Mary: It was a dirty trick making us move. She just wants 1.4 ::A :=Mary: Say I did it -- it doesn't make a bit of difference any more to me. Now listen, 1.4 ::A :=Evelyn: Not me. Not a thent. 1.4 ::A :=Mary: I've got to have at least a dollar for the taxi and a dime for the 1.4 ::A :=Mary: at least a dollar for the taxi and a dime for the bus. 2.1 ::A :=Agatha: gaping at me. Have they given you a holiday or did you just decide you'd get 2.1 ::A :=Agatha: or did you just decide you'd get a better dinner here? Can't you even say 2.1 ::A :=Mary: Hello, Agatha. You didn't give me a chance. Where's Grandma? 2.1 ::A :=Mary: I got a little dirty coming home. I walked part 2.1 ::A :=Agatha: be at this time of day? She's taking a bath. 2.1 ::A :=Agatha: don't you feel well? Who ever heard of a person going for a walk in the woods when 2.1 ::A :=Agatha: Who ever heard of a person going for a walk in the woods when they didn't feel 2.1 ::A :=Agatha: you certainly won't want any dinner. A good dose of rhubarb and soda will fix 2.1 ::A :=Agatha: Did I say that? I said she needed a good dose of rhubarb and soda. Most likely 2.1 ::A :=Mary: I -- I walked most of the way, and then a lady gave me a ride and -- 2.1 ::A :=Mary: of the way, and then a lady gave me a ride and -- 2.1 ::A :=Mrs. Tilford: That was a very bad thing to do, and they'll be worried. 2.1 ::A :=Mrs. Tilford: that angry. Come, you're acting like a foolish little girl. 2.1 ::A :=Mrs. Tilford: can hardly -- What made you say such a terrible thing about Miss Wright and Miss 2.1 ::A :=Mary: Yes, I did. My heart -- I had a pain in my heart. I couldn't help having 2.1 ::A :=Mary: But I did have a pain in my heart -- honest. 2.1 ::A :=Mary: got it much any more, but I feel a little weak, and I was so scared of Miss 2.1 ::A :=Mrs. Tilford: It's perfectly possible that you had a pain, but if you had really been sick your 2.1 ::A :=Mrs. Tilford: that, child, or you'll grow up to be a very unhappy woman. I'm not going to scold 2.1 ::A :=Mary: before I went to sleep? And it was a rule nobody could say another single word 2.1 ::A :=Mary: A lot of things -- all the time. Miss Wright 2.1 ::A :=Mrs. Tilford: to do with you? I don't understand a word you're saying. 2.1 ::A :=Mrs. Tilford: For a little girl you're imagining a lot of big 2.1 ::A :=Mrs. Tilford: For a little girl you're imagining a lot of big things. Why should they be scared 2.1 ::A :=Mary: All right. But there're a lot of things. They have secrets or something, 2.1 ::A :=Mary: Grandma. She said it was unnatural for a girl to feel that way. 2.1 ::A :=Mary: been like that, even when she was a little girl, and that it was unnatural 2.1 ::A :=Mary: you," and then she said she was just a jealous fool and -- 2.1 ::A :=Mary: comes in after we go to bed and stays a long time. I guess that's why they want 2.1 ::A :=Mrs. Tilford: almost ready, and I can't eat with a girl who has such a dirty face. 2.1 ::A :=Mrs. Tilford: I can't eat with a girl who has such a dirty face. 2.1 ::A :=Mary: Well, a lot of things I don't understand. But it's 2.1 ::A :=Mrs. Tilford: Noises? I suppose you girls have a happy time imagining a murder. 2.1 ::A :=Mrs. Tilford: you girls have a happy time imagining a murder. 2.1 ::A :=Mrs. Tilford: Be still a minute. No, you won't have to go back. 2.2 ::A :=Agatha: me what you won't do. You'll act like a lady for once in your life. Come on in, 2.2 ::A :=Mary: Whoooooo. Whoooooo. You're a goose. 2.2 ::A :=Rosalie: noises at night? You could have been a werewolf. 2.2 ::A :=Mary: A werewolf wouldn't want you. 2.2 ::A :=Mary: Will you give me a free T.L. if I tell you? 2.2 ::A :=Rosalie: Why, Mary Tilford! You can't do a thing like that. I didn't tell you about 2.2 ::A :=Rosalie: Did your tell your grandmother such a thing? 2.2 ::A :=Mary: Wait a minute, I'll come with you. 2.2 ::A :=Mary: You can't call me a fibber, Rosalie Wells. That's a kind of 2.2 ::A :=Mary: me a fibber, Rosalie Wells. That's a kind of a dare and I won't take a dare. 2.2 ::A :=Mary: Rosalie Wells. That's a kind of a dare and I won't take a dare. I guess I'll 2.2 ::A :=Mary: a kind of a dare and I won't take a dare. I guess I'll go tell Grandma, anyway. 2.2 ::A :=Mary: they'll let you out maybe with a big sign on your back saying you're a thief, 2.2 ::A :=Mary: a big sign on your back saying you're a thief, and your mother and father will 2.2 ::A :=Mary: least of all the police. You're just a common, ordinary thief. Stop that bawling. 2.2 ::A :=Mary: have the whole house down here in a minute. 2.2 ::A :=Mary: Am I a fibber? 2.2 ::A :=Mary: Wait a minute. Say: "From now on, I, Rosalie Wells, 2.2 ::A :=Mary: she tells me under the solemn oath of a knight." 2.2 ::A :=Rosalie: she tells me under the solemn oath of a knight. 2.2 ::A :=Mrs. Tilford: Did I take you away from a patient? 2.2 ::A :=Cardin: the same. No money, badly equipped, a lousy laboratory, everybody growling at 2.2 ::A :=Mrs. Tilford: It's a very hard thing to say, Joseph. 2.2 ::A :=Cardin: managed, at that. Amelia, she's a terribly spoilt -- 2.2 ::A :=Mrs. Tilford: you've been engaged to Karen for a long time. Are your plans any more definite 2.2 ::A :=Mrs. Tilford: plans any more definite than they were a year ago? 2.2 ::A :=Cardin: Putting her out? Well, maybe. But a nice sum for a trip and a promise that 2.2 ::A :=Cardin: out? Well, maybe. But a nice sum for a trip and a promise that a good niece will 2.2 ::A :=Cardin: maybe. But a nice sum for a trip and a promise that a good niece will support 2.2 ::A :=Cardin: nice sum for a trip and a promise that a good niece will support you the rest of 2.2 ::A :=Cardin: isn't odd at all. Lily Mortar is not a harmless woman, although God knows she's 2.2 ::A :=Cardin: God knows she's silly enough. She's a nasty, tiresome, spoilt old bitch. It you're 2.2 ::A :=Cardin: spoilt old bitch. It you're forming a Mortar Welfare Society, you're wasting 2.2 ::A :=Cardin: You're a very impertinent lady. Why must I -- not 2.3 ::A :=Karen: Is it a joke, Joe? 2.3 ::A :=Martha: because she didn't want to enter a place like ours. Five minutes later the 2.3 ::A :=Martha: It was a madhouse. People rushing in and out, the 2.3 ::A :=Mrs. Tilford: I can understand that, and I understand a lot more. You've been playing with a lot 2.3 ::A :=Mrs. Tilford: a lot more. You've been playing with a lot of children's lives, and that's why 2.3 ::A :=Cardin: You have already done a terrible thing. 2.3 ::A :=Mrs. Tilford: be their own business. It becomes a great deal more than that when children 2.3 ::A :=Karen: It's not true. Not a word of it is true; can't you understand 2.3 ::A :=Karen: say this, but here it is: there isn't a single word of truth in anything you've 2.3 ::A :=Karen: ourselves -- and against what? Against a lie. A great, awful lie. 2.3 ::A :=Karen: -- and against what? Against a lie. A great, awful lie. 2.3 ::A :=Cardin: Righteousness is a great thing. 2.3 ::A :=Martha: part of this, you said. But you'll get a part. More than you bargained for. Listen: 2.3 ::A :=Martha: it -- and we'll make you do it in a court room. Tomorrow, Mrs. Tilford, you 2.3 ::A :=Martha: Tomorrow, Mrs. Tilford, you will have a libel suit on your hands. 2.3 ::A :=Cardin: So you took a child's word for it? 2.3 ::A :=Karen: believe -- it couldn't be. Why, she's a child. 2.3 ::A :=Martha: She's not a child any longer. 2.3 ::A :=Karen: well now. That girl has hated us for a long time. We never knew why, we never 2.3 ::A :=Karen: Your Mary's a strange girl, a bad girl. There's something 2.3 ::A :=Karen: Your Mary's a strange girl, a bad girl. There's something very awful 2.3 ::A :=Cardin: honest thing to do is to give them a chance to come out whole. Are you hone 2.4 ::A :=Cardin: they don't. I've lied myself for a lot of different reasons, but there was 2.4 ::A :=Cardin: different reasons, but there was never a time when, if I'd been given a second chance, 2.4 ::A :=Cardin: never a time when, if I'd been given a second chance, I wouldn't have taken back 2.4 ::A :=Cardin: you this because I'm about to ask you a question. Before you answer the question, 2.4 ::A :=Cardin: tell you that you've l -- if you made a mistake, you must talk this chance and 2.4 ::A :=Cardin: Not by a long shot. You've started something, and 2.4 ::A :=Karen: That's a lie. 2.4 ::A :=Mary: funny about her. She said that she had a funny feeling about Miss Wright, and Mrs. 2.4 ::A :=Martha: My aunt is a stupid woman. What she said was unpleasant; 2.4 ::A :=Martha: I share a room with my aunt. It is on the first floor 2.4 ::A :=Mrs. Tilford: Mary? Why did you say you saw through a keyhole? Can you hear from your room -- 2.4 ::A :=Cardin: home. We are finished here. It's not a pleasant place to be. 2.4 ::A :=Mary: it. She said she read about it in a book and she knew. You ask Rosalie. You 2.4 ::A :=Mrs. Tilford: Please wait a minute. Rosalie! 2.4 ::A :=Mrs. Tilford: must be tired. Mary says there's been a lot of talk in the school lately about 2.4 ::A :=Karen: open, you saw us kissing each other in a way that -- women don't kiss one anoth 2.4 ::A :=Rosalie: didn't, I didn't. I never said such a thing. 3.1 ::A :=Martha: off these chairs sooner or later. In a couple of months they'll need dusting. 3.1 ::A :=Karen: It's a week ago Thursday. It never seemed real 3.1 ::A :=Karen: We'll take a walk. 3.1 ::A :=Karen: Why shouldn't we take a walk? We won't see anybody, and suppose 3.1 ::A :=Martha: Shopping? That's a sound idea. There aren't three stores in 3.1 ::A :=Martha: I've got eight fingers, see? I'm a freak. 3.1 ::A :=Grocery Boy: There's a car comin' here. Good-bye. 3.1 ::A :=Karen: and you know you're back again in a solid world. But now it's all the nightmare; 3.1 ::A :=Martha: at all. Some small sandwiches and a little brandy? 3.1 ::A :=Mrs. Mortar: Around, around. I had a most interesting time. Things -- 3.1 ::A :=Mrs. Mortar: I was moving around a great deal. You know, I think it will throw 3.1 ::A :=Mrs. Mortar: deal. You know, I think it will throw a very revealing light on the state of the 3.1 ::A :=Mrs. Mortar: that the Lyceum in Rochester now has a toilet back stage. 3.1 ::A :=Mrs. Mortar: the wrong way to look at it. I was on a tour; that's a moral obligation, you know. 3.1 ::A :=Mrs. Mortar: to look at it. I was on a tour; that's a moral obligation, you know. Now don't let's 3.1 ::A :=Mrs. Mortar: things any more. I'll go up and unpack a few things; tomorrow's plenty of time to 3.1 ::A :=Martha: know. She expected to walk right up to a comfortable fire and sit down and she very 3.1 ::A :=Martha: Karen Wright and Martha Dobie brought a libel suit against a woman called Tilford 3.1 ::A :=Martha: Dobie brought a libel suit against a woman called Tilford because her grandchild 3.1 ::A :=Martha: Don't like that, do you? Well, a great part of the defense's case was based 3.1 ::A :=Martha: against her niece, Martha. And a greater part of the defense's case rested 3.1 ::A :=Martha: explain those remarks. Mrs. Mortar had a moral obligation to the theater. As you 3.2 ::A :=Cardin: Look who's here. A little late, aren't you? 3.2 ::A :=Mrs. Mortar: So it's you. Now, I call that loyal. A lot of men wouldn't still be here. They 3.2 ::A :=Cardin: cakes and take you both to Ischl for a honeymoon. 3.2 ::A :=Martha: A big coffee cake with a lot of raisins. 3.2 ::A :=Martha: A big coffee cake with a lot of raisins. It would be nice to like 3.2 ::A :=Cardin: I'll be going back with a pretty girl who belongs to me. I'll show 3.2 ::A :=Cardin: car. "Joseph," he said, "you'll be a good doctor; I would trust you to cut up 3.2 ::A :=Cardin: you to cut up my Minna. But you're not a great doctor, and you never will be. Go 3.2 ::A :=Karen: A few. Oh, your Dr. Fischer was so right. 3.2 ::A :=Cardin: I need an overcoat and a suit. You'll need a lot of things -- heavy 3.2 ::A :=Cardin: an overcoat and a suit. You'll need a lot of things -- heavy things. It's cold 3.2 ::A :=Cardin: and that's where we'll go for a month. 3.2 ::A :=Cardin: to stop talking like that. We've got a chance. But it's just one chance, and if 3.2 ::A :=Cardin: Nothing. Nothing. Karen, there are a lot of people in this world who've had 3.2 ::A :=Karen: I know. I'm sorry. Joe, can we have a baby right away? 3.2 ::A :=Karen: And every word will have a new meaning. You think we'll be able to 3.2 ::A :=Karen: Yes, you do. We've both known for a long time. I knew surely the day we lost 3.2 ::A :=Karen: I'm glad you asked. I'm not mad a bit, really. 3.2 ::A :=Karen: sure; you thought there might be just a little truth in it all. You've been good 3.2 ::A :=Karen: been good to me and loyal. You're a fine man. Now go and sit down, Joe. I have 3.2 ::A :=Karen: same, even my dress is old. We're in a room we've been in so many times before; 3.2 ::A :=Karen: that everybody has. I can have you and a baby, and I can go to market, and we can 3.2 ::A :=Karen: or later -- and answered. You're a good man -- the best I'll ever know -- 3.2 ::A :=Karen: -- will you go away for two days -- a day -- and think this all over by yourself 3.3 ::A :=Martha: A patient? Will he be back in time for d 3.3 ::A :=Martha: I don't believe it. He's never said a word all these months, all during the trial 3.3 ::A :=Martha: wrong. It's silly. He'll be back in a little while and you'll clear it all up 3.3 ::A :=Martha: A job? Money? 3.3 ::A :=Karen: In a big place we could get something to do 3.3 ::A :=Karen: A small town, then. 3.3 ::A :=Martha: get used to it; we'll be here for a long time. Let's pinch each other sometimes. 3.3 ::A :=Karen: But this isn't a new sin they tell us we've done. Other 3.3 ::A :=Martha: other, of course. I've loved you like a friend, the way thousands of women feel 3.3 ::A :=Martha: all along; maybe I couldn't call it by a name; maybe it's been there ever since 3.3 ::A :=Karen: It's a lie. You're telling yourself a lie. We 3.3 ::A :=Karen: It's a lie. You're telling yourself a lie. We never thought of each other that 3.3 ::A :=Martha: anybody but you. I've never loved a man -- I never knew why before. Maybe it's 3.3 ::A :=Martha: don't do anything about it. Suddenly a child gets bored and lies -- and there 3.3 ::A :=Martha: my own. I didn't even know. There's a big difference between us now, Karen. I 3.3 ::A :=Martha: Tomorrow? That's a funny word. Karen, we would have had to 3.3 ::A :=Martha: Karen, we would have had to invent a new language, as children do, without words 3.3 ::A :=Mrs. Mortar: Karen! Martha! Where are you? I heard a shot. What was -- What -- what is it? What 3.3 ::A :=Mrs. Mortar: We've got to get a doctor -- right away. 3.3 ::A :=Mrs. Mortar: to do everything I could. Suicide's a sin. Shouldn't we call somebody to -- 3.3 ::A :=Karen: In a little while. 3.3 ::A :=Mrs. Mortar: awful business. She would have got a job and started all over again -- she was 3.3 ::A :=Mrs. Mortar: I answer it? I think we'd better. It's a woman. It's woman to see you, Karen. You 3.3 ::A :=Mrs. Mortar: You can't come in now; we've had a -- we've had trouble here. 3.3 ::A :=Agatha: please let her come in. Just for a minute, Miss Karen. Please -- 3.3 ::A :=Agatha: You poor child. You look like you got a pain somewhere. I only came cause she's 3.3 ::A :=Agatha: won't talk to her any more. I wouldn't a come -- I always been on your side -- but 3.3 ::A :=Agatha: see her, you'd let her come for just a minute. 3.3 ::A :=Agatha: You always been a good girl. 3.3 ::A :=Mrs. Tilford: Last Tuesday Mrs. Wells found a bracelet in Rosalie's room. The bracelet 3.3 ::A :=Mrs. Tilford: out. Don't do that, Karen. I have only a little more to say, I've talked to Judge 3.3 ::A :=Mrs. Tilford: make all arrangements. There will be a public apology and an explanation. The 3.3 ::A :=Karen: the choking, don't you? You've done a wrong and you have to right that wrong 3.3 ::A :=Karen: wrong place for help. You want to be a "good" woman again, don't you? Oh, I know. 3.3 ::A :=Karen: you did. Now you "have" to do this. A public apology and money paid, and you 3.3 ::A :=Karen: left for you. But what of me? It's a whole life for me. A whole God-damned life. 3.3 ::A :=Karen: what of me? It's a whole life for me. A whole God-damned life. and what of her 3.3 ::A :=Karen: I'm tired, Mrs. Tilford. You will have a hard time ahead, won't you? 3.3 ::A :=Mrs. Tilford: It's been cold. It seems a little warmer, now. 1.1 ::A-A-A :=Mary: A-a-a. 1.1 ::AARON'S :=Mrs. Mortar: "One master passion in the breast, like Aaron's serpent, swallows all the rest." 1.1 ::AB :=Lois: Ad, ab, ante, in, de, inter, con, post, prae 1.1 ::ABLATIVE :=Catherine: Take the ablative. 1.2 ::ABLE :=Karen: I'm glad to be able to. I've been in love with Joe a long 1.3 ::ABLE :=Martha: and if you live sensibly I ought to be able to let you have enough to get along 3.2 ::ABLE :=Karen: have a new meaning. You think we'll be able to run away from that? Woman, child, 1.1 ::ABOUT :=Mrs. Mortar: handkerchiefs or something. Be clever about it. Women must learn these tricks. 1.1 ::ABOUT :=Mrs. Mortar: I am sure your family need never worry about your going on the stage. 1.1 ::ABOUT :=Mary: that. Everything I say you fuss at me about. Everything I do is wrong. 1.1 ::ABOUT :=Karen: has -- and I won't be unreasonable about yours. But this way, this kind of lying 1.2 ::ABOUT :=Karen: go to her grandmother with some tale about being mistreated. 1.2 ::ABOUT :=Martha: How about having a talk with Mrs. Tilford? 1.2 ::ABOUT :=Karen: wouldn't do any good. She's too crazy about Mary to see her faults very clearly 1.2 ::ABOUT :=Martha: How about asking Joe to say something to her? 1.2 ::ABOUT :=Karen: It's funny. We always talk about the child as if she were a grown w 1.2 ::ABOUT :=Karen: we'll talk it over with Joe. Now what about our other pet nuisance? 1.2 ::ABOUT :=Karen: at dinner she was telling the girls about the time she lost her trunks in Butte, 1.2 ::ABOUT :=Martha: You've been very patient about it. I'm sorry and I'll talk to her 1.2 ::ABOUT :=Martha: Then you are thinking about it -- soon? 1.2 ::ABOUT :=Karen: telling you anything we haven't talked about often. 1.2 ::ABOUT :=Martha: But you're talking about it as soon now. 1.3 ::ABOUT :=Martha: What are you talking about? Why, in the name of heaven, should 1.3 ::ABOUT :=Martha: like it here. Aunt Lily, you've talked about London for a long time. Would you like 1.3 ::ABOUT :=Martha: That suits everybody. You complain about the farm, you complain about the school, 1.3 ::ABOUT :=Martha: complain about the farm, you complain about the school, you complain about Karen, 1.3 ::ABOUT :=Martha: about the school, you complain about Karen, and now you have what you want 1.3 ::ABOUT :=Martha: looking for something to complain about. 1.3 ::ABOUT :=Martha: What are you talking about now? 1.3 ::ABOUT :=Martha: Go upstairs now. We'll talk about this later. 1.3 ::ABOUT :=Mrs. Mortar: to say you're not going to do anything about that? That's the trouble with these 1.3 ::ABOUT :=Martha: things you say. Oh, I'll "do something about it," but the truth is that this is 1.3 ::ABOUT :=Martha: Henry's watching her from above. What about Mary? 1.3 ::ABOUT :=Martha: somebody ought to talk to Mrs. Tilford about her. 1.3 ::ABOUT :=Martha: Well, Karen and I were talking about it this afternoon and -- 1.3 ::ABOUT :=Cardin: You and I have got something to fight about. Every time anything's said about marrying 1.3 ::ABOUT :=Cardin: about. Every time anything's said about marrying -- about Karen marrying me 1.3 ::ABOUT :=Cardin: time anything's said about marrying -- about Karen marrying me -- you -- There it 1.4 ::ABOUT :=Karen: too long. Now, don't let's talk about it. Peggy, you will move into Lois's 1.4 ::ABOUT :=Peggy: lover's gift. People get awfully angry about a lover's gift. 1.4 ::ABOUT :=Mary: Oh, stop worrying about it. I'll get out of it. 1.4 ::ABOUT :=Evelyn: We were thort of thorry about lithening. I gueth it wathn't -- 1.4 ::ABOUT :=Mary: Ah, you're always sorry about everything. What were they saying? 1.4 ::ABOUT :=Mary: About what? 1.4 ::ABOUT :=Evelyn: Well, they were talking about Mortar going away to England and - 1.4 ::ABOUT :=Evelyn: of her, and then they tharted talking about Dr. Cardin. 1.4 ::ABOUT :=Mary: What about him? 1.4 ::ABOUT :=Mary: move my things and don't say a word about our being down here. 1.4 ::ABOUT :=Rosalie: I don't know what you're talking about. 1.4 ::ABOUT :=Mary: Oh, I'm not talking about anything in particular. You just run 1.4 ::ABOUT :=Peggy: It's a shame about being moved. I've got to go in with 1.4 ::ABOUT :=Evelyn: What are you going to do about the vathe? 1.4 ::ABOUT :=Mary: I don't care about Rosalie and I don't care about the 1.4 ::ABOUT :=Mary: care about Rosalie and I don't care about the vase. I'm not going to be here 1.4 ::ABOUT :=Mary: You let me worry about that. Grandma's very fond of me, on 1.4 ::ABOUT :=Evelyn: What'th going to happen about the vathe? 2.1 ::ABOUT :=Agatha: She didn't say anything about you coming. 2.1 ::ABOUT :=Mrs. Tilford: made you say such a terrible thing about Miss Wright and Miss Dobie? You know 2.1 ::ABOUT :=Mrs. Tilford: tonight. Let's not have any more talk about it now, and let's have no more running 2.1 ::ABOUT :=Mary: It was -- it was all about Miss Dobie and Mrs. Mortar. They were 2.1 ::ABOUT :=Mary: She said there was something funny about it, and that Miss Dobie had always 2.1 ::ABOUT :=Mary: couldn't help it, but we never talked about it much, because we thought they'd 2.1 ::ABOUT :=Mrs. Tilford: phone. Can't you come sooner? It's not about Mary's fainting -- I said it's not 2.1 ::ABOUT :=Mrs. Tilford: Mary's fainting -- I said it's not about Mary, Joseph; in one way it's about 2.1 ::ABOUT :=Mrs. Tilford: about Mary, Joseph; in one way it's about Mary -- But will the hospital take 2.1 ::ABOUT :=Mrs. Tilford: very shocking, I'm afraid -- something about the school and Evelyn and Mary -- 2.2 ::ABOUT :=Rosalie: everything, don't you? Isn't it funny about school? 2.2 ::ABOUT :=Mary: What's funny about it? 2.2 ::ABOUT :=Mary: that I may have said that you told me about it? 2.2 ::ABOUT :=Rosalie: a thing like that. I didn't tell you about anything. Did your tell your grandmother 2.2 ::ABOUT :=Mary: I want to tell her about Helen Burton's bracelet. 2.2 ::ABOUT :=Rosalie: What about it? 2.2 ::ABOUT :=Cardin: results from the mating-season right about now. 2.2 ::ABOUT :=Cardin: you didn't bring me here to talk about the hospital. We're talking like people 2.2 ::ABOUT :=Cardin: for you to say to me? Don't be worried about Mary. I guessed that she ran home to 2.2 ::ABOUT :=Cardin: guessed that she ran home to tell you about her faint. It was caused by nothing 2.2 ::ABOUT :=Mrs. Tilford: I heard about the faint. That's not what is worrying 2.2 ::ABOUT :=Mrs. Tilford: I've heard about their putting Mrs. Mortar out. 2.2 ::ABOUT :=Cardin: I don't know what you're talking about, but it isn't odd at all. Lily Mortar 2.3 ::ABOUT :=Cardin: What are you talking about? 2.3 ::ABOUT :=Cardin: What are you talking about? What do you mean? 2.3 ::ABOUT :=Mrs. Tilford: to this: I can't trust myself to talk about it with you now or ever. 2.3 ::ABOUT :=Karen: What's she talking about, Joe? What's she mean? What is she 2.3 ::ABOUT :=Cardin: ought to have. You wouldn't know about that. That school meant things to them: 2.3 ::ABOUT :=Cardin: You don't know anything about how I feel. And you don't know how 2.3 ::ABOUT :=Mrs. Tilford: has been done. There won't be any talk about it or about you -- I'll see to that. 2.3 ::ABOUT :=Mrs. Tilford: There won't be any talk about it or about you -- I'll see to that. You have been 2.4 ::ABOUT :=Cardin: I'm telling you this because I'm about to ask you a question. Before you answer 2.4 ::ABOUT :=Cardin: truth this afternoon? The exact truth about Miss Wright and Miss Dobie? 2.4 ::ABOUT :=Mary: Dobie that there was something funny about her. She said that she had a funny 2.4 ::ABOUT :=Mary: She said that she had a funny feeling about Miss Wright, and Mrs. Mortar said that 2.4 ::ABOUT :=Mary: like that and all the girls would talk about it when Miss Dobie went and visited 2.4 ::ABOUT :=Mary: was Rosalie, Grandma, she told us all about it. She said she read about it in a 2.4 ::ABOUT :=Mary: us all about it. She said she read about it in a book and she knew. You ask 2.4 ::ABOUT :=Mary: She'll tell you. We used to talk about it all the time. That's the truth, 2.4 ::ABOUT :=Mary: door was open once and she told us all about it. I was just trying to save Rosalie, 2.4 ::ABOUT :=Mrs. Tilford: a lot of talk in the school lately about Miss Wright and Miss Dobie. Is that 2.4 ::ABOUT :=Mrs. Tilford: What was the talk about, Rosalie? 2.4 ::ABOUT :=Rosalie: thing. Mary always makes things up about me and everybody else. I never said 2.4 ::ABOUT :=Karen: There's nothing to cry about. You must help us by telling the truth. 3.1 ::ABOUT :=Karen: What's the old thing about time being more nourishing than br 3.1 ::ABOUT :=Martha: Let's not talk about it. What about eggs for dinner? 3.1 ::ABOUT :=Martha: Let's not talk about it. What about eggs for dinner? 3.1 ::ABOUT :=Martha: sell us anything. Hasn't he heard about the ladies' clubs and their meetings 3.1 ::ABOUT :=Karen: I don't know. I don't know about anything any more. Martha, Martha, 3.1 ::ABOUT :=Martha: Answer me and don't bother about my temper. 3.1 ::ABOUT :=Mrs. Mortar: you know. Now don't let's talk about unpleasant things any more. I'll go 3.2 ::ABOUT :=Karen: I won't have you do this for me. What about the hospital and -- 3.2 ::ABOUT :=Cardin: No. Let's not talk about it. You'll need some clothes? 3.2 ::ABOUT :=Cardin: I don't know what you're talking about. 3.3 ::ABOUT :=Karen: Stop talking about it. Let's pack and get out of here. 3.3 ::ABOUT :=Martha: They'd know about us. We've been famous. 3.3 ::ABOUT :=Martha: They'd know more about us. 3.3 ::ABOUT :=Martha: the way thousands of women feel about other women. 3.3 ::ABOUT :=Martha: mean anything. There's nothing wrong about that. It's perfectly natural that I 3.3 ::ABOUT :=Martha: says I didn't? I never felt that way about anybody but you. I've never loved a 3.3 ::ABOUT :=Martha: know it and you don't do anything about it. Suddenly a child gets bored and 3.3 ::ABOUT :=Mrs. Tilford: Those ten or fifteen years you talk about! They will be bad years. 1.1 ::ABOVE :=Peggy: the dread and fear of kings; but mercy is above . . . " 1.1 ::ABOVE :=Peggy: "But mercy is above. It . . . " 1.1 ::ABOVE :=Peggy: dread and fear of kings; but mercy is above this sceptred sway, it is enthroned 1.1 ::ABOVE :=Mrs. Mortar: for the life of a man. "But mercy is above this sceptred sway; it is enthroned 1.3 ::ABOVE :=Martha: in case Sir Henry's watching her from above. What about Mary? 1.3 ::ABROAD :=Martha: The angel child's influence is abroad even while she's unconscious. Her 1.3 ::ABSOLUTELY :=Mrs. Mortar: I absolutely refuse to be shipped of three 1.3 ::ABSOLUTELY :=Cardin: Nothing. Absolutely nothing. 2.3 ::ABSOLUTELY :=Mrs. Tilford: well I wouldn't have acted until I was absolutely sure. All I wanted was to get 1.1 ::ABUSE :=Catherine: longer, O Cataline, are you going to abuse our patience? Now translate it, and 1.1 ::ABUTERE :=Lois: "Quo usque tandem abutere . . . " 1.1 ::ABUTERE :=Karen: "Abutere." What's happened to your hair, 1.4 ::ACCOUNT :=Mary: that. Grandma's very fond of me, on account my father was her favorite son. I 3.1 ::ACCOUNTS :=Mrs. Mortar: something in the theater now, and that accounts for -- 3.1 ::ACCUSED :=Martha: Tilford because her grandchild had accused them of having what the judge called 1.3 ::ACT :=Martha: Don't act, Aunt Lily. Go as soon as you've found 2.2 ::ACT :=Agatha: Don't tell me what you won't do. You'll act like a lady for once in your life. Come 2.2 ::ACT :=Rosalie: Don't act like you can come home every night. 2.3 ::ACT :=Mrs. Tilford: seen too many people, out of pride, act on that pride. In the end they punish 3.1 ::ACT :=Karen: to go into town and go shopping and act as though -- 2.3 ::ACTED :=Mrs. Tilford: you know very well I wouldn't have acted until I was absolutely sure. All I 1.2 ::ACTING :=Martha: way. He said it was a test of great acting. 2.1 ::ACTING :=Mrs. Tilford: they'll be that angry. Come, you're acting like a foolish little girl. 2.1 ::ACTING :=Mrs. Tilford: anything to say, then say it and stop acting silly. 1.1 ::ACTOR :=Mrs. Mortar: A cue is a line or word given the actor or actress to remind them of their 1.1 ::ACTRESS :=Mrs. Mortar: to me many's the time, pity makes the actress. Now, why can't you feel pity? 1.1 ::ACTRESS :=Mrs. Mortar: is a line or word given the actor or actress to remind them of their next spe 1.2 ::ACTRESS :=Martha: My aunt the actress? What's she been up to now? 3.1 ::ACTRESS :=Martha: based on remarks made by Lily Mortar, actress in the toilets of Rochester, against 2.4 ::ACTS :=Karen: her that you saw certain -- certain acts between Miss Dobie and myself. She says 1.1 ::AD :=Lois: Ad, ab, ante, in, de, inter, con, post, prae 1.3 ::ADMIRABLE :=Karen: He's an admirable man in every way. Well, the angel 1.2 ::ADMIT :=Martha: Well, we can't, and we might as well admit it. We've tried everything we can think 1.2 ::ADMITTING :=Karen: That would be admitting that we can't do the job ourse 2.1 ::AFRAID :=Mrs. Tilford: And I miss you, but I'm afraid my Latin is too rusty -- you'll learn 2.1 ::AFRAID :=Mary: they got something against me. I'm afraid of them, Grandma. 2.1 ::AFRAID :=Mary: couldn't be together any more. They're afraid to have us near them, that's what 2.1 ::AFRAID :=Mary: They're afraid you'll find out. 2.1 ::AFRAID :=Mary: have secrets or something, and they're afraid I'll find out and tell you. 2.1 ::AFRAID :=Mrs. Tilford: you -- something very shocking, I'm afraid -- something about the school and 2.3 ::AFRAID :=Karen: You are right to be afraid. 2.3 ::AFRAID :=Mrs. Tilford: I am not afraid, Karen. 2.4 ::AFRAID :=Mrs. Tilford: Sit down, dear, and don't be afraid. 3.3 ::AFRAID :=Martha: You're afraid of hearing it; I'm more afraid than 3.3 ::AFRAID :=Martha: You're afraid of hearing it; I'm more afraid than you. 3.3 ::AFRAID :=Mrs. Mortar: I -- I haven't any place to go. I'm afraid. It seems so queer -- in the next 3.3 ::AFRAID :=Karen: Don't be afraid. 2.1 ::AFTER :=Mrs. Tilford: your face and change your dress, and after dinner John will drive you back. Run 2.1 ::AFTER :=Mrs. Tilford: dear. You'll have to go back to school after dinner. 2.1 ::AFTER :=Mary: nobody could say another single word after you finished? You used to say: "Wor-rr-ld," 2.1 ::AFTER :=Mary: I stay out the rest of this term? After the summer maybe I won't mind it so 2.1 ::AFTER :=Mary: to the boat-races and -- It's -- it's after what happened today. 2.1 ::AFTER :=Mary: Almost always Miss Dobie comes in after we go to bed and stays a long time. 3.1 ::AFTER :=Martha: Now and forever after. 1.1 ::AFTERNOON :=Lois: We've got a Latin exam this afternoon. 1.1 ::AFTERNOON :=Mary: Good afternoon, Miss Wright. 1.3 ::AFTERNOON :=Martha: Karen and I were talking about it this afternoon and -- 2.2 ::AFTERNOON :=Cardin: Today. This afternoon. 2.4 ::AFTERNOON :=Cardin: your grandmother the truth this afternoon? The exact truth about Miss Wright 1.2 ::AFTERWARD :=Martha: It's going to be hard going on alone afterward. 1.1 ::AGAIN :=Mrs. Mortar: room are talking? Peggy, read the line again. I'll give you the cue. 1.1 ::AGAIN :=Mrs. Mortar: of Shakespeare. Let us go back again. "It is an attribute of -- " 1.1 ::AGAIN :=Karen: in hearing that foolish story again. I know you got the flowers out of 1.2 ::AGAIN :=Martha: coat without holes in the lining again! -- and now when we're getting on our 1.3 ::AGAIN :=Mrs. Mortar: and I shall never live to see it again. 2.1 ::AGAIN :=Agatha: -- I bet you've been up to something again. Well, you wait right here till I tell 2.1 ::AGAIN :=Mary: Wright gets mad, and then they make up again, and there are funny noises and we 2.2 ::AGAIN :=Cardin: Please. How are you feeling? Headaches again? 2.3 ::AGAIN :=Mrs. Tilford: I won't have her go through with that again. You came here demanding explanations. 2.4 ::AGAIN :=Karen: Ask her again how she could see us. 3.1 ::AGAIN :=Martha: No, I'd like to be hungry again. Remember how much we used to eat at 3.1 ::AGAIN :=Karen: own nightgown and you know you're back again in a solid world. But now it's all 3.1 ::AGAIN :=Mrs. Mortar: and I'm very glad to see the old place again. How is everything? 3.1 ::AGAIN :=Mrs. Mortar: Oh, Martha, there's your temper again. 3.2 ::AGAIN :=Cardin: all going. We're going to have fun again. 3.2 ::AGAIN :=Martha: It would be nice to like something again. 3.2 ::AGAIN :=Karen: You'll be coming home again some day. 3.2 ::AGAIN :=Cardin: be. We must find that out all over again. We must learn again to live and love 3.2 ::AGAIN :=Cardin: that out all over again. We must learn again to live and love like other people 3.2 ::AGAIN :=Karen: yourself that we might be all right again. But we won't be all right. Not ever, 3.3 ::AGAIN :=Mrs. Mortar: have got a job and started all over again -- she was just worried and sick and 3.3 ::AGAIN :=Karen: that wrong or you can't rest your head again. You want to be "just," don't you, 3.3 ::AGAIN :=Karen: help. You want to be a "good" woman again, don't you? Oh, I know. You told us 3.3 ::AGAIN :=Karen: and money paid, and you can sleep again and eat again. That done and there'll 3.3 ::AGAIN :=Karen: paid, and you can sleep again and eat again. That done and there'll be peace for 3.3 ::AGAIN :=Mrs. Tilford: Karen, and that there never would be again. But what I am or why I came doesn't 1.4 ::AGAINST :=Mary: stick up for your crush. Take her side against mine. 2.1 ::AGAINST :=Mary: anyhow, just like they got something against me. I'm afraid of them, Grandma. 2.3 ::AGAINST :=Karen: here defending ourselves -- and against what? Against a lie. A great, awful 2.3 ::AGAINST :=Karen: ourselves -- and against what? Against a lie. A great, awful lie. 3.1 ::AGAINST :=Martha: and Martha Dobie brought a libel suit against a woman called Tilford because her 3.1 ::AGAINST :=Martha: actress in the toilets of Rochester, against her niece, Martha. And a greater 2.1 ::AGATHA :=Mary: Hello, Agatha. You didn't give me a chance. Where's 2.1 ::AGATHA :=Mrs. Tilford: all it was. I was frightened when Agatha said you were not well. 2.1 ::AGATHA :=Mrs. Tilford: thing to do, and they'll be worried. Agatha, phone Miss Wright and tell her Mary 2.1 ::AGATHA :=Mrs. Tilford: Never mind phoning now, Agatha. 2.2 ::AGATHA :=Mrs. Tilford: I haven't seen you the last few weeks. Agatha misses you for Sunday dinners. 2.3 ::AGATHA :=Karen: Mrs. Tilford, Agatha. Is she in? 3.3 ::AGATHA :=Karen: Agatha. 3.3 ::AGATHA :=Karen: I'm not mad at you, Agatha. 3.3 ::AGATHA :=Karen: I couldn't do that, Agatha. 1.3 ::AGE :=Mrs. Mortar: So? You're turning me out? At my age! Nice, grateful girl you are. 1.3 ::AGE :=Mrs. Mortar: of your own now -- a woman of your age. 2.1 ::AGE :=Agatha: to catch your death of cold at your age? Did you have to hurry so? 2.1 ::AGE :=Mrs. Tilford: like being home with me, but at your age you can hardly -- What made you say such 1.3 ::AGENTS :=Mrs. Mortar: go back to the stage. I'll write to my agents tomorrow, and as soon as they have 1.1 ::AGO :=Mrs. Mortar: Long ago, my dear, long ago. Now, take you book 1.1 ::AGO :=Mrs. Mortar: Long ago, my dear, long ago. Now, take you book over by the window 1.1 ::AGO :=Karen: it was true until you came here a year ago. I don't think you're very happy here, 1.2 ::AGO :=Martha: She was perfectly well a few hours ago. 1.2 ::AGO :=Karen: like that? We agreed a long time ago that my marriage wasn't going to make 2.2 ::AGO :=Mrs. Tilford: more definite than they were a year ago? 2.3 ::AGO :=Karen: We should have told it to you long ago. It's no use. 3.1 ::AGO :=Karen: That was ten years ago. 3.1 ::AGO :=Karen: It's a week ago Thursday. It never seemed real until 1.1 ::AGREE :=Karen: I don't say that I'll always agree that you should do exactly what you 1.4 ::AGREEABLE :=Evelyn: you think of that? What made her tho agreeable? 1.2 ::AGREED :=Karen: Why do you say things like that? We agreed a long time ago that my marriage wasn't 1.1 ::AH :=Mrs. Mortar: with some feeling, some pity? Pity. Ah! As Sir Henry said to me many's the time, 1.4 ::AH :=Evelyn: Ah, Mith Wright, we've been together almotht 1.4 ::AH :=Mary: Ah, you're always sorry about everything. 1.4 ::AH :=Mary: Ah, she won't say a word. 1.4 ::AH :=Evelyn: Ah, she wantth that bithycle tho bad. 3.2 ::AH :=Karen: and grow until we'd be ruined by it. Ah, Joe, you've seen all that yourself. You 3.1 ::AHEAD :=Martha: to know that there's one thing ahead of me, one thing I've got to do. You 3.1 ::AHEAD :=Martha: to think there are such people, go ahead. 3.2 ::AHEAD :=Cardin: talk any more. Let's forget and go ahead. 3.2 ::AHEAD :=Karen: Go ahead? 3.3 ::AHEAD :=Karen: Tilford. You will have a hard time ahead, won't you? 3.3 ::AIN'T :=Agatha: Mrs. Tilford. Don't you feel well? You ain't mad at me? 1.1 ::ALL :=Mrs. Mortar: Certainly. Suppose you all write it down. 1.1 ::ALL :=Mrs. Mortar: breast, like Aaron's serpent, swallows all the rest." 1.1 ::ALL :=Karen: Don't worry, Lois. You'll come out all right. Wait a minute, Mary. Mary, I've 1.1 ::ALL :=Mary: I've got a pain. I've had it all morning. It hurts right here. Really 1.2 ::ALL :=Karen: All right, all right, we'll talk it over 1.2 ::ALL :=Karen: All right, all right, we'll talk it over with Joe. Now 1.2 ::ALL :=Martha: I did, indeed. God, how I used to hate all that -- 1.2 ::ALL :=Martha: she can be ready to leave. Is that all right? 1.2 ::ALL :=Martha: when we're getting on our feet, you're all ready to let it go to hell. 1.3 ::ALL :=Martha: seen one heart attack you've seen them all. 1.3 ::ALL :=Martha: and I'll get the passage. Now that's all fixed. You'll have a grand time seeing 1.3 ::ALL :=Martha: fixed. You'll have a grand time seeing all your old friends, and if you live sensibly 1.3 ::ALL :=Martha: Nothing the matter with her at all, then? 1.4 ::ALL :=Mary: And it's all because I had a pain. If anybody else 1.4 ::ALL :=Mary: for everything. I do, Cousin Joe. All the time for everything. 1.4 ::ALL :=Peggy: that happens and we'll give you all the souvenirs and things. 1.4 ::ALL :=Peggy: It's all right. Evelyn and I'll get your things. 1.4 ::ALL :=Rosalie: All right, I'll do it this time, but just 1.4 ::ALL :=Peggy: in with Helen, and she blows her nose all night. Lois told me. 1.4 ::ALL :=Mary: was her favorite son. I can manage her all right. 1.4 ::ALL :=Peggy: had anything the rest of you get all the time. It took me so long to save 1.4 ::ALL :=Peggy: All -- all right -- I'll get it. 1.4 ::ALL :=Peggy: All -- all right -- I'll get it. 2.1 ::ALL :=Agatha: You look all right. 2.1 ::ALL :=Mary: But I don't feel all right. I can't even come home without 2.1 ::ALL :=Mary: Grandma. You didn't come to visit me all last week. 2.1 ::ALL :=Mrs. Tilford: I'm glad that's all it was. I was frightened when Agatha 2.1 ::ALL :=Mrs. Tilford: We all get homesick. But how did you get here? 2.1 ::ALL :=Mrs. Tilford: As much as all the words in all the books in all the 2.1 ::ALL :=Mrs. Tilford: As much as all the words in all the books in all the world. 2.1 ::ALL :=Mrs. Tilford: as all the words in all the books in all the world. 2.1 ::ALL :=Mary: A lot of things -- all the time. Miss Wright says I can't go 2.1 ::ALL :=Mary: It was -- it was all about Miss Dobie and Mrs. Mortar. They 2.1 ::ALL :=Mary: All right. But there're a lot of things. 2.1 ::ALL :=Mrs. Tilford: That was probably not the reason at all. 2.1 ::ALL :=Mary: trying to stop her, and she said that all right, maybe she wouldn't get married 2.1 ::ALL :=Mrs. Tilford: How do you know all this? 2.1 ::ALL :=Mary: us move our room, and they punish me all the time for -- 2.1 ::ALL :=Mary: You're the nicest, loveliest grandma in all the world. You -- you're not mad at 2.2 ::ALL :=Agatha: it that she doesn't get my good quilt all dirty, and let her wear your green p 2.2 ::ALL :=Agatha: Do I know all the crazy things that are happening around 2.2 ::ALL :=Agatha: Your grandmother phones Mrs. Wells all the way to New York, three dollars and 2.2 ::ALL :=Rosalie: All right. Lois Fisher told Helen that you 2.2 ::ALL :=Mary: Nobody'll believe that, least of all the police. You're just a common, ordinary 2.2 ::ALL :=Mrs. Tilford: We all are in trouble. Bad trouble. 2.2 ::ALL :=Cardin: talking about, but it isn't odd at all. Lily Mortar is not a harmless woman, 2.3 ::ALL :=Cardin: What is all this? What's happened? 2.3 ::ALL :=Mrs. Tilford: this is for you, how serious it is for all of us. 2.3 ::ALL :=Martha: All right. That's fine. But don't get the 2.3 ::ALL :=Karen: Oh, my God, it all fits so well now. That girl has hated 2.3 ::ALL :=Mrs. Tilford: acted until I was absolutely sure. All I wanted was to get those children away. 2.4 ::ALL :=Cardin: Look: everybody lies all the time. Sometimes they have to, sometimes 2.4 ::ALL :=Cardin: won't be punished for it. Do you get all that? 2.4 ::ALL :=Cardin: All right, let's get started. Were you telling 2.4 ::ALL :=Cardin: All right, Mary, that was your chance; you 2.4 ::ALL :=Cardin: All right, we'll skip that one. Did you get 2.4 ::ALL :=Cardin: What do you think Mrs. Mortar meant by all that, Mary? 2.4 ::ALL :=Mary: she always said things like that and all the girls would talk about it when Miss 2.4 ::ALL :=Mary: I'm saying with everybody mixing me all up. I did see it! I did see it! 2.4 ::ALL :=Mary: All -- all right. 2.4 ::ALL :=Mary: All -- all right. 2.4 ::ALL :=Mary: It was Rosalie, Grandma, she told us all about it. She said she read about it 2.4 ::ALL :=Mary: tell you. We used to talk about it all the time. That's the truth, that's the 2.4 ::ALL :=Mary: the door was open once and she told us all about it. I was just trying to save Rosalie, 3.1 ::ALL :=Martha: Oh, I couldn't do that. I look forward all day to that bath. It's my last touch 3.1 ::ALL :=Karen: All right. 3.1 ::ALL :=Karen: last day. It seems real enough now, all right. 3.1 ::ALL :=Karen: says we've got to out. He says that all the people who don't think it's true 3.1 ::ALL :=Martha: You said that yesterday. All right. Thanks. Good-bye. 3.1 ::ALL :=Karen: What are we going to do? It's all so cold and unreal and -- It's like that 3.1 ::ALL :=Karen: again in a solid world. But now it's all the nightmare; there is no solid world. 3.1 ::ALL :=Martha: married soon. Everything will be all right then. 3.1 ::ALL :=Martha: No trouble at all. Some small sandwiches and a little 3.1 ::ALL :=Karen: What difference does it all make now? 3.1 ::ALL :=Mrs. Mortar: I didn't refuse to come back at all. That's the wrong way to look at it. 3.1 ::ALL :=Mrs. Mortar: It couldn't have done any good for all of us to get mixed up in that unpleasant 3.1 ::ALL :=Martha: He's been doing all right. 3.2 ::ALL :=Cardin: Feel all right? 3.2 ::ALL :=Cardin: we sit around here much longer, we'll all be bats. I sold my place today to Fo 3.2 ::ALL :=Cardin: this week. Then we're going away -- all three of us. 3.2 ::ALL :=Cardin: Shut up, darling, it's all fixed. We're going to Vienna and we're 3.2 ::ALL :=Cardin: Nonsense, Martha, we're all going. We're going to have fun again 3.2 ::ALL :=Cardin: object any more, please, darling. All right? 3.2 ::ALL :=Karen: All right. 3.2 ::ALL :=Martha: I can't go. It's better for all of us if I don't. 3.2 ::ALL :=Cardin: Later on, if you want it that way. All right? 3.2 ::ALL :=Martha: All right. 3.2 ::ALL :=Cardin: who belongs to me. I'll show you off all over the place -- to Dr. Engelhardt, 3.2 ::ALL :=Cardin: it should be. We must find that out all over again. We must learn again to live 3.2 ::ALL :=Cardin: I have nothing to ask. Nothing -- All right. Is it -- was it ever -- 3.2 ::ALL :=Karen: have never touched each other. That's all right, darling. I'm glad you asked. I'm 3.2 ::ALL :=Karen: I know. You wanted to wait until it was all over, you really never wanted to ask 3.2 ::ALL :=Karen: you really never wanted to ask at all. You didn't know for sure; you thought 3.2 ::ALL :=Karen: might be just a little truth in it all. You've been good to me and loyal. You're 3.2 ::ALL :=Karen: Joe. I have things to say. They're all mixed up and I must get them clear. 3.2 ::ALL :=Karen: would happen? We'd be hounded by it all out lives. I'd be frightened, always, 3.2 ::ALL :=Karen: be ruined by it. Ah, Joe, you've seen all that yourself. You knew it first. 3.2 ::ALL :=Karen: to tell yourself that we might be all right again. But we won't be all right. 3.2 ::ALL :=Karen: be all right again. But we won't be all right. Not ever, ever, ever. I don't 3.2 ::ALL :=Karen: Not ever, ever, ever. I don't know all the reasons why. Look, I'm standing here. 3.2 ::ALL :=Karen: I'm like everybody else. I can have all the things that everybody has. I can 3.2 ::ALL :=Karen: two days -- a day -- and think this all over by yourself -- away from me and 3.2 ::ALL :=Karen: Don't say anything. Please go now. And all my heart goes with you. 3.3 ::ALL :=Karen: He won't be back at all. 3.3 ::ALL :=Karen: All right. 3.3 ::ALL :=Martha: believe it. He's never said a word all these months, all during the trial -- 3.3 ::ALL :=Martha: never said a word all these months, all during the trial -- Didn't you tell him? 3.3 ::ALL :=Martha: It's all wrong. It's silly. He'll be back in a 3.3 ::ALL :=Martha: in a little while and you'll clear it all up -- Oh, God, I wanted that for you 3.3 ::ALL :=Karen: Why are you saying all this to me? 3.3 ::ALL :=Martha: remember. But I never knew it until all this happened. 3.3 ::ALL :=Martha: I wanted you; maybe I wanted you all along; maybe I couldn't call it by a 3.3 ::ALL :=Martha: It's funny; it's all mixed up. There's something in you, and 3.3 ::ALL :=Martha: for the first time. I don't know. It all seems to come back to me. In some way 3.3 ::ALL :=Martha: between us now, Karen. I feel all dirty and -- I can't stay with you any 3.3 ::ALL :=Karen: All this isn't true. You've never said it; 3.3 ::ALL :=Mrs. Mortar: have done it. It was because of all this awful business. She would have got 3.3 ::ALL :=Mrs. Mortar: She would have got a job and started all over again -- she was just worried and 3.3 ::ALL :=Karen: very good to you; she was good to us all. 3.3 ::ALL :=Agatha: hard to get you. I been phoning here all the time. Trying to get you. Phoning 3.3 ::ALL :=Mrs. Mortar: woman can't come in here. She caused all -- 3.3 ::ALL :=Karen: All right. 3.3 ::ALL :=Mrs. Tilford: talked to Judge Potter. He will make all arrangements. There will be a public 3.3 ::ALL :=Karen: All right. 3.3 ::ALL :=Mrs. Tilford: You'll be all right? 3.3 ::ALL :=Karen: I'll be all right, I suppose. Good-bye, now. 1.1 ::ALLOW :=Mrs. Mortar: Well, I can't allow you to interrupt us like this. 1.1 ::ALLOW :=Mrs. Mortar: like thoughtfulness. But you must now allow anything to interfere with you classes. 2.2 ::ALLOW :=Cardin: I don't think I can allow you to say things like that, Ameli 2.3 ::ALLOW :=Mrs. Tilford: not call you names, and I will not allow you to call me names. It comes to this: 3.3 ::ALLOW :=Mrs. Mortar: You going to allow that woman to come in here? With Martha 1.4 ::ALLOWANCE :=Peggy: See? Why don't you just wait until your allowance comes Monday, and then you can 1.4 ::ALLOWANCE :=Peggy: I won't. Mamma doesn't send me much allowance -- not half as much as the rest 1.3 ::ALMOST :=Mrs. Mortar: had that heart attack in Buffalo. We almost lost her that time. Poor Delia! We 1.4 ::ALMOST :=Peggy: treats you just like the rest of us -- almost better. 2.1 ::ALMOST :=Mary: and Evelyn whether we didn't hear. Almost always Miss Dobie comes in after we 2.1 ::ALMOST :=Mrs. Tilford: had enough gossip, don't you? Dinner's almost ready, and I can't eat with a girl 1.4 ::ALMOTHT :=Evelyn: Ah, Mith Wright, we've been together almotht a year. 1.1 ::ALONE :=Karen: punished. Take your recreation periods alone for the next two weeks. No horseback-riding 1.2 ::ALONE :=Martha: It's going to be hard going on alone afterward. 1.3 ::ALONE :=Martha: want to go, and we'll be better off alone. That suits everybody. You complain 1.4 ::ALONE :=Mary: Oh, leave it alone. She'll never know we did it. 2.1 ::ALONE :=Mary: Leave me alone. I don't feel well. 2.1 ::ALONE :=Mary: Oh, leave me alone. I came home because I was sick. 1.1 ::ALONG :=Mrs. Mortar: to interfere with you classes. Now run along, dear, and get a vase and some water 1.3 ::ALONG :=Martha: be able to let you have enough to get along on. 1.4 ::ALONG :=Mary: anything in particular. You just run along now and remind me the next time to 2.1 ::ALONG :=Mrs. Tilford: time, though I supposed I should. Run along upstairs and wash your face and change 2.1 ::ALONG :=Mrs. Tilford: dinner John will drive you back. Run along. 2.1 ::ALONG :=Mrs. Tilford: Run along, Mary. I hope you'll get more coherent 3.1 ::ALONG :=Mrs. Mortar: you know. I'll be here working right along with you and we'll -- 3.3 ::ALONG :=Martha: I wanted you; maybe I wanted you all along; maybe I couldn't call it by a name; 1.2 ::ALREADY :=Martha: He was already on his way. Isn't he always on his 2.3 ::ALREADY :=Cardin: You have already done a terrible thing. 3.2 ::ALREADY :=Cardin: It's already done. Fischer can't pay me much, 2.2 ::ALTHOUGH :=Cardin: Lily Mortar is not a harmless woman, although God knows she's silly enough. She's 3.2 ::ALTHOUGH :=Cardin: Yes, I guess so. Although we won't have much money now. 1.1 ::ALWAYS :=Mrs. Mortar: Breeding is an excellent thing. Always remember that. 1.1 ::ALWAYS :=Mrs. Mortar: That was very sweet of you, Mary; I always like thoughtfulness. But you must 1.1 ::ALWAYS :=Mary: me. You believe everybody but me. It's always like that. Everything I say you fuss 1.1 ::ALWAYS :=Karen: and understand. I don't say that I'll always agree that you should do exactly what 1.2 ::ALWAYS :=Karen: It's funny. We always talk about the child as if she were 1.2 ::ALWAYS :=Martha: He was already on his way. Isn't he always on his way over here? 1.3 ::ALWAYS :=Mrs. Mortar: mind. I should have known better. You always take your spite out on me. 1.3 ::ALWAYS :=Mrs. Mortar: like their being together. You were always like that even as a child. If you 1.3 ::ALWAYS :=Mrs. Mortar: If you had a little girl friend, you always got mad when she liked anybody else. 1.3 ::ALWAYS :=Martha: the matter with Mary? I mean, has she always been like this? 1.3 ::ALWAYS :=Cardin: She's always been a honey. Aunt Amelia's spoiling 1.3 ::ALWAYS :=Cardin: you -- There it is. I'm fond of you. I always thought you liked me. What is it? 1.4 ::ALWAYS :=Mary: be put to bed and petted. You're always mean to me. I get blamed and punished 1.4 ::ALWAYS :=Mary: Ah, you're always sorry about everything. What were 1.4 ::ALWAYS :=Mary: think of something to tell her. I can always do it better on the spur of the m 2.1 ::ALWAYS :=Mary: I didn't want to be sick, but I'm always getting punished for everything. 2.1 ::ALWAYS :=Mary: about it, and that Miss Dobie had always been like that, even when she was 2.1 ::ALWAYS :=Mary: Evelyn whether we didn't hear. Almost always Miss Dobie comes in after we go to 2.1 ::ALWAYS :=Mary: other kids who know, but we've always been frightened and so we didn't ask, 2.2 ::ALWAYS :=Rosalie: what it is? How'd you find out? You're always pretending you know everything. You're 2.2 ::ALWAYS :=Rosalie: You made it up. You're always making things up. 2.3 ::ALWAYS :=Mrs. Tilford: I've always thought so. 2.4 ::ALWAYS :=Mary: They're always picking on me. They're always punishing 2.4 ::ALWAYS :=Mary: They're always picking on me. They're always punishing me for everything that happens. 2.4 ::ALWAYS :=Mary: happens. No matter what happens, it's always me. 2.4 ::ALWAYS :=Mary: I don't know, but it was always kind of funny and she always said 2.4 ::ALWAYS :=Mary: it was always kind of funny and she always said things like that and all the 2.4 ::ALWAYS :=Mary: And there are always funny sounds and we'd stay awake and 2.4 ::ALWAYS :=Rosalie: I never saw any such thing. Mary always makes things up about me and everybody 3.1 ::ALWAYS :=Martha: Because I hate you. I've always hated you. 3.2 ::ALWAYS :=Karen: You used to want one right away. You always said that was the way you wanted it. 3.2 ::ALWAYS :=Karen: it all out lives. I'd be frightened, always, and in the end my own fright would 3.2 ::ALWAYS :=Karen: times before; you're sitting where you always sit; it's nearly time for dinner. 3.3 ::ALWAYS :=Martha: It gets dark so early now. Cooking always makes me feel better. Well, I guess 3.3 ::ALWAYS :=Martha: There's always been something wrong. Always -- as 3.3 ::ALWAYS :=Martha: There's always been something wrong. Always -- as long as I can remember. But 3.3 ::ALWAYS :=Mrs. Mortar: God will excuse me for that once. I always tried to do everything I could. Suicide's 3.3 ::ALWAYS :=Agatha: her any more. I wouldn't a come -- I always been on your side -- but she's sick. 3.3 ::ALWAYS :=Agatha: You always been a good girl. 1.1 ::AM :=Mrs. Mortar: Mary, I am still awaiting your explanation. Where 1.1 ::AM :=Mary: I am sorry, Mrs. Mortar, I went to get you 1.1 ::AM :=Mrs. Mortar: You may put that book away, Peggy. I am sure your family need never worry about 1.3 ::AM :=Martha: I guess I am. But you stay around kids long enough 2.1 ::AM :=Mrs. Tilford: Why should they be scared of me? Am I such an unpleasant old lady? 2.2 ::AM :=Rosalie: Am I going back? I don't want to stay ho 2.2 ::AM :=Mary: Am I a fibber? 2.2 ::AM :=Mary: Say: "From now on, I, Rosalie Wells, am the vassal of Mary Tilford and will do 2.2 ::AM :=Rosalie: From now on, I, Rosalie Wells, am the vassal of Mary Tilford and will do 2.3 ::AM :=Mrs. Tilford: I am not afraid, Karen. 2.3 ::AM :=Mrs. Tilford: It is you I am thinking of. I am frightened for you. 2.3 ::AM :=Mrs. Tilford: It is you I am thinking of. I am frightened for you. It was wrong of you 2.3 ::AM :=Mrs. Tilford: That can bring you nothing but pain. I am an old woman, Miss Dobie, and I have seen 3.1 ::AM :=Mrs. Mortar: And here I am. Hello, hello. 3.1 ::AM :=Mrs. Mortar: I didn't come back. But now that I am here, I'm going to stand shoulder to shoulder 3.3 ::AM :=Martha: I've got to tell you how guilty I am. 3.3 ::AM :=Mrs. Tilford: there never would be again. But what I am or why I came doesn't matter. The only 1.3 ::AMELIA :=Cardin: of the family. You can look at Aunt Amelia and tell: old New England stock; never 2.1 ::AMELIA :=Mrs. Tilford: This is Mrs. Tilford. Miriam? This is Amelia Tilford. I have something to tell 2.2 ::AMELIA :=Cardin: Hello, Amelia. Mary home, eh? 2.2 ::AMELIA :=Cardin: growling at everybody else -- Amelia, you didn't bring me here to talk 2.2 ::AMELIA :=Cardin: was very clumsily managed, at that. Amelia, she's a terribly spoilt -- 2.2 ::AMELIA :=Cardin: can allow you to say things like that, Amelia. 2.4 ::AMELIA :=Cardin: giving yourself an awful beating, Amelia, and you deserve whatever you get 1.3 ::AMELIA'S :=Cardin: She's always been a honey. Aunt Amelia's spoiling hasn't helped any, eit 2.4 ::AMONG :=Mrs. Tilford: That things have been said among you girls. 1.3 ::AMOUNT :=Martha: Aunt Lily, the amount of disconnected unpleasantness that 1.1 ::AN :=Peggy: in the hearts of kings, it is an attribute to God himself -- " 1.1 ::AN :=Mrs. Mortar: in the hearts of kings, it is an attribute to God himself; and earthly 1.1 ::AN :=Mrs. Mortar: Let us go back again. "It is an attribute of -- " 1.1 ::AN :=Mrs. Mortar: Courtesy is breeding. Breeding is an excellent thing. Always remember that 1.1 ::AN :=Mrs. Mortar: And I suppose you have just as fine an excuse for being an hour late to breakfast 1.1 ::AN :=Mrs. Mortar: have just as fine an excuse for being an hour late to breakfast this morning, and 1.2 ::AN :=Karen: for the school. Rosalie's finally put an "l" in could. 1.3 ::AN :=Mrs. Mortar: me with her? Isn't it natural that an older woman should be present? Very well, 1.3 ::AN :=Mrs. Mortar: It -- it's customary for an older woman to be present during an e 1.3 ::AN :=Mrs. Mortar: an older woman to be present during an examination. 1.3 ::AN :=Martha: The Jukes were an old family, too. Look, Joe, have you any 1.3 ::AN :=Karen: He's an admirable man in every way. Well, the 1.4 ::AN :=Peggy: hear Miss Dobie and Mortar having an awful row. Then Miss Dobie opens the door 1.4 ::AN :=Peggy: really, Mary. It's just going to make an awful lot of trouble. 2.1 ::AN :=Mary: I miss you an awful lot, Grandma. 2.1 ::AN :=Mrs. Tilford: You're an earnest little coaxer, but it's out of 2.1 ::AN :=Mrs. Tilford: should they be scared of me? Am I such an unpleasant old lady? 2.2 ::AN :=Mary: That's an old one. I won't take it. 2.2 ::AN :=Cardin: support you the rest of your life is an enviable way of being put out. 2.3 ::AN :=Martha: pushed around by crazy people. That's an awful thing. And we're standing here -- 2.3 ::AN :=Mrs. Tilford: can bring you nothing but pain. I am an old woman, Miss Dobie, and I have seen 2.4 ::AN :=Cardin: You're giving yourself an awful beating, Amelia, and you deserve 3.1 ::AN :=Mrs. Mortar: be bygones. As I was saying, there's an effete something in the theater now, and 3.1 ::AN :=Martha: There's an eight o'clock train. Get on it. 3.2 ::AN :=Cardin: I need an overcoat and a suit. You'll need a lot 3.3 ::AN :=Mrs. Tilford: There will be a public apology and an explanation. The damage suit will be paid 1.1 ::AND :=Peggy: blest; it blesseth him that gives and him that takes: 'tis mightiest in the 1.1 ::AND :=Peggy: temporal power, the attribute to awe and majesty, wherein . . . " 1.1 ::AND :=Peggy: " -- doth sit the dread and fear of kings; but mercy is above 1.1 ::AND :=Mrs. Mortar: cannot sit quietly with your sewing and drink in the immortal words of the immortal 1.1 ::AND :=Peggy: temporal power, the attribute to awe and majesty, wherein -- " 1.1 ::AND :=Peggy: "Wherein doth sit the dread and fear of kings; but mercy is above this 1.1 ::AND :=Mrs. Mortar: it is an attribute to God himself; and earthly power doth then show likest God's 1.1 ::AND :=Lois: Utor, fruor, fungor, potior, and vescor take the dative. 1.1 ::AND :=Mrs. Mortar: And you intend to occupy the sewing and elocution 1.1 ::AND :=Mrs. Mortar: And you intend to occupy the sewing and elocution hour learning what should have 1.1 ::AND :=Mrs. Mortar: Now, take you book over by the window and don't disturb our enjoyment of Shakespeare. 1.1 ::AND :=Mrs. Mortar: "And earthly power doth then show likest 1.1 ::AND :=Mrs. Mortar: seasons justice. We do pray for mercy, and that same prayer doth teach -- " 1.1 ::AND :=Mrs. Mortar: So you took a walk. And may I ask, young lady, are we in the 1.1 ::AND :=Mary: flowers. I thought you would like them and I didn't know it would take so long to 1.1 ::AND :=Mary: last week how much you liked flowers, and I thought that I would bring you some 1.1 ::AND :=Mary: I thought that I would bring you some and -- 1.1 ::AND :=Mrs. Mortar: with you classes. Now run along, dear, and get a vase and some water to put my flowers 1.1 ::AND :=Mrs. Mortar: Now run along, dear, and get a vase and some water to put my flowers in. 1.1 ::AND :=Catherine: abuse our patience? Now translate it, and for goodness' sakes try to get it right 1.1 ::AND :=Evelyn: hair. I thaw a picture in the paper, and I wath trying to do it that way. 1.1 ::AND :=Rosalie: I do, Miss Wright? It's long here, and it's short here and -- 1.1 ::AND :=Rosalie: It's long here, and it's short here and -- 1.1 ::AND :=Karen: Never mind. Come up to my room later and I'll see if I can fix it for you. 1.1 ::AND :=Mrs. Mortar: And hereafter we'll have no more hair- c 1.1 ::AND :=Helen: No, I haven't, and I've looked everywhere. 1.1 ::AND :=Mrs. Mortar: but she heard me say I loved flowers, and she went to get them for me. The first 1.1 ::AND :=Mrs. Mortar: believe it! What a nasty thing to do! And I suppose you have just as fine an excuse 1.1 ::AND :=Mrs. Mortar: hour late to breakfast this morning, and last week -- I haven't wanted to tell 1.1 ::AND :=Karen: Mary. Mary, I've had the feeling -- and I don't think I'm wrong -- that the girls 1.1 ::AND :=Karen: were happy; that they like Miss Dobie and me, that they liked the school. Do you 1.1 ::AND :=Karen: I don't think you're very happy here, and I'd like to find out why. Why, for example, 1.1 ::AND :=Mary: I'm not lying. I went out walking and I saw the flowers and they looked pretty 1.1 ::AND :=Mary: went out walking and I saw the flowers and they looked pretty and I didn't know 1.1 ::AND :=Mary: saw the flowers and they looked pretty and I didn't know it was so late. 1.1 ::AND :=Karen: go into the village by yourself, come and tell me -- I'll try and understand. I 1.1 ::AND :=Karen: yourself, come and tell me -- I'll try and understand. I don't say that I'll always 1.1 ::AND :=Karen: like that, too -- everybody has -- and I won't be unreasonable about yours. 1.1 ::AND :=Karen: next two weeks. No horseback-riding and no hockey. Don't leave the school grounds 1.1 ::AND :=Mary: tell her how everybody treats me here and the way I get punished for every little 1.1 ::AND :=Karen: Miss Dobie to give you some hot water and bicarbonate of soda. 1.2 ::AND :=Karen: her she couldn't go to the boat-races and she had a heart attack. 1.2 ::AND :=Martha: And, please God, Grandma would believe her 1.2 ::AND :=Martha: please God, Grandma would believe her and take her away. 1.2 ::AND :=Karen: Mary to see her faults very clearly -- and the kid knows it. 1.2 ::AND :=Martha: Well, we can't, and we might as well admit it. We've tried 1.2 ::AND :=Martha: any other three kids put together. And we still haven't the faintest idea what 1.2 ::AND :=Karen: she lost her trunks in Butte, Montana, and how she gave her best performance of 1.2 ::AND :=Martha: been very patient about it. I'm sorry and I'll talk to her today. It'll probably 1.2 ::AND :=Karen: that time we ought to be out of debt, and the school should be paying for itse 1.2 ::AND :=Martha: to some place by the lake -- just you and me -- the way we used to at college. 1.2 ::AND :=Karen: I'm not going to leave, and you know it. Why do you say things like 1.2 ::AND :=Martha: hard building this thing up, slaving and going without things to make ends meet 1.2 ::AND :=Martha: without holes in the lining again! -- and now when we're getting on our feet, you're 1.2 ::AND :=Karen: I'm not getting married tomorrow, and when I do, it's not going to interfere 1.2 ::AND :=Karen: tried to get you on the phone. Come in and look at your little cousin. 1.2 ::AND :=Karen: You'd better come in and see her. She says she has a pain in her 1.2 ::AND :=Martha: Go and see her. Heart attacks are nothing to 1.3 ::AND :=Mrs. Mortar: Not seven months later he left her and ran away with Eve Cloun, who was playing 1.3 ::AND :=Mrs. Mortar: don't resent your aunt being snubbed and humiliated? 1.3 ::AND :=Mrs. Mortar: Karen is consistently rude to me, and you know it. 1.3 ::AND :=Martha: I know that she is very polite to you, and -- what's more important -- very pat 1.3 ::AND :=Mrs. Mortar: It's been twenty years, and I shall never live to see it again. 1.3 ::AND :=Martha: you like. We can spare the money now, and it will do you a lot of good. You pick 1.3 ::AND :=Martha: good. You pick out the boat you want and I'll get the passage. Now that's all 1.3 ::AND :=Martha: time seeing all your old friends, and if you live sensibly I ought to be able 1.3 ::AND :=Martha: You're going where you want to go, and we'll be better off alone. That suits 1.3 ::AND :=Martha: the school, you complain about Karen, and now you have what you want and you're 1.3 ::AND :=Martha: Karen, and now you have what you want and you're still looking for something to 1.3 ::AND :=Mrs. Mortar: I'll write to my agents tomorrow, and as soon as they have something good for 1.3 ::AND :=Martha: The three of us can't live together, and it doesn't make any difference whose 1.3 ::AND :=Martha: I'm very fond of Joe, and you know it. 1.3 ::AND :=Mrs. Mortar: You're fonder of Karen, and I know that. And it's unnatural, just 1.3 ::AND :=Mrs. Mortar: fonder of Karen, and I know that. And it's unnatural, just as unnatural as 1.3 ::AND :=Martha: Your vulgarities are making me sick and I won't stand for them any longer. I 1.3 ::AND :=Martha: And you stopped long enough to see how we 1.3 ::AND :=Peggy: We didn't mean to. We heard voices and we couldn't help -- 1.3 ::AND :=Mrs. Mortar: new- fangled notions of discipline and -- 1.3 ::AND :=Martha: the truth is that this is their home, and things shouldn't be said in it that they 1.3 ::AND :=Mrs. Mortar: got to have some way to let out steam and -- 1.3 ::AND :=Cardin: family. You can look at Aunt Amelia and tell: old New England stock; never married 1.3 ::AND :=Cardin: of Boston; still thinks honor is honor and dinner's at eight thirty. Yes, ma'am, 1.3 ::AND :=Martha: But you stay around kids long enough and you won't know what to take seriously, 1.3 ::AND :=Martha: Well, Karen and I were talking about it this afternoon 1.3 ::AND :=Martha: I were talking about it this afternoon and -- 1.3 ::AND :=Cardin: Forget Mary for a minute. You and I have got something to fight about. 1.3 ::AND :=Martha: listening at the door while Aunt Lily and I were yelling at each other. 1.3 ::AND :=Martha: That's my class. I'll send Peggy and Evelyn down. You talk to them. 1.4 ::AND :=Peggy: sorry, really. We just didn't think and -- 1.4 ::AND :=Karen: I'm sorry too, Peggy. You and Evelyn never used to do things like this. 1.4 ::AND :=Karen: Peggy, you will move into Lois's room, and Lois will move in with Evelyn. Mary will 1.4 ::AND :=Mary: And it's all because I had a pain. If anybody 1.4 ::AND :=Mary: else was sick they'd be put to bed and petted. You're always mean to me. I get 1.4 ::AND :=Mary: You're always mean to me. I get blamed and punished for everything. I do, Cousin 1.4 ::AND :=Karen: walk to the car with you. Go up now and move your things. Tell Lois to get her 1.4 ::AND :=Mary: Who cares if she does? And she can hear that, too. 1.4 ::AND :=Mary: And what will you do if I say we did do it? 1.4 ::AND :=Peggy: we'll remember everything that happens and we'll give you all the souvenirs and 1.4 ::AND :=Peggy: and we'll give you all the souvenirs and things. 1.4 ::AND :=Peggy: to you, but the doors were closed and we could hear Miss Dobie and Mortar having 1.4 ::AND :=Peggy: closed and we could hear Miss Dobie and Mortar having an awful row. Then Miss 1.4 ::AND :=Peggy: row. Then Miss Dobie opens the door and there we were. 1.4 ::AND :=Mary: And a lot of crawling and crying you both 1.4 ::AND :=Mary: And a lot of crawling and crying you both did too, I bet. 1.4 ::AND :=Mary: Dobie and Mortar, silly. 1.4 ::AND :=Evelyn: about Mortar going away to England and -- 1.4 ::AND :=Peggy: wasn't very nice to've listened, and I think it's worse to tell. 1.4 ::AND :=Mary: You do, do you? You just don't tell me and see what happens. 1.4 ::AND :=Evelyn: Mortar got awfully thore at that and thaid they juth wanted to get rid of 1.4 ::AND :=Evelyn: they juth wanted to get rid of her, and then they tharted talking about Dr. 1.4 ::AND :=Peggy: It's all right. Evelyn and I'll get your things. Come on, Evely 1.4 ::AND :=Mary: won't get out of it that way. Sit down and stop being such a sissy. Rosalie, you 1.4 ::AND :=Mary: such a sissy. Rosalie, you go on up and move my things and don't say a word about 1.4 ::AND :=Mary: you go on up and move my things and don't say a word about our being down 1.4 ::AND :=Rosalie: And who was your French maid yesterday, Mary 1.4 ::AND :=Mary: do for today. Now go on, Rosalie, and fix our things. 1.4 ::AND :=Mary: And the next time we go into town, I'll let 1.4 ::AND :=Mary: town, I'll let you wear my gold locket and buckle. You'll like that, won't you, 1.4 ::AND :=Mary: in particular. You just run along now and remind me the next time to get my buckle 1.4 ::AND :=Mary: me the next time to get my buckle and locket for you. 1.4 ::AND :=Mary: No, indeed. And get the things done neatly, Rosalie. 1.4 ::AND :=Peggy: said that Dobie was jealous of them, and that she was like that when she was a 1.4 ::AND :=Peggy: like that when she was a little girl, and that she'd better get herself a beau 1.4 ::AND :=Peggy: of her own because it was unnatural, and that she never wanted anybody to like 1.4 ::AND :=Peggy: wanted anybody to like Miss Wright, and that was unnatural. Boy! Did Miss Dobie 1.4 ::AND :=Peggy: moved. I've got to go in with Helen, and she blows her nose all night. Lois told 1.4 ::AND :=Mary: I don't care about Rosalie and I don't care about the vase. I'm not 1.4 ::AND :=Mary: I'm not staying here. I'm going home and tell Grandma I'm not staying any more. 1.4 ::AND :=Mary: when they first started, you know -- and when she tells 'em something, believe 1.4 ::AND :=Mary: something, believe me, they'll sit up and listen. They can't get away with treating 1.4 ::AND :=Mary: get away with treating me like this, and they don't have to think they can. 1.4 ::AND :=Mary: if you make Rosalie shut the door and keep it shut. Now, I'll go through the 1.4 ::AND :=Mary: I'll go through the field to French's, and then I can get the bus to Homestead. 1.4 ::AND :=Mary: to have at least a dollar for the taxi and a dime for the bus. 1.4 ::AND :=Evelyn: And where you going to find it? 1.4 ::AND :=Peggy: until your allowance comes Monday, and then you can go any place you want. Maybe 1.4 ::AND :=Mary: got money. You've got two dollars and twenty-five cents. 1.4 ::AND :=Peggy: time. It took me so long to save that and I -- 1.4 ::AND :=Mary: Go upstairs and get me the money. 2.1 ::AND :=Agatha: you in school? Look at your face and clothes. Where have you been? 2.1 ::AND :=Agatha: Why didn't you put on your middy blouse and your old brown coat? 2.1 ::AND :=Agatha: here till I tell your grandmother. And if you feel so sick, you certainly won't 2.1 ::AND :=Agatha: any dinner. A good dose of rhubarb and soda will fix you up. 2.1 ::AND :=Mrs. Tilford: Never mind, dear; now stop crying and tell me what is the matter. 2.1 ::AND :=Agatha: said she needed a good dose of rhubarb and soda. Most likely she only came home 2.1 ::AND :=Mary: I -- I walked most of the way, and then a lady gave me a ride and -- 2.1 ::AND :=Mary: way, and then a lady gave me a ride and -- 2.1 ::AND :=Mrs. Tilford: That was a very bad thing to do, and they'll be worried. Agatha, phone Miss 2.1 ::AND :=Mrs. Tilford: be worried. Agatha, phone Miss Wright and tell her Mary is here. John will drive 2.1 ::AND :=Mrs. Tilford: a terrible thing about Miss Wright and Miss Dobie? You know they wouldn't hurt 2.1 ::AND :=Mary: couldn't help having pain in my heart, and when I fainted right in class, they called 2.1 ::AND :=Mary: right in class, they called Cousin Joe and he said I didn't. He said it was maybe 2.1 ::AND :=Mary: only that I ate my breakfast too fast and Miss Wright blamed me for it. 2.1 ::AND :=Mary: any more, but I feel a little weak, and I was so scared of Miss Wright being 2.1 ::AND :=Mrs. Tilford: supposed I should. Run along upstairs and wash your face and change your dress, 2.1 ::AND :=Mrs. Tilford: Run along upstairs and wash your face and change your dress, and after dinner John 2.1 ::AND :=Mrs. Tilford: wash your face and change your dress, and after dinner John will drive you back. 2.1 ::AND :=Mary: of the week. Saturday's your birthday and I could be here with you. 2.1 ::AND :=Mary: Remember when I was little and you used to tell me that right before 2.1 ::AND :=Mary: me that right before I went to sleep? And it was a rule nobody could say another 2.1 ::AND :=Mary: You used to say: "Wor-rr-ld," and then I had to shut my eyes tight. 2.1 ::AND :=Mrs. Tilford: And sometimes you were naughty and didn't 2.1 ::AND :=Mrs. Tilford: And sometimes you were naughty and didn't shut them. 2.1 ::AND :=Mrs. Tilford: And I miss you, but I'm afraid my Latin is 2.1 ::AND :=Mary: it so much. I'll study hard, honest, and -- 2.1 ::AND :=Mrs. Tilford: not have any more talk about it now, and let's have no more running away from 2.1 ::AND :=Mary: says I can't go to the boat-races and -- It's -- it's after what happened 2.1 ::AND :=Mrs. Tilford: naughtiness in pretending to faint and then running away? 2.1 ::AND :=Mrs. Tilford: Very well. Now run upstairs and get ready for dinner. 2.1 ::AND :=Mary: It was -- it was all about Miss Dobie and Mrs. Mortar. They were talking awful 2.1 ::AND :=Mary: Mortar. They were talking awful things and Peggy and Evelyn heard them and Miss 2.1 ::AND :=Mary: were talking awful things and Peggy and Evelyn heard them and Miss Dobie found 2.1 ::AND :=Mary: things and Peggy and Evelyn heard them and Miss Dobie found out, and then they made 2.1 ::AND :=Mary: heard them and Miss Dobie found out, and then they made us move our rooms. 2.1 ::AND :=Mary: have us near them, that's what it is, and they're taking it out on me. They're 2.1 ::AND :=Mary: They have secrets or something, and they're afraid I'll find out and tell 2.1 ::AND :=Mary: and they're afraid I'll find out and tell you. 2.1 ::AND :=Mary: But they've got funny ones. Peggy and Evelyn heard Mrs. Mortar telling Miss 2.1 ::AND :=Mary: there was something funny about it, and that Miss Dobie had always been like 2.1 ::AND :=Mary: that, even when she was a little girl, and that it was unnatural -- 2.1 ::AND :=Mary: was the word she kept using, Grandma, and then they got mad and told Mrs. Mortar 2.1 ::AND :=Mary: using, Grandma, and then they got mad and told Mrs. Mortar she'd have to get o 2.1 ::AND :=Mary: honestly, Miss Dobie does get cranky and mean every time Cousin Joe comes, and 2.1 ::AND :=Mary: and mean every time Cousin Joe comes, and today I heard her say to him: "God damn 2.1 ::AND :=Mary: heard her say to him: "God damn you," and then she said she was just a jealous 2.1 ::AND :=Mary: she said she was just a jealous fool and -- 2.1 ::AND :=Mary: That's just what she said, Grandma, and one time Miss Dobie was crying in Miss 2.1 ::AND :=Mary: was crying in Miss Wright's room, and Miss Wright was trying to stop her, and 2.1 ::AND :=Mary: Miss Wright was trying to stop her, and she said that all right, maybe she wouldn't 2.1 ::AND :=Mary: Miss Dobie -- was talking awful loud, and their own room is right next to ours 2.1 ::AND :=Mary: room, I mean, you can just ask Peggy and Evelyn whether we didn't hear. Almost 2.1 ::AND :=Mary: Miss Dobie comes in after we go to bed and stays a long time. I guess that's why 2.1 ::AND :=Mary: why they're making us move our ro