1.1 ::- :=Lois: ferebamus, ferebatis, fere, fere -- 1.1 ::- :=Lois: ferebatis, fere -- fere -- fere -- 1.1 ::- :=Lois: Oh, dear. Utor, fruor, fung -- 1.1 ::- :=Mary: that I would bring you some and -- 1.1 ::- :=Rosalie: long here, and it's short here and -- 1.1 ::- :=Mrs. Mortar: think she quite appreciates it, but -- 1.1 ::- :=Mrs. Mortar: to tell you these things before, but -- 1.1 ::- :=Mary: little thing I do. I'll tell her, I'll -- 1.2 ::- :=Martha: I've got that it's wrong somewhere -- 1.2 ::- :=Martha: God, how I used to hate all that -- 1.2 ::- :=Martha: I don't mean that, but it's so -- 1.3 ::- :=Mrs. Mortar: that you don't resent these things -- 1.3 ::- :=Mrs. Mortar: the Infant Phenomenon in Birmingham -- 1.3 ::- :=Mrs. Mortar: with me! Here I've donated my services -- 1.3 ::- :=Martha: don't like the school or the farm or -- 1.3 ::- :=Mrs. Mortar: as they have something good for me -- 1.3 ::- :=Martha: them any longer. I want you to leave -- 1.3 ::- :=Peggy: We heard voices and we couldn't help -- 1.3 ::- :=Mrs. Mortar: new- fangled notions of discipline and -- 1.3 ::- :=Mrs. Mortar: to have some way to let out steam and -- 1.3 ::- :=Martha: our rope with her. This kind of thing -- 1.3 ::- :=Martha: talking about it this afternoon and -- 1.3 ::- :=Cardin: to make a great deal of difference -- 1.3 ::- :=Martha: I'm sorry. I'm a fool, a nasty, bitter -- 1.4 ::- :=Mary: I want to see my grandmother. I want to -- 1.4 ::- :=Peggy: really. We just didn't think and -- 1.4 ::- :=Evelyn: about lithening. I gueth it wathn't -- 1.4 ::- :=Evelyn: about Mortar going away to England and -- 1.4 ::- :=Rosalie: If you're going to move your things -- 1.4 ::- :=Mary: Don't muss my white linen bloomers -- 1.4 ::- :=Mary: finishing it. There's one part in it -- 1.4 ::- :=Peggy: Oh, Mary -- 1.4 ::- :=Peggy: any place you want. Maybe by that time -- 1.4 ::- :=Peggy: I -- I -- 1.4 ::- :=Evelyn: You can't have that money, Mary -- 1.4 ::- :=Peggy: long -- you took it from me last time -- 1.4 ::- :=Peggy: It took me so long to save that and I -- 2.1 ::- :=Mary: and then a lady gave me a ride and -- 2.1 ::- :=Mary: I ran away, Grandma. They didn't know -- 2.1 ::- :=Agatha: If you're going to let her -- 2.1 ::- :=Mary: so much. I'll study hard, honest, and -- 2.1 ::- :=Mary: little girl, and that it was unnatural -- 2.1 ::- :=Mary: said she was just a jealous fool and -- 2.1 ::- :=Mary: she wouldn't get married right away if -- 2.1 ::- :=Mary: and they punish me all the time for -- 2.1 ::- :=Mary: out the rest of the term, why, then -- 2.1 ::- :=Mrs. Tilford: about the school and Evelyn and Mary -- 2.2 ::- :=Mary: to go and you'll beg on the streets -- 2.2 ::- :=Rosalie: oath there is. Mary! Please don't -- 2.2 ::- :=Mary: have to do it. Say it quick or I'll -- 2.2 ::- :=Mary: to go back. He'll say I really wasn't -- 2.2 ::- :=Cardin: that. Amelia, she's a terribly spoilt -- 2.2 ::- :=Cardin: and now that Mrs. Mortar is leaving -- 2.3 ::- :=Martha: the children being pushed into cars -- 2.3 ::- :=Martha: You fool! You damned, vicious -- 2.3 ::- :=Mrs. Tilford: I realize it very well. And -- 2.3 ::- :=Karen: There didn't seem to be any reason -- 2.4 ::- :=Mary: they're -- because they -- Grandma, I -- 2.4 ::- :=Mary: was why we got punished, just because -- 2.4 ::- :=Mary: and visited Miss Wright late at night -- 2.4 ::- :=Mary: because the sounds were like -- 2.4 ::- :=Mary: Grandma, I -- 2.4 ::- :=Mary: because it was different sort of and I -- 2.4 ::- :=Mary: I -- I -- 2.4 ::- :=Mary: we heard them. Everybody heard them -- 2.4 ::- :=Rosalie: What things? I never -- I -- I -- 2.4 ::- :=Rosalie: and Helen helps me sometimes, if that -- 2.4 ::- :=Rosalie: I never even could have thought of -- 2.4 ::- :=Mary: the day Helen Burton's bracelet was -- 2.4 ::- :=Rosalie: I never did. I -- I -- you're just -- 2.4 ::- :=Mary: something I've got to tell you that -- 2.4 ::- :=Rosalie: said was right. I said it, I said it -- 3.1 ::- :=Karen: suppose we do, what of it? We'll jus -- 3.1 ::- :=Karen: town and go shopping and act as though -- 3.1 ::- :=Martha: circulars and their visits and their -- 3.1 ::- :=Karen: any more. Martha, Martha, Martha -- 3.1 ::- :=Mrs. Mortar: I had a most interesting time. Things -- 3.1 ::- :=Mrs. Mortar: the theater now, and that accounts for -- 3.1 ::- :=Mrs. Mortar: working right along with you and we'll -- 3.2 ::- :=Mrs. Mortar: still be here. They would have felt -- 3.2 ::- :=Karen: for me. What about the hospital and -- 3.2 ::- :=Cardin: now, much colder than you'd expect -- 3.2 ::- :=Cardin: -- All right. Is it -- was it ever -- 3.2 ::- :=Cardin: sorry. I didn't mean to hurt you, I -- 3.2 ::- :=Cardin: leave each other. I can't leave you -- 3.2 ::- :=Cardin: No. I won't -- 3.2 ::- :=Cardin: it won't make any difference. We will -- 3.3 ::- :=Martha: I should be fond of you, that I should -- 3.3 ::- :=Martha: been there ever since I first knew you -- 3.3 ::- :=Mrs. Mortar: what we can do -- You think she's dea -- 3.3 ::- :=Mrs. Mortar: a sin. Shouldn't we call somebody to -- 3.3 ::- :=Mrs. Mortar: -- she was just worried and sick and -- 3.3 ::- :=Mrs. Mortar: to me? I haven't anything. Poor Martha -- 3.3 ::- :=Agatha: Just for a minute, Miss Karen. Please -- 3.3 ::- :=Mrs. Mortar: can't come in here. She caused all -- 3.3 ::- :=Mrs. Mortar: do with it. I'll never let that woman -- 3.3 ::- :=Mrs. Tilford: to me and no one else. She's -- she's -- 3.3 ::- :=Mrs. Tilford: here now, Karen. You can't stay with -- 1.4 ::'CAUSE :=Rosalie: right, I'll do it this time, but just 'cause I got a good disposition. But don't 1.4 ::'EM :=Mary: scared of Grandma -- she helped 'em when they first started, you know -- 1.4 ::'EM :=Mary: you know -- and when she tells 'em something, believe me, they'll sit up 1.4 ::'EM :=Mary: Of course you wouldn't. You'd let 'em do anything to you they want. Well, they 3.3 ::'EM :=Martha: the hawks descend, you've got to feed 'em. Where's Joe? Where's Joe? 1.1 ::'TIS :=Peggy: him that gives and him that takes: 'tis mightiest in the mightiest; it becomes 1.1 ::'TIS :=Peggy: "'Tis mightiest in the mightiest; it becomes 1.1 ::A :=Mrs. Mortar: Just a moment, Peggy. It is very unfortunate that 1.1 ::A :=Peggy: What's a cue? 1.1 ::A :=Mrs. Mortar: A cue is a line or word given the actor or 1.1 ::A :=Mrs. Mortar: A cue is a line or word given the actor or actress 1.1 ::A :=Mrs. Mortar: offers, my dear. But the cinema is a shallow art. It has no -- no -- no fourth 1.1 ::A :=Mrs. Mortar: You are pleading for the life of a man. "But mercy is above this sceptred 1.1 ::A :=Lois: We've got a Latin exam this afternoon. 1.1 ::A :=Mrs. Mortar: In my entire career I've never missed a line. 1.1 ::A :=Mrs. Mortar: This is a pretty time to be coming to your sewing 1.1 ::A :=Mrs. Mortar: at least remember that you owe me a little courtesy. Courtesy is breeding. 1.1 ::A :=Mary: I took a walk. 1.1 ::A :=Mrs. Mortar: So you took a walk. And may I ask, young lady, are we 1.1 ::A :=Mrs. Mortar: classes. Now run along, dear, and get a vase and some water to put my flowers 1.1 ::A :=Peggy: want to go on the stage. I want to be a lighthouse-keeper's wife. 1.1 ::A :=Karen: I can see that. A new style? Looks as thought it has holes 1.1 ::A :=Evelyn: but Rothalie'th got funny hair. I thaw a picture in the paper, and I wath trying 1.1 ::A :=Mrs. Mortar: She picked them for me. It made her a little late to class, but she heard me 1.1 ::A :=Karen: necessary to go so far. There was a bunch exactly like this in the garbage 1.1 ::A :=Mrs. Mortar: Oh, I can't believe it! What a nasty thing to do! And I suppose you have 1.1 ::A :=Karen: Lois. You'll come out all right. Wait a minute, Mary. Mary, I've had the feeling 1.1 ::A :=Karen: it was true until you came here a year ago. I don't think you're very happy 1.1 ::A :=Karen: If you feel that you have to take a walk, or that you just can't come to class, 1.1 ::A :=Mary: I've got a pain. I've had it all morning. It hurts 1.1 ::A :=Mary: It's a bad pain. I've never had it before. 1.1 ::A :=Mrs. Mortar: -- ? Heart trouble is very serious in a child. 1.2 ::A :=Martha: to her? She was perfectly well a few hours ago. 1.2 ::A :=Karen: go to the boat-races and she had a heart attack. 1.2 ::A :=Karen: I doubt it. She's a problem, that kid. Her latest trick was 1.2 ::A :=Karen: trick was kidding your aunt out of a sewing lesson with those faded flowers 1.2 ::A :=Karen: Which would give the school a swell black eye. But we ought to do so 1.2 ::A :=Martha: How about having a talk with Mrs. Tilford? 1.2 ::A :=Karen: She's a strange girl. 1.2 ::A :=Karen: talk about the child as if she were a grown woman. 1.2 ::A :=Martha: girls. I don't know what it is -- it's a feeling I've got that it's wrong somewhere 1.2 ::A :=Karen: best performance of Rosalind during a hurricane. Today in the kitchen you could 1.2 ::A :=Martha: she does Hedda Gabler standing on a chair. Sir Henry taught her do it that 1.2 ::A :=Martha: her do it that way. He said it was a test of great acting. 1.2 ::A :=Karen: You must have had a gay childhood. 1.2 ::A :=Martha: talk to her today. It'll probably be a week or two before she can be ready to 1.2 ::A :=Martha: You haven't talked of marriage for a long time. 1.2 ::A :=Karen: be able to. I've been in love with Joe a long time. It's a big day for the school. 1.2 ::A :=Karen: in love with Joe a long time. It's a big day for the school. Rosalie's finally 1.2 ::A :=Karen: do you say things like that? We agreed a long time ago that my marriage wasn't going 1.2 ::A :=Martha: to make ends meet -- think of having a winter coat without holes in the lining 1.2 ::A :=Karen: This is a silly argument, Martha. Let's quit it. 1.2 ::A :=Karen: Let's quit it. You haven't listened to a word I've said. I'm not getting married 1.2 ::A :=Cardin: that little black bull he bought. He's a baby! There's going to be plenty of good 1.2 ::A :=Karen: come in and see her. She says she has a pain in her heart. 1.3 ::A :=Mrs. Mortar: difference does it make? Why, it was a deliberate snub. 1.3 ::A :=Martha: very little pleasure in watching a man use a stethoscope. 1.3 ::A :=Martha: little pleasure in watching a man use a stethoscope. 1.3 ::A :=Martha: Tell that to Joe. Maybe he'll give you a job as duenna for his office. 1.3 ::A :=Mrs. Mortar: it's true. Where could you have gotten a woman of my reputation to give these children 1.3 ::A :=Mrs. Mortar: Satisfied enough, I guess, for a poor relation. 1.3 ::A :=Mrs. Mortar: beginning you shouldn't have bought a place like this. Burying yourself on a 1.3 ::A :=Mrs. Mortar: a place like this. Burying yourself on a farm! You'll regret it. 1.3 ::A :=Martha: Lily, you've talked about London for a long time. Would you like to go over? 1.3 ::A :=Martha: the money now, and it will do you a lot of good. You pick out the boat you 1.3 ::A :=Martha: Now that's all fixed. You'll have a grand time seeing all your old friends, 1.3 ::A :=Martha: Aunt Lily. Go as soon as you've found a place you like. I'll put the money in the 1.3 ::A :=Mrs. Mortar: Any day that he's in the house is a bad day. 1.3 ::A :=Martha: that goes on in your head could keep a psychologist busy for years. Now go take 1.3 ::A :=Mrs. Mortar: man come into this house, you have a fit. It seems like you just can't stand 1.3 ::A :=Mrs. Mortar: You were always like that even as a child. If you had a little girl friend, 1.3 ::A :=Mrs. Mortar: like that even as a child. If you had a little girl friend, you always got mad 1.3 ::A :=Mrs. Mortar: anybody else. Well, you'd better get a beau of your own now -- a woman of your 1.3 ::A :=Mrs. Mortar: better get a beau of your own now -- a woman of your age. 1.3 ::A :=Cardin: I could have managed a better faint than that when I was six years 1.3 ::A :=Cardin: No, ma'am, not a thing. Just a little something she thought 1.3 ::A :=Cardin: No, ma'am, not a thing. Just a little something she thought up. 1.3 ::A :=Martha: But it's such a silly thing to do. She knew we'd have you 1.3 ::A :=Cardin: at eight thirty. Yes, ma'am, we're a proud old breed. 1.3 ::A :=Cardin: She's always been a honey. Aunt Amelia's spoiling hasn't helped 1.3 ::A :=Cardin: in the contract. Forget Mary for a minute. You and I have got something to 1.3 ::A :=Cardin: but our marriage oughtn't to make a great deal of difference -- 1.3 ::A :=Martha: I wish -- Joe, please, I'm sorry. I'm a fool, a nasty, bitter -- 1.3 ::A :=Martha: -- Joe, please, I'm sorry. I'm a fool, a nasty, bitter -- 1.3 ::A :=Martha: Your friend's got a nice shoulder to weep on. 1.4 ::A :=Evelyn: Wright, we've been together almotht a year. 1.4 ::A :=Karen: That's a very stupid thing to say. I can't imagine 1.4 ::A :=Mary: And it's all because I had a pain. If anybody else was sick they'd be 1.4 ::A :=Cardin: you've stopped working yourself into a fit. I've got to go now. She's not going 1.4 ::A :=Karen: Wait a minute. I'll walk to the car with you. 1.4 ::A :=Peggy: to Miss Wright. I guess it was kind of a lover's gift. People get awfully angry 1.4 ::A :=Peggy: gift. People get awfully angry about a lover's gift. 1.4 ::A :=Evelyn: Did you really have a pain? 1.4 ::A :=Mary: A lot it'll get you to faint. 1.4 ::A :=Mary: And a lot of crawling and crying you both did 1.4 ::A :=Rosalie: I have a class soon. If you're going to move your 1.4 ::A :=Rosalie: right now. Miss Wright's coming in a minute. 1.4 ::A :=Mary: that way. Sit down and stop being such a sissy. Rosalie, you go on up and move my 1.4 ::A :=Mary: on up and move my things and don't say a word about our being down here. 1.4 ::A :=Rosalie: do it this time, but just 'cause I got a good disposition. But don't think you're 1.4 ::A :=Mary: Oh, a little secret we got. Go on, now, what 1.4 ::A :=Peggy: that she was like that when she was a little girl, and that she'd better get 1.4 ::A :=Peggy: and that she'd better get herself a beau of her own because it was unnatural, 1.4 ::A :=Evelyn: we didn't hear any more. Peggy dropped a book. 1.4 ::A :=Mary: A lot of people don't -- they're too ugl 1.4 ::A :=Mary: Ah, she won't say a word. 1.4 ::A :=Peggy: It's a shame about being moved. I've got to go 1.4 ::A :=Mary: It was a dirty trick making us move. She just wants 1.4 ::A :=Mary: Say I did it -- it doesn't make a bit of difference any more to me. Now listen, 1.4 ::A :=Evelyn: Not me. Not a thent. 1.4 ::A :=Mary: I've got to have at least a dollar for the taxi and a dime for the 1.4 ::A :=Mary: at least a dollar for the taxi and a dime for the bus. 2.1 ::A :=Agatha: gaping at me. Have they given you a holiday or did you just decide you'd get 2.1 ::A :=Agatha: or did you just decide you'd get a better dinner here? Can't you even say 2.1 ::A :=Mary: Hello, Agatha. You didn't give me a chance. Where's Grandma? 2.1 ::A :=Mary: I got a little dirty coming home. I walked part 2.1 ::A :=Agatha: be at this time of day? She's taking a bath. 2.1 ::A :=Agatha: don't you feel well? Who ever heard of a person going for a walk in the woods when 2.1 ::A :=Agatha: Who ever heard of a person going for a walk in the woods when they didn't feel 2.1 ::A :=Agatha: you certainly won't want any dinner. A good dose of rhubarb and soda will fix 2.1 ::A :=Agatha: Did I say that? I said she needed a good dose of rhubarb and soda. Most likely 2.1 ::A :=Mary: I -- I walked most of the way, and then a lady gave me a ride and -- 2.1 ::A :=Mary: of the way, and then a lady gave me a ride and -- 2.1 ::A :=Mrs. Tilford: That was a very bad thing to do, and they'll be worried. 2.1 ::A :=Mrs. Tilford: that angry. Come, you're acting like a foolish little girl. 2.1 ::A :=Mrs. Tilford: can hardly -- What made you say such a terrible thing about Miss Wright and Miss 2.1 ::A :=Mary: Yes, I did. My heart -- I had a pain in my heart. I couldn't help having 2.1 ::A :=Mary: But I did have a pain in my heart -- honest. 2.1 ::A :=Mary: got it much any more, but I feel a little weak, and I was so scared of Miss 2.1 ::A :=Mrs. Tilford: It's perfectly possible that you had a pain, but if you had really been sick your 2.1 ::A :=Mrs. Tilford: that, child, or you'll grow up to be a very unhappy woman. I'm not going to scold 2.1 ::A :=Mary: before I went to sleep? And it was a rule nobody could say another single word 2.1 ::A :=Mary: A lot of things -- all the time. Miss Wright 2.1 ::A :=Mrs. Tilford: to do with you? I don't understand a word you're saying. 2.1 ::A :=Mrs. Tilford: For a little girl you're imagining a lot of big 2.1 ::A :=Mrs. Tilford: For a little girl you're imagining a lot of big things. Why should they be scared 2.1 ::A :=Mary: All right. But there're a lot of things. They have secrets or something, 2.1 ::A :=Mary: Grandma. She said it was unnatural for a girl to feel that way. 2.1 ::A :=Mary: been like that, even when she was a little girl, and that it was unnatural 2.1 ::A :=Mary: you," and then she said she was just a jealous fool and -- 2.1 ::A :=Mary: comes in after we go to bed and stays a long time. I guess that's why they want 2.1 ::A :=Mrs. Tilford: almost ready, and I can't eat with a girl who has such a dirty face. 2.1 ::A :=Mrs. Tilford: I can't eat with a girl who has such a dirty face. 2.1 ::A :=Mary: Well, a lot of things I don't understand. But it's 2.1 ::A :=Mrs. Tilford: Noises? I suppose you girls have a happy time imagining a murder. 2.1 ::A :=Mrs. Tilford: you girls have a happy time imagining a murder. 2.1 ::A :=Mrs. Tilford: Be still a minute. No, you won't have to go back. 2.2 ::A :=Agatha: me what you won't do. You'll act like a lady for once in your life. Come on in, 2.2 ::A :=Mary: Whoooooo. Whoooooo. You're a goose. 2.2 ::A :=Rosalie: noises at night? You could have been a werewolf. 2.2 ::A :=Mary: A werewolf wouldn't want you. 2.2 ::A :=Mary: Will you give me a free T.L. if I tell you? 2.2 ::A :=Rosalie: Why, Mary Tilford! You can't do a thing like that. I didn't tell you about 2.2 ::A :=Rosalie: Did your tell your grandmother such a thing? 2.2 ::A :=Mary: Wait a minute, I'll come with you. 2.2 ::A :=Mary: You can't call me a fibber, Rosalie Wells. That's a kind of 2.2 ::A :=Mary: me a fibber, Rosalie Wells. That's a kind of a dare and I won't take a dare. 2.2 ::A :=Mary: Rosalie Wells. That's a kind of a dare and I won't take a dare. I guess I'll 2.2 ::A :=Mary: a kind of a dare and I won't take a dare. I guess I'll go tell Grandma, anyway. 2.2 ::A :=Mary: they'll let you out maybe with a big sign on your back saying you're a thief, 2.2 ::A :=Mary: a big sign on your back saying you're a thief, and your mother and father will 2.2 ::A :=Mary: least of all the police. You're just a common, ordinary thief. Stop that bawling. 2.2 ::A :=Mary: have the whole house down here in a minute. 2.2 ::A :=Mary: Am I a fibber? 2.2 ::A :=Mary: Wait a minute. Say: "From now on, I, Rosalie Wells, 2.2 ::A :=Mary: she tells me under the solemn oath of a knight." 2.2 ::A :=Rosalie: she tells me under the solemn oath of a knight. 2.2 ::A :=Mrs. Tilford: Did I take you away from a patient? 2.2 ::A :=Cardin: the same. No money, badly equipped, a lousy laboratory, everybody growling at 2.2 ::A :=Mrs. Tilford: It's a very hard thing to say, Joseph. 2.2 ::A :=Cardin: managed, at that. Amelia, she's a terribly spoilt -- 2.2 ::A :=Mrs. Tilford: you've been engaged to Karen for a long time. Are your plans any more definite 2.2 ::A :=Mrs. Tilford: plans any more definite than they were a year ago? 2.2 ::A :=Cardin: Putting her out? Well, maybe. But a nice sum for a trip and a promise that 2.2 ::A :=Cardin: out? Well, maybe. But a nice sum for a trip and a promise that a good niece will 2.2 ::A :=Cardin: maybe. But a nice sum for a trip and a promise that a good niece will support 2.2 ::A :=Cardin: nice sum for a trip and a promise that a good niece will support you the rest of 2.2 ::A :=Cardin: isn't odd at all. Lily Mortar is not a harmless woman, although God knows she's 2.2 ::A :=Cardin: God knows she's silly enough. She's a nasty, tiresome, spoilt old bitch. It you're 2.2 ::A :=Cardin: spoilt old bitch. It you're forming a Mortar Welfare Society, you're wasting 2.2 ::A :=Cardin: You're a very impertinent lady. Why must I -- not 2.3 ::A :=Karen: Is it a joke, Joe? 2.3 ::A :=Martha: because she didn't want to enter a place like ours. Five minutes later the 2.3 ::A :=Martha: It was a madhouse. People rushing in and out, the 2.3 ::A :=Mrs. Tilford: I can understand that, and I understand a lot more. You've been playing with a lot 2.3 ::A :=Mrs. Tilford: a lot more. You've been playing with a lot of children's lives, and that's why 2.3 ::A :=Cardin: You have already done a terrible thing. 2.3 ::A :=Mrs. Tilford: be their own business. It becomes a great deal more than that when children 2.3 ::A :=Karen: It's not true. Not a word of it is true; can't you understand 2.3 ::A :=Karen: say this, but here it is: there isn't a single word of truth in anything you've 2.3 ::A :=Karen: ourselves -- and against what? Against a lie. A great, awful lie. 2.3 ::A :=Karen: -- and against what? Against a lie. A great, awful lie. 2.3 ::A :=Cardin: Righteousness is a great thing. 2.3 ::A :=Martha: part of this, you said. But you'll get a part. More than you bargained for. Listen: 2.3 ::A :=Martha: it -- and we'll make you do it in a court room. Tomorrow, Mrs. Tilford, you 2.3 ::A :=Martha: Tomorrow, Mrs. Tilford, you will have a libel suit on your hands. 2.3 ::A :=Cardin: So you took a child's word for it? 2.3 ::A :=Karen: believe -- it couldn't be. Why, she's a child. 2.3 ::A :=Martha: She's not a child any longer. 2.3 ::A :=Karen: well now. That girl has hated us for a long time. We never knew why, we never 2.3 ::A :=Karen: Your Mary's a strange girl, a bad girl. There's something 2.3 ::A :=Karen: Your Mary's a strange girl, a bad girl. There's something very awful 2.3 ::A :=Cardin: honest thing to do is to give them a chance to come out whole. Are you hone 2.4 ::A :=Cardin: they don't. I've lied myself for a lot of different reasons, but there was 2.4 ::A :=Cardin: different reasons, but there was never a time when, if I'd been given a second chance, 2.4 ::A :=Cardin: never a time when, if I'd been given a second chance, I wouldn't have taken back 2.4 ::A :=Cardin: you this because I'm about to ask you a question. Before you answer the question, 2.4 ::A :=Cardin: tell you that you've l -- if you made a mistake, you must talk this chance and 2.4 ::A :=Cardin: Not by a long shot. You've started something, and 2.4 ::A :=Karen: That's a lie. 2.4 ::A :=Mary: funny about her. She said that she had a funny feeling about Miss Wright, and Mrs. 2.4 ::A :=Martha: My aunt is a stupid woman. What she said was unpleasant; 2.4 ::A :=Martha: I share a room with my aunt. It is on the first floor 2.4 ::A :=Mrs. Tilford: Mary? Why did you say you saw through a keyhole? Can you hear from your room -- 2.4 ::A :=Cardin: home. We are finished here. It's not a pleasant place to be. 2.4 ::A :=Mary: it. She said she read about it in a book and she knew. You ask Rosalie. You 2.4 ::A :=Mrs. Tilford: Please wait a minute. Rosalie! 2.4 ::A :=Mrs. Tilford: must be tired. Mary says there's been a lot of talk in the school lately about 2.4 ::A :=Karen: open, you saw us kissing each other in a way that -- women don't kiss one anoth 2.4 ::A :=Rosalie: didn't, I didn't. I never said such a thing. 3.1 ::A :=Martha: off these chairs sooner or later. In a couple of months they'll need dusting. 3.1 ::A :=Karen: It's a week ago Thursday. It never seemed real 3.1 ::A :=Karen: We'll take a walk. 3.1 ::A :=Karen: Why shouldn't we take a walk? We won't see anybody, and suppose 3.1 ::A :=Martha: Shopping? That's a sound idea. There aren't three stores in 3.1 ::A :=Martha: I've got eight fingers, see? I'm a freak. 3.1 ::A :=Grocery Boy: There's a car comin' here. Good-bye. 3.1 ::A :=Karen: and you know you're back again in a solid world. But now it's all the nightmare; 3.1 ::A :=Martha: at all. Some small sandwiches and a little brandy? 3.1 ::A :=Mrs. Mortar: Around, around. I had a most interesting time. Things -- 3.1 ::A :=Mrs. Mortar: I was moving around a great deal. You know, I think it will throw 3.1 ::A :=Mrs. Mortar: deal. You know, I think it will throw a very revealing light on the state of the 3.1 ::A :=Mrs. Mortar: that the Lyceum in Rochester now has a toilet back stage. 3.1 ::A :=Mrs. Mortar: the wrong way to look at it. I was on a tour; that's a moral obligation, you know. 3.1 ::A :=Mrs. Mortar: to look at it. I was on a tour; that's a moral obligation, you know. Now don't let's 3.1 ::A :=Mrs. Mortar: things any more. I'll go up and unpack a few things; tomorrow's plenty of time to 3.1 ::A :=Martha: know. She expected to walk right up to a comfortable fire and sit down and she very 3.1 ::A :=Martha: Karen Wright and Martha Dobie brought a libel suit against a woman called Tilford 3.1 ::A :=Martha: Dobie brought a libel suit against a woman called Tilford because her grandchild 3.1 ::A :=Martha: Don't like that, do you? Well, a great part of the defense's case was based 3.1 ::A :=Martha: against her niece, Martha. And a greater part of the defense's case rested 3.1 ::A :=Martha: explain those remarks. Mrs. Mortar had a moral obligation to the theater. As you 3.2 ::A :=Cardin: Look who's here. A little late, aren't you? 3.2 ::A :=Mrs. Mortar: So it's you. Now, I call that loyal. A lot of men wouldn't still be here. They 3.2 ::A :=Cardin: cakes and take you both to Ischl for a honeymoon. 3.2 ::A :=Martha: A big coffee cake with a lot of raisins. 3.2 ::A :=Martha: A big coffee cake with a lot of raisins. It would be nice to like 3.2 ::A :=Cardin: I'll be going back with a pretty girl who belongs to me. I'll show 3.2 ::A :=Cardin: car. "Joseph," he said, "you'll be a good doctor; I would trust you to cut up 3.2 ::A :=Cardin: you to cut up my Minna. But you're not a great doctor, and you never will be. Go 3.2 ::A :=Karen: A few. Oh, your Dr. Fischer was so right. 3.2 ::A :=Cardin: I need an overcoat and a suit. You'll need a lot of things -- heavy 3.2 ::A :=Cardin: an overcoat and a suit. You'll need a lot of things -- heavy things. It's cold 3.2 ::A :=Cardin: and that's where we'll go for a month. 3.2 ::A :=Cardin: to stop talking like that. We've got a chance. But it's just one chance, and if 3.2 ::A :=Cardin: Nothing. Nothing. Karen, there are a lot of people in this world who've had 3.2 ::A :=Karen: I know. I'm sorry. Joe, can we have a baby right away? 3.2 ::A :=Karen: And every word will have a new meaning. You think we'll be able to 3.2 ::A :=Karen: Yes, you do. We've both known for a long time. I knew surely the day we lost 3.2 ::A :=Karen: I'm glad you asked. I'm not mad a bit, really. 3.2 ::A :=Karen: sure; you thought there might be just a little truth in it all. You've been good 3.2 ::A :=Karen: been good to me and loyal. You're a fine man. Now go and sit down, Joe. I have 3.2 ::A :=Karen: same, even my dress is old. We're in a room we've been in so many times before; 3.2 ::A :=Karen: that everybody has. I can have you and a baby, and I can go to market, and we can 3.2 ::A :=Karen: or later -- and answered. You're a good man -- the best I'll ever know -- 3.2 ::A :=Karen: -- will you go away for two days -- a day -- and think this all over by yourself 3.3 ::A :=Martha: A patient? Will he be back in time for d 3.3 ::A :=Martha: I don't believe it. He's never said a word all these months, all during the trial 3.3 ::A :=Martha: wrong. It's silly. He'll be back in a little while and you'll clear it all up 3.3 ::A :=Martha: A job? Money? 3.3 ::A :=Karen: In a big place we could get something to do 3.3 ::A :=Karen: A small town, then. 3.3 ::A :=Martha: get used to it; we'll be here for a long time. Let's pinch each other sometimes. 3.3 ::A :=Karen: But this isn't a new sin they tell us we've done. Other 3.3 ::A :=Martha: other, of course. I've loved you like a friend, the way thousands of women feel 3.3 ::A :=Martha: all along; maybe I couldn't call it by a name; maybe it's been there ever since 3.3 ::A :=Karen: It's a lie. You're telling yourself a lie. We 3.3 ::A :=Karen: It's a lie. You're telling yourself a lie. We never thought of each other that 3.3 ::A :=Martha: anybody but you. I've never loved a man -- I never knew why before. Maybe it's 3.3 ::A :=Martha: don't do anything about it. Suddenly a child gets bored and lies -- and there 3.3 ::A :=Martha: my own. I didn't even know. There's a big difference between us now, Karen. I 3.3 ::A :=Martha: Tomorrow? That's a funny word. Karen, we would have had to 3.3 ::A :=Martha: Karen, we would have had to invent a new language, as children do, without words 3.3 ::A :=Mrs. Mortar: Karen! Martha! Where are you? I heard a shot. What was -- What -- what is it? What 3.3 ::A :=Mrs. Mortar: We've got to get a doctor -- right away. 3.3 ::A :=Mrs. Mortar: to do everything I could. Suicide's a sin. Shouldn't we call somebody to -- 3.3 ::A :=Karen: In a little while. 3.3 ::A :=Mrs. Mortar: awful business. She would have got a job and started all over again -- she was 3.3 ::A :=Mrs. Mortar: I answer it? I think we'd better. It's a woman. It's woman to see you, Karen. You 3.3 ::A :=Mrs. Mortar: You can't come in now; we've had a -- we've had trouble here. 3.3 ::A :=Agatha: please let her come in. Just for a minute, Miss Karen. Please -- 3.3 ::A :=Agatha: You poor child. You look like you got a pain somewhere. I only came cause she's 3.3 ::A :=Agatha: won't talk to her any more. I wouldn't a come -- I always been on your side -- but 3.3 ::A :=Agatha: see her, you'd let her come for just a minute. 3.3 ::A :=Agatha: You always been a good girl. 3.3 ::A :=Mrs. Tilford: Last Tuesday Mrs. Wells found a bracelet in Rosalie's room. The bracelet 3.3 ::A :=Mrs. Tilford: out. Don't do that, Karen. I have only a little more to say, I've talked to Judge 3.3 ::A :=Mrs. Tilford: make all arrangements. There will be a public apology and an explanation. The 3.3 ::A :=Karen: the choking, don't you? You've done a wrong and you have to right that wrong 3.3 ::A :=Karen: wrong place for help. You want to be a "good" woman again, don't you? Oh, I know. 3.3 ::A :=Karen: you did. Now you "have" to do this. A public apology and money paid, and you 3.3 ::A :=Karen: left for you. But what of me? It's a whole life for me. A whole God-damned life. 3.3 ::A :=Karen: what of me? It's a whole life for me. A whole God-damned life. and what of her 3.3 ::A :=Karen: I'm tired, Mrs. Tilford. You will have a hard time ahead, won't you? 3.3 ::A :=Mrs. Tilford: It's been cold. It seems a little warmer, now. 1.1 ::A-A-A :=Mary: A-a-a. 1.1 ::AARON'S :=Mrs. Mortar: "One master passion in the breast, like Aaron's serpent, swallows all the rest." 1.1 ::AB :=Lois: Ad, ab, ante, in, de, inter, con, post, prae 1.1 ::ABLATIVE :=Catherine: Take the ablative. 1.2 ::ABLE :=Karen: I'm glad to be able to. I've been in love with Joe a long 1.3 ::ABLE :=Martha: and if you live sensibly I ought to be able to let you have enough to get along 3.2 ::ABLE :=Karen: have a new meaning. You think we'll be able to run away from that? Woman, child, 1.1 ::ABOUT :=Mrs. Mortar: handkerchiefs or something. Be clever about it. Women must learn these tricks. 1.1 ::ABOUT :=Mrs. Mortar: I am sure your family need never worry about your going on the stage. 1.1 ::ABOUT :=Mary: that. Everything I say you fuss at me about. Everything I do is wrong. 1.1 ::ABOUT :=Karen: has -- and I won't be unreasonable about yours. But this way, this kind of lying 1.2 ::ABOUT :=Karen: go to her grandmother with some tale about being mistreated. 1.2 ::ABOUT :=Martha: How about having a talk with Mrs. Tilford? 1.2 ::ABOUT :=Karen: wouldn't do any good. She's too crazy about Mary to see her faults very clearly 1.2 ::ABOUT :=Martha: How about asking Joe to say something to her? 1.2 ::ABOUT :=Karen: It's funny. We always talk about the child as if she were a grown w 1.2 ::ABOUT :=Karen: we'll talk it over with Joe. Now what about our other pet nuisance? 1.2 ::ABOUT :=Karen: at dinner she was telling the girls about the time she lost her trunks in Butte, 1.2 ::ABOUT :=Martha: You've been very patient about it. I'm sorry and I'll talk to her 1.2 ::ABOUT :=Martha: Then you are thinking about it -- soon? 1.2 ::ABOUT :=Karen: telling you anything we haven't talked about often. 1.2 ::ABOUT :=Martha: But you're talking about it as soon now. 1.3 ::ABOUT :=Martha: What are you talking about? Why, in the name of heaven, should 1.3 ::ABOUT :=Martha: like it here. Aunt Lily, you've talked about London for a long time. Would you like 1.3 ::ABOUT :=Martha: That suits everybody. You complain about the farm, you complain about the school, 1.3 ::ABOUT :=Martha: complain about the farm, you complain about the school, you complain about Karen, 1.3 ::ABOUT :=Martha: about the school, you complain about Karen, and now you have what you want 1.3 ::ABOUT :=Martha: looking for something to complain about. 1.3 ::ABOUT :=Martha: What are you talking about now? 1.3 ::ABOUT :=Martha: Go upstairs now. We'll talk about this later. 1.3 ::ABOUT :=Mrs. Mortar: to say you're not going to do anything about that? That's the trouble with these 1.3 ::ABOUT :=Martha: things you say. Oh, I'll "do something about it," but the truth is that this is 1.3 ::ABOUT :=Martha: Henry's watching her from above. What about Mary? 1.3 ::ABOUT :=Martha: somebody ought to talk to Mrs. Tilford about her. 1.3 ::ABOUT :=Martha: Well, Karen and I were talking about it this afternoon and -- 1.3 ::ABOUT :=Cardin: You and I have got something to fight about. Every time anything's said about marrying 1.3 ::ABOUT :=Cardin: about. Every time anything's said about marrying -- about Karen marrying me 1.3 ::ABOUT :=Cardin: time anything's said about marrying -- about Karen marrying me -- you -- There it 1.4 ::ABOUT :=Karen: too long. Now, don't let's talk about it. Peggy, you will move into Lois's 1.4 ::ABOUT :=Peggy: lover's gift. People get awfully angry about a lover's gift. 1.4 ::ABOUT :=Mary: Oh, stop worrying about it. I'll get out of it. 1.4 ::ABOUT :=Evelyn: We were thort of thorry about lithening. I gueth it wathn't -- 1.4 ::ABOUT :=Mary: Ah, you're always sorry about everything. What were they saying? 1.4 ::ABOUT :=Mary: About what? 1.4 ::ABOUT :=Evelyn: Well, they were talking about Mortar going away to England and - 1.4 ::ABOUT :=Evelyn: of her, and then they tharted talking about Dr. Cardin. 1.4 ::ABOUT :=Mary: What about him? 1.4 ::ABOUT :=Mary: move my things and don't say a word about our being down here. 1.4 ::ABOUT :=Rosalie: I don't know what you're talking about. 1.4 ::ABOUT :=Mary: Oh, I'm not talking about anything in particular. You just run 1.4 ::ABOUT :=Peggy: It's a shame about being moved. I've got to go in with 1.4 ::ABOUT :=Evelyn: What are you going to do about the vathe? 1.4 ::ABOUT :=Mary: I don't care about Rosalie and I don't care about the 1.4 ::ABOUT :=Mary: care about Rosalie and I don't care about the vase. I'm not going to be here 1.4 ::ABOUT :=Mary: You let me worry about that. Grandma's very fond of me, on 1.4 ::ABOUT :=Evelyn: What'th going to happen about the vathe? 2.1 ::ABOUT :=Agatha: She didn't say anything about you coming. 2.1 ::ABOUT :=Mrs. Tilford: made you say such a terrible thing about Miss Wright and Miss Dobie? You know 2.1 ::ABOUT :=Mrs. Tilford: tonight. Let's not have any more talk about it now, and let's have no more running 2.1 ::ABOUT :=Mary: It was -- it was all about Miss Dobie and Mrs. Mortar. They were 2.1 ::ABOUT :=Mary: She said there was something funny about it, and that Miss Dobie had always 2.1 ::ABOUT :=Mary: couldn't help it, but we never talked about it much, because we thought they'd 2.1 ::ABOUT :=Mrs. Tilford: phone. Can't you come sooner? It's not about Mary's fainting -- I said it's not 2.1 ::ABOUT :=Mrs. Tilford: Mary's fainting -- I said it's not about Mary, Joseph; in one way it's about 2.1 ::ABOUT :=Mrs. Tilford: about Mary, Joseph; in one way it's about Mary -- But will the hospital take 2.1 ::ABOUT :=Mrs. Tilford: very shocking, I'm afraid -- something about the school and Evelyn and Mary -- 2.2 ::ABOUT :=Rosalie: everything, don't you? Isn't it funny about school? 2.2 ::ABOUT :=Mary: What's funny about it? 2.2 ::ABOUT :=Mary: that I may have said that you told me about it? 2.2 ::ABOUT :=Rosalie: a thing like that. I didn't tell you about anything. Did your tell your grandmother 2.2 ::ABOUT :=Mary: I want to tell her about Helen Burton's bracelet. 2.2 ::ABOUT :=Rosalie: What about it? 2.2 ::ABOUT :=Cardin: results from the mating-season right about now. 2.2 ::ABOUT :=Cardin: you didn't bring me here to talk about the hospital. We're talking like people 2.2 ::ABOUT :=Cardin: for you to say to me? Don't be worried about Mary. I guessed that she ran home to 2.2 ::ABOUT :=Cardin: guessed that she ran home to tell you about her faint. It was caused by nothing 2.2 ::ABOUT :=Mrs. Tilford: I heard about the faint. That's not what is worrying 2.2 ::ABOUT :=Mrs. Tilford: I've heard about their putting Mrs. Mortar out. 2.2 ::ABOUT :=Cardin: I don't know what you're talking about, but it isn't odd at all. Lily Mortar 2.3 ::ABOUT :=Cardin: What are you talking about? 2.3 ::ABOUT :=Cardin: What are you talking about? What do you mean? 2.3 ::ABOUT :=Mrs. Tilford: to this: I can't trust myself to talk about it with you now or ever. 2.3 ::ABOUT :=Karen: What's she talking about, Joe? What's she mean? What is she 2.3 ::ABOUT :=Cardin: ought to have. You wouldn't know about that. That school meant things to them: 2.3 ::ABOUT :=Cardin: You don't know anything about how I feel. And you don't know how 2.3 ::ABOUT :=Mrs. Tilford: has been done. There won't be any talk about it or about you -- I'll see to that. 2.3 ::ABOUT :=Mrs. Tilford: There won't be any talk about it or about you -- I'll see to that. You have been 2.4 ::ABOUT :=Cardin: I'm telling you this because I'm about to ask you a question. Before you answer 2.4 ::ABOUT :=Cardin: truth this afternoon? The exact truth about Miss Wright and Miss Dobie? 2.4 ::ABOUT :=Mary: Dobie that there was something funny about her. She said that she had a funny 2.4 ::ABOUT :=Mary: She said that she had a funny feeling about Miss Wright, and Mrs. Mortar said that 2.4 ::ABOUT :=Mary: like that and all the girls would talk about it when Miss Dobie went and visited 2.4 ::ABOUT :=Mary: was Rosalie, Grandma, she told us all about it. She said she read about it in a 2.4 ::ABOUT :=Mary: us all about it. She said she read about it in a book and she knew. You ask 2.4 ::ABOUT :=Mary: She'll tell you. We used to talk about it all the time. That's the truth, 2.4 ::ABOUT :=Mary: door was open once and she told us all about it. I was just trying to save Rosalie, 2.4 ::ABOUT :=Mrs. Tilford: a lot of talk in the school lately about Miss Wright and Miss Dobie. Is that 2.4 ::ABOUT :=Mrs. Tilford: What was the talk about, Rosalie? 2.4 ::ABOUT :=Rosalie: thing. Mary always makes things up about me and everybody else. I never said 2.4 ::ABOUT :=Karen: There's nothing to cry about. You must help us by telling the truth. 3.1 ::ABOUT :=Karen: What's the old thing about time being more nourishing than br 3.1 ::ABOUT :=Martha: Let's not talk about it. What about eggs for dinner? 3.1 ::ABOUT :=Martha: Let's not talk about it. What about eggs for dinner? 3.1 ::ABOUT :=Martha: sell us anything. Hasn't he heard about the ladies' clubs and their meetings 3.1 ::ABOUT :=Karen: I don't know. I don't know about anything any more. Martha, Martha, 3.1 ::ABOUT :=Martha: Answer me and don't bother about my temper. 3.1 ::ABOUT :=Mrs. Mortar: you know. Now don't let's talk about unpleasant things any more. I'll go 3.2 ::ABOUT :=Karen: I won't have you do this for me. What about the hospital and -- 3.2 ::ABOUT :=Cardin: No. Let's not talk about it. You'll need some clothes? 3.2 ::ABOUT :=Cardin: I don't know what you're talking about. 3.3 ::ABOUT :=Karen: Stop talking about it. Let's pack and get out of here. 3.3 ::ABOUT :=Martha: They'd know about us. We've been famous. 3.3 ::ABOUT :=Martha: They'd know more about us. 3.3 ::ABOUT :=Martha: the way thousands of women feel about other women. 3.3 ::ABOUT :=Martha: mean anything. There's nothing wrong about that. It's perfectly natural that I 3.3 ::ABOUT :=Martha: says I didn't? I never felt that way about anybody but you. I've never loved a 3.3 ::ABOUT :=Martha: know it and you don't do anything about it. Suddenly a child gets bored and 3.3 ::ABOUT :=Mrs. Tilford: Those ten or fifteen years you talk about! They will be bad years. 1.1 ::ABOVE :=Peggy: the dread and fear of kings; but mercy is above . . . " 1.1 ::ABOVE :=Peggy: "But mercy is above. It . . . " 1.1 ::ABOVE :=Peggy: dread and fear of kings; but mercy is above this sceptred sway, it is enthroned 1.1 ::ABOVE :=Mrs. Mortar: for the life of a man. "But mercy is above this sceptred sway; it is enthroned 1.3 ::ABOVE :=Martha: in case Sir Henry's watching her from above. What about Mary? 1.3 ::ABROAD :=Martha: The angel child's influence is abroad even while she's unconscious. Her 1.3 ::ABSOLUTELY :=Mrs. Mortar: I absolutely refuse to be shipped of three 1.3 ::ABSOLUTELY :=Cardin: Nothing. Absolutely nothing. 2.3 ::ABSOLUTELY :=Mrs. Tilford: well I wouldn't have acted until I was absolutely sure. All I wanted was to get 1.1 ::ABUSE :=Catherine: longer, O Cataline, are you going to abuse our patience? Now translate it, and 1.1 ::ABUTERE :=Lois: "Quo usque tandem abutere . . . " 1.1 ::ABUTERE :=Karen: "Abutere." What's happened to your hair, 1.4 ::ACCOUNT :=Mary: that. Grandma's very fond of me, on account my father was her favorite son. I 3.1 ::ACCOUNTS :=Mrs. Mortar: something in the theater now, and that accounts for -- 3.1 ::ACCUSED :=Martha: Tilford because her grandchild had accused them of having what the judge called 1.3 ::ACT :=Martha: Don't act, Aunt Lily. Go as soon as you've found 2.2 ::ACT :=Agatha: Don't tell me what you won't do. You'll act like a lady for once in your life. Come 2.2 ::ACT :=Rosalie: Don't act like you can come home every night. 2.3 ::ACT :=Mrs. Tilford: seen too many people, out of pride, act on that pride. In the end they punish 3.1 ::ACT :=Karen: to go into town and go shopping and act as though -- 2.3 ::ACTED :=Mrs. Tilford: you know very well I wouldn't have acted until I was absolutely sure. All I 1.2 ::ACTING :=Martha: way. He said it was a test of great acting. 2.1 ::ACTING :=Mrs. Tilford: they'll be that angry. Come, you're acting like a foolish little girl. 2.1 ::ACTING :=Mrs. Tilford: anything to say, then say it and stop acting silly. 1.1 ::ACTOR :=Mrs. Mortar: A cue is a line or word given the actor or actress to remind them of their 1.1 ::ACTRESS :=Mrs. Mortar: to me many's the time, pity makes the actress. Now, why can't you feel pity? 1.1 ::ACTRESS :=Mrs. Mortar: is a line or word given the actor or actress to remind them of their next spe 1.2 ::ACTRESS :=Martha: My aunt the actress? What's she been up to now? 3.1 ::ACTRESS :=Martha: based on remarks made by Lily Mortar, actress in the toilets of Rochester, against 2.4 ::ACTS :=Karen: her that you saw certain -- certain acts between Miss Dobie and myself. She says 1.1 ::AD :=Lois: Ad, ab, ante, in, de, inter, con, post, prae 1.3 ::ADMIRABLE :=Karen: He's an admirable man in every way. Well, the angel 1.2 ::ADMIT :=Martha: Well, we can't, and we might as well admit it. We've tried everything we can think 1.2 ::ADMITTING :=Karen: That would be admitting that we can't do the job ourse 2.1 ::AFRAID :=Mrs. Tilford: And I miss you, but I'm afraid my Latin is too rusty -- you'll learn 2.1 ::AFRAID :=Mary: they got something against me. I'm afraid of them, Grandma. 2.1 ::AFRAID :=Mary: couldn't be together any more. They're afraid to have us near them, that's what 2.1 ::AFRAID :=Mary: They're afraid you'll find out. 2.1 ::AFRAID :=Mary: have secrets or something, and they're afraid I'll find out and tell you. 2.1 ::AFRAID :=Mrs. Tilford: you -- something very shocking, I'm afraid -- something about the school and 2.3 ::AFRAID :=Karen: You are right to be afraid. 2.3 ::AFRAID :=Mrs. Tilford: I am not afraid, Karen. 2.4 ::AFRAID :=Mrs. Tilford: Sit down, dear, and don't be afraid. 3.3 ::AFRAID :=Martha: You're afraid of hearing it; I'm more afraid than 3.3 ::AFRAID :=Martha: You're afraid of hearing it; I'm more afraid than you. 3.3 ::AFRAID :=Mrs. Mortar: I -- I haven't any place to go. I'm afraid. It seems so queer -- in the next 3.3 ::AFRAID :=Karen: Don't be afraid. 2.1 ::AFTER :=Mrs. Tilford: your face and change your dress, and after dinner John will drive you back. Run 2.1 ::AFTER :=Mrs. Tilford: dear. You'll have to go back to school after dinner. 2.1 ::AFTER :=Mary: nobody could say another single word after you finished? You used to say: "Wor-rr-ld," 2.1 ::AFTER :=Mary: I stay out the rest of this term? After the summer maybe I won't mind it so 2.1 ::AFTER :=Mary: to the boat-races and -- It's -- it's after what happened today. 2.1 ::AFTER :=Mary: Almost always Miss Dobie comes in after we go to bed and stays a long time. 3.1 ::AFTER :=Martha: Now and forever after. 1.1 ::AFTERNOON :=Lois: We've got a Latin exam this afternoon. 1.1 ::AFTERNOON :=Mary: Good afternoon, Miss Wright. 1.3 ::AFTERNOON :=Martha: Karen and I were talking about it this afternoon and -- 2.2 ::AFTERNOON :=Cardin: Today. This afternoon. 2.4 ::AFTERNOON :=Cardin: your grandmother the truth this afternoon? The exact truth about Miss Wright 1.2 ::AFTERWARD :=Martha: It's going to be hard going on alone afterward. 1.1 ::AGAIN :=Mrs. Mortar: room are talking? Peggy, read the line again. I'll give you the cue. 1.1 ::AGAIN :=Mrs. Mortar: of Shakespeare. Let us go back again. "It is an attribute of -- " 1.1 ::AGAIN :=Karen: in hearing that foolish story again. I know you got the flowers out of 1.2 ::AGAIN :=Martha: coat without holes in the lining again! -- and now when we're getting on our 1.3 ::AGAIN :=Mrs. Mortar: and I shall never live to see it again. 2.1 ::AGAIN :=Agatha: -- I bet you've been up to something again. Well, you wait right here till I tell 2.1 ::AGAIN :=Mary: Wright gets mad, and then they make up again, and there are funny noises and we 2.2 ::AGAIN :=Cardin: Please. How are you feeling? Headaches again? 2.3 ::AGAIN :=Mrs. Tilford: I won't have her go through with that again. You came here demanding explanations. 2.4 ::AGAIN :=Karen: Ask her again how she could see us. 3.1 ::AGAIN :=Martha: No, I'd like to be hungry again. Remember how much we used to eat at 3.1 ::AGAIN :=Karen: own nightgown and you know you're back again in a solid world. But now it's all 3.1 ::AGAIN :=Mrs. Mortar: and I'm very glad to see the old place again. How is everything? 3.1 ::AGAIN :=Mrs. Mortar: Oh, Martha, there's your temper again. 3.2 ::AGAIN :=Cardin: all going. We're going to have fun again. 3.2 ::AGAIN :=Martha: It would be nice to like something again. 3.2 ::AGAIN :=Karen: You'll be coming home again some day. 3.2 ::AGAIN :=Cardin: be. We must find that out all over again. We must learn again to live and love 3.2 ::AGAIN :=Cardin: that out all over again. We must learn again to live and love like other people 3.2 ::AGAIN :=Karen: yourself that we might be all right again. But we won't be all right. Not ever, 3.3 ::AGAIN :=Mrs. Mortar: have got a job and started all over again -- she was just worried and sick and 3.3 ::AGAIN :=Karen: that wrong or you can't rest your head again. You want to be "just," don't you, 3.3 ::AGAIN :=Karen: help. You want to be a "good" woman again, don't you? Oh, I know. You told us 3.3 ::AGAIN :=Karen: and money paid, and you can sleep again and eat again. That done and there'll 3.3 ::AGAIN :=Karen: paid, and you can sleep again and eat again. That done and there'll be peace for 3.3 ::AGAIN :=Mrs. Tilford: Karen, and that there never would be again. But what I am or why I came doesn't 1.4 ::AGAINST :=Mary: stick up for your crush. Take her side against mine. 2.1 ::AGAINST :=Mary: anyhow, just like they got something against me. I'm afraid of them, Grandma. 2.3 ::AGAINST :=Karen: here defending ourselves -- and against what? Against a lie. A great, awful 2.3 ::AGAINST :=Karen: ourselves -- and against what? Against a lie. A great, awful lie. 3.1 ::AGAINST :=Martha: and Martha Dobie brought a libel suit against a woman called Tilford because her 3.1 ::AGAINST :=Martha: actress in the toilets of Rochester, against her niece, Martha. And a greater 2.1 ::AGATHA :=Mary: Hello, Agatha. You didn't give me a chance. Where's 2.1 ::AGATHA :=Mrs. Tilford: all it was. I was frightened when Agatha said you were not well. 2.1 ::AGATHA :=Mrs. Tilford: thing to do, and they'll be worried. Agatha, phone Miss Wright and tell her Mary 2.1 ::AGATHA :=Mrs. Tilford: Never mind phoning now, Agatha. 2.2 ::AGATHA :=Mrs. Tilford: I haven't seen you the last few weeks. Agatha misses you for Sunday dinners. 2.3 ::AGATHA :=Karen: Mrs. Tilford, Agatha. Is she in? 3.3 ::AGATHA :=Karen: Agatha. 3.3 ::AGATHA :=Karen: I'm not mad at you, Agatha. 3.3 ::AGATHA :=Karen: I couldn't do that, Agatha. 1.3 ::AGE :=Mrs. Mortar: So? You're turning me out? At my age! Nice, grateful girl you are. 1.3 ::AGE :=Mrs. Mortar: of your own now -- a woman of your age. 2.1 ::AGE :=Agatha: to catch your death of cold at your age? Did you have to hurry so? 2.1 ::AGE :=Mrs. Tilford: like being home with me, but at your age you can hardly -- What made you say such 1.3 ::AGENTS :=Mrs. Mortar: go back to the stage. I'll write to my agents tomorrow, and as soon as they have 1.1 ::AGO :=Mrs. Mortar: Long ago, my dear, long ago. Now, take you book 1.1 ::AGO :=Mrs. Mortar: Long ago, my dear, long ago. Now, take you book over by the window 1.1 ::AGO :=Karen: it was true until you came here a year ago. I don't think you're very happy here, 1.2 ::AGO :=Martha: She was perfectly well a few hours ago. 1.2 ::AGO :=Karen: like that? We agreed a long time ago that my marriage wasn't going to make 2.2 ::AGO :=Mrs. Tilford: more definite than they were a year ago? 2.3 ::AGO :=Karen: We should have told it to you long ago. It's no use. 3.1 ::AGO :=Karen: That was ten years ago. 3.1 ::AGO :=Karen: It's a week ago Thursday. It never seemed real until 1.1 ::AGREE :=Karen: I don't say that I'll always agree that you should do exactly what you 1.4 ::AGREEABLE :=Evelyn: you think of that? What made her tho agreeable? 1.2 ::AGREED :=Karen: Why do you say things like that? We agreed a long time ago that my marriage wasn't 1.1 ::AH :=Mrs. Mortar: with some feeling, some pity? Pity. Ah! As Sir Henry said to me many's the time, 1.4 ::AH :=Evelyn: Ah, Mith Wright, we've been together almotht 1.4 ::AH :=Mary: Ah, you're always sorry about everything. 1.4 ::AH :=Mary: Ah, she won't say a word. 1.4 ::AH :=Evelyn: Ah, she wantth that bithycle tho bad. 3.2 ::AH :=Karen: and grow until we'd be ruined by it. Ah, Joe, you've seen all that yourself. You 3.1 ::AHEAD :=Martha: to know that there's one thing ahead of me, one thing I've got to do. You 3.1 ::AHEAD :=Martha: to think there are such people, go ahead. 3.2 ::AHEAD :=Cardin: talk any more. Let's forget and go ahead. 3.2 ::AHEAD :=Karen: Go ahead? 3.3 ::AHEAD :=Karen: Tilford. You will have a hard time ahead, won't you? 3.3 ::AIN'T :=Agatha: Mrs. Tilford. Don't you feel well? You ain't mad at me? 1.1 ::ALL :=Mrs. Mortar: Certainly. Suppose you all write it down. 1.1 ::ALL :=Mrs. Mortar: breast, like Aaron's serpent, swallows all the rest." 1.1 ::ALL :=Karen: Don't worry, Lois. You'll come out all right. Wait a minute, Mary. Mary, I've 1.1 ::ALL :=Mary: I've got a pain. I've had it all morning. It hurts right here. Really 1.2 ::ALL :=Karen: All right, all right, we'll talk it over 1.2 ::ALL :=Karen: All right, all right, we'll talk it over with Joe. Now 1.2 ::ALL :=Martha: I did, indeed. God, how I used to hate all that -- 1.2 ::ALL :=Martha: she can be ready to leave. Is that all right? 1.2 ::ALL :=Martha: when we're getting on our feet, you're all ready to let it go to hell. 1.3 ::ALL :=Martha: seen one heart attack you've seen them all. 1.3 ::ALL :=Martha: and I'll get the passage. Now that's all fixed. You'll have a grand time seeing 1.3 ::ALL :=Martha: fixed. You'll have a grand time seeing all your old friends, and if you live sensibly 1.3 ::ALL :=Martha: Nothing the matter with her at all, then? 1.4 ::ALL :=Mary: And it's all because I had a pain. If anybody else 1.4 ::ALL :=Mary: for everything. I do, Cousin Joe. All the time for everything. 1.4 ::ALL :=Peggy: that happens and we'll give you all the souvenirs and things. 1.4 ::ALL :=Peggy: It's all right. Evelyn and I'll get your things. 1.4 ::ALL :=Rosalie: All right, I'll do it this time, but just 1.4 ::ALL :=Peggy: in with Helen, and she blows her nose all night. Lois told me. 1.4 ::ALL :=Mary: was her favorite son. I can manage her all right. 1.4 ::ALL :=Peggy: had anything the rest of you get all the time. It took me so long to save 1.4 ::ALL :=Peggy: All -- all right -- I'll get it. 1.4 ::ALL :=Peggy: All -- all right -- I'll get it. 2.1 ::ALL :=Agatha: You look all right. 2.1 ::ALL :=Mary: But I don't feel all right. I can't even come home without 2.1 ::ALL :=Mary: Grandma. You didn't come to visit me all last week. 2.1 ::ALL :=Mrs. Tilford: I'm glad that's all it was. I was frightened when Agatha 2.1 ::ALL :=Mrs. Tilford: We all get homesick. But how did you get here? 2.1 ::ALL :=Mrs. Tilford: As much as all the words in all the books in all the 2.1 ::ALL :=Mrs. Tilford: As much as all the words in all the books in all the world. 2.1 ::ALL :=Mrs. Tilford: as all the words in all the books in all the world. 2.1 ::ALL :=Mary: A lot of things -- all the time. Miss Wright says I can't go 2.1 ::ALL :=Mary: It was -- it was all about Miss Dobie and Mrs. Mortar. They 2.1 ::ALL :=Mary: All right. But there're a lot of things. 2.1 ::ALL :=Mrs. Tilford: That was probably not the reason at all. 2.1 ::ALL :=Mary: trying to stop her, and she said that all right, maybe she wouldn't get married 2.1 ::ALL :=Mrs. Tilford: How do you know all this? 2.1 ::ALL :=Mary: us move our room, and they punish me all the time for -- 2.1 ::ALL :=Mary: You're the nicest, loveliest grandma in all the world. You -- you're not mad at 2.2 ::ALL :=Agatha: it that she doesn't get my good quilt all dirty, and let her wear your green p 2.2 ::ALL :=Agatha: Do I know all the crazy things that are happening around 2.2 ::ALL :=Agatha: Your grandmother phones Mrs. Wells all the way to New York, three dollars and 2.2 ::ALL :=Rosalie: All right. Lois Fisher told Helen that you 2.2 ::ALL :=Mary: Nobody'll believe that, least of all the police. You're just a common, ordinary 2.2 ::ALL :=Mrs. Tilford: We all are in trouble. Bad trouble. 2.2 ::ALL :=Cardin: talking about, but it isn't odd at all. Lily Mortar is not a harmless woman, 2.3 ::ALL :=Cardin: What is all this? What's happened? 2.3 ::ALL :=Mrs. Tilford: this is for you, how serious it is for all of us. 2.3 ::ALL :=Martha: All right. That's fine. But don't get the 2.3 ::ALL :=Karen: Oh, my God, it all fits so well now. That girl has hated 2.3 ::ALL :=Mrs. Tilford: acted until I was absolutely sure. All I wanted was to get those children away. 2.4 ::ALL :=Cardin: Look: everybody lies all the time. Sometimes they have to, sometimes 2.4 ::ALL :=Cardin: won't be punished for it. Do you get all that? 2.4 ::ALL :=Cardin: All right, let's get started. Were you telling 2.4 ::ALL :=Cardin: All right, Mary, that was your chance; you 2.4 ::ALL :=Cardin: All right, we'll skip that one. Did you get 2.4 ::ALL :=Cardin: What do you think Mrs. Mortar meant by all that, Mary? 2.4 ::ALL :=Mary: she always said things like that and all the girls would talk about it when Miss 2.4 ::ALL :=Mary: I'm saying with everybody mixing me all up. I did see it! I did see it! 2.4 ::ALL :=Mary: All -- all right. 2.4 ::ALL :=Mary: All -- all right. 2.4 ::ALL :=Mary: It was Rosalie, Grandma, she told us all about it. She said she read about it 2.4 ::ALL :=Mary: tell you. We used to talk about it all the time. That's the truth, that's the 2.4 ::ALL :=Mary: the door was open once and she told us all about it. I was just trying to save Rosalie, 3.1 ::ALL :=Martha: Oh, I couldn't do that. I look forward all day to that bath. It's my last touch 3.1 ::ALL :=Karen: All right. 3.1 ::ALL :=Karen: last day. It seems real enough now, all right. 3.1 ::ALL :=Karen: says we've got to out. He says that all the people who don't think it's true 3.1 ::ALL :=Martha: You said that yesterday. All right. Thanks. Good-bye. 3.1 ::ALL :=Karen: What are we going to do? It's all so cold and unreal and -- It's like that 3.1 ::ALL :=Karen: again in a solid world. But now it's all the nightmare; there is no solid world. 3.1 ::ALL :=Martha: married soon. Everything will be all right then. 3.1 ::ALL :=Martha: No trouble at all. Some small sandwiches and a little 3.1 ::ALL :=Karen: What difference does it all make now? 3.1 ::ALL :=Mrs. Mortar: I didn't refuse to come back at all. That's the wrong way to look at it. 3.1 ::ALL :=Mrs. Mortar: It couldn't have done any good for all of us to get mixed up in that unpleasant 3.1 ::ALL :=Martha: He's been doing all right. 3.2 ::ALL :=Cardin: Feel all right? 3.2 ::ALL :=Cardin: we sit around here much longer, we'll all be bats. I sold my place today to Fo 3.2 ::ALL :=Cardin: this week. Then we're going away -- all three of us. 3.2 ::ALL :=Cardin: Shut up, darling, it's all fixed. We're going to Vienna and we're 3.2 ::ALL :=Cardin: Nonsense, Martha, we're all going. We're going to have fun again 3.2 ::ALL :=Cardin: object any more, please, darling. All right? 3.2 ::ALL :=Karen: All right. 3.2 ::ALL :=Martha: I can't go. It's better for all of us if I don't. 3.2 ::ALL :=Cardin: Later on, if you want it that way. All right? 3.2 ::ALL :=Martha: All right. 3.2 ::ALL :=Cardin: who belongs to me. I'll show you off all over the place -- to Dr. Engelhardt, 3.2 ::ALL :=Cardin: it should be. We must find that out all over again. We must learn again to live 3.2 ::ALL :=Cardin: I have nothing to ask. Nothing -- All right. Is it -- was it ever -- 3.2 ::ALL :=Karen: have never touched each other. That's all right, darling. I'm glad you asked. I'm 3.2 ::ALL :=Karen: I know. You wanted to wait until it was all over, you really never wanted to ask 3.2 ::ALL :=Karen: you really never wanted to ask at all. You didn't know for sure; you thought 3.2 ::ALL :=Karen: might be just a little truth in it all. You've been good to me and loyal. You're 3.2 ::ALL :=Karen: Joe. I have things to say. They're all mixed up and I must get them clear. 3.2 ::ALL :=Karen: would happen? We'd be hounded by it all out lives. I'd be frightened, always, 3.2 ::ALL :=Karen: be ruined by it. Ah, Joe, you've seen all that yourself. You knew it first. 3.2 ::ALL :=Karen: to tell yourself that we might be all right again. But we won't be all right. 3.2 ::ALL :=Karen: be all right again. But we won't be all right. Not ever, ever, ever. I don't 3.2 ::ALL :=Karen: Not ever, ever, ever. I don't know all the reasons why. Look, I'm standing here. 3.2 ::ALL :=Karen: I'm like everybody else. I can have all the things that everybody has. I can 3.2 ::ALL :=Karen: two days -- a day -- and think this all over by yourself -- away from me and 3.2 ::ALL :=Karen: Don't say anything. Please go now. And all my heart goes with you. 3.3 ::ALL :=Karen: He won't be back at all. 3.3 ::ALL :=Karen: All right. 3.3 ::ALL :=Martha: believe it. He's never said a word all these months, all during the trial -- 3.3 ::ALL :=Martha: never said a word all these months, all during the trial -- Didn't you tell him? 3.3 ::ALL :=Martha: It's all wrong. It's silly. He'll be back in a 3.3 ::ALL :=Martha: in a little while and you'll clear it all up -- Oh, God, I wanted that for you 3.3 ::ALL :=Karen: Why are you saying all this to me? 3.3 ::ALL :=Martha: remember. But I never knew it until all this happened. 3.3 ::ALL :=Martha: I wanted you; maybe I wanted you all along; maybe I couldn't call it by a 3.3 ::ALL :=Martha: It's funny; it's all mixed up. There's something in you, and 3.3 ::ALL :=Martha: for the first time. I don't know. It all seems to come back to me. In some way 3.3 ::ALL :=Martha: between us now, Karen. I feel all dirty and -- I can't stay with you any 3.3 ::ALL :=Karen: All this isn't true. You've never said it; 3.3 ::ALL :=Mrs. Mortar: have done it. It was because of all this awful business. She would have got 3.3 ::ALL :=Mrs. Mortar: She would have got a job and started all over again -- she was just worried and 3.3 ::ALL :=Karen: very good to you; she was good to us all. 3.3 ::ALL :=Agatha: hard to get you. I been phoning here all the time. Trying to get you. Phoning 3.3 ::ALL :=Mrs. Mortar: woman can't come in here. She caused all -- 3.3 ::ALL :=Karen: All right. 3.3 ::ALL :=Mrs. Tilford: talked to Judge Potter. He will make all arrangements. There will be a public 3.3 ::ALL :=Karen: All right. 3.3 ::ALL :=Mrs. Tilford: You'll be all right? 3.3 ::ALL :=Karen: I'll be all right, I suppose. Good-bye, now. 1.1 ::ALLOW :=Mrs. Mortar: Well, I can't allow you to interrupt us like this. 1.1 ::ALLOW :=Mrs. Mortar: like thoughtfulness. But you must now allow anything to interfere with you classes. 2.2 ::ALLOW :=Cardin: I don't think I can allow you to say things like that, Ameli 2.3 ::ALLOW :=Mrs. Tilford: not call you names, and I will not allow you to call me names. It comes to this: 3.3 ::ALLOW :=Mrs. Mortar: You going to allow that woman to come in here? With Martha 1.4 ::ALLOWANCE :=Peggy: See? Why don't you just wait until your allowance comes Monday, and then you can 1.4 ::ALLOWANCE :=Peggy: I won't. Mamma doesn't send me much allowance -- not half as much as the rest 1.3 ::ALMOST :=Mrs. Mortar: had that heart attack in Buffalo. We almost lost her that time. Poor Delia! We 1.4 ::ALMOST :=Peggy: treats you just like the rest of us -- almost better. 2.1 ::ALMOST :=Mary: and Evelyn whether we didn't hear. Almost always Miss Dobie comes in after we 2.1 ::ALMOST :=Mrs. Tilford: had enough gossip, don't you? Dinner's almost ready, and I can't eat with a girl 1.4 ::ALMOTHT :=Evelyn: Ah, Mith Wright, we've been together almotht a year. 1.1 ::ALONE :=Karen: punished. Take your recreation periods alone for the next two weeks. No horseback-riding 1.2 ::ALONE :=Martha: It's going to be hard going on alone afterward. 1.3 ::ALONE :=Martha: want to go, and we'll be better off alone. That suits everybody. You complain 1.4 ::ALONE :=Mary: Oh, leave it alone. She'll never know we did it. 2.1 ::ALONE :=Mary: Leave me alone. I don't feel well. 2.1 ::ALONE :=Mary: Oh, leave me alone. I came home because I was sick. 1.1 ::ALONG :=Mrs. Mortar: to interfere with you classes. Now run along, dear, and get a vase and some water 1.3 ::ALONG :=Martha: be able to let you have enough to get along on. 1.4 ::ALONG :=Mary: anything in particular. You just run along now and remind me the next time to 2.1 ::ALONG :=Mrs. Tilford: time, though I supposed I should. Run along upstairs and wash your face and change 2.1 ::ALONG :=Mrs. Tilford: dinner John will drive you back. Run along. 2.1 ::ALONG :=Mrs. Tilford: Run along, Mary. I hope you'll get more coherent 3.1 ::ALONG :=Mrs. Mortar: you know. I'll be here working right along with you and we'll -- 3.3 ::ALONG :=Martha: I wanted you; maybe I wanted you all along; maybe I couldn't call it by a name; 1.2 ::ALREADY :=Martha: He was already on his way. Isn't he always on his 2.3 ::ALREADY :=Cardin: You have already done a terrible thing. 3.2 ::ALREADY :=Cardin: It's already done. Fischer can't pay me much, 2.2 ::ALTHOUGH :=Cardin: Lily Mortar is not a harmless woman, although God knows she's silly enough. She's 3.2 ::ALTHOUGH :=Cardin: Yes, I guess so. Although we won't have much money now. 1.1 ::ALWAYS :=Mrs. Mortar: Breeding is an excellent thing. Always remember that. 1.1 ::ALWAYS :=Mrs. Mortar: That was very sweet of you, Mary; I always like thoughtfulness. But you must 1.1 ::ALWAYS :=Mary: me. You believe everybody but me. It's always like that. Everything I say you fuss 1.1 ::ALWAYS :=Karen: and understand. I don't say that I'll always agree that you should do exactly what 1.2 ::ALWAYS :=Karen: It's funny. We always talk about the child as if she were 1.2 ::ALWAYS :=Martha: He was already on his way. Isn't he always on his way over here? 1.3 ::ALWAYS :=Mrs. Mortar: mind. I should have known better. You always take your spite out on me. 1.3 ::ALWAYS :=Mrs. Mortar: like their being together. You were always like that even as a child. If you 1.3 ::ALWAYS :=Mrs. Mortar: If you had a little girl friend, you always got mad when she liked anybody else. 1.3 ::ALWAYS :=Martha: the matter with Mary? I mean, has she always been like this? 1.3 ::ALWAYS :=Cardin: She's always been a honey. Aunt Amelia's spoiling 1.3 ::ALWAYS :=Cardin: you -- There it is. I'm fond of you. I always thought you liked me. What is it? 1.4 ::ALWAYS :=Mary: be put to bed and petted. You're always mean to me. I get blamed and punished 1.4 ::ALWAYS :=Mary: Ah, you're always sorry about everything. What were 1.4 ::ALWAYS :=Mary: think of something to tell her. I can always do it better on the spur of the m 2.1 ::ALWAYS :=Mary: I didn't want to be sick, but I'm always getting punished for everything. 2.1 ::ALWAYS :=Mary: about it, and that Miss Dobie had always been like that, even when she was 2.1 ::ALWAYS :=Mary: Evelyn whether we didn't hear. Almost always Miss Dobie comes in after we go to 2.1 ::ALWAYS :=Mary: other kids who know, but we've always been frightened and so we didn't ask, 2.2 ::ALWAYS :=Rosalie: what it is? How'd you find out? You're always pretending you know everything. You're 2.2 ::ALWAYS :=Rosalie: You made it up. You're always making things up. 2.3 ::ALWAYS :=Mrs. Tilford: I've always thought so. 2.4 ::ALWAYS :=Mary: They're always picking on me. They're always punishing 2.4 ::ALWAYS :=Mary: They're always picking on me. They're always punishing me for everything that happens. 2.4 ::ALWAYS :=Mary: happens. No matter what happens, it's always me. 2.4 ::ALWAYS :=Mary: I don't know, but it was always kind of funny and she always said 2.4 ::ALWAYS :=Mary: it was always kind of funny and she always said things like that and all the 2.4 ::ALWAYS :=Mary: And there are always funny sounds and we'd stay awake and 2.4 ::ALWAYS :=Rosalie: I never saw any such thing. Mary always makes things up about me and everybody 3.1 ::ALWAYS :=Martha: Because I hate you. I've always hated you. 3.2 ::ALWAYS :=Karen: You used to want one right away. You always said that was the way you wanted it. 3.2 ::ALWAYS :=Karen: it all out lives. I'd be frightened, always, and in the end my own fright would 3.2 ::ALWAYS :=Karen: times before; you're sitting where you always sit; it's nearly time for dinner. 3.3 ::ALWAYS :=Martha: It gets dark so early now. Cooking always makes me feel better. Well, I guess 3.3 ::ALWAYS :=Martha: There's always been something wrong. Always -- as 3.3 ::ALWAYS :=Martha: There's always been something wrong. Always -- as long as I can remember. But 3.3 ::ALWAYS :=Mrs. Mortar: God will excuse me for that once. I always tried to do everything I could. Suicide's 3.3 ::ALWAYS :=Agatha: her any more. I wouldn't a come -- I always been on your side -- but she's sick. 3.3 ::ALWAYS :=Agatha: You always been a good girl. 1.1 ::AM :=Mrs. Mortar: Mary, I am still awaiting your explanation. Where 1.1 ::AM :=Mary: I am sorry, Mrs. Mortar, I went to get you 1.1 ::AM :=Mrs. Mortar: You may put that book away, Peggy. I am sure your family need never worry about 1.3 ::AM :=Martha: I guess I am. But you stay around kids long enough 2.1 ::AM :=Mrs. Tilford: Why should they be scared of me? Am I such an unpleasant old lady? 2.2 ::AM :=Rosalie: Am I going back? I don't want to stay ho 2.2 ::AM :=Mary: Am I a fibber? 2.2 ::AM :=Mary: Say: "From now on, I, Rosalie Wells, am the vassal of Mary Tilford and will do 2.2 ::AM :=Rosalie: From now on, I, Rosalie Wells, am the vassal of Mary Tilford and will do 2.3 ::AM :=Mrs. Tilford: I am not afraid, Karen. 2.3 ::AM :=Mrs. Tilford: It is you I am thinking of. I am frightened for you. 2.3 ::AM :=Mrs. Tilford: It is you I am thinking of. I am frightened for you. It was wrong of you 2.3 ::AM :=Mrs. Tilford: That can bring you nothing but pain. I am an old woman, Miss Dobie, and I have seen 3.1 ::AM :=Mrs. Mortar: And here I am. Hello, hello. 3.1 ::AM :=Mrs. Mortar: I didn't come back. But now that I am here, I'm going to stand shoulder to shoulder 3.3 ::AM :=Martha: I've got to tell you how guilty I am. 3.3 ::AM :=Mrs. Tilford: there never would be again. But what I am or why I came doesn't matter. The only 1.3 ::AMELIA :=Cardin: of the family. You can look at Aunt Amelia and tell: old New England stock; never 2.1 ::AMELIA :=Mrs. Tilford: This is Mrs. Tilford. Miriam? This is Amelia Tilford. I have something to tell 2.2 ::AMELIA :=Cardin: Hello, Amelia. Mary home, eh? 2.2 ::AMELIA :=Cardin: growling at everybody else -- Amelia, you didn't bring me here to talk 2.2 ::AMELIA :=Cardin: was very clumsily managed, at that. Amelia, she's a terribly spoilt -- 2.2 ::AMELIA :=Cardin: can allow you to say things like that, Amelia. 2.4 ::AMELIA :=Cardin: giving yourself an awful beating, Amelia, and you deserve whatever you get 1.3 ::AMELIA'S :=Cardin: She's always been a honey. Aunt Amelia's spoiling hasn't helped any, eit 2.4 ::AMONG :=Mrs. Tilford: That things have been said among you girls. 1.3 ::AMOUNT :=Martha: Aunt Lily, the amount of disconnected unpleasantness that 1.1 ::AN :=Peggy: in the hearts of kings, it is an attribute to God himself -- " 1.1 ::AN :=Mrs. Mortar: in the hearts of kings, it is an attribute to God himself; and earthly 1.1 ::AN :=Mrs. Mortar: Let us go back again. "It is an attribute of -- " 1.1 ::AN :=Mrs. Mortar: Courtesy is breeding. Breeding is an excellent thing. Always remember that 1.1 ::AN :=Mrs. Mortar: And I suppose you have just as fine an excuse for being an hour late to breakfast 1.1 ::AN :=Mrs. Mortar: have just as fine an excuse for being an hour late to breakfast this morning, and 1.2 ::AN :=Karen: for the school. Rosalie's finally put an "l" in could. 1.3 ::AN :=Mrs. Mortar: me with her? Isn't it natural that an older woman should be present? Very well, 1.3 ::AN :=Mrs. Mortar: It -- it's customary for an older woman to be present during an e 1.3 ::AN :=Mrs. Mortar: an older woman to be present during an examination. 1.3 ::AN :=Martha: The Jukes were an old family, too. Look, Joe, have you any 1.3 ::AN :=Karen: He's an admirable man in every way. Well, the 1.4 ::AN :=Peggy: hear Miss Dobie and Mortar having an awful row. Then Miss Dobie opens the door 1.4 ::AN :=Peggy: really, Mary. It's just going to make an awful lot of trouble. 2.1 ::AN :=Mary: I miss you an awful lot, Grandma. 2.1 ::AN :=Mrs. Tilford: You're an earnest little coaxer, but it's out of 2.1 ::AN :=Mrs. Tilford: should they be scared of me? Am I such an unpleasant old lady? 2.2 ::AN :=Mary: That's an old one. I won't take it. 2.2 ::AN :=Cardin: support you the rest of your life is an enviable way of being put out. 2.3 ::AN :=Martha: pushed around by crazy people. That's an awful thing. And we're standing here -- 2.3 ::AN :=Mrs. Tilford: can bring you nothing but pain. I am an old woman, Miss Dobie, and I have seen 2.4 ::AN :=Cardin: You're giving yourself an awful beating, Amelia, and you deserve 3.1 ::AN :=Mrs. Mortar: be bygones. As I was saying, there's an effete something in the theater now, and 3.1 ::AN :=Martha: There's an eight o'clock train. Get on it. 3.2 ::AN :=Cardin: I need an overcoat and a suit. You'll need a lot 3.3 ::AN :=Mrs. Tilford: There will be a public apology and an explanation. The damage suit will be paid 1.1 ::AND :=Peggy: blest; it blesseth him that gives and him that takes: 'tis mightiest in the 1.1 ::AND :=Peggy: temporal power, the attribute to awe and majesty, wherein . . . " 1.1 ::AND :=Peggy: " -- doth sit the dread and fear of kings; but mercy is above 1.1 ::AND :=Mrs. Mortar: cannot sit quietly with your sewing and drink in the immortal words of the immortal 1.1 ::AND :=Peggy: temporal power, the attribute to awe and majesty, wherein -- " 1.1 ::AND :=Peggy: "Wherein doth sit the dread and fear of kings; but mercy is above this 1.1 ::AND :=Mrs. Mortar: it is an attribute to God himself; and earthly power doth then show likest God's 1.1 ::AND :=Lois: Utor, fruor, fungor, potior, and vescor take the dative. 1.1 ::AND :=Mrs. Mortar: And you intend to occupy the sewing and elocution 1.1 ::AND :=Mrs. Mortar: And you intend to occupy the sewing and elocution hour learning what should have 1.1 ::AND :=Mrs. Mortar: Now, take you book over by the window and don't disturb our enjoyment of Shakespeare. 1.1 ::AND :=Mrs. Mortar: "And earthly power doth then show likest 1.1 ::AND :=Mrs. Mortar: seasons justice. We do pray for mercy, and that same prayer doth teach -- " 1.1 ::AND :=Mrs. Mortar: So you took a walk. And may I ask, young lady, are we in the 1.1 ::AND :=Mary: flowers. I thought you would like them and I didn't know it would take so long to 1.1 ::AND :=Mary: last week how much you liked flowers, and I thought that I would bring you some 1.1 ::AND :=Mary: I thought that I would bring you some and -- 1.1 ::AND :=Mrs. Mortar: with you classes. Now run along, dear, and get a vase and some water to put my flowers 1.1 ::AND :=Mrs. Mortar: Now run along, dear, and get a vase and some water to put my flowers in. 1.1 ::AND :=Catherine: abuse our patience? Now translate it, and for goodness' sakes try to get it right 1.1 ::AND :=Evelyn: hair. I thaw a picture in the paper, and I wath trying to do it that way. 1.1 ::AND :=Rosalie: I do, Miss Wright? It's long here, and it's short here and -- 1.1 ::AND :=Rosalie: It's long here, and it's short here and -- 1.1 ::AND :=Karen: Never mind. Come up to my room later and I'll see if I can fix it for you. 1.1 ::AND :=Mrs. Mortar: And hereafter we'll have no more hair- c 1.1 ::AND :=Helen: No, I haven't, and I've looked everywhere. 1.1 ::AND :=Mrs. Mortar: but she heard me say I loved flowers, and she went to get them for me. The first 1.1 ::AND :=Mrs. Mortar: believe it! What a nasty thing to do! And I suppose you have just as fine an excuse 1.1 ::AND :=Mrs. Mortar: hour late to breakfast this morning, and last week -- I haven't wanted to tell 1.1 ::AND :=Karen: Mary. Mary, I've had the feeling -- and I don't think I'm wrong -- that the girls 1.1 ::AND :=Karen: were happy; that they like Miss Dobie and me, that they liked the school. Do you 1.1 ::AND :=Karen: I don't think you're very happy here, and I'd like to find out why. Why, for example, 1.1 ::AND :=Mary: I'm not lying. I went out walking and I saw the flowers and they looked pretty 1.1 ::AND :=Mary: went out walking and I saw the flowers and they looked pretty and I didn't know 1.1 ::AND :=Mary: saw the flowers and they looked pretty and I didn't know it was so late. 1.1 ::AND :=Karen: go into the village by yourself, come and tell me -- I'll try and understand. I 1.1 ::AND :=Karen: yourself, come and tell me -- I'll try and understand. I don't say that I'll always 1.1 ::AND :=Karen: like that, too -- everybody has -- and I won't be unreasonable about yours. 1.1 ::AND :=Karen: next two weeks. No horseback-riding and no hockey. Don't leave the school grounds 1.1 ::AND :=Mary: tell her how everybody treats me here and the way I get punished for every little 1.1 ::AND :=Karen: Miss Dobie to give you some hot water and bicarbonate of soda. 1.2 ::AND :=Karen: her she couldn't go to the boat-races and she had a heart attack. 1.2 ::AND :=Martha: And, please God, Grandma would believe her 1.2 ::AND :=Martha: please God, Grandma would believe her and take her away. 1.2 ::AND :=Karen: Mary to see her faults very clearly -- and the kid knows it. 1.2 ::AND :=Martha: Well, we can't, and we might as well admit it. We've tried 1.2 ::AND :=Martha: any other three kids put together. And we still haven't the faintest idea what 1.2 ::AND :=Karen: she lost her trunks in Butte, Montana, and how she gave her best performance of 1.2 ::AND :=Martha: been very patient about it. I'm sorry and I'll talk to her today. It'll probably 1.2 ::AND :=Karen: that time we ought to be out of debt, and the school should be paying for itse 1.2 ::AND :=Martha: to some place by the lake -- just you and me -- the way we used to at college. 1.2 ::AND :=Karen: I'm not going to leave, and you know it. Why do you say things like 1.2 ::AND :=Martha: hard building this thing up, slaving and going without things to make ends meet 1.2 ::AND :=Martha: without holes in the lining again! -- and now when we're getting on our feet, you're 1.2 ::AND :=Karen: I'm not getting married tomorrow, and when I do, it's not going to interfere 1.2 ::AND :=Karen: tried to get you on the phone. Come in and look at your little cousin. 1.2 ::AND :=Karen: You'd better come in and see her. She says she has a pain in her 1.2 ::AND :=Martha: Go and see her. Heart attacks are nothing to 1.3 ::AND :=Mrs. Mortar: Not seven months later he left her and ran away with Eve Cloun, who was playing 1.3 ::AND :=Mrs. Mortar: don't resent your aunt being snubbed and humiliated? 1.3 ::AND :=Mrs. Mortar: Karen is consistently rude to me, and you know it. 1.3 ::AND :=Martha: I know that she is very polite to you, and -- what's more important -- very pat 1.3 ::AND :=Mrs. Mortar: It's been twenty years, and I shall never live to see it again. 1.3 ::AND :=Martha: you like. We can spare the money now, and it will do you a lot of good. You pick 1.3 ::AND :=Martha: good. You pick out the boat you want and I'll get the passage. Now that's all 1.3 ::AND :=Martha: time seeing all your old friends, and if you live sensibly I ought to be able 1.3 ::AND :=Martha: You're going where you want to go, and we'll be better off alone. That suits 1.3 ::AND :=Martha: the school, you complain about Karen, and now you have what you want and you're 1.3 ::AND :=Martha: Karen, and now you have what you want and you're still looking for something to 1.3 ::AND :=Mrs. Mortar: I'll write to my agents tomorrow, and as soon as they have something good for 1.3 ::AND :=Martha: The three of us can't live together, and it doesn't make any difference whose 1.3 ::AND :=Martha: I'm very fond of Joe, and you know it. 1.3 ::AND :=Mrs. Mortar: You're fonder of Karen, and I know that. And it's unnatural, just 1.3 ::AND :=Mrs. Mortar: fonder of Karen, and I know that. And it's unnatural, just as unnatural as 1.3 ::AND :=Martha: Your vulgarities are making me sick and I won't stand for them any longer. I 1.3 ::AND :=Martha: And you stopped long enough to see how we 1.3 ::AND :=Peggy: We didn't mean to. We heard voices and we couldn't help -- 1.3 ::AND :=Mrs. Mortar: new- fangled notions of discipline and -- 1.3 ::AND :=Martha: the truth is that this is their home, and things shouldn't be said in it that they 1.3 ::AND :=Mrs. Mortar: got to have some way to let out steam and -- 1.3 ::AND :=Cardin: family. You can look at Aunt Amelia and tell: old New England stock; never married 1.3 ::AND :=Cardin: of Boston; still thinks honor is honor and dinner's at eight thirty. Yes, ma'am, 1.3 ::AND :=Martha: But you stay around kids long enough and you won't know what to take seriously, 1.3 ::AND :=Martha: Well, Karen and I were talking about it this afternoon 1.3 ::AND :=Martha: I were talking about it this afternoon and -- 1.3 ::AND :=Cardin: Forget Mary for a minute. You and I have got something to fight about. 1.3 ::AND :=Martha: listening at the door while Aunt Lily and I were yelling at each other. 1.3 ::AND :=Martha: That's my class. I'll send Peggy and Evelyn down. You talk to them. 1.4 ::AND :=Peggy: sorry, really. We just didn't think and -- 1.4 ::AND :=Karen: I'm sorry too, Peggy. You and Evelyn never used to do things like this. 1.4 ::AND :=Karen: Peggy, you will move into Lois's room, and Lois will move in with Evelyn. Mary will 1.4 ::AND :=Mary: And it's all because I had a pain. If anybody 1.4 ::AND :=Mary: else was sick they'd be put to bed and petted. You're always mean to me. I get 1.4 ::AND :=Mary: You're always mean to me. I get blamed and punished for everything. I do, Cousin 1.4 ::AND :=Karen: walk to the car with you. Go up now and move your things. Tell Lois to get her 1.4 ::AND :=Mary: Who cares if she does? And she can hear that, too. 1.4 ::AND :=Mary: And what will you do if I say we did do it? 1.4 ::AND :=Peggy: we'll remember everything that happens and we'll give you all the souvenirs and 1.4 ::AND :=Peggy: and we'll give you all the souvenirs and things. 1.4 ::AND :=Peggy: to you, but the doors were closed and we could hear Miss Dobie and Mortar having 1.4 ::AND :=Peggy: closed and we could hear Miss Dobie and Mortar having an awful row. Then Miss 1.4 ::AND :=Peggy: row. Then Miss Dobie opens the door and there we were. 1.4 ::AND :=Mary: And a lot of crawling and crying you both 1.4 ::AND :=Mary: And a lot of crawling and crying you both did too, I bet. 1.4 ::AND :=Mary: Dobie and Mortar, silly. 1.4 ::AND :=Evelyn: about Mortar going away to England and -- 1.4 ::AND :=Peggy: wasn't very nice to've listened, and I think it's worse to tell. 1.4 ::AND :=Mary: You do, do you? You just don't tell me and see what happens. 1.4 ::AND :=Evelyn: Mortar got awfully thore at that and thaid they juth wanted to get rid of 1.4 ::AND :=Evelyn: they juth wanted to get rid of her, and then they tharted talking about Dr. 1.4 ::AND :=Peggy: It's all right. Evelyn and I'll get your things. Come on, Evely 1.4 ::AND :=Mary: won't get out of it that way. Sit down and stop being such a sissy. Rosalie, you 1.4 ::AND :=Mary: such a sissy. Rosalie, you go on up and move my things and don't say a word about 1.4 ::AND :=Mary: you go on up and move my things and don't say a word about our being down 1.4 ::AND :=Rosalie: And who was your French maid yesterday, Mary 1.4 ::AND :=Mary: do for today. Now go on, Rosalie, and fix our things. 1.4 ::AND :=Mary: And the next time we go into town, I'll let 1.4 ::AND :=Mary: town, I'll let you wear my gold locket and buckle. You'll like that, won't you, 1.4 ::AND :=Mary: in particular. You just run along now and remind me the next time to get my buckle 1.4 ::AND :=Mary: me the next time to get my buckle and locket for you. 1.4 ::AND :=Mary: No, indeed. And get the things done neatly, Rosalie. 1.4 ::AND :=Peggy: said that Dobie was jealous of them, and that she was like that when she was a 1.4 ::AND :=Peggy: like that when she was a little girl, and that she'd better get herself a beau 1.4 ::AND :=Peggy: of her own because it was unnatural, and that she never wanted anybody to like 1.4 ::AND :=Peggy: wanted anybody to like Miss Wright, and that was unnatural. Boy! Did Miss Dobie 1.4 ::AND :=Peggy: moved. I've got to go in with Helen, and she blows her nose all night. Lois told 1.4 ::AND :=Mary: I don't care about Rosalie and I don't care about the vase. I'm not 1.4 ::AND :=Mary: I'm not staying here. I'm going home and tell Grandma I'm not staying any more. 1.4 ::AND :=Mary: when they first started, you know -- and when she tells 'em something, believe 1.4 ::AND :=Mary: something, believe me, they'll sit up and listen. They can't get away with treating 1.4 ::AND :=Mary: get away with treating me like this, and they don't have to think they can. 1.4 ::AND :=Mary: if you make Rosalie shut the door and keep it shut. Now, I'll go through the 1.4 ::AND :=Mary: I'll go through the field to French's, and then I can get the bus to Homestead. 1.4 ::AND :=Mary: to have at least a dollar for the taxi and a dime for the bus. 1.4 ::AND :=Evelyn: And where you going to find it? 1.4 ::AND :=Peggy: until your allowance comes Monday, and then you can go any place you want. Maybe 1.4 ::AND :=Mary: got money. You've got two dollars and twenty-five cents. 1.4 ::AND :=Peggy: time. It took me so long to save that and I -- 1.4 ::AND :=Mary: Go upstairs and get me the money. 2.1 ::AND :=Agatha: you in school? Look at your face and clothes. Where have you been? 2.1 ::AND :=Agatha: Why didn't you put on your middy blouse and your old brown coat? 2.1 ::AND :=Agatha: here till I tell your grandmother. And if you feel so sick, you certainly won't 2.1 ::AND :=Agatha: any dinner. A good dose of rhubarb and soda will fix you up. 2.1 ::AND :=Mrs. Tilford: Never mind, dear; now stop crying and tell me what is the matter. 2.1 ::AND :=Agatha: said she needed a good dose of rhubarb and soda. Most likely she only came home 2.1 ::AND :=Mary: I -- I walked most of the way, and then a lady gave me a ride and -- 2.1 ::AND :=Mary: way, and then a lady gave me a ride and -- 2.1 ::AND :=Mrs. Tilford: That was a very bad thing to do, and they'll be worried. Agatha, phone Miss 2.1 ::AND :=Mrs. Tilford: be worried. Agatha, phone Miss Wright and tell her Mary is here. John will drive 2.1 ::AND :=Mrs. Tilford: a terrible thing about Miss Wright and Miss Dobie? You know they wouldn't hurt 2.1 ::AND :=Mary: couldn't help having pain in my heart, and when I fainted right in class, they called 2.1 ::AND :=Mary: right in class, they called Cousin Joe and he said I didn't. He said it was maybe 2.1 ::AND :=Mary: only that I ate my breakfast too fast and Miss Wright blamed me for it. 2.1 ::AND :=Mary: any more, but I feel a little weak, and I was so scared of Miss Wright being 2.1 ::AND :=Mrs. Tilford: supposed I should. Run along upstairs and wash your face and change your dress, 2.1 ::AND :=Mrs. Tilford: Run along upstairs and wash your face and change your dress, and after dinner John 2.1 ::AND :=Mrs. Tilford: wash your face and change your dress, and after dinner John will drive you back. 2.1 ::AND :=Mary: of the week. Saturday's your birthday and I could be here with you. 2.1 ::AND :=Mary: Remember when I was little and you used to tell me that right before 2.1 ::AND :=Mary: me that right before I went to sleep? And it was a rule nobody could say another 2.1 ::AND :=Mary: You used to say: "Wor-rr-ld," and then I had to shut my eyes tight. 2.1 ::AND :=Mrs. Tilford: And sometimes you were naughty and didn't 2.1 ::AND :=Mrs. Tilford: And sometimes you were naughty and didn't shut them. 2.1 ::AND :=Mrs. Tilford: And I miss you, but I'm afraid my Latin is 2.1 ::AND :=Mary: it so much. I'll study hard, honest, and -- 2.1 ::AND :=Mrs. Tilford: not have any more talk about it now, and let's have no more running away from 2.1 ::AND :=Mary: says I can't go to the boat-races and -- It's -- it's after what happened 2.1 ::AND :=Mrs. Tilford: naughtiness in pretending to faint and then running away? 2.1 ::AND :=Mrs. Tilford: Very well. Now run upstairs and get ready for dinner. 2.1 ::AND :=Mary: It was -- it was all about Miss Dobie and Mrs. Mortar. They were talking awful 2.1 ::AND :=Mary: Mortar. They were talking awful things and Peggy and Evelyn heard them and Miss 2.1 ::AND :=Mary: were talking awful things and Peggy and Evelyn heard them and Miss Dobie found 2.1 ::AND :=Mary: things and Peggy and Evelyn heard them and Miss Dobie found out, and then they made 2.1 ::AND :=Mary: heard them and Miss Dobie found out, and then they made us move our rooms. 2.1 ::AND :=Mary: have us near them, that's what it is, and they're taking it out on me. They're 2.1 ::AND :=Mary: They have secrets or something, and they're afraid I'll find out and tell 2.1 ::AND :=Mary: and they're afraid I'll find out and tell you. 2.1 ::AND :=Mary: But they've got funny ones. Peggy and Evelyn heard Mrs. Mortar telling Miss 2.1 ::AND :=Mary: there was something funny about it, and that Miss Dobie had always been like 2.1 ::AND :=Mary: that, even when she was a little girl, and that it was unnatural -- 2.1 ::AND :=Mary: was the word she kept using, Grandma, and then they got mad and told Mrs. Mortar 2.1 ::AND :=Mary: using, Grandma, and then they got mad and told Mrs. Mortar she'd have to get o 2.1 ::AND :=Mary: honestly, Miss Dobie does get cranky and mean every time Cousin Joe comes, and 2.1 ::AND :=Mary: and mean every time Cousin Joe comes, and today I heard her say to him: "God damn 2.1 ::AND :=Mary: heard her say to him: "God damn you," and then she said she was just a jealous 2.1 ::AND :=Mary: she said she was just a jealous fool and -- 2.1 ::AND :=Mary: That's just what she said, Grandma, and one time Miss Dobie was crying in Miss 2.1 ::AND :=Mary: was crying in Miss Wright's room, and Miss Wright was trying to stop her, and 2.1 ::AND :=Mary: Miss Wright was trying to stop her, and she said that all right, maybe she wouldn't 2.1 ::AND :=Mary: Miss Dobie -- was talking awful loud, and their own room is right next to ours 2.1 ::AND :=Mary: room, I mean, you can just ask Peggy and Evelyn whether we didn't hear. Almost 2.1 ::AND :=Mary: Miss Dobie comes in after we go to bed and stays a long time. I guess that's why 2.1 ::AND :=Mary: why they're making us move our room, and they punish me all the time for -- 2.1 ::AND :=Mrs. Tilford: don't you? Dinner's almost ready, and I can't eat with a girl who has such 2.1 ::AND :=Mrs. Tilford: you have anything to say, then say it and stop acting silly. 2.1 ::AND :=Mary: I don't understand. But it's awful, and sometimes they fight and then they make 2.1 ::AND :=Mary: it's awful, and sometimes they fight and then they make up, and Miss Dobie cries 2.1 ::AND :=Mary: they fight and then they make up, and Miss Dobie cries and Miss Wright gets 2.1 ::AND :=Mary: they make up, and Miss Dobie cries and Miss Wright gets mad, and then they make 2.1 ::AND :=Mary: Dobie cries and Miss Wright gets mad, and then they make up again, and there are 2.1 ::AND :=Mary: gets mad, and then they make up again, and there are funny noises and we get sc 2.1 ::AND :=Mary: up again, and there are funny noises and we get scared. 2.1 ::AND :=Mary: And we've seen things, too. Funny things. 2.1 ::AND :=Mary: Honest, honest. You just ask Peggy and Evelyn and -- They know too. And maybe 2.1 ::AND :=Mary: honest. You just ask Peggy and Evelyn and -- They know too. And maybe there're 2.1 ::AND :=Mary: Peggy and Evelyn and -- They know too. And maybe there're other kids who know, but 2.1 ::AND :=Mary: know, but we've always been frightened and so we didn't ask, and one night I was 2.1 ::AND :=Mary: been frightened and so we didn't ask, and one night I was going to go and find 2.1 ::AND :=Mary: ask, and one night I was going to go and find out, but I got scared and we went 2.1 ::AND :=Mary: to go and find out, but I got scared and we went to bed early so we wouldn't hear, 2.1 ::AND :=Mary: because we thought they'd find out and -- Oh, Grandma, don't make me go back 2.1 ::AND :=Mary: Really, Grandma, I'm so unhappy there, and if only I could stay out the rest of 2.1 ::AND :=Mrs. Tilford: I'm not mad at you. Now go upstairs and get ready for dinner. Is Miss Wright 2.1 ::AND :=Mrs. Tilford: afraid -- something about the school and Evelyn and Mary -- 2.1 ::AND :=Mrs. Tilford: something about the school and Evelyn and Mary -- 2.2 ::AND :=Agatha: And see to it that she doesn't get my good 2.2 ::AND :=Agatha: doesn't get my good quilt all dirty, and let her wear your green pajamas. 2.2 ::AND :=Agatha: all the way to New York, three dollars and eighty-five cents and families starving, 2.2 ::AND :=Agatha: three dollars and eighty-five cents and families starving, and Mrs. Wells wanted 2.2 ::AND :=Agatha: cents and families starving, and Mrs. Wells wanted to know if Rosalie 2.2 ::AND :=Agatha: on in, Rosalie. Just go on in there and make yourself at home. Have you had your 2.2 ::AND :=Mary: I know what I heard, and I know Grandma phoned your mother in 2.2 ::AND :=Mary: phoned your mother in New York to come and get you right away. You're just going 2.2 ::AND :=Rosalie: But what's happened? Peggy and Helen and Evelyn and Lois went home tonight, 2.2 ::AND :=Rosalie: But what's happened? Peggy and Helen and Evelyn and Lois went home tonight, too. 2.2 ::AND :=Rosalie: happened? Peggy and Helen and Evelyn and Lois went home tonight, too. Do you think 2.2 ::AND :=Rosalie: I'm going right up to your grandmother and tell her I didn't tell you anything -- 2.2 ::AND :=Rosalie: just trying to get me into trouble and I'm not going to let you. 2.2 ::AND :=Mary: Rosalie Wells. That's a kind of a dare and I won't take a dare. I guess I'll go 2.2 ::AND :=Mary: anyway. Then she can call the police and they'll come for you and you'll spend 2.2 ::AND :=Mary: the police and they'll come for you and you'll spend the rest of your life in 2.2 ::AND :=Mary: life in one of those solitary prisons and you'll get older and older, and when 2.2 ::AND :=Mary: solitary prisons and you'll get older and older, and when you're very old and can't 2.2 ::AND :=Mary: and you'll get older and older, and when you're very old and can't see anymore, 2.2 ::AND :=Mary: and older, and when you're very old and can't see anymore, they'll let you out 2.2 ::AND :=Mary: on your back saying you're a thief, and your mother and father will be dead and 2.2 ::AND :=Mary: saying you're a thief, and your mother and father will be dead and you won't have 2.2 ::AND :=Mary: your mother and father will be dead and you won't have any place to go and you'll 2.2 ::AND :=Mary: and you won't have any place to go and you'll beg on the streets -- 2.2 ::AND :=Rosalie: anything. I borrowed the bracelet and I was going to put it back as soon as 2.2 ::AND :=Mary: Then say: "I apologize on my hands and knees." 2.2 ::AND :=Rosalie: I apologize on my hands and knees. Let's play with the puzzle. 2.2 ::AND :=Mary: Wells, am the vassal of Mary Tilford and will do and say whatever she tells me 2.2 ::AND :=Mary: the vassal of Mary Tilford and will do and say whatever she tells me under the solemn 2.2 ::AND :=Mary: And you'd have to do it. Say it quick or 2.2 ::AND :=Rosalie: Wells, am the vassal of Mary Tilford and will do and say whatever she tells me 2.2 ::AND :=Rosalie: the vassal of Mary Tilford and will do and say whatever she tells me under the solemn 2.2 ::AND :=Mrs. Tilford: into the library. There's some fruit and milk on the table. Be sure you're both 2.2 ::AND :=Cardin: are good powders. Bicarbonate of soda and water. Never hurt anybody yet. 2.2 ::AND :=Cardin: was caused by nothing but bad temper and was very clumsily managed, at that. Amelia, 2.2 ::AND :=Cardin: mind. The smell of clean little girls and boiled linen would worry me. 2.2 ::AND :=Cardin: The school is pretty well on its feet, and now that Mrs. Mortar is leaving -- 2.2 ::AND :=Cardin: Well, maybe. But a nice sum for a trip and a promise that a good niece will support 2.3 ::AND :=Martha: And insane asylum has been let loose. How 2.3 ::AND :=Martha: that she wanted Helen's things packed and that she'd wait outside because she didn't 2.3 ::AND :=Martha: It was a madhouse. People rushing in and out, the children being pushed into cars 2.3 ::AND :=Karen: That -- that Martha and I are -- in love with each other. In 2.3 ::AND :=Mrs. Tilford: I realize it very well. And -- 2.3 ::AND :=Mrs. Tilford: And that's why I don't think you should have 2.3 ::AND :=Mrs. Tilford: come here. I shall not call you names, and I will not allow you to call me names. 2.3 ::AND :=Martha: crazy people. That's an awful thing. And we're standing here -- We're standing 2.3 ::AND :=Martha: here? Were we supposed to lie down and grin while you kicked us around with 2.3 ::AND :=Mrs. Tilford: I can understand that, and I understand a lot more. You've been 2.3 ::AND :=Mrs. Tilford: with a lot of children's lives, and that's why I stopped you. I know how 2.3 ::AND :=Mrs. Tilford: be any punishment for me, either -- and that's what this meeting is. This -- 2.3 ::AND :=Mrs. Tilford: Go away with it. I don't understand it and I don't want any part of it. 2.3 ::AND :=Martha: must be something we can do to you, and, whatever it is, we'll find it. 2.3 ::AND :=Cardin: But you are old -- and you are irresponsible. 2.3 ::AND :=Karen: do you hear me? It makes me feel dirty and sick to be forced to say this, but here 2.3 ::AND :=Karen: standing here defending ourselves -- and against what? Against a lie. A great, 2.3 ::AND :=Cardin: meant things to them: self-respect, and bread and butter, and honest work. Do 2.3 ::AND :=Cardin: to them: self-respect, and bread and butter, and honest work. Do you know 2.3 ::AND :=Cardin: self-respect, and bread and butter, and honest work. Do you know what it is to 2.3 ::AND :=Cardin: don't know anything about how I feel. And you don't know how they feel, either 2.3 ::AND :=Martha: let you whisper this lie: you made it and you'll come out with it. Shriek it to 2.3 ::AND :=Martha: of Lancet. We'll make you shriek it -- and we'll make you do it in a court room. 2.3 ::AND :=Mrs. Tilford: pain. I am an old woman, Miss Dobie, and I have seen too many people, out of pride, 2.3 ::AND :=Martha: And you feel that you are too old to be punished? 2.3 ::AND :=Martha: wasn't any reason. She hates everybody and everything. 2.3 ::AND :=Martha: Where is she? Bring her out here and let us hear what she has to say. 2.3 ::AND :=Karen: The wicked very young, and the wicked very old. Let's go home. 2.4 ::AND :=Mrs. Tilford: Sit down, dear, and don't be afraid. 2.4 ::AND :=Cardin: I wouldn't have taken back the lie and told the truth. You're lucky if you ever 2.4 ::AND :=Cardin: a mistake, you must talk this chance and say so. You won't be punished for it. 2.4 ::AND :=Cardin: The exact truth about Miss Wright and Miss Dobie? 2.4 ::AND :=Cardin: a long shot. You've started something, and I'm going to finish it for you. Will 2.4 ::AND :=Cardin: Why don't you like Miss Dobie and Miss Wright? 2.4 ::AND :=Mary: Yes, and it was just because Peggy and Evelyn 2.4 ::AND :=Mary: Yes, and it was just because Peggy and Evelyn heard them and so they took it 2.4 ::AND :=Mary: because Peggy and Evelyn heard them and so they took it out on me. 2.4 ::AND :=Mary: had a funny feeling about Miss Wright, and Mrs. Mortar said that was unnatural. 2.4 ::AND :=Mary: And, Cousin Joe, she said every time you 2.4 ::AND :=Mary: to the school Miss Dobie got jealous, and that she didn't want you to get marr 2.4 ::AND :=Martha: little things, little family things, and making them have meanings that -- Where 2.4 ::AND :=Mary: know, but it was always kind of funny and she always said things like that and 2.4 ::AND :=Mary: and she always said things like that and all the girls would talk about it when 2.4 ::AND :=Mary: talk about it when Miss Dobie went and visited Miss Wright late at night -- 2.4 ::AND :=Karen: And we go to the movies at night and sometimes 2.4 ::AND :=Karen: And we go to the movies at night and sometimes we read at night and sometimes 2.4 ::AND :=Karen: night and sometimes we read at night and sometimes we drink tea at night. Those 2.4 ::AND :=Mary: And there are always funny sounds and we'd 2.4 ::AND :=Mary: And there are always funny sounds and we'd stay awake and listen because we 2.4 ::AND :=Mary: funny sounds and we'd stay awake and listen because we couldn't help hearing 2.4 ::AND :=Mary: because we couldn't help hearing and I'd get frightened because the sounds 2.4 ::AND :=Mary: thought somebody was sick or something and I looked through the keyhole and they 2.4 ::AND :=Mary: and I looked through the keyhole and they were kissing and saying things and 2.4 ::AND :=Mary: the keyhole and they were kissing and saying things and then I got scared because 2.4 ::AND :=Mary: they were kissing and saying things and then I got scared because it was different 2.4 ::AND :=Mary: because it was different sort of and I -- 2.4 ::AND :=Cardin: How could you see Miss Dobie and Miss Wright? 2.4 ::AND :=Mary: It was at night and I was leaning down by the keyhole. 2.4 ::AND :=Martha: anything from there. Tell her to come and see for herself. 2.4 ::AND :=Mary: She said she read about it in a book and she knew. You ask Rosalie. You just ask 2.4 ::AND :=Mary: it was when the door was open once and she told us all about it. I was just 2.4 ::AND :=Mary: it. I was just trying to save Rosalie, and everybody jumps on me. 2.4 ::AND :=Cardin: yourself an awful beating, Amelia, and you deserve whatever you get. 2.4 ::AND :=Mrs. Tilford: in the school lately about Miss Wright and Miss Dobie. Is that true? 2.4 ::AND :=Rosalie: I guess I'm not very good at history, and Helen helps me sometimes, if that -- 2.4 ::AND :=Karen: -- certain acts between Miss Dobie and myself. She says that once, when the 2.4 ::AND :=Rosalie: Mary always makes things up about me and everybody else. I never said any such 2.4 ::AND :=Mary: the day Helen's bracelet was stolen, and nobody knew who did it, and Helen said 2.4 ::AND :=Mary: stolen, and nobody knew who did it, and Helen said that if her mother found out, 3.1 ::AND :=Martha: my word. You wake up in the morning and you say to yourself, the day's not entirely 3.1 ::AND :=Martha: day's not entirely empty, life is rich and full; at five o'clock I'll comb my h 3.1 ::AND :=Martha: Now and forever after. 3.1 ::AND :=Karen: we take a walk? We won't see anybody, and suppose we do, what of it? We'll jus 3.1 ::AND :=Karen: He says we ought to go into town and go shopping and act as though -- 3.1 ::AND :=Karen: ought to go into town and go shopping and act as though -- 3.1 ::AND :=Martha: he heard about the ladies' clubs and their meetings and their circulars and 3.1 ::AND :=Martha: the ladies' clubs and their meetings and their circulars and their visits and 3.1 ::AND :=Martha: and their meetings and their circulars and their visits and their -- 3.1 ::AND :=Martha: and their circulars and their visits and their -- 3.1 ::AND :=Karen: are we going to do? It's all so cold and unreal and -- It's like that dark hour 3.1 ::AND :=Karen: to do? It's all so cold and unreal and -- It's like that dark hour of the night 3.1 ::AND :=Karen: dreaming. Then, suddenly, you wake up and you see your own bed or your own nightgown 3.1 ::AND :=Karen: see your own bed or your own nightgown and you know you're back again in a solid 3.1 ::AND :=Martha: mustn't be anything wrong between you and Joe. Never. 3.1 ::AND :=Mrs. Mortar: And here I am. Hello, hello. 3.1 ::AND :=Mrs. Mortar: I'm very glad to see you both, and I'm very glad to see the old place again. 3.1 ::AND :=Martha: trouble at all. Some small sandwiches and a little brandy? 3.1 ::AND :=Martha: Answer me and don't bother about my temper. 3.1 ::AND :=Mrs. Mortar: effete something in the theater now, and that accounts for -- 3.1 ::AND :=Martha: Why did you refuse to come back here and testify for us? 3.1 ::AND :=Mrs. Mortar: unpleasant things any more. I'll go up and unpack a few things; tomorrow's plenty 3.1 ::AND :=Martha: to walk right up to a comfortable fire and sit down and she very carefully waited 3.1 ::AND :=Martha: up to a comfortable fire and sit down and she very carefully waited until the whole 3.1 ::AND :=Martha: thing was over. Listen, Karen Wright and Martha Dobie brought a libel suit against 3.1 ::AND :=Martha: Rochester, against her niece, Martha. And a greater part of the defense's case 3.1 ::AND :=Mrs. Mortar: it, why, I do see it your way, and I'm sorry I didn't come back. But now 3.1 ::AND :=Mrs. Mortar: what you've gone through, but the body and heart do recover, you know. I'll be here 3.1 ::AND :=Mrs. Mortar: be here working right along with you and we'll -- 3.2 ::AND :=Cardin: Martha. We'll give her some money and get rid of her. Been out today, darl 3.2 ::AND :=Karen: this for me. What about the hospital and -- 3.2 ::AND :=Cardin: it's all fixed. We're going to Vienna and we're going quick. Fischer wrote that 3.2 ::AND :=Cardin: to hell with that. We can't stay here, and Vienna offers enough to eat and sleep 3.2 ::AND :=Cardin: here, and Vienna offers enough to eat and sleep and drink beer on. Now don't object 3.2 ::AND :=Cardin: Vienna offers enough to eat and sleep and drink beer on. Now don't object any more, 3.2 ::AND :=Cardin: Swell. I'll buy you good coffee cakes and take you both to Ischl for a honeymo 3.2 ::AND :=Cardin: over the place -- to Dr. Engelhardt, and the nurse at the desk, and to the fat 3.2 ::AND :=Cardin: Engelhardt, and the nurse at the desk, and to the fat gal in the cake shop, and 3.2 ::AND :=Cardin: and to the fat gal in the cake shop, and to Fischer. The last time I saw him was 3.2 ::AND :=Cardin: Minna. But you're not a great doctor, and you never will be. Go back where you 3.2 ::AND :=Cardin: will be. Go back where you were born and take care of your sick. Leave the fancy 3.2 ::AND :=Cardin: I need an overcoat and a suit. You'll need a lot of things -- 3.2 ::AND :=Cardin: But it's lovely in the mountains, and that's where we'll go for a month. 3.2 ::AND :=Cardin: And we've got to stop talking like that. 3.2 ::AND :=Cardin: a chance. But it's just one chance, and if we miss it we're done for. It means 3.2 ::AND :=Cardin: What you've done, you've done -- and that's that. 3.2 ::AND :=Cardin: could sit around the rest of our lives and exist on that trouble, until in the end 3.2 ::AND :=Cardin: until in the end we had nothing else and we'd want nothing else. That's something 3.2 ::AND :=Cardin: That's something I'm not coming to and I'm not going to let you come to. 3.2 ::AND :=Karen: And every word will have a new meaning. You 3.2 ::AND :=Cardin: again. We must learn again to live and love like other people. 3.2 ::AND :=Karen: your face in court. It was ashamed -- and sad at being ashamed. Say it now, Joe. 3.2 ::AND :=Karen: No. Martha and I have never touched each other. That's 3.2 ::AND :=Karen: in it all. You've been good to me and loyal. You're a fine man. Now go and 3.2 ::AND :=Karen: and loyal. You're a fine man. Now go and sit down, Joe. I have things to say. 3.2 ::AND :=Karen: things to say. They're all mixed up and I must get them clear. 3.2 ::AND :=Cardin: Don't let's talk any more. Let's forget and go ahead. 3.2 ::AND :=Karen: out lives. I'd be frightened, always, and in the end my own fright would make me 3.2 ::AND :=Karen: for what I thought I'd done to you. And I'd hate myself, too. It would grow and 3.2 ::AND :=Karen: I'd hate myself, too. It would grow and grow until we'd be ruined by it. Ah, 3.2 ::AND :=Karen: that everybody has. I can have you and a baby, and I can go to market, and we 3.2 ::AND :=Karen: has. I can have you and a baby, and I can go to market, and we can go to 3.2 ::AND :=Karen: and a baby, and I can go to market, and we can go to the movies, and people will 3.2 ::AND :=Karen: market, and we can go to the movies, and people will talk to me and -- Oh, I'm 3.2 ::AND :=Karen: the movies, and people will talk to me and -- Oh, I'm sorry. I mustn't talk like 3.2 ::AND :=Karen: Joe, Joe. Let's do it now and quick; it will be too hard later on. 3.2 ::AND :=Karen: It had to be asked sooner or later -- and answered. You're a good man -- the best 3.2 ::AND :=Karen: good man -- the best I'll ever know -- and you've been better to me than -- But 3.2 ::AND :=Cardin: you. Help me now; help me to be strong and good enough to -- Karen! 3.2 ::AND :=Karen: you go away for two days -- a day -- and think this all over by yourself -- away 3.2 ::AND :=Karen: all over by yourself -- away from me and love and pity? Will you? And then de 3.2 ::AND :=Karen: by yourself -- away from me and love and pity? Will you? And then decide. 3.2 ::AND :=Karen: from me and love and pity? Will you? And then decide. 3.2 ::AND :=Karen: Don't say anything. Please go now. And all my heart goes with you. 3.3 ::AND :=Martha: silly. He'll be back in a little while and you'll clear it all up -- Oh, God, I 3.3 ::AND :=Karen: Stop talking about it. Let's pack and get out of here. Let's take the train 3.3 ::AND :=Karen: You are tired and sick. 3.3 ::AND :=Martha: mixed up. There's something in you, and you don't know it and you don't do anything 3.3 ::AND :=Martha: in you, and you don't know it and you don't do anything about it. Suddenly 3.3 ::AND :=Martha: about it. Suddenly a child gets bored and lies -- and there you are, seeing it 3.3 ::AND :=Martha: a child gets bored and lies -- and there you are, seeing it for the first 3.3 ::AND :=Martha: us now, Karen. I feel all dirty and -- I can't stay with you any more, d 3.3 ::AND :=Karen: Go and lie down, Martha. You'll feel better 3.3 ::AND :=Mrs. Mortar: to her. But I was good to her, Karen, and you know God will excuse me for that 3.3 ::AND :=Mrs. Mortar: business. She would have got a job and started all over again -- she was just 3.3 ::AND :=Mrs. Mortar: all over again -- she was just worried and sick and -- 3.3 ::AND :=Mrs. Mortar: again -- she was just worried and sick and -- 3.3 ::AND :=Mrs. Mortar: Oh, I know she was, Karen, and I was good to her too. I did everything 3.3 ::AND :=Agatha: the time. Trying to get you. Phoning and phoning. Please, please let her come 3.3 ::AND :=Mrs. Mortar: you be so feelingless? I won't stay and see it. I won't have anything to do with 3.3 ::AND :=Mrs. Tilford: taken the bracelet from another girl, and that Mary -- that Mary knew that and 3.3 ::AND :=Mrs. Tilford: and that Mary -- that Mary knew that and used it to force Rosalie into saying 3.3 ::AND :=Mrs. Tilford: into saying that she had seen you and Miss Dobie together. I -- I've talked 3.3 ::AND :=Mrs. Tilford: There will be a public apology and an explanation. The damage suit will 3.3 ::AND :=Mrs. Tilford: suit will be paid to you in full and -- and any more that will be kind enough 3.3 ::AND :=Mrs. Tilford: will be paid to you in full and -- and any more that will be kind enough to 3.3 ::AND :=Karen: confessor. It's choking you, is it? And you want to stop the choking, don't you? 3.3 ::AND :=Karen: don't you? You've done a wrong and you have to right that wrong or you can't 3.3 ::AND :=Karen: You want to be "just," don't you, and you wanted us to help you be just? You've 3.3 ::AND :=Karen: "have" to do this. A public apology and money paid, and you can sleep again and 3.3 ::AND :=Karen: this. A public apology and money paid, and you can sleep again and eat again. That 3.3 ::AND :=Karen: money paid, and you can sleep again and eat again. That done and there'll be 3.3 ::AND :=Karen: sleep again and eat again. That done and there'll be peace for you. You're old, 3.3 ::AND :=Karen: there'll be peace for you. You're old, and the old are callous. Ten, fifteen years 3.3 ::AND :=Karen: life for me. A whole God-damned life. and what of her? 3.3 ::AND :=Mrs. Tilford: there wasn't any relief for me, Karen, and that there never would be again. But 3.3 ::AND :=Mrs. Tilford: The only thing that matters is you and -- You, now. 3.3 ::AND :=Mrs. Tilford: make something for you. You're young and I -- I can help you. 3.3 ::AND :=Mrs. Tilford: I can give you. Take it for yourself and use it for yourself. It won't bring me 3.3 ::AND :=Mrs. Tilford: Whatever she does, it must be to me and no one else. She's -- she's -- 3.3 ::AND :=Mrs. Tilford: You and Joe. 1.3 ::ANGEL :=Karen: admirable man in every way. Well, the angel child is now putting her clothes back 1.3 ::ANGEL :=Martha: The angel child's influence is abroad even while 1.4 ::ANGRY :=Peggy: of a lover's gift. People get awfully angry about a lover's gift. 2.1 ::ANGRY :=Mrs. Tilford: I don't think they'll be that angry. Come, you're acting like a foolish 2.4 ::ANNOY :=Martha: said was unpleasant; it was said to annoy me. It meant nothing more than tha 2.1 ::ANNOYING :=Mrs. Tilford: Mary, you're annoying me very much. If you have anything 1.1 ::ANOTHER :=Karen: Have another look. It must be in your room so 1.3 ::ANOTHER :=Cardin: Don't blame her on me. It's another side of the family. You can look 1.3 ::ANOTHER :=Karen: have to move those girls away from one another. 2.1 ::ANOTHER :=Mary: And it was a rule nobody could say another single word after you finished? You 2.2 ::ANOTHER :=Agatha: Well, you better have another one. 2.4 ::ANOTHER :=Karen: in a way that -- women don't kiss one another. 3.1 ::ANOTHER :=Martha: Well, maybe we'll be hungry in another ten years. It's cheaper this way 3.1 ::ANOTHER :=Martha: called "sinful sexual knowledge of one another." Don't like that, do you? Well, 3.3 ::ANOTHER :=Mrs. Tilford: Rosalie had taken the bracelet from another girl, and that Mary -- that Mary 2.4 ::ANSWER :=Cardin: to ask you a question. Before you answer the question, I want to tell you that 2.4 ::ANSWER :=Cardin: going to finish it for you. Will you answer some more questions, Mary? 3.1 ::ANSWER :=Martha: Why didn't you answer my telegrams? 3.1 ::ANSWER :=Martha: Why didn't you answer my telegrams? 3.1 ::ANSWER :=Martha: Answer me and don't bother about my temp 3.3 ::ANSWER :=Mrs. Mortar: Who is it? Shall I answer it? I think we'd better. It's a woman. 3.1 ::ANSWERED :=Grocery Boy: knocked on the kitchen door but nobody answered. 3.2 ::ANSWERED :=Karen: had to be asked sooner or later -- and answered. You're a good man -- the best I'll 1.1 ::ANTE :=Lois: Ad, ab, ante, in, de, inter, con, post, prae -- I 1.1 ::ANY :=Karen: Well, there doesn't seem to be any other way with you; you'll have to be 1.1 ::ANY :=Karen: Don't leave the school grounds for any reason whatsoever. Is that clear? 1.2 ::ANY :=Karen: so nice to us. Anyway, it wouldn't do any good. She's too crazy about Mary to see 1.2 ::ANY :=Martha: of. She's had more attention than any other three kids put together. And we 1.2 ::ANY :=Karen: that my marriage wasn't going to make any difference to the school. 1.3 ::ANY :=Martha: Well, you can go any time you like. We can spare the money 1.3 ::ANY :=Martha: live together, and it doesn't make any difference whose fault it is. 1.3 ::ANY :=Martha: Spite? Oh, don't let's have any more of this today. I'm tired. I've been 1.3 ::ANY :=Mrs. Mortar: Any day that he's in the house is a bad 1.3 ::ANY :=Martha: me sick and I won't stand for them any longer. I want you to leave -- 1.3 ::ANY :=Martha: you in. Maybe she's not so bright. Any idiots in your family, Joe? Any inbr 1.3 ::ANY :=Martha: Any idiots in your family, Joe? Any inbreeding? 1.3 ::ANY :=Martha: old family, too. Look, Joe, have you any idea what is the matter with Mary? I 1.3 ::ANY :=Cardin: Aunt Amelia's spoiling hasn't helped any, either. 1.4 ::ANY :=Evelyn: Then we didn't hear any more. Peggy dropped a book. 1.4 ::ANY :=Mary: home and tell Grandma I'm not staying any more. I'll tell her I'm not happy. They're 1.4 ::ANY :=Mary: -- it doesn't make a bit of difference any more to me. Now listen, you two got to 1.4 ::ANY :=Mary: they can't do it to me. Who's got any money? 1.4 ::ANY :=Peggy: comes Monday, and then you can go any place you want. Maybe by that time - 1.4 ::ANY :=Peggy: gone to the movies, I haven't had any candy, I haven't had anything the rest 2.1 ::ANY :=Agatha: Where ought any clean person be at this time of day? 2.1 ::ANY :=Agatha: feel so sick, you certainly won't want any dinner. A good dose of rhubarb and soda 2.1 ::ANY :=Mrs. Tilford: But, darling, you can't leave school any time you please. 2.1 ::ANY :=Mary: I guess I haven't got it much any more, but I feel a little weak, and I 2.1 ::ANY :=Mrs. Tilford: woman. I'm not going to scold you any more for coming home this time, though 2.1 ::ANY :=Mrs. Tilford: Back you go tonight. Let's not have any more talk about it now, and let's have 2.1 ::ANY :=Mary: They said we couldn't be together any more. They're afraid to have us near 2.1 ::ANY :=Mary: that place. I just couldn't stand it any more. Really, Grandma, I'm so unhappy 2.2 ::ANY :=Rosalie: Shut up. I didn't do any such thing. 2.2 ::ANY :=Mary: father will be dead and you won't have any place to go and you'll beg on the streets 2.2 ::ANY :=Mrs. Tilford: Karen for a long time. Are your plans any more definite than they were a year 2.3 ::ANY :=Martha: I'll tell you. You see if you can make any sense out of it. At dinner-time Mrs. 2.3 ::ANY :=Mrs. Tilford: This can't do any of us any good, Miss Dobie. 2.3 ::ANY :=Mrs. Tilford: This can't do any of us any good, Miss Dobie. 2.3 ::ANY :=Martha: "This can't do any of us any good." Listen, listen. Try 2.3 ::ANY :=Martha: "This can't do any of us any good." Listen, listen. Try to understand 2.3 ::ANY :=Mrs. Tilford: avoid this meeting because it can't do any good. You came here to find out if I 2.3 ::ANY :=Mrs. Tilford: There won't be any punishment for either of you. But there 2.3 ::ANY :=Mrs. Tilford: either of you. But there mustn't be any punishment for me, either -- and that's 2.3 ::ANY :=Mrs. Tilford: I don't understand it and I don't want any part of it. 2.3 ::ANY :=Martha: the way we do tonight. You don't want any part of this, you said. But you'll get 2.3 ::ANY :=Martha: She's not a child any longer. 2.3 ::ANY :=Karen: find out. There didn't seem to be any reason -- 2.3 ::ANY :=Martha: There wasn't any reason. She hates everybody and ever 2.3 ::ANY :=Mrs. Tilford: Mary. I've told you I didn't mean you any harm. I still don't. You claim that it 2.3 ::ANY :=Mrs. Tilford: That has been done. There won't be any talk about it or about you -- I'll see 2.4 ::ANY :=Mrs. Tilford: I don't know. I don't know, any more. Maybe it's what I do deserve. I'm 2.4 ::ANY :=Rosalie: I never saw any such thing. Mary always makes things 2.4 ::ANY :=Rosalie: me and everybody else. I never said any such thing ever. Why, I never even could 3.1 ::ANY :=Martha: time. Haven't you heard? There isn't any time any more. 3.1 ::ANY :=Martha: you heard? There isn't any time any more. 3.1 ::ANY :=Karen: know. I don't know about anything any more. Martha, Martha, Martha -- 3.1 ::ANY :=Karen: out of this place. I can't stand it any more. 3.1 ::ANY :=Mrs. Mortar: let's talk about unpleasant things any more. I'll go up and unpack a few things; 3.1 ::ANY :=Mrs. Mortar: way, Martha. It couldn't have done any good for all of us to get mixed up in 3.2 ::ANY :=Cardin: and drink beer on. Now don't object any more, please, darling. All right? 3.2 ::ANY :=Cardin: else. We don't talk like people any more. Oh, let's get out of here as fast 3.2 ::ANY :=Karen: -- no words that we can use in safety any more. Sick, high-tragic people. That's 3.2 ::ANY :=Cardin: Don't let's talk any more. Let's forget and go ahead. 3.2 ::ANY :=Karen: talk like that. That couldn't be true any more. 3.2 ::ANY :=Cardin: Yes, if you want, but it won't make any difference. We will -- 3.3 ::ANY :=Karen: He won't be back any more. 3.3 ::ANY :=Martha: You mean he won't be back any more tonight. 3.3 ::ANY :=Karen: I don't know. Some place; any place. 3.3 ::ANY :=Martha: No. There'll never be any place for us to go. We're bad people. 3.3 ::ANY :=Martha: You've got to know it. I can't keep it any longer. I've got to tell you how guilty 3.3 ::ANY :=Martha: myself of it. I can't, I can't any longer. It's there. I don't know how, 3.3 ::ANY :=Martha: all dirty and -- I can't stay with you any more, darling. 3.3 ::ANY :=Karen: There isn't any use. 3.3 ::ANY :=Mrs. Mortar: did everything I could. I -- I haven't any place to go. I'm afraid. It seems so 3.3 ::ANY :=Karen: Not any more. 3.3 ::ANY :=Agatha: Dr. Joe. He -- he won't talk to her any more. I wouldn't a come -- I always been 3.3 ::ANY :=Karen: care what you know. It doesn't matter any more. If that's what you had to say, 3.3 ::ANY :=Mrs. Tilford: will be paid to you in full and -- and any more that will be kind enough to take 3.3 ::ANY :=Mrs. Tilford: I -- I must see that you won't suffer any more. 3.3 ::ANY :=Karen: We're not going suffer any more. Martha is dead. So you've come 3.3 ::ANY :=Mrs. Tilford: to try anything. I knew there wasn't any relief for me, Karen, and that there 3.3 ::ANY :=Karen: I don't think anyone did anything, any more. 3.3 ::ANY :=Karen: No, not any more. 1.3 ::ANYBODY :=Martha: Oh, my God, how can anybody deal with you? You're going where 1.3 ::ANYBODY :=Mrs. Mortar: you always got mad when she liked anybody else. Well, you'd better get a beau 1.4 ::ANYBODY :=Mary: And it's all because I had a pain. If anybody else was sick they'd be put to bed 1.4 ::ANYBODY :=Peggy: unnatural, and that she never wanted anybody to like Miss Wright, and that was 2.1 ::ANYBODY :=Mary: Is anybody coming for dinner? 2.2 ::ANYBODY :=Cardin: of soda and water. Never hurt anybody yet. 2.3 ::ANYBODY :=Mrs. Tilford: nothing I want to do. There's nothing anybody can do. 2.4 ::ANYBODY :=Cardin: How did you know anybody was in Miss Dobie's room? 3.1 ::ANYBODY :=Karen: shouldn't we take a walk? We won't see anybody, and suppose we do, what of it? We'll 3.3 ::ANYBODY :=Martha: I didn't? I never felt that way about anybody but you. I've never loved a man -- 2.1 ::ANYHOW :=Mary: never is. They -- they just punish me anyhow, just like they got something against 2.2 ::ANYHOW :=Rosalie: I think curiosity is very unladylike, anyhow. I have no concern with your silly 2.2 ::ANYMORE :=Mary: and when you're very old and can't see anymore, they'll let you out maybe with a 3.1 ::ANYMORE :=Martha: dry. Well, there aren't even bones anymore. There's nothing here for you. 3.3 ::ANYMORE :=Karen: No. We're not together anymore. 1.4 ::ANYONE :=Karen: to say. I can't imagine Rosalie hating anyone. 3.3 ::ANYONE :=Karen: I don't think anyone did anything, any more. 1.1 ::ANYTHING :=Mrs. Mortar: thoughtfulness. But you must now allow anything to interfere with you classes. Now 1.2 ::ANYTHING :=Martha: Anything really wrong with her? 1.2 ::ANYTHING :=Karen: I'm not telling you anything we haven't talked about often. 1.3 ::ANYTHING :=Mrs. Mortar: You mean to say you're not going to do anything about that? That's the trouble with 1.4 ::ANYTHING :=Mary: Oh, I'm not talking about anything in particular. You just run along 1.4 ::ANYTHING :=Mary: course you wouldn't. You'd let 'em do anything to you they want. Well, they can't 1.4 ::ANYTHING :=Peggy: I haven't had any candy, I haven't had anything the rest of you get all the time. 2.1 ::ANYTHING :=Agatha: She didn't say anything about you coming. 2.1 ::ANYTHING :=Mary: It's not that. It's not anything I do. It never is. They -- they 2.1 ::ANYTHING :=Mary: to make me feel bad. Anyway, it wasn't anything that I did. 2.1 ::ANYTHING :=Mrs. Tilford: There's not necessarily anything wrong with people having secret 2.1 ::ANYTHING :=Mrs. Tilford: annoying me very much. If you have anything to say, then say it and stop acting 2.1 ::ANYTHING :=Mrs. Tilford: There couldn't possibly be anything so terrible that you couldn't say 2.2 ::ANYTHING :=Rosalie: like that. I didn't tell you about anything. Did your tell your grandmother 2.2 ::ANYTHING :=Rosalie: and tell her I didn't tell you anything -- whatever it is. You're just trying 2.2 ::ANYTHING :=Rosalie: I didn't steal anything. I borrowed the bracelet and I was 2.2 ::ANYTHING :=Rosalie: But then you could tell me to do anything. 2.2 ::ANYTHING :=Cardin: She has not suddenly decided anything. The school is pretty well on its 2.3 ::ANYTHING :=Cardin: Nobody's told me anything. I haven't heard anything but wild 2.3 ::ANYTHING :=Cardin: told me anything. I haven't heard anything but wild talk. What is it, Karen? 2.3 ::ANYTHING :=Karen: would talk to us, nobody would tell us anything. 2.3 ::ANYTHING :=Karen: I don't want to have anything to do with your mess, do you hear 2.3 ::ANYTHING :=Karen: there isn't a single word of truth in anything you've said. We're standing here 2.3 ::ANYTHING :=Cardin: you know what it is to try so hard for anything? Well, now it's gone. What the hell 2.3 ::ANYTHING :=Cardin: You don't know anything about how I feel. And you don't 2.4 ::ANYTHING :=Martha: of the house. It is impossible to hear anything from there. Tell her to come and 3.1 ::ANYTHING :=Martha: stores in Lancet that would sell us anything. Hasn't he heard about the ladies' 3.1 ::ANYTHING :=Karen: I don't know. I don't know about anything any more. Martha, Martha, Martha 3.1 ::ANYTHING :=Martha: There mustn't be anything wrong between you and Joe. Neve 3.2 ::ANYTHING :=Cardin: no, no. We love each other. I'd give anything not to have asked questions, Ka 3.2 ::ANYTHING :=Karen: Don't say anything. Please go now. And all my heart 3.3 ::ANYTHING :=Martha: Certainly that doesn't mean anything. There's nothing wrong about that. 3.3 ::ANYTHING :=Martha: and you don't know it and you don't do anything about it. Suddenly a child gets 3.3 ::ANYTHING :=Mrs. Mortar: What will happen to me? I haven't anything. Poor Martha -- 3.3 ::ANYTHING :=Mrs. Mortar: I won't stay and see it. I won't have anything to do with it. I'll never let that 3.3 ::ANYTHING :=Mrs. Tilford: God I didn't. I came to try -- to try anything. I knew there wasn't any relief 3.3 ::ANYTHING :=Karen: I don't think anyone did anything, any more. 3.3 ::ANYTHING :=Karen: If I ever have anything to say. Good-bye, now. 1.3 ::ANYTHING'S :=Cardin: something to fight about. Every time anything's said about marrying -- about Karen 1.2 ::ANYWAY :=Karen: to do it. She's been so nice to us. Anyway, it wouldn't do any good. She's too 2.1 ::ANYWAY :=Mary: just said that to make me feel bad. Anyway, it wasn't anything that I did. 2.2 ::ANYWAY :=Rosalie: You don't know, anyway. 2.2 ::ANYWAY :=Mary: a dare. I guess I'll go tell Grandma, anyway. Then she can call the police and 3.3 ::ANYWHERE :=Karen: Isn't there anywhere to go? 2.2 ::APOLOGIZE :=Mary: Then say: "I apologize on my hands and knees." 2.2 ::APOLOGIZE :=Rosalie: I apologize on my hands and knees. Let's play 3.1 ::APOLOGIZE :=Mrs. Mortar: When you wish to apologize, I will be temporarily in my room. 3.3 ::APOLOGY :=Mrs. Tilford: arrangements. There will be a public apology and an explanation. The damage suit 3.3 ::APOLOGY :=Karen: Now you "have" to do this. A public apology and money paid, and you can sleep 3.1 ::APPEAR :=Martha: fact that Mrs. Mortar would not appear in court to deny or explain those 1.1 ::APPRECIATES :=Mrs. Mortar: I don't think she quite appreciates it, but -- 1.1 ::ARE :=Mrs. Mortar: Evelyn! What are you doing? 1.1 ::ARE :=Mrs. Mortar: You are certainly doing something. You are ruining 1.1 ::ARE :=Mrs. Mortar: You are certainly doing something. You are ruining the scissors for one thing. 1.1 ::ARE :=Mrs. Mortar: How many people in the room are talking? Peggy, read the line again. 1.1 ::ARE :=Mrs. Mortar: submerge yourself in this problem. You are pleading for the life of a man. "But 1.1 ::ARE :=Mrs. Mortar: a walk. And may I ask, young lady, are we in the habit of taking walks when 1.1 ::ARE :=Catherine: How much longer, O Cataline, are you going to abuse our patience? Now 1.1 ::ARE :=Karen: But not the very first, are they, Mary? 1.2 ::ARE :=Martha: Then you are thinking about it -- soon? 1.2 ::ARE :=Martha: You really are going to leave, aren't you? 1.2 ::ARE :=Martha: Go and see her. Heart attacks are nothing to play with. 1.3 ::ARE :=Mrs. Mortar: should be present? Very well, if you are so thick-skinned that you don't resent 1.3 ::ARE :=Martha: What are you talking about? Why, in the name of 1.3 ::ARE :=Martha: so much. You're not very happy here, are you, Aunt Lily? 1.3 ::ARE :=Mrs. Mortar: At my age! Nice, grateful girl you are. 1.3 ::ARE :=Martha: What are you talking about now? 1.3 ::ARE :=Martha: of here, the better. Your vulgarities are making me sick and I won't stand for 1.3 ::ARE :=Cardin: me. What is it? I know how fond you are of Karen, but our marriage oughtn't to 1.4 ::ARE :=Evelyn: Now what are you going to do? 1.4 ::ARE :=Evelyn: What are you going to do about the vathe? 1.4 ::ARE :=Peggy: How are you going to get out of here in the first 1.4 ::ARE :=Mary: You know where the front door is, or are you too dumb even for that? Well, I'm 2.1 ::ARE :=Agatha: What are you doing here? Well, come on in -- don't 2.1 ::ARE :=Agatha: Then what are you doing here? 2.1 ::ARE :=Mrs. Tilford: Mary, what are you doing home? 2.1 ::ARE :=Mary: and then they make up again, and there are funny noises and we get scared. 2.1 ::ARE :=Mrs. Tilford: Do you know what you're saying? Mary? Are you telling me the truth? 2.2 ::ARE :=Agatha: Do I know all the crazy things that are happening around here? Your grandmother 2.2 ::ARE :=Cardin: Please. How are you feeling? Headaches again? 2.2 ::ARE :=Cardin: Those are good powders. Bicarbonate of soda and 2.2 ::ARE :=Cardin: Are you in some trouble? 2.2 ::ARE :=Mrs. Tilford: We all are in trouble. Bad trouble. 2.2 ::ARE :=Mrs. Tilford: been engaged to Karen for a long time. Are your plans any more definite than they 2.3 ::ARE :=Cardin: What are you talking about? 2.3 ::ARE :=Martha: We've come to find out what you are doing. 2.3 ::ARE :=Cardin: What are you talking about? What do you mean? 2.3 ::ARE :=Karen: That -- that Martha and I are -- in love with each other. In love with 2.3 ::ARE :=Cardin: Are you sick? 2.3 ::ARE :=Mrs. Tilford: I have done what I had to do. What they are may possibly be their own business. It 2.3 ::ARE :=Mrs. Tilford: deal more than that when children are involved. 2.3 ::ARE :=Karen: You are right to be afraid. 2.3 ::ARE :=Cardin: But you are old -- and you are irresponsible. 2.3 ::ARE :=Cardin: But you are old -- and you are irresponsible. 2.3 ::ARE :=Martha: More than you bargained for. Listen: are you willing to stand by everything you've 2.3 ::ARE :=Martha: And you feel that you are too old to be punished? That we should 2.3 ::ARE :=Cardin: give them a chance to come out whole. Are you honest? 2.4 ::ARE :=Karen: sometimes we drink tea at night. Those are guilty things, too, Mrs. Tilford. 2.4 ::ARE :=Mary: And there are always funny sounds and we'd stay awake 2.4 ::ARE :=Mrs. Tilford: You are trying to make her name it, aren't y 2.4 ::ARE :=Cardin: We can go home. We are finished here. It's not a pleasant place 3.1 ::ARE :=Martha: makes you feel better to think there are such people, go ahead. 3.1 ::ARE :=Grocery Boy: Here are the things. 3.1 ::ARE :=Karen: What are we going to do? It's all so cold and 3.1 ::ARE :=Karen: why did it happen? What happened? What are we doing here like this? 3.1 ::ARE :=Martha: on in. We're delighted to see you. Are you tired from your journey? Is there 3.2 ::ARE :=Cardin: Nothing. Nothing. Karen, there are a lot of people in this world who've 3.3 ::ARE :=Martha: They are the people who believe in it, who want 3.3 ::ARE :=Karen: Why are you saying all this to me? 3.3 ::ARE :=Karen: You are guilty of nothing. 3.3 ::ARE :=Karen: You are tired and sick. 3.3 ::ARE :=Martha: gets bored and lies -- and there you are, seeing it for the first time. I don't 3.3 ::ARE :=Mrs. Mortar: Where is it? Karen! Martha! Where are you? I heard a shot. What was -- What 3.3 ::ARE :=Karen: peace for you. You're old, and the old are callous. Ten, fifteen years left for 3.3 ::ARE :=Mrs. Tilford: You are still living. 1.2 ::AREN'T :=Martha: You really are going to leave, aren't you? 1.3 ::AREN'T :=Cardin: Aren't you taking this too seriously? 2.1 ::AREN'T :=Agatha: Why aren't you in school? Look at your face and 2.1 ::AREN'T :=Mrs. Tilford: by pretending to be sick when you aren't. 2.4 ::AREN'T :=Mrs. Tilford: She's told you. Aren't you through? 2.4 ::AREN'T :=Mrs. Tilford: You are trying to make her name it, aren't you? 3.1 ::AREN'T :=Martha: Shopping? That's a sound idea. There aren't three stores in Lancet that would 3.1 ::AREN'T :=Martha: to pick the bones dry. Well, there aren't even bones anymore. There's nothing 3.2 ::AREN'T :=Cardin: Look who's here. A little late, aren't you? 3.3 ::AREN'T :=Karen: they tell us we've done. Other people aren't destroyed by it. 3.3 ::AREN'T :=Martha: it, who want it, who've chosen it. We aren't like that. We don't love each other. 1.2 ::ARGUMENT :=Karen: This is a silly argument, Martha. Let's quit it. You haven't 1.3 ::AROUND :=Martha: That's it. We don't want you around when we dig up the buried treasur 1.3 ::AROUND :=Martha: You know, it's really bad having you around the children. 1.3 ::AROUND :=Martha: I guess I am. But you stay around kids long enough and you won't know 1.4 ::AROUND :=Rosalie: don't think you're going to boss me around, Mary Tilford. 2.2 ::AROUND :=Agatha: the crazy things that are happening around here? Your grandmother phones Mrs. 2.2 ::AROUND :=Cardin: waiting for the muffins to be passed around. What's the matter with you? 2.3 ::AROUND :=Martha: Pushed around. We're being pushed around by crazy 2.3 ::AROUND :=Martha: Pushed around. We're being pushed around by crazy people. That's an awful thing. 2.3 ::AROUND :=Martha: lie down and grin while you kicked us around with these lies? 3.1 ::AROUND :=Mrs. Mortar: Around, around. I had a most interesting 3.1 ::AROUND :=Mrs. Mortar: Around, around. I had a most interesting time. Things 3.1 ::AROUND :=Mrs. Mortar: I was moving around a great deal. You know, I think it 3.1 ::AROUND :=Mrs. Mortar: Moving around, I tell you. 3.2 ::AROUND :=Cardin: If we sit around here much longer, we'll all be bats. 3.2 ::AROUND :=Cardin: three of those people. We could sit around the rest of our lives and exist on 3.3 ::ARRANGEMENTS :=Mrs. Tilford: to Judge Potter. He will make all arrangements. There will be a public apology 2.3 ::ARRIVED :=Martha: away. At half past seven Mrs. Burton arrived to tell us that she wanted Helen's 1.1 ::ART :=Mrs. Mortar: my dear. But the cinema is a shallow art. It has no -- no -- no fourth dimension. 1.1 ::AS :=Mrs. Mortar: Peggy, can't you imagine yourself as Portia? Can't you read the lines with 1.1 ::AS :=Mrs. Mortar: some feeling, some pity? Pity. Ah! As Sir Henry said to me many's the time, 1.1 ::AS :=Karen: I can see that. A new style? Looks as thought it has holes in it. 1.1 ::AS :=Mrs. Mortar: to do! And I suppose you have just as fine an excuse for being an hour late 1.2 ::AS :=Martha: Well, we can't, and we might as well admit it. We've tried everything 1.2 ::AS :=Karen: funny. We always talk about the child as if she were a grown woman. 1.2 ::AS :=Martha: But you're talking about it as soon now. 1.3 ::AS :=Martha: to Joe. Maybe he'll give you a job as duenna for his office. 1.3 ::AS :=Mrs. Mortar: I'll write to my agents tomorrow, and as soon as they have something good for me 1.3 ::AS :=Mrs. Mortar: to my agents tomorrow, and as soon as they have something good for me -- 1.3 ::AS :=Martha: Don't act, Aunt Lily. Go as soon as you've found a place you like. 1.3 ::AS :=Martha: Don't act, Aunt Lily. Go as soon as you've found a place you like. I'll put 1.3 ::AS :=Mrs. Mortar: I know that. And it's unnatural, just as unnatural as it can be. You don't like 1.3 ::AS :=Mrs. Mortar: And it's unnatural, just as unnatural as it can be. You don't like their being 1.3 ::AS :=Mrs. Mortar: You were always like that even as a child. If you had a little girl friend, 1.3 ::AS :=Mrs. Mortar: So now it's my fault, is it? Just as I said, whenever he's in the house you 1.4 ::AS :=Peggy: send me much allowance -- not half as much as the rest of you get -- I saved 1.4 ::AS :=Peggy: me much allowance -- not half as much as the rest of you get -- I saved this so 2.1 ::AS :=Mrs. Tilford: As much as all the words in all the books 2.1 ::AS :=Mrs. Tilford: As much as all the words in all the books in all 2.1 ::AS :=Mrs. Tilford: Mary. I hope you'll get more coherent as you get older. 2.1 ::AS :=Mrs. Tilford: so long? Very well, Joseph, make it as soon as you can. Mrs. Munn, please. This 2.1 ::AS :=Mrs. Tilford: Very well, Joseph, make it as soon as you can. Mrs. Munn, please. This is Mrs. 2.2 ::AS :=Rosalie: and I was going to put it back as soon as I'd worn it to the movies. I never 2.2 ::AS :=Rosalie: and I was going to put it back as soon as I'd worn it to the movies. I never meant 2.3 ::AS :=Mrs. Tilford: I've loved you as much as I loved my own boys. I wouldn't 2.3 ::AS :=Mrs. Tilford: I've loved you as much as I loved my own boys. I wouldn't have spared 3.1 ::AS :=Karen: go into town and go shopping and act as though -- 3.1 ::AS :=Mrs. Mortar: quite right. Let bygones be bygones. As I was saying, there's an effete something 3.1 ::AS :=Martha: had a moral obligation to the theater. As you probably read in the papers, we lost 3.2 ::AS :=Cardin: any more. Oh, let's get out of here as fast as we can. 3.2 ::AS :=Cardin: Oh, let's get out of here as fast as we can. 3.3 ::AS :=Martha: always been something wrong. Always -- as long as I can remember. But I never knew 3.3 ::AS :=Martha: something wrong. Always -- as long as I can remember. But I never knew it until 3.3 ::AS :=Martha: have had to invent a new language, as children do, without words like tomor 3.2 ::ASHAMED :=Karen: watching your face in court. It was ashamed -- and sad at being ashamed. Say 3.2 ::ASHAMED :=Karen: It was ashamed -- and sad at being ashamed. Say it now, Joe. Ask it now. 1.1 ::ASK :=Mrs. Mortar: So you took a walk. And may I ask, young lady, are we in the habit of taking 1.1 ::ASK :=Karen: Ask Miss Dobie to give you some hot water 1.1 ::ASK :=Karen: Ask Martha to phone Joe. 2.1 ::ASK :=Mary: Wright's room, I mean, you can just ask Peggy and Evelyn whether we didn't hear. 2.1 ::ASK :=Mary: Honest, honest. You just ask Peggy and Evelyn and -- They know too. 2.1 ::ASK :=Mary: been frightened and so we didn't ask, and one night I was going to go and 2.2 ::ASK :=Rosalie: Nothing. I'll ask Mamma. 2.4 ::ASK :=Cardin: telling you this because I'm about to ask you a question. Before you answer the 2.4 ::ASK :=Karen: Ask her again how she could see us. 2.4 ::ASK :=Mary: about it in a book and she knew. You ask Rosalie. You just ask Rosalie. She'll 2.4 ::ASK :=Mary: she knew. You ask Rosalie. You just ask Rosalie. She'll tell you. We used to 3.2 ::ASK :=Karen: sad at being ashamed. Say it now, Joe. Ask it now. 3.2 ::ASK :=Cardin: I have nothing to ask. Nothing -- All right. Is it -- was it 3.2 ::ASK :=Karen: all over, you really never wanted to ask at all. You didn't know for sure; you 1.3 ::ASKED :=Mrs. Mortar: I was asked to leave the room. It seems that I'm 2.3 ::ASKED :=Mrs. Tilford: explanations. It was I who should have asked them from you. You attack me, you attack 3.2 ::ASKED :=Karen: all right, darling. I'm glad you asked. I'm not mad a bit, really. 3.2 ::ASKED :=Cardin: other. I'd give anything not to have asked questions, Karen. 3.2 ::ASKED :=Karen: It had to be asked sooner or later -- and answered. You're 1.2 ::ASKING :=Martha: How about asking Joe to say something to her? She'd 2.1 ::ASKING :=Mary: Oh, stop asking me questions. Where's Grandma? 3.1 ::ASKING :=Martha: We've been sitting here for eight days asking each other the time. Haven't you heard? 2.2 ::ASLEEP :=Mrs. Tilford: on the table. Be sure you're both fast asleep by half past ten. 2.3 ::ASYLUM :=Martha: And insane asylum has been let loose. How do we know 1.1 ::AT :=Lois: I bet you were good at Latin, Mrs. Mortar. 1.1 ::AT :=Mrs. Mortar: no interest in your work you might at least remember that you owe me a little 1.1 ::AT :=Mrs. Mortar: of taking walks when we should be at our classes? 1.1 ::AT :=Mary: like that. Everything I say you fuss at me about. Everything I do is wrong. 1.1 ::AT :=Karen: know that isn't true. Look, Mary, look at me. Let's try to understand each other. 1.2 ::AT :=Karen: Nothing unusual. Last night at dinner she was telling the girls about 1.2 ::AT :=Martha: just you and me -- the way we used to at college. 1.2 ::AT :=Karen: get you on the phone. Come in and look at your little cousin. 1.2 ::AT :=Cardin: the matter with her now? I stopped at Vernie's on the way over to look at that 1.2 ::AT :=Cardin: at Vernie's on the way over to look at that little black bull he bought. He's 1.3 ::AT :=Mrs. Mortar: I told you at the beginning you shouldn't have bought 1.3 ::AT :=Mrs. Mortar: So? You're turning me out? At my age! Nice, grateful girl you are. 1.3 ::AT :=Martha: it that they can't hear. When you're at your best, you're not for tender ears 1.3 ::AT :=Martha: Nothing the matter with her at all, then? 1.3 ::AT :=Cardin: side of the family. You can look at Aunt Amelia and tell: old New England 1.3 ::AT :=Cardin: thinks honor is honor and dinner's at eight thirty. Yes, ma'am, we're a proud 1.3 ::AT :=Martha: Her room-mates were busy listening at the door while Aunt Lily and I were yelling 1.3 ::AT :=Martha: while Aunt Lily and I were yelling at each other. 1.4 ::AT :=Evelyn: Mortar got awfully thore at that and thaid they juth wanted to get 1.4 ::AT :=Peggy: Boy! Did Miss Dobie get sore at that! 1.4 ::AT :=Mary: I've got to have at least a dollar for the taxi and a dime 2.1 ::AT :=Agatha: come on in -- don't stand there gaping at me. Have they given you a holiday or did 2.1 ::AT :=Agatha: Why aren't you in school? Look at your face and clothes. Where have you 2.1 ::AT :=Agatha: Where ought any clean person be at this time of day? She's taking a bath 2.1 ::AT :=Mary: come home without everybody nagging at me. 2.1 ::AT :=Agatha: you want to catch your death of cold at your age? Did you have to hurry so? 2.1 ::AT :=Mrs. Tilford: glad you like being home with me, but at your age you can hardly -- What made you 2.1 ::AT :=Mrs. Tilford: That was probably not the reason at all. 2.1 ::AT :=Mary: all the world. You -- you're not mad at me? 2.1 ::AT :=Mrs. Tilford: I'm not mad at you. Now go upstairs and get ready for 2.2 ::AT :=Agatha: Just go on in there and make yourself at home. Have you had your dinner? 2.2 ::AT :=Rosalie: Well, who likes to hear funny noises at night? You could have been a werewolf 2.2 ::AT :=Cardin: No. I was at the hospital. 2.2 ::AT :=Cardin: a lousy laboratory, everybody growling at everybody else -- Amelia, you didn't bring 2.2 ::AT :=Cardin: temper and was very clumsily managed, at that. Amelia, she's a terribly spoilt 2.2 ::AT :=Cardin: you're talking about, but it isn't odd at all. Lily Mortar is not a harmless woman, 2.3 ::AT :=Martha: if you can make any sense out of it. At dinner-time Mrs. Munn's chauffeur said 2.3 ::AT :=Martha: Evelyn must be sent home right away. At half past seven Mrs. Burton arrived to 2.4 ::AT :=Mary: went and visited Miss Wright late at night -- 2.4 ::AT :=Karen: And we go to the movies at night and sometimes we read at night and 2.4 ::AT :=Karen: movies at night and sometimes we read at night and sometimes we drink tea at night. 2.4 ::AT :=Karen: at night and sometimes we drink tea at night. Those are guilty things, too, Mrs. 2.4 ::AT :=Mary: It was at night and I was leaning down by the k 2.4 ::AT :=Martha: with my aunt. It is on the first floor at the other end of the house. It is impossible 2.4 ::AT :=Mary: Everybody is yelling at me. I don't know what I'm saying with 2.4 ::AT :=Karen: her grandmother that certain things at school have been -- er -- puzzling you 2.4 ::AT :=Rosalie: puzzles me. I guess I'm not very good at history, and Helen helps me sometimes, 3.1 ::AT :=Martha: something like that. I tell you, at five o'clock every day you comb your hair. 3.1 ::AT :=Martha: entirely empty, life is rich and full; at five o'clock I'll comb my hair. 3.1 ::AT :=Martha: Remember how much we used to eat at college? 3.1 ::AT :=Martha: The Duchess, isn't it? Returned at long last. Come on in. We're delighted 3.1 ::AT :=Martha: No trouble at all. Some small sandwiches and a little 3.1 ::AT :=Mrs. Mortar: Martha, I didn't refuse to come back at all. That's the wrong way to look at it. 3.1 ::AT :=Mrs. Mortar: at all. That's the wrong way to look at it. I was on a tour; that's a moral obligation, 3.2 ::AT :=Cardin: -- to Dr. Engelhardt, and the nurse at the desk, and to the fat gal in the cake 3.2 ::AT :=Cardin: Fischer. The last time I saw him was at the railroad station. He took me back 3.2 ::AT :=Karen: in court. It was ashamed -- and sad at being ashamed. Say it now, Joe. Ask it 3.2 ::AT :=Karen: over, you really never wanted to ask at all. You didn't know for sure; you thought 3.3 ::AT :=Karen: He won't be back at all. 3.3 ::AT :=Agatha: Don't you feel well? You ain't mad at me? 3.3 ::AT :=Karen: I'm not mad at you, Agatha. 2.1 ::ATE :=Mary: He said it was maybe only that I ate my breakfast too fast and Miss Wright 1.2 ::ATTACK :=Karen: to the boat-races and she had a heart attack. 1.3 ::ATTACK :=Mrs. Mortar: life the time she had that heart attack in Buffalo. We almost lost her that 1.3 ::ATTACK :=Martha: yourself. If you've seen one heart attack you've seen them all. 2.3 ::ATTACK :=Mrs. Tilford: should have asked them from you. You attack me, you attack Mary. I've told you 2.3 ::ATTACK :=Mrs. Tilford: them from you. You attack me, you attack Mary. I've told you I didn't mean 1.2 ::ATTACKS :=Martha: Go and see her. Heart attacks are nothing to play with. 1.2 ::ATTENTION :=Martha: we can think of. She's had more attention than any other three kids put together. 1.1 ::ATTRIBUTE :=Peggy: shows the force of temporal power, the attribute to awe and majesty, wherein . . 1.1 ::ATTRIBUTE :=Peggy: shows the force of temporal power, the attribute to awe and majesty, wherein -- 1.1 ::ATTRIBUTE :=Peggy: in the hearts of kings, it is an attribute to God himself -- " 1.1 ::ATTRIBUTE :=Mrs. Mortar: in the hearts of kings, it is an attribute to God himself; and earthly power 1.1 ::ATTRIBUTE :=Mrs. Mortar: Let us go back again. "It is an attribute of -- " 1.2 ::AUNT :=Karen: kid. Her latest trick was kidding your aunt out of a sewing lesson with those faded 1.2 ::AUNT :=Martha: My aunt the actress? What's she been up to 1.3 ::AUNT :=Mrs. Mortar: So you don't resent your aunt being snubbed and humiliated? 1.3 ::AUNT :=Martha: Oh, Aunt Lily! 1.3 ::AUNT :=Martha: Don't tell yourself that too often, Aunt Lily; you'll come to believe it. 1.3 ::AUNT :=Martha: You're not very happy here, are you, Aunt Lily? 1.3 ::AUNT :=Martha: We like it here. Aunt Lily, you've talked about London for 1.3 ::AUNT :=Martha: Don't act, Aunt Lily. Go as soon as you've found a place 1.3 ::AUNT :=Martha: Aunt Lily, the amount of disconnected unpleasantness 1.3 ::AUNT :=Cardin: side of the family. You can look at Aunt Amelia and tell: old New England stock; 1.3 ::AUNT :=Cardin: She's always been a honey. Aunt Amelia's spoiling hasn't helped any, 1.3 ::AUNT :=Martha: were busy listening at the door while Aunt Lily and I were yelling at each oth 2.4 ::AUNT :=Martha: My aunt is a stupid woman. What she said was 2.4 ::AUNT :=Martha: I share a room with my aunt. It is on the first floor at the other 2.3 ::AVOID :=Mrs. Tilford: I wanted to avoid this meeting because it can't do any 1.3 ::AW :=Cardin: Aw, shut up. 1.1 ::AWAITING :=Mrs. Mortar: Mary, I am still awaiting your explanation. Where have you 2.4 ::AWAKE :=Mary: are always funny sounds and we'd stay awake and listen because we couldn't help 3.1 ::AWAKE :=Karen: that dark hour of the night when, half awake, you struggle through the black mess 1.1 ::AWAY :=Mrs. Mortar: You may put that book away, Peggy. I am sure your family need never 1.2 ::AWAY :=Martha: Grandma would believe her and take her away. 1.2 ::AWAY :=Karen: can scrape up enough money to send her away. Let's do it. 1.3 ::AWAY :=Mrs. Mortar: seven months later he left her and ran away with Eve Cloun, who was playing the 1.3 ::AWAY :=Mrs. Mortar: to be shipped of three thousand miles away. I'm not going to England. I shall go 1.3 ::AWAY :=Karen: We'll have to move those girls away from one another. 1.4 ::AWAY :=Evelyn: they were talking about Mortar going away to England and -- 1.4 ::AWAY :=Mary: wants to see how much fun she can take away from me. She hates me. 1.4 ::AWAY :=Mary: sit up and listen. They can't get away with treating me like this, and they 2.1 ::AWAY :=Mary: I ran away, Grandma. They didn't know -- 2.1 ::AWAY :=Mary: Grandma, don't send me back right away. You don't know how they'll punish 2.1 ::AWAY :=Mrs. Tilford: it now, and let's have no more running away from school ever. 2.1 ::AWAY :=Mrs. Tilford: They'll punish you for running away. You deserve to be punished. 2.1 ::AWAY :=Mrs. Tilford: pretending to faint and then running away? 2.1 ::AWAY :=Mary: maybe she wouldn't get married right away if -- 2.1 ::AWAY :=Mrs. Tilford: Joseph? Can you come to see me right away? Yes, I'm perfectly well. No, but it's 2.1 ::AWAY :=Mrs. Tilford: very important. I must see you right away. I -- I can't tell you over the phone. 2.2 ::AWAY :=Mary: in New York to come and get you right away. You're just going to spend the night 2.2 ::AWAY :=Mrs. Tilford: Did I take you away from a patient? 2.3 ::AWAY :=Martha: that Evelyn must be sent home right away. At half past seven Mrs. Burton arrived 2.3 ::AWAY :=Mrs. Tilford: is. This -- this thing is your own. Go away with it. I don't understand it and I 2.3 ::AWAY :=Martha: So you thought we would go away? 2.3 ::AWAY :=Mrs. Tilford: All I wanted was to get those children away. That has been done. There won't be 3.2 ::AWAY :=Cardin: married this week. Then we're going away -- all three of us. 3.2 ::AWAY :=Karen: I've done this to you. I've taken you away from everything you want. 3.2 ::AWAY :=Karen: They -- they've done it. They've taken away every chance we had. Everything we wanted, 3.2 ::AWAY :=Karen: sorry. Joe, can we have a baby right away? 3.2 ::AWAY :=Karen: You used to want one right away. You always said that was the way you 3.2 ::AWAY :=Karen: You think we'll be able to run away from that? Woman, child, love, lawyer 3.2 ::AWAY :=Karen: Will you -- will you go away for two days -- a day -- and think this 3.2 ::AWAY :=Karen: and think this all over by yourself -- away from me and love and pity? Will you? 3.3 ::AWAY :=Mrs. Mortar: We've got to get a doctor -- right away. 3.3 ::AWAY :=Karen: you had to say, you've said it. Go away. 3.3 ::AWAY :=Karen: You can send her away. 3.3 ::AWAY :=Mrs. Tilford: I'll go to him right away. 3.3 ::AWAY :=Mrs. Tilford: Come away from here now, Karen. You can't stay 1.1 ::AWE :=Peggy: of temporal power, the attribute to awe and majesty, wherein . . . " 1.1 ::AWE :=Peggy: of temporal power, the attribute to awe and majesty, wherein -- " 1.4 ::AWFUL :=Peggy: hear Miss Dobie and Mortar having an awful row. Then Miss Dobie opens the door 1.4 ::AWFUL :=Peggy: Mary. It's just going to make an awful lot of trouble. 2.1 ::AWFUL :=Mary: I missed you so. I was awful homesick. 2.1 ::AWFUL :=Mary: I miss you an awful lot, Grandma. 2.1 ::AWFUL :=Mary: and Mrs. Mortar. They were talking awful things and Peggy and Evelyn heard them 2.1 ::AWFUL :=Mary: -- I mean Miss Dobie -- was talking awful loud, and their own room is right next 2.1 ::AWFUL :=Mary: of things I don't understand. But it's awful, and sometimes they fight and then 2.1 ::AWFUL :=Mary: Grandma, don't make me go back to that awful place. 2.3 ::AWFUL :=Martha: around by crazy people. That's an awful thing. And we're standing here -- We're 2.3 ::AWFUL :=Karen: against what? Against a lie. A great, awful lie. 2.3 ::AWFUL :=Karen: a bad girl. There's something very awful the matter with her. 2.4 ::AWFUL :=Cardin: You're giving yourself an awful beating, Amelia, and you deserve whatever 3.1 ::AWFUL :=Karen: It's awful. 3.3 ::AWFUL :=Mrs. Mortar: We've got to do something. Oh, it's awful. Poor Martha. I don't know what we 3.3 ::AWFUL :=Mrs. Mortar: done it. It was because of all this awful business. She would have got a job 1.4 ::AWFULLY :=Peggy: We're awfully sorry, really. We just didn't think 1.4 ::AWFULLY :=Peggy: was kind of a lover's gift. People get awfully angry about a lover's gift. 1.4 ::AWFULLY :=Evelyn: Mortar got awfully thore at that and thaid they juth 1.2 ::BABY :=Cardin: little black bull he bought. He's a baby! There's going to be plenty of good 3.2 ::BABY :=Karen: I know. I'm sorry. Joe, can we have a baby right away? 3.2 ::BABY :=Karen: everybody has. I can have you and a baby, and I can go to market, and we can 1.1 ::BACK :=Mrs. Mortar: words of the immortal bard. Evelyn, go back to your sewing. 1.1 ::BACK :=Mrs. Mortar: enjoyment of Shakespeare. Let us go back again. "It is an attribute of -- " 1.3 ::BACK :=Mrs. Mortar: I'm not going to England. I shall go back to the stage. I'll write to my agents 1.3 ::BACK :=Karen: angel child is now putting her clothes back on. 1.4 ::BACK :=Peggy: started moving; Miss Wright will be back first thing we know. 1.4 ::BACK :=Peggy: She'll send you right back. 2.1 ::BACK :=Mrs. Tilford: her Mary is here. John will drive her back before dinner. 2.1 ::BACK :=Mary: Oh, please, Grandma, don't send me back right away. You don't know how they'll 2.1 ::BACK :=Mary: Grandma! Please! I can't go back! I can't! They'll kill me! They will, 2.1 ::BACK :=Mrs. Tilford: and after dinner John will drive you back. Run along. 2.1 ::BACK :=Mrs. Tilford: my birthday, dear. You'll have to go back to school after dinner. 2.1 ::BACK :=Mrs. Tilford: coaxer, but it's out of the question. Back you go tonight. Let's not have any more 2.1 ::BACK :=Mary: Then I really have to go back there tonight? 2.1 ::BACK :=Mary: and -- Oh, Grandma, don't make me go back to that awful place. 2.1 ::BACK :=Mary: Don't make me go back to that place. I just couldn't stand 2.1 ::BACK :=Mrs. Tilford: a minute. No, you won't have to go back. 2.2 ::BACK :=Mary: can from now on. Maybe I'm never going back. 2.2 ::BACK :=Rosalie: Am I going back? I don't want to stay home. 2.2 ::BACK :=Mary: you out maybe with a big sign on your back saying you're a thief, and your mother 2.2 ::BACK :=Rosalie: the bracelet and I was going to put it back as soon as I'd worn it to the movies. 2.2 ::BACK :=Mary: Cousin Joe'll say I've got to go back. He'll say I really wasn't -- 2.4 ::BACK :=Cardin: a second chance, I wouldn't have taken back the lie and told the truth. You're lucky 3.1 ::BACK :=Karen: your own nightgown and you know you're back again in a solid world. But now it's 3.1 ::BACK :=Mrs. Mortar: Lyceum in Rochester now has a toilet back stage. 3.1 ::BACK :=Martha: wonderful? Why did you refuse to come back here and testify for us? 3.1 ::BACK :=Mrs. Mortar: Why, Martha, I didn't refuse to come back at all. That's the wrong way to look 3.1 ::BACK :=Mrs. Mortar: your way, and I'm sorry I didn't come back. But now that I am here, I'm going to 3.1 ::BACK :=Martha: You've come back to pick the bones dry. Well, there aren't 3.2 ::BACK :=Cardin: Now, what do you think brought her back? 3.2 ::BACK :=Karen: Draw back that way. 3.2 ::BACK :=Cardin: wrote that I can have my old place back. 3.2 ::BACK :=Karen: You don't want to go back to Vienna. 3.2 ::BACK :=Cardin: I'll be going back with a pretty girl who belongs to me. 3.2 ::BACK :=Cardin: at the railroad station. He took me back of the baggage car. "Joseph," he said, 3.2 ::BACK :=Cardin: doctor, and you never will be. Go back where you were born and take care of 3.2 ::BACK :=Cardin: I'll be coming back. 3.3 ::BACK :=Martha: A patient? Will he be back in time for dinner? 3.3 ::BACK :=Karen: He won't be back any more. 3.3 ::BACK :=Martha: You mean he won't be back any more tonight. 3.3 ::BACK :=Karen: He won't be back at all. 3.3 ::BACK :=Martha: It's all wrong. It's silly. He'll be back in a little while and you'll clear it 3.3 ::BACK :=Martha: Go back to Joe. He's strong; he'll understand. 3.3 ::BACK :=Martha: I don't know. It all seems to come back to me. In some way I've ruined your 3.3 ::BACK :=Mrs. Tilford: know what I know, Karen. You must go back to him. 1.1 ::BAD :=Evelyn: I didn't mean to do it that bad, Mith Wright, but Rothalie'th got funny 1.1 ::BAD :=Mary: It's a bad pain. I've never had it before. 1.2 ::BAD :=Martha: came. She causes trouble here; she's bad for the other girls. I don't know what 1.3 ::BAD :=Mrs. Mortar: Any day that he's in the house is a bad day. 1.3 ::BAD :=Martha: You know, it's really bad having you around the children. 1.4 ::BAD :=Peggy: Rosalie isn't so bad. 1.4 ::BAD :=Evelyn: Ah, she wantth that bithycle tho bad. 2.1 ::BAD :=Mrs. Tilford: That was a very bad thing to do, and they'll be worried. 2.1 ::BAD :=Mary: They just said that to make me feel bad. Anyway, it wasn't anything that I d 2.1 ::BAD :=Mary: Bad things. 2.2 ::BAD :=Cardin: faint. It was caused by nothing but bad temper and was very clumsily managed, 2.2 ::BAD :=Mrs. Tilford: We all are in trouble. Bad trouble. 2.3 ::BAD :=Karen: Your Mary's a strange girl, a bad girl. There's something very awful the 3.2 ::BAD :=Cardin: lot of people in this world who've had bad trouble in their lives. We're three of 3.3 ::BAD :=Martha: never be any place for us to go. We're bad people. We'll sit. We'll be sitting the 3.3 ::BAD :=Agatha: somewhere. I only came cause she's so bad off. She's got to see you, Miss Karen, 3.3 ::BAD :=Mrs. Tilford: years you talk about! They will be bad years. 2.2 ::BADLY :=Cardin: Just the same. No money, badly equipped, a lousy laboratory, everybody 3.2 ::BAGGAGE :=Cardin: station. He took me back of the baggage car. "Joseph," he said, "you'll be 1.3 ::BANK :=Martha: you like. I'll put the money in the bank for you tomorrow. 1.1 ::BARD :=Mrs. Mortar: in the immortal words of the immortal bard. Evelyn, go back to your sewing. 2.3 ::BARGAINED :=Martha: But you'll get a part. More than you bargained for. Listen: are you willing to 3.1 ::BASED :=Martha: a great part of the defense's case was based on remarks made by Lily Mortar, actress 2.1 ::BATH :=Agatha: be at this time of day? She's taking a bath. 2.2 ::BATH :=Agatha: up your pretty coat. Have you had your bath? 3.1 ::BATH :=Martha: None. I was hoping it was time for my bath. 3.1 ::BATH :=Martha: that. I look forward all day to that bath. It's my last touch with the full life. 3.2 ::BATS :=Cardin: around here much longer, we'll all be bats. I sold my place today to Foster. 2.2 ::BAWLING :=Mary: a common, ordinary thief. Stop that bawling. You'll have the whole house down 1.1 ::BE :=Mrs. Mortar: Make some handkerchiefs or something. Be clever about it. Women must learn these 1.1 ::BE :=Mrs. Mortar: This is a pretty time to be coming to your sewing class, I must say. 1.1 ::BE :=Mrs. Mortar: habit of taking walks when we should be at our classes? 1.1 ::BE :=Peggy: want to go on the stage. I want to be a lighthouse-keeper's wife. 1.1 ::BE :=Karen: Have another look. It must be in your room somewhere. 1.1 ::BE :=Karen: too -- everybody has -- and I won't be unreasonable about yours. But this way, 1.1 ::BE :=Karen: Well, there doesn't seem to be any other way with you; you'll have to 1.1 ::BE :=Karen: any other way with you; you'll have to be punished. Take your recreation periods 1.1 ::BE :=Karen: I don't think it can be very serious. 1.2 ::BE :=Karen: That would be admitting that we can't do the job ou 1.2 ::BE :=Karen: on you, but she really ought not to be here. 1.2 ::BE :=Martha: I'll talk to her today. It'll probably be a week or two before she can be ready 1.2 ::BE :=Martha: be a week or two before she can be ready to leave. Is that all right? 1.2 ::BE :=Karen: term is over. By that time we ought to be out of debt, and the school should be 1.2 ::BE :=Karen: be out of debt, and the school should be paying for itself. 1.2 ::BE :=Martha: Then we won't be taking our vacation together? 1.2 ::BE :=Karen: Well, now there will be three of us. That'll be fun, too. 1.2 ::BE :=Karen: now there will be three of us. That'll be fun, too. 1.2 ::BE :=Karen: I'm glad to be able to. I've been in love with Joe a 1.2 ::BE :=Martha: It's going to be hard going on alone afterward. 1.2 ::BE :=Cardin: bought. He's a baby! There's going to be plenty of good breeding done in these 1.3 ::BE :=Mrs. Mortar: it natural that an older woman should be present? Very well, if you are so thick-skinned 1.3 ::BE :=Martha: Why, in the name of heaven, should you be with her? 1.3 ::BE :=Mrs. Mortar: it's customary for an older woman to be present during an examination. 1.3 ::BE :=Martha: and if you live sensibly I ought to be able to let you have enough to get along 1.3 ::BE :=Martha: going where you want to go, and we'll be better off alone. That suits everybody. 1.3 ::BE :=Martha: You ought to be glad I don't do worse. 1.3 ::BE :=Mrs. Mortar: I absolutely refuse to be shipped of three thousand miles away. 1.3 ::BE :=Mrs. Mortar: unnatural, just as unnatural as it can be. You don't like their being together. 1.3 ::BE :=Martha: is their home, and things shouldn't be said in it that they can't hear. When 1.3 ::BE :=Cardin: You wouldn't be meaning me now, would you, Miss Dobie 1.4 ::BE :=Mary: pain. If anybody else was sick they'd be put to bed and petted. You're always mean 1.4 ::BE :=Peggy: get started moving; Miss Wright will be back first thing we know. 1.4 ::BE :=Evelyn: They're going to be married. 1.4 ::BE :=Mary: care about the vase. I'm not going to be here. 1.4 ::BE :=Evelyn: Not going to be here! What do you mean? 1.4 ::BE :=Peggy: Not going to be here! What do you mean? 2.1 ::BE :=Agatha: Where ought any clean person be at this time of day? She's taking a b 2.1 ::BE :=Mrs. Tilford: a very bad thing to do, and they'll be worried. Agatha, phone Miss Wright and 2.1 ::BE :=Mrs. Tilford: I don't think they'll be that angry. Come, you're acting like a 2.1 ::BE :=Mrs. Tilford: to frighten people by pretending to be sick when you aren't. 2.1 ::BE :=Mary: I didn't want to be sick, but I'm always getting punished 2.1 ::BE :=Mrs. Tilford: like that, child, or you'll grow up to be a very unhappy woman. I'm not going to 2.1 ::BE :=Mary: Saturday's your birthday and I could be here with you. 2.1 ::BE :=Mrs. Tilford: you for running away. You deserve to be punished. 2.1 ::BE :=Mary: move our rooms. They said we couldn't be together any more. They're afraid to have 2.1 ::BE :=Mrs. Tilford: a lot of big things. Why should they be scared of me? Am I such an unpleasant 2.1 ::BE :=Mrs. Tilford: There couldn't possibly be anything so terrible that you couldn't 2.1 ::BE :=Mrs. Tilford: out loud. Now either tell the truth or be still. 2.1 ::BE :=Mrs. Tilford: Be still a minute. No, you won't have to 2.2 ::BE :=Mary: thief, and your mother and father will be dead and you won't have any place to go 2.2 ::BE :=Mrs. Tilford: Then it's very becoming. That must be Joseph. Mary, take Rosalie into the library. 2.2 ::BE :=Mrs. Tilford: some fruit and milk on the table. Be sure you're both fast asleep by half past 2.2 ::BE :=Cardin: like people waiting for the muffins to be passed around. What's the matter with 2.2 ::BE :=Cardin: Hard for you to say to me? Don't be worried about Mary. I guessed that she 2.3 ::BE :=Martha: Munn's chauffeur said that Evelyn must be sent home right away. At half past seven 2.3 ::BE :=Mrs. Tilford: in this house. I'm sorry this had to be done to you, Joseph. 2.3 ::BE :=Mrs. Tilford: had to do. What they are may possibly be their own business. It becomes a great 2.3 ::BE :=Mrs. Tilford: There won't be any punishment for either of you. But 2.3 ::BE :=Mrs. Tilford: for either of you. But there mustn't be any punishment for me, either -- and that's 2.3 ::BE :=Martha: There must be something we can do to you, and, whatever 2.3 ::BE :=Mrs. Tilford: That will be very unwise. 2.3 ::BE :=Karen: You are right to be afraid. 2.3 ::BE :=Karen: me? It makes me feel dirty and sick to be forced to say this, but here it is: there 2.3 ::BE :=Mrs. Tilford: It had to be done. 2.3 ::BE :=Martha: you? What can we do to you? There must be something -- something that makes you 2.3 ::BE :=Mrs. Tilford: That will be very unwise. 2.3 ::BE :=Mrs. Tilford: brazen it out here tonight; it would be criminally foolish of you to brazen it 2.3 ::BE :=Martha: And you feel that you are too old to be punished? That we should spare you? 2.3 ::BE :=Karen: got it? I can't believe -- it couldn't be. Why, she's a child. 2.3 ::BE :=Karen: could find out. There didn't seem to be any reason -- 2.3 ::BE :=Mrs. Tilford: You claim that it isn't true; it may be natural that you should say that, but 2.3 ::BE :=Mrs. Tilford: away. That has been done. There won't be any talk about it or about you -- I'll 2.4 ::BE :=Mrs. Tilford: Sit down, dear, and don't be afraid. 2.4 ::BE :=Cardin: talk this chance and say so. You won't be punished for it. Do you get all that? 2.4 ::BE :=Martha: Be still! 2.4 ::BE :=Cardin: here. It's not a pleasant place to be. 2.4 ::BE :=Mrs. Tilford: keep you up so late, Rosalie. You must be tired. Mary says there's been a lot of 2.4 ::BE :=Karen: Don't be frightened. 3.1 ::BE :=Martha: No, I'd like to be hungry again. Remember how much we used 3.1 ::BE :=Martha: Well, maybe we'll be hungry in another ten years. It's cheaper 3.1 ::BE :=Martha: You'll be getting married soon. Everything will 3.1 ::BE :=Martha: getting married soon. Everything will be all right then. 3.1 ::BE :=Martha: There mustn't be anything wrong between you and Joe. N 3.1 ::BE :=Mrs. Mortar: Karen is quite right. Let bygones be bygones. As I was saying, there's an effete 3.1 ::BE :=Mrs. Mortar: and heart do recover, you know. I'll be here working right along with you and 3.1 ::BE :=Mrs. Mortar: When you wish to apologize, I will be temporarily in my room. How do you do 3.2 ::BE :=Mrs. Mortar: loyal. A lot of men wouldn't still be here. They would have felt -- 3.2 ::BE :=Cardin: sit around here much longer, we'll all be bats. I sold my place today to Foster 3.2 ::BE :=Cardin: Fischer can't pay me much, but it'll be enough for the three of us. Plenty if 3.2 ::BE :=Martha: cake with a lot of raisins. It would be nice to like something again. 3.2 ::BE :=Cardin: I'll be going back with a pretty girl who belongs 3.2 ::BE :=Cardin: car. "Joseph," he said, "you'll be a good doctor; I would trust you to cut 3.2 ::BE :=Cardin: not a great doctor, and you never will be. Go back where you were born and take 3.2 ::BE :=Karen: You'll be coming home again some day. 3.2 ::BE :=Karen: we wanted, everything we were going to be. 3.2 ::BE :=Karen: have a new meaning. You think we'll be able to run away from that? Woman, child, 3.2 ::BE :=Karen: high-tragic people. That's what we'll be. 3.2 ::BE :=Cardin: is casual -- that's the way it should be. We must find that out all over again. 3.2 ::BE :=Karen: know for sure; you thought there might be just a little truth in it all. You've 3.2 ::BE :=Karen: Can't you see what would happen? We'd be hounded by it all out lives. I'd be frightened, 3.2 ::BE :=Karen: be hounded by it all out lives. I'd be frightened, always, and in the end my 3.2 ::BE :=Karen: too. It would grow and grow until we'd be ruined by it. Ah, Joe, you've seen all 3.2 ::BE :=Karen: trying to tell yourself that we might be all right again. But we won't be all right. 3.2 ::BE :=Karen: might be all right again. But we won't be all right. Not ever, ever, ever. I don't 3.2 ::BE :=Karen: mustn't talk like that. That couldn't be true any more. 3.2 ::BE :=Cardin: It could be, Karen. We'll make it be like that. 3.2 ::BE :=Cardin: It could be, Karen. We'll make it be like that. 3.2 ::BE :=Karen: Let's do it now and quick; it will be too hard later on. 3.2 ::BE :=Karen: It had to be asked sooner or later -- and answered. 3.2 ::BE :=Cardin: It can be. You say I helped you. Help me now; help 3.2 ::BE :=Cardin: I helped you. Help me now; help me to be strong and good enough to -- Karen! 3.2 ::BE :=Cardin: I'll be coming back. 3.3 ::BE :=Martha: A patient? Will he be back in time for dinner? 3.3 ::BE :=Karen: He won't be back any more. 3.3 ::BE :=Martha: You mean he won't be back any more tonight. 3.3 ::BE :=Karen: He won't be back at all. 3.3 ::BE :=Karen: What had to be done. 3.3 ::BE :=Martha: It's all wrong. It's silly. He'll be back in a little while and you'll clear 3.3 ::BE :=Karen: I don't know. I want to be sleepy. I want to go to sleep. 3.3 ::BE :=Martha: No. There'll never be any place for us to go. We're bad people. 3.3 ::BE :=Martha: go. We're bad people. We'll sit. We'll be sitting the rest of our lives wondering 3.3 ::BE :=Martha: strange? Well, get used to it; we'll be here for a long time. Let's pinch each 3.3 ::BE :=Martha: It's perfectly natural that I should be fond of you, that I should -- 3.3 ::BE :=Karen: Don't be afraid. 3.3 ::BE :=Mrs. Mortar: With Martha lying there? How can you be so feelingless? I won't stay and see it. 3.3 ::BE :=Mrs. Tilford: will make all arrangements. There will be a public apology and an explanation. The 3.3 ::BE :=Mrs. Tilford: an explanation. The damage suit will be paid to you in full and -- and any more 3.3 ::BE :=Mrs. Tilford: in full and -- and any more that will be kind enough to take from me. I -- I must 3.3 ::BE :=Karen: relieve your conscience? Well, I won't be your confessor. It's choking you, is it? 3.3 ::BE :=Karen: rest your head again. You want to be "just," don't you, and you wanted us to 3.3 ::BE :=Karen: you, and you wanted us to help you be just? You've come to the wrong place for 3.3 ::BE :=Karen: the wrong place for help. You want to be a "good" woman again, don't you? Oh, I 3.3 ::BE :=Karen: and eat again. That done and there'll be peace for you. You're old, and the old 3.3 ::BE :=Mrs. Tilford: me, Karen, and that there never would be again. But what I am or why I came doesn't 3.3 ::BE :=Mrs. Tilford: years you talk about! They will be bad years. 3.3 ::BE :=Mrs. Tilford: do that. Whatever she does, it must be to me and no one else. She's -- she's 3.3 ::BE :=Mrs. Tilford: You'll be all right? 3.3 ::BE :=Karen: I'll be all right, I suppose. Good-bye, now. 2.4 ::BEATING :=Cardin: You're giving yourself an awful beating, Amelia, and you deserve whatever 1.3 ::BEAU :=Mrs. Mortar: anybody else. Well, you'd better get a beau of your own now -- a woman of your 1.4 ::BEAU :=Peggy: and that she'd better get herself a beau of her own because it was unnatural, 1.4 ::BECAUSE :=Mary: And it's all because I had a pain. If anybody else was 1.4 ::BECAUSE :=Peggy: better get herself a beau of her own because it was unnatural, and that she never 1.4 ::BECAUSE :=Peggy: It's funny, because everybody gets married. 2.1 ::BECAUSE :=Mary: Oh, leave me alone. I came home because I was sick. 2.1 ::BECAUSE :=Mary: Miss Wright being so mean to me just because I was sick. 2.1 ::BECAUSE :=Mary: Because you're just going to take their 2.1 ::BECAUSE :=Mary: I bet it was, because honestly, Miss Dobie does get cranky 2.1 ::BECAUSE :=Mary: We couldn't help hearing because they -- I mean Miss Dobie -- was 2.1 ::BECAUSE :=Mary: they want to get rid of us -- of me -- because we hear things. That's why they're 2.1 ::BECAUSE :=Mary: it, but we never talked about it much, because we thought they'd find out and -- 2.2 ::BECAUSE :=Mrs. Tilford: Because there's something wrong with Karen 2.3 ::BECAUSE :=Martha: packed and that she'd wait outside because she didn't want to enter a place 2.3 ::BECAUSE :=Mrs. Tilford: Because it's true. 2.3 ::BECAUSE :=Mrs. Tilford: I wanted to avoid this meeting because it can't do any good. You came here 2.4 ::BECAUSE :=Cardin: get that chance. I'm telling you this because I'm about to ask you a question. 2.4 ::BECAUSE :=Mary: Because -- because they're -- because they 2.4 ::BECAUSE :=Mary: Because -- because they're -- because they -- Grandma, 2.4 ::BECAUSE :=Mary: Because -- because they're -- because they -- Grandma, I -- 2.4 ::BECAUSE :=Mary: Yes, and it was just because Peggy and Evelyn heard them and so 2.4 ::BECAUSE :=Mary: That was why we got punished, just because -- 2.4 ::BECAUSE :=Mary: sounds and we'd stay awake and listen because we couldn't help hearing and I'd 2.4 ::BECAUSE :=Mary: help hearing and I'd get frightened because the sounds were like -- 2.4 ::BECAUSE :=Mary: saying things and then I got scared because it was different sort of and I - 2.4 ::BECAUSE :=Mary: I told you, I told you. Because we heard them. Everybody heard them 2.4 ::BECAUSE :=Mary: just when you said it. I remember it, because it was the day Helen Burton's bracelet 3.1 ::BECAUSE :=Martha: suit against a woman called Tilford because her grandchild had accused them of 3.1 ::BECAUSE :=Martha: Because I hate you. I've always hated yo 3.3 ::BECAUSE :=Martha: Because I love you. 3.3 ::BECAUSE :=Martha: you. I resented your marriage; maybe because I wanted you; maybe I wanted you 3.3 ::BECAUSE :=Mrs. Mortar: it, she shouldn't have done it. It was because of all this awful business. She would 1.1 ::BECOMES :=Peggy: 'tis mightiest in the mightiest; it becomes the throned monarch better than his 1.1 ::BECOMES :=Peggy: "'Tis mightiest in the mightiest; it becomes the throned monarch better than his 2.3 ::BECOMES :=Mrs. Tilford: may possibly be their own business. It becomes a great deal more than that when 2.2 ::BECOMING :=Mrs. Tilford: Then it's very becoming. That must be Joseph. Mary, take 1.4 ::BED :=Mary: anybody else was sick they'd be put to bed and petted. You're always mean to me. 2.1 ::BED :=Mary: Miss Dobie comes in after we go to bed and stays a long time. I guess that's 2.1 ::BED :=Mary: out, but I got scared and we went to bed early so we wouldn't hear, but sometimes 3.1 ::BED :=Karen: you wake up and you see your own bed or your own nightgown and you know you're 1.1 ::BEEN :=Evelyn: get the hem thtraight. Honeth, I've been trying for three weekth, but I jutht 1.1 ::BEEN :=Mrs. Mortar: hour learning what should have been learnt yesterday? 1.1 ::BEEN :=Mrs. Mortar: your explanation. Where have you been? 1.1 ::BEEN :=Mrs. Mortar: Peggy has been reading Portia for us. 1.2 ::BEEN :=Karen: want to do it? I hate to do it. She's been so nice to us. Anyway, it wouldn't do 1.2 ::BEEN :=Martha: the matter with the kid. That's been true ever since the first day she came. 1.2 ::BEEN :=Martha: My aunt the actress? What's she been up to now? 1.2 ::BEEN :=Martha: You've been very patient about it. I'm sorry and 1.2 ::BEEN :=Martha: I had been looking forward to some place by the 1.2 ::BEEN :=Karen: I'm glad to be able to. I've been in love with Joe a long time. It's a 1.2 ::BEEN :=Martha: I don't understand you. It's been so damned hard building this thing up, 1.3 ::BEEN :=Mrs. Mortar: It's been twenty years, and I shall never live 1.3 ::BEEN :=Martha: more of this today. I'm tired. I've been working since six o'clock this morn 1.3 ::BEEN :=Martha: with Mary? I mean, has she always been like this? 1.3 ::BEEN :=Cardin: She's always been a honey. Aunt Amelia's spoiling hasn't 1.4 ::BEEN :=Evelyn: Ah, Mith Wright, we've been together almotht a year. 1.4 ::BEEN :=Cardin: You've been unpleasant enough to Miss Wright. Lie 2.1 ::BEEN :=Agatha: your face and clothes. Where have you been? 2.1 ::BEEN :=Agatha: people's eyes, but -- I bet you've been up to something again. Well, you wait 2.1 ::BEEN :=Mrs. Tilford: you had a pain, but if you had really been sick your Cousin Joseph would certainly 2.1 ::BEEN :=Mary: it, and that Miss Dobie had always been like that, even when she was a little 2.1 ::BEEN :=Mary: other kids who know, but we've always been frightened and so we didn't ask, and 2.2 ::BEEN :=Rosalie: funny noises at night? You could have been a werewolf. 2.2 ::BEEN :=Mrs. Tilford: Yes. How have you been, Joseph? 2.2 ::BEEN :=Cardin: I've been busy. We're getting the results from 2.2 ::BEEN :=Mrs. Tilford: Joseph, you've been engaged to Karen for a long time. Are 2.3 ::BEEN :=Martha: And insane asylum has been let loose. How do we know what's ha 2.3 ::BEEN :=Mrs. Tilford: and I understand a lot more. You've been playing with a lot of children's lives, 2.3 ::BEEN :=Mrs. Tilford: to get those children away. That has been done. There won't be any talk about 2.3 ::BEEN :=Mrs. Tilford: you -- I'll see to that. You have been in my house long enough. Get out. 2.4 ::BEEN :=Cardin: there was never a time when, if I'd been given a second chance, I wouldn't have 2.4 ::BEEN :=Mrs. Tilford: You must be tired. Mary says there's been a lot of talk in the school lately about 2.4 ::BEEN :=Mrs. Tilford: That things have been said among you girls. 2.4 ::BEEN :=Karen: that certain things at school have been -- er -- puzzling you girls. You, p 3.1 ::BEEN :=Martha: We've been sitting here for eight days asking each 3.1 ::BEEN :=Karen: It's been days since we've been out of this h 3.1 ::BEEN :=Karen: It's been days since we've been out of this house. 3.1 ::BEEN :=Karen: struggle through the black mess you've been dreaming. Then, suddenly, you wake up 3.1 ::BEEN :=Martha: Where the hell have you been? 3.1 ::BEEN :=Martha: He's been doing all right. 3.2 ::BEEN :=Cardin: her some money and get rid of her. Been out today, darling? 3.2 ::BEEN :=Cardin: What's been done to you. 3.2 ::BEEN :=Karen: just a little truth in it all. You've been good to me and loyal. You're a fine 3.2 ::BEEN :=Karen: my dress is old. We're in a room we've been in so many times before; you're sitting 3.2 ::BEEN :=Karen: the best I'll ever know -- and you've been better to me than -- But it's no good 3.3 ::BEEN :=Karen: He thought that we had been lovers. 3.3 ::BEEN :=Martha: They'd know about us. We've been famous. 3.3 ::BEEN :=Martha: each other. I don't love you. We've been very close to each other, of course. 3.3 ::BEEN :=Martha: There's always been something wrong. Always -- as long as 3.3 ::BEEN :=Martha: I've been telling myself that since the night 3.3 ::BEEN :=Martha: night we heard the child say it; I've been praying I could convince myself of it. 3.3 ::BEEN :=Martha: couldn't call it by a name; maybe it's been there ever since I first knew you - 3.3 ::BEEN :=Agatha: We've tried so hard to get you. I been phoning here all the time. Trying to 3.3 ::BEEN :=Agatha: Miss Karen, she's just got to. She's been sittin' outside in the car, hoping you'd 3.3 ::BEEN :=Agatha: more. I wouldn't a come -- I always been on your side -- but she's sick. If only 3.3 ::BEEN :=Agatha: You always been a good girl. 3.3 ::BEEN :=Mrs. Tilford: in Rosalie's room. The bracelet had been hidden for several months. We found 3.3 ::BEEN :=Mrs. Tilford: It's been cold. It seems a little warmer, now 3.2 ::BEER :=Cardin: enough to eat and sleep and drink beer on. Now don't object any more, please, 1.1 ::BEFORE :=Mrs. Mortar: wanted to tell you these things before, but -- 1.1 ::BEFORE :=Mary: It's a bad pain. I've never had it before. 1.2 ::BEFORE :=Martha: today. It'll probably be a week or two before she can be ready to leave. Is that 1.2 ::BEFORE :=Martha: Why haven't you told me this before? 1.4 ::BEFORE :=Mary: two got to help. They won't miss me before dinner if you make Rosalie shut the 2.1 ::BEFORE :=Mrs. Tilford: Mary is here. John will drive her back before dinner. 2.1 ::BEFORE :=Mary: and you used to tell me that right before I went to sleep? And it was a rule 2.4 ::BEFORE :=Cardin: I'm about to ask you a question. Before you answer the question, I want to 3.2 ::BEFORE :=Karen: in a room we've been in so many times before; you're sitting where you always sit; 3.3 ::BEFORE :=Martha: never loved a man -- I never knew why before. Maybe it's that. 2.2 ::BEG :=Mary: won't have any place to go and you'll beg on the streets -- 3.1 ::BEGIN :=Karen: people who don't think it's true will begin to wonder if we keep hiding this w 1.3 ::BEGINNING :=Mrs. Mortar: I told you at the beginning you shouldn't have bought a place 3.2 ::BEHIND :=Cardin: to start putting the whole business behind us now. Now, Karen. What you've done, 1.1 ::BEING :=Mrs. Mortar: you have just as fine an excuse for being an hour late to breakfast this morning, 1.2 ::BEING :=Karen: her grandmother with some tale about being mistreated. 1.3 ::BEING :=Mrs. Mortar: So you don't resent your aunt being snubbed and humiliated? 1.3 ::BEING :=Martha: I was under the impression you were being paid. 1.3 ::BEING :=Mrs. Mortar: you just can't stand the idea of them being together. God knows what you'll do 1.3 ::BEING :=Mrs. Mortar: as it can be. You don't like their being together. You were always like that 1.4 ::BEING :=Mary: out of it that way. Sit down and stop being such a sissy. Rosalie, you go on up 1.4 ::BEING :=Mary: things and don't say a word about our being down here. 1.4 ::BEING :=Peggy: It's a shame about being moved. I've got to go in with Helen, 2.1 ::BEING :=Mrs. Tilford: I'm glad you like being home with me, but at your age you can 2.1 ::BEING :=Mary: and I was so scared of Miss Wright being so mean to me just because I was s 2.2 ::BEING :=Cardin: of your life is an enviable way of being put out. 2.3 ::BEING :=Martha: rushing in and out, the children being pushed into cars -- 2.3 ::BEING :=Martha: Pushed around. We're being pushed around by crazy people. That's 3.1 ::BEING :=Karen: What's the old thing about time being more nourishing than bread? 3.2 ::BEING :=Karen: in court. It was ashamed -- and sad at being ashamed. Say it now, Joe. Ask it n 2.3 ::BEINGS :=Martha: playing with paper dolls. We're human beings, see? It's our lives you're fooling 1.1 ::BELIEVE :=Mrs. Mortar: Oh, I can't believe it! What a nasty thing to do! And 1.1 ::BELIEVE :=Mary: the flowers near Conway's. You never believe me. You believe everybody but me. 1.1 ::BELIEVE :=Mary: Conway's. You never believe me. You believe everybody but me. It's always like 1.2 ::BELIEVE :=Martha: And, please God, Grandma would believe her and take her away. 1.3 ::BELIEVE :=Martha: too often, Aunt Lily; you'll come to believe it. 1.4 ::BELIEVE :=Evelyn: Yeh. She'th going to believe that one. 1.4 ::BELIEVE :=Mary: -- and when she tells 'em something, believe me, they'll sit up and listen. They 2.2 ::BELIEVE :=Mary: Nobody'll believe that, least of all the police. You're 2.3 ::BELIEVE :=Mrs. Tilford: I'm sorry that I can't believe that. 2.3 ::BELIEVE :=Cardin: But you can believe this: they've worked eight long years 2.3 ::BELIEVE :=Cardin: I believe you. 2.3 ::BELIEVE :=Karen: is really where you got it? I can't believe -- it couldn't be. Why, she's a 3.2 ::BELIEVE :=Karen: You believe me, then? 3.2 ::BELIEVE :=Cardin: Of course I believe you. I only had to hear you say 3.2 ::BELIEVE :=Karen: isn't the way things work. Maybe you believe me. I'd never know whether you did 3.3 ::BELIEVE :=Martha: I don't believe you. 3.3 ::BELIEVE :=Martha: I don't believe it. He's never said a word all these 3.3 ::BELIEVE :=Martha: He didn't believe you? 3.3 ::BELIEVE :=Martha: They are the people who believe in it, who want it, who've chosen 3.3 ::BELIEVED :=Karen: I guess he believed me. 1.1 ::BELL :=Karen: There's the bell. 3.2 ::BELONG :=Karen: was so right. This is where you belong. 3.2 ::BELONGS :=Cardin: be going back with a pretty girl who belongs to me. I'll show you off all over 2.1 ::BESIDES :=Mrs. Tilford: You mean something else besides your naughtiness in pretending to 1.2 ::BEST :=Karen: Butte, Montana, and how she gave her best performance of Rosalind during a hurricane. 1.2 ::BEST :=Cardin: Hello, darling. Hi, Martha. What's the best news? 1.3 ::BEST :=Martha: they can't hear. When you're at your best, you're not for tender ears. 2.1 ::BEST :=Agatha: to walk through the woods in her very best coat? 2.3 ::BEST :=Mrs. Tilford: I think that's best for you. 3.2 ::BEST :=Karen: and answered. You're a good man -- the best I'll ever know -- and you've been better 1.1 ::BET :=Lois: I bet you were good at Latin, Mrs. Mortar. 1.4 ::BET :=Mary: and crying you both did too, I bet. 2.1 ::BET :=Agatha: wool over some people's eyes, but -- I bet you've been up to something again. Well, 2.1 ::BET :=Mary: I bet it was, because honestly, Miss Dobie 1.1 ::BETTER :=Peggy: it becomes the throned monarch better than his crown; his sceptre shows 1.1 ::BETTER :=Peggy: it becomes the throned monarch better than his crown; his sceptre -- his 1.2 ::BETTER :=Karen: You'd better come in and see her. She says she 1.3 ::BETTER :=Martha: where you want to go, and we'll be better off alone. That suits everybody. You 1.3 ::BETTER :=Mrs. Mortar: Never mind. I should have known better. You always take your spite out on 1.3 ::BETTER :=Mrs. Mortar: she liked anybody else. Well, you'd better get a beau of your own now -- a woman 1.3 ::BETTER :=Martha: The sooner you get out of here, the better. Your vulgarities are making me sick 1.3 ::BETTER :=Cardin: I could have managed a better faint than that when I was six years 1.4 ::BETTER :=Peggy: We'd better get started moving; Miss Wright will 1.4 ::BETTER :=Rosalie: that I want you in with me -- you'd better start right now. Miss Wright's coming 1.4 ::BETTER :=Peggy: she was a little girl, and that she'd better get herself a beau of her own because 1.4 ::BETTER :=Peggy: you just like the rest of us -- almost better. 1.4 ::BETTER :=Evelyn: We'd better get upthtairth. 1.4 ::BETTER :=Mary: to tell her. I can always do it better on the spur of the moment. 2.1 ::BETTER :=Agatha: or did you just decide you'd get a better dinner here? Can't you even say h 2.1 ::BETTER :=Mrs. Tilford: Latin is too rusty -- you'll learn it better in school. 2.2 ::BETTER :=Agatha: Well, you better have another one. 3.1 ::BETTER :=Martha: you comb your hair. How's that? It's better for you, take my word. You wake up 3.1 ::BETTER :=Martha: If it makes you feel better to think there are such people, go 3.2 ::BETTER :=Martha: I can't go. It's better for all of us if I don't. 3.2 ::BETTER :=Karen: best I'll ever know -- and you've been better to me than -- But it's no good now, 3.3 ::BETTER :=Martha: now. Cooking always makes me feel better. Well, I guess we'll have to give 3.3 ::BETTER :=Karen: Go and lie down, Martha. You'll feel better. 3.3 ::BETTER :=Mrs. Mortar: is it? Shall I answer it? I think we'd better. It's a woman. It's woman to see you, 3.3 ::BETTER :=Karen: No, it's better now the way it is. 3.3 ::BETTER :=Karen: Yes, if it will make you feel better. 2.4 ::BETWEEN :=Karen: that you saw certain -- certain acts between Miss Dobie and myself. She says that 3.1 ::BETWEEN :=Martha: There mustn't be anything wrong between you and Joe. Never. 3.3 ::BETWEEN :=Martha: even know. There's a big difference between us now, Karen. I feel all dirty and 1.1 ::BICARBONATE :=Karen: Dobie to give you some hot water and bicarbonate of soda. 2.2 ::BICARBONATE :=Cardin: Those are good powders. Bicarbonate of soda and water. Never hurt 1.2 ::BIG :=Karen: in love with Joe a long time. It's a big day for the school. Rosalie's finally 2.1 ::BIG :=Mrs. Tilford: little girl you're imagining a lot of big things. Why should they be scared of 2.2 ::BIG :=Mary: they'll let you out maybe with a big sign on your back saying you're a thief, 3.2 ::BIG :=Martha: A big coffee cake with a lot of raisins. It 3.3 ::BIG :=Karen: In a big place we could get something to do. 3.3 ::BIG :=Martha: my own. I didn't even know. There's a big difference between us now, Karen. I feel 1.3 ::BIRMINGHAM :=Mrs. Mortar: was playing the Infant Phenomenon in Birmingham -- 2.1 ::BIRTHDAY :=Mary: the first of the week. Saturday's your birthday and I could be here with you. 2.1 ::BIRTHDAY :=Mrs. Tilford: We don't celebrate my birthday, dear. You'll have to go back to 1.4 ::BIT :=Mary: Say I did it -- it doesn't make a bit of difference any more to me. Now listen, 3.2 ::BIT :=Karen: I'm glad you asked. I'm not mad a bit, really. 2.2 ::BITCH :=Cardin: She's a nasty, tiresome, spoilt old bitch. It you're forming a Mortar Welfare 1.4 ::BITHYCLE :=Evelyn: Ah, she wantth that bithycle tho bad. 1.3 ::BITTER :=Martha: I'm sorry. I'm a fool, a nasty, bitter -- 1.4 ::BLAB :=Peggy: of "Mademoiselle de Maupin." She'll blab like the dickens. 1.2 ::BLACK :=Karen: Which would give the school a swell black eye. But we ought to do something. 1.2 ::BLACK :=Cardin: on the way over to look at that little black bull he bought. He's a baby! There's 3.1 ::BLACK :=Karen: half awake, you struggle through the black mess you've been dreaming. Then, suddenly, 1.3 ::BLAME :=Cardin: Don't blame her on me. It's another side of the 3.3 ::BLAME :=Agatha: I don't blame you. But I had to tell you. She's old. 1.4 ::BLAMED :=Mary: You're always mean to me. I get blamed and punished for everything. I do, 2.1 ::BLAMED :=Mary: my breakfast too fast and Miss Wright blamed me for it. 1.1 ::BLESSETH :=Peggy: "It is twice blest; it blesseth him that gives and him that takes: 1.1 ::BLEST :=Peggy: "It is twice blest; it blesseth him that gives and him 1.4 ::BLOOMERS :=Mary: Rosalie. Don't muss my white linen bloomers -- 2.1 ::BLOUSE :=Agatha: Why didn't you put on your middy blouse and your old brown coat? 1.4 ::BLOWS :=Peggy: I've got to go in with Helen, and she blows her nose all night. Lois told me. 1.3 ::BOAT :=Martha: do you a lot of good. You pick out the boat you want and I'll get the passage. Now 1.1 ::BOAT-RACES :=Mary: But you said I could go to the boat-races. 1.2 ::BOAT-RACES :=Karen: is. I told her she couldn't go to the boat-races and she had a heart attack. 1.4 ::BOAT-RACES :=Mary: Told me I couldn't go to the boat-races. 2.1 ::BOAT-RACES :=Mary: Miss Wright says I can't go to the boat-races and -- It's -- it's after what 3.1 ::BODY :=Mrs. Mortar: know what you've gone through, but the body and heart do recover, you know. I'll 2.2 ::BOILED :=Cardin: The smell of clean little girls and boiled linen would worry me. 1.3 ::BONE :=Mrs. Mortar: I, who have worked my fingers to the bone! 3.1 ::BONES :=Martha: You've come back to pick the bones dry. Well, there aren't even bones 3.1 ::BONES :=Martha: the bones dry. Well, there aren't even bones anymore. There's nothing here for 1.1 ::BOOK :=Mrs. Mortar: ago, my dear, long ago. Now, take you book over by the window and don't disturb 1.1 ::BOOK :=Mrs. Mortar: You may put that book away, Peggy. I am sure your family need 1.1 ::BOOK :=Mary: Miss Wright, I have to get my Latin book. 1.4 ::BOOK :=Evelyn: didn't hear any more. Peggy dropped a book. 1.4 ::BOOK :=Evelyn: Who getth the book when we move? 2.4 ::BOOK :=Mary: it. She said she read about it in a book and she knew. You ask Rosalie. You just 2.1 ::BOOKS :=Mrs. Tilford: As much as all the words in all the books in all the world. 3.3 ::BORED :=Martha: about it. Suddenly a child gets bored and lies -- and there you are, seeing 1.3 ::BORN :=Mrs. Mortar: fooling me, young lady. I wasn't born yesterday. 3.2 ::BORN :=Cardin: never will be. Go back where you were born and take care of your sick. Leave the 2.2 ::BORROWED :=Rosalie: I didn't steal anything. I borrowed the bracelet and I was going to 1.4 ::BOSS :=Rosalie: But don't think you're going to boss me around, Mary Tilford. 1.3 ::BOSTON :=Cardin: England stock; never married out of Boston; still thinks honor is honor and dinner's 1.4 ::BOTH :=Mary: And a lot of crawling and crying you both did too, I bet. 2.2 ::BOTH :=Mrs. Tilford: and milk on the table. Be sure you're both fast asleep by half past ten. 3.1 ::BOTH :=Mrs. Mortar: I'm very glad to see you both, and I'm very glad to see the old place 3.2 ::BOTH :=Cardin: buy you good coffee cakes and take you both to Ischl for a honeymoon. 3.2 ::BOTH :=Karen: Yes, you do. We've both known for a long time. I knew surely 3.3 ::BOTH :=Karen: never end for you. She's harmed us both, but she's harmed you more, I guess. 2.2 ::BOTHER :=Rosalie: You're just faking. Never mind, don't bother telling me. I think curiosity is very 3.1 ::BOTHER :=Martha: Answer me and don't bother about my temper. 1.2 ::BOUGHT :=Cardin: to look at that little black bull he bought. He's a baby! There's going to be 1.3 ::BOUGHT :=Mrs. Mortar: at the beginning you shouldn't have bought a place like this. Burying yourself 1.4 ::BOY :=Peggy: Miss Wright, and that was unnatural. Boy! Did Miss Dobie get sore at that! 2.3 ::BOYS :=Mrs. Tilford: loved you as much as I loved my own boys. I wouldn't have spared them; I couldn't 1.1 ::BRACELET :=Karen: Helen, have you found your bracelet? 2.2 ::BRACELET :=Mary: I want to tell her about Helen Burton's bracelet. 2.2 ::BRACELET :=Rosalie: I didn't steal anything. I borrowed the bracelet and I was going to put it back as 2.4 ::BRACELET :=Mary: because it was the day Helen Burton's bracelet was -- 2.4 ::BRACELET :=Mary: It was the day Helen's bracelet was stolen, and nobody knew who 3.3 ::BRACELET :=Mrs. Tilford: Last Tuesday Mrs. Wells found a bracelet in Rosalie's room. The bracelet 3.3 ::BRACELET :=Mrs. Tilford: a bracelet in Rosalie's room. The bracelet had been hidden for several months. 3.3 ::BRACELET :=Mrs. Tilford: found out that Rosalie had taken the bracelet from another girl, and that Mary 3.1 ::BRANDY :=Martha: Some small sandwiches and a little brandy? 2.3 ::BRAZEN :=Mrs. Tilford: for you. It was wrong of you to brazen it out here tonight; it would be criminally 2.3 ::BRAZEN :=Mrs. Tilford: would be criminally foolish of you to brazen it out in public. That can bring you 2.3 ::BREAD :=Cardin: things to them: self-respect, and bread and butter, and honest work. Do you 3.1 ::BREAD :=Karen: about time being more nourishing than bread? 1.1 ::BREAKFAST :=Mrs. Mortar: an excuse for being an hour late to breakfast this morning, and last week -- 2.1 ::BREAKFAST :=Mary: said it was maybe only that I ate my breakfast too fast and Miss Wright blamed 1.1 ::BREAST :=Mrs. Mortar: "One master passion in the breast, like Aaron's serpent, swallows all 1.1 ::BREATHE :=Mary: It's stopping or something. I can't breathe. 1.3 ::BREED :=Cardin: thirty. Yes, ma'am, we're a proud old breed. 1.1 ::BREEDING :=Mrs. Mortar: owe me a little courtesy. Courtesy is breeding. Breeding is an excellent thing. 1.1 ::BREEDING :=Mrs. Mortar: little courtesy. Courtesy is breeding. Breeding is an excellent thing. Always remember 1.2 ::BREEDING :=Cardin: There's going to be plenty of good breeding done in these hills. 1.3 ::BRIGHT :=Martha: we'd have you in. Maybe she's not so bright. Any idiots in your family, Joe? Any 1.1 ::BRING :=Mary: flowers, and I thought that I would bring you some and -- 2.2 ::BRING :=Cardin: everybody else -- Amelia, you didn't bring me here to talk about the hospital. 2.3 ::BRING :=Mrs. Tilford: to brazen it out in public. That can bring you nothing but pain. I am an old woman, 2.3 ::BRING :=Martha: Where is she? Bring her out here and let us hear what she 3.3 ::BRING :=Mrs. Tilford: and use it for yourself. It won't bring me peace, if that's what's worrying 3.2 ::BROKE :=Martha: I know. She was broke. 3.1 ::BROUGHT :=Martha: Listen, Karen Wright and Martha Dobie brought a libel suit against a woman called 3.2 ::BROUGHT :=Cardin: Now, what do you think brought her back? 2.1 ::BROWN :=Agatha: put on your middy blouse and your old brown coat? 1.4 ::BUCKLE :=Mary: I'll let you wear my gold locket and buckle. You'll like that, won't you, Ros 1.4 ::BUCKLE :=Mary: and remind me the next time to get my buckle and locket for you. 1.3 ::BUFFALO :=Mrs. Mortar: the time she had that heart attack in Buffalo. We almost lost her that time. Poor 1.2 ::BUILDING :=Martha: you. It's been so damned hard building this thing up, slaving and going 1.2 ::BULL :=Cardin: way over to look at that little black bull he bought. He's a baby! There's going 1.1 ::BUNCH :=Karen: necessary to go so far. There was a bunch exactly like this in the garbage can 1.3 ::BURIED :=Martha: want you around when we dig up the buried treasure. 3.3 ::BURIED :=Karen: When she is buried, then I will go. 2.3 ::BURTON :=Martha: right away. At half past seven Mrs. Burton arrived to tell us that she wanted 2.2 ::BURTON'S :=Mary: I want to tell her about Helen Burton's bracelet. 2.4 ::BURTON'S :=Mary: it, because it was the day Helen Burton's bracelet was -- 1.3 ::BURYING :=Mrs. Mortar: have bought a place like this. Burying yourself on a farm! You'll regret 1.4 ::BUS :=Mary: to French's, and then I can get the bus to Homestead. 1.4 ::BUS :=Mary: dollar for the taxi and a dime for the bus. 2.3 ::BUSINESS :=Martha: with. Our lives. That's serious business for us. Can you understand that 2.3 ::BUSINESS :=Mrs. Tilford: they are may possibly be their own business. It becomes a great deal more than 3.2 ::BUSINESS :=Cardin: we've got to start putting the whole business behind us now. Now, Karen. What 3.3 ::BUSINESS :=Mrs. Mortar: it. It was because of all this awful business. She would have got a job and started 1.3 ::BUSY :=Martha: in your head could keep a psychologist busy for years. Now go take your nap. 1.3 ::BUSY :=Martha: she's unconscious. Her room-mates were busy listening at the door while Aunt Lily 2.2 ::BUSY :=Cardin: I've been busy. We're getting the results from the 1.1 ::BUT :=Peggy: " -- doth sit the dread and fear of kings; but mercy is above . . . " 1.1 ::BUT :=Peggy: "But mercy is above. It . . . " 1.1 ::BUT :=Evelyn: I've been trying for three weekth, but I jutht can't do it. 1.1 ::BUT :=Peggy: doth sit the dread and fear of kings; but mercy is above this sceptred sway, it 1.1 ::BUT :=Mrs. Mortar: I had many offers, my dear. But the cinema is a shallow art. It has no 1.1 ::BUT :=Mrs. Mortar: are pleading for the life of a man. "But mercy is above this sceptred sway; it 1.1 ::BUT :=Catherine: But we're finished sewing. 1.1 ::BUT :=Peggy: But you did skip three lines. See? 1.1 ::BUT :=Peggy: But we wrote it down last week. 1.1 ::BUT :=Mrs. Mortar: Mary; I always like thoughtfulness. But you must now allow anything to interfere 1.1 ::BUT :=Evelyn: mean to do it that bad, Mith Wright, but Rothalie'th got funny hair. I thaw a 1.1 ::BUT :=Mrs. Mortar: I don't think she quite appreciates it, but -- 1.1 ::BUT :=Mrs. Mortar: It made her a little late to class, but she heard me say I loved flowers, and 1.1 ::BUT :=Karen: But not the very first, are they, Mary? 1.1 ::BUT :=Mrs. Mortar: to tell you these things before, but -- 1.1 ::BUT :=Mary: believe me. You believe everybody but me. It's always like that. Everything 1.1 ::BUT :=Karen: should do exactly what you want to do, but I've had feelings like that, too -- everybody 1.1 ::BUT :=Karen: I won't be unreasonable about yours. But this way, this kind of lying you do, 1.1 ::BUT :=Mary: But you said I could go to the boat-race 1.1 ::BUT :=Karen: I'm sorry, but you can't go. 1.2 ::BUT :=Karen: give the school a swell black eye. But we ought to do something. 1.2 ::BUT :=Karen: Martha? I hate to make it hard on you, but she really ought not to be here. 1.2 ::BUT :=Martha: But you're talking about it as soon now. 1.2 ::BUT :=Martha: But it will. You know it will. It can't help 1.2 ::BUT :=Martha: I don't mean that, but it's so -- 1.3 ::BUT :=Martha: But you don't like the school or the farm 1.3 ::BUT :=Martha: say. Oh, I'll "do something about it," but the truth is that this is their home, 1.3 ::BUT :=Martha: But it's such a silly thing to do. She knew 1.3 ::BUT :=Martha: I guess I am. But you stay around kids long enough and 1.3 ::BUT :=Martha: know what to take seriously, either. But I do think somebody ought to talk to 1.3 ::BUT :=Cardin: Listen, friend, I'm marrying Karen, but I'm not writing Mary Tilford in the contract. 1.3 ::BUT :=Cardin: it? I know how fond you are of Karen, but our marriage oughtn't to make a great 1.4 ::BUT :=Peggy: But we'll remember everything that happens 1.4 ::BUT :=Mary: I won't let you go if I can't go. But I'll find some way to go. What were you 1.4 ::BUT :=Peggy: down to see what was happening to you, but the doors were closed and we could hear 1.4 ::BUT :=Peggy: But everybody doesn't know that Miss Dobie 1.4 ::BUT :=Rosalie: All right, I'll do it this time, but just 'cause I got a good disposition. 1.4 ::BUT :=Rosalie: just 'cause I got a good disposition. But don't think you're going to boss me around, 2.1 ::BUT :=Mary: But I don't feel all right. I can't even 2.1 ::BUT :=Agatha: pull the wool over some people's eyes, but -- I bet you've been up to something 2.1 ::BUT :=Mrs. Tilford: I couldn't, dear. But I was coming tomorrow. 2.1 ::BUT :=Mrs. Tilford: We all get homesick. But how did you get here? Did Miss Karen 2.1 ::BUT :=Mrs. Tilford: But, darling, you can't leave school any 2.1 ::BUT :=Mrs. Tilford: I'm glad you like being home with me, but at your age you can hardly -- What made 2.1 ::BUT :=Mary: Oh, but they would. They -- I -- I fainted t 2.1 ::BUT :=Mary: But I did have a pain in my heart -- hon 2.1 ::BUT :=Mary: I guess I haven't got it much any more, but I feel a little weak, and I was so scared 2.1 ::BUT :=Mrs. Tilford: possible that you had a pain, but if you had really been sick your Cousin 2.1 ::BUT :=Mary: I didn't want to be sick, but I'm always getting punished for ever 2.1 ::BUT :=Mary: But -- How much do you love me? 2.1 ::BUT :=Mrs. Tilford: And I miss you, but I'm afraid my Latin is too rusty -- you'll 2.1 ::BUT :=Mary: But couldn't I stay out the rest of this 2.1 ::BUT :=Mrs. Tilford: You're an earnest little coaxer, but it's out of the question. Back you go 2.1 ::BUT :=Mrs. Tilford: But I do care that you're talking this w 2.1 ::BUT :=Mary: All right. But there're a lot of things. They have secrets 2.1 ::BUT :=Mary: But they've got funny ones. Peggy and Evelyn 2.1 ::BUT :=Mary: But that's what she said, Grandma. She said 2.1 ::BUT :=Mary: But that was the word she kept using, Grandma, 2.1 ::BUT :=Mary: a lot of things I don't understand. But it's awful, and sometimes they fight 2.1 ::BUT :=Mary: too. Funny things. I'd tell you, but I got to whisper it. 2.1 ::BUT :=Mary: maybe there're other kids who know, but we've always been frightened and so we 2.1 ::BUT :=Mary: night I was going to go and find out, but I got scared and we went to bed early 2.1 ::BUT :=Mary: went to bed early so we wouldn't hear, but sometimes I couldn't help it, but we 2.1 ::BUT :=Mary: but sometimes I couldn't help it, but we never talked about it much, because 2.1 ::BUT :=Mrs. Tilford: away? Yes, I'm perfectly well. No, but it's important, Joseph, very important. 2.1 ::BUT :=Mrs. Tilford: Joseph; in one way it's about Mary -- But will the hospital take so long? Very 2.2 ::BUT :=Rosalie: But what's happened? Peggy and Helen and 2.2 ::BUT :=Rosalie: But then you could tell me to do anythin 2.2 ::BUT :=Cardin: her faint. It was caused by nothing but bad temper and was very clumsily managed, 2.2 ::BUT :=Cardin: Putting her out? Well, maybe. But a nice sum for a trip and a promise that 2.2 ::BUT :=Cardin: I don't know what you're talking about, but it isn't odd at all. Lily Mortar is not 2.3 ::BUT :=Cardin: me anything. I haven't heard anything but wild talk. What is it, Karen? What's 2.3 ::BUT :=Mrs. Tilford: be any punishment for either of you. But there mustn't be any punishment for me, 2.3 ::BUT :=Cardin: But you are old -- and you are irrespons 2.3 ::BUT :=Karen: and sick to be forced to say this, but here it is: there isn't a single word 2.3 ::BUT :=Cardin: But you can believe this: they've worked 2.3 ::BUT :=Martha: don't want any part of this, you said. But you'll get a part. More than you bargained 2.3 ::BUT :=Martha: All right. That's fine. But don't get the idea we'll let you whisper 2.3 ::BUT :=Mrs. Tilford: in public. That can bring you nothing but pain. I am an old woman, Miss Dobie, 2.3 ::BUT :=Mrs. Tilford: be natural that you should say that, but I know that it is true. No matter what 2.4 ::BUT :=Cardin: myself for a lot of different reasons, but there was never a time when, if I'd been 2.4 ::BUT :=Mary: I don't know, but it was always kind of funny and she always 2.4 ::BUT :=Cardin: But what did you think they were? Why did 3.1 ::BUT :=Karen: But Joe says we've got to out. He says that 3.1 ::BUT :=Grocery Boy: I knocked on the kitchen door but nobody answered. 3.1 ::BUT :=Karen: you're back again in a solid world. But now it's all the nightmare; there is 3.1 ::BUT :=Mrs. Mortar: up in that unpleasant notoriety -- But now that you've explained it, why, I 3.1 ::BUT :=Mrs. Mortar: way, and I'm sorry I didn't come back. But now that I am here, I'm going to stand 3.1 ::BUT :=Mrs. Mortar: you. I know what you've gone through, but the body and heart do recover, you know. 3.2 ::BUT :=Cardin: done. Fischer can't pay me much, but it'll be enough for the three of us. 3.2 ::BUT :=Cardin: Vienna; I'd rather have stayed here. But then you don't want to go to Vienna; 3.2 ::BUT :=Cardin: I would trust you to cut up my Minna. But you're not a great doctor, and you never 3.2 ::BUT :=Cardin: But it's lovely in the mountains, and that's 3.2 ::BUT :=Cardin: talking like that. We've got a chance. But it's just one chance, and if we miss 3.2 ::BUT :=Karen: that we might be all right again. But we won't be all right. Not ever, ever, 3.2 ::BUT :=Karen: and you've been better to me than -- But it's no good now, for either of us; you 3.2 ::BUT :=Cardin: Yes, if you want, but it won't make any difference. We will 3.3 ::BUT :=Karen: But this isn't a new sin they tell us we've 3.3 ::BUT :=Martha: Always -- as long as I can remember. But I never knew it until all this happe 3.3 ::BUT :=Martha: I don't know how, I don't know why. But I did love you. I do love you. I resented 3.3 ::BUT :=Martha: No, of course you didn't. But who says I didn't? I never felt that 3.3 ::BUT :=Martha: I never felt that way about anybody but you. I've never loved a man -- I never 3.3 ::BUT :=Mrs. Mortar: for the last words I said to her. But I was good to her, Karen, and you know 3.3 ::BUT :=Agatha: come -- I always been on your side -- but she's sick. If only you could see her, 3.3 ::BUT :=Agatha: I don't blame you. But I had to tell you. She's old. It's going 3.3 ::BUT :=Karen: Ten, fifteen years left for you. But what of me? It's a whole life for me. 3.3 ::BUT :=Mrs. Tilford: and that there never would be again. But what I am or why I came doesn't matter. 3.3 ::BUT :=Karen: of your life. It's over for me now, but it will never end for you. She's harmed 3.3 ::BUT :=Karen: end for you. She's harmed us both, but she's harmed you more, I guess. I'm 3.3 ::BUT :=Mrs. Tilford: But he must know what I know, Karen. You 2.3 ::BUTLER :=Martha: ours. Five minutes later the Wells's butler came for Rosalie. 1.2 ::BUTTE :=Karen: about the time she lost her trunks in Butte, Montana, and how she gave her best 2.3 ::BUTTER :=Cardin: to them: self-respect, and bread and butter, and honest work. Do you know what 2.2 ::BUY :=Cardin: You can get ready to buy the wedding present. We'll have the wedding 2.3 ::BUY :=Cardin: long years to save enough money to buy that farm, to start that school. They 3.2 ::BUY :=Cardin: Swell. I'll buy you good coffee cakes and take you both 1.1 ::BY :=Mrs. Mortar: long ago. Now, take you book over by the window and don't disturb our enjoyment 1.1 ::BY :=Karen: that you'd like to go into the village by yourself, come and tell me -- I'll try 1.2 ::BY :=Karen: Perhaps when the term is over. By that time we ought to be out of debt, 1.2 ::BY :=Martha: had been looking forward to some place by the lake -- just you and me -- the way 1.3 ::BY :=Mrs. Mortar: I should have known by this time that the wise thing is to stay 1.4 ::BY :=Peggy: you can go any place you want. Maybe by that time -- 2.1 ::BY :=Mrs. Tilford: it. It's not nice to frighten people by pretending to be sick when you aren't 2.2 ::BY :=Mrs. Tilford: table. Be sure you're both fast asleep by half past ten. 2.2 ::BY :=Cardin: you about her faint. It was caused by nothing but bad temper and was very clumsily 2.3 ::BY :=Martha: around. We're being pushed around by crazy people. That's an awful thing. And 2.3 ::BY :=Martha: for. Listen: are you willing to stand by everything you've said tonight? 2.4 ::BY :=Cardin: Not by a long shot. You've started something, 2.4 ::BY :=Cardin: What do you think Mrs. Mortar meant by all that, Mary? 2.4 ::BY :=Mary: It was at night and I was leaning down by the keyhole. 2.4 ::BY :=Karen: nothing to cry about. You must help us by telling the truth. Why, what's the matter, 3.1 ::BY :=Martha: case was based on remarks made by Lily Mortar, actress in the toilets of 3.2 ::BY :=Karen: see what would happen? We'd be hounded by it all out lives. I'd be frightened, always, 3.2 ::BY :=Karen: grow and grow until we'd be ruined by it. Ah, Joe, you've seen all that yourself. 3.2 ::BY :=Karen: -- a day -- and think this all over by yourself -- away from me and love and 3.3 ::BY :=Karen: done. Other people aren't destroyed by it. 3.3 ::BY :=Martha: all along; maybe I couldn't call it by a name; maybe it's been there ever since 3.3 ::BY :=Karen: You've never said it; we'll forget it by tomorrow. 3.1 ::BYGONES :=Mrs. Mortar: Karen is quite right. Let bygones be bygones. As I was saying, there's 3.1 ::BYGONES :=Mrs. Mortar: Karen is quite right. Let bygones be bygones. As I was saying, there's an effete 2.1 ::CAKE :=Agatha: came home for Wednesday night fudge cake. 3.2 ::CAKE :=Martha: A big coffee cake with a lot of raisins. It would be nice 3.2 ::CAKE :=Cardin: at the desk, and to the fat gal in the cake shop, and to Fischer. The last time 3.2 ::CAKES :=Cardin: Swell. I'll buy you good coffee cakes and take you both to Ischl for a h 2.2 ::CALL :=Mary: You can't call me a fibber, Rosalie Wells. That's a 2.2 ::CALL :=Mary: go tell Grandma, anyway. Then she can call the police and they'll come for you 2.3 ::CALL :=Mrs. Tilford: you should have come here. I shall not call you names, and I will not allow you 2.3 ::CALL :=Mrs. Tilford: you names, and I will not allow you to call me names. It comes to this: I can't 3.2 ::CALL :=Mrs. Mortar: So it's you. Now, I call that loyal. A lot of men wouldn't still 3.2 ::CALL :=Karen: I'll call you when it's time for your train. 3.3 ::CALL :=Martha: wanted you all along; maybe I couldn't call it by a name; maybe it's been there 3.3 ::CALL :=Mrs. Mortar: I could. Suicide's a sin. Shouldn't we call somebody to -- 2.1 ::CALLED :=Mary: when I fainted right in class, they called Cousin Joe and he said I didn't. He 3.1 ::CALLED :=Martha: brought a libel suit against a woman called Tilford because her grandchild had 3.1 ::CALLED :=Martha: accused them of having what the judge called "sinful sexual knowledge of one another." 3.3 ::CALLOUS :=Karen: for you. You're old, and the old are callous. Ten, fifteen years left for you. 1.1 ::CAME :=Karen: I thought it was true until you came here a year ago. I don't think you're 1.2 ::CAME :=Martha: been true ever since the first day she came. She causes trouble here; she's bad 1.3 ::CAME :=Peggy: We came down to see how Mary was. 1.4 ::CAME :=Peggy: we shouldn't have done it, really. We came down to see what was happening to you, 2.1 ::CAME :=Mary: Oh, leave me alone. I came home because I was sick. 2.1 ::CAME :=Agatha: rhubarb and soda. Most likely she only came home for Wednesday night fudge cake 2.3 ::CAME :=Martha: Five minutes later the Wells's butler came for Rosalie. 2.3 ::CAME :=Mrs. Tilford: because it can't do any good. You came here to find out if I had made the charge. 2.3 ::CAME :=Mrs. Tilford: her go through with that again. You came here demanding explanations. It was 2.4 ::CAME :=Mary: Cousin Joe, she said every time you came to the school Miss Dobie got jealous, 3.2 ::CAME :=Cardin: Leave the fancy work to the others." I came home. 3.3 ::CAME :=Agatha: like you got a pain somewhere. I only came cause she's so bad off. She's got to 3.3 ::CAME :=Mrs. Tilford: myself. I swear to God I didn't. I came to try -- to try anything. I knew there 3.3 ::CAME :=Mrs. Tilford: would be again. But what I am or why I came doesn't matter. The only thing that 1.1 ::CAN :=Rosalie: Please, Mrs. Mortar, can I write that down? 1.1 ::CAN :=Karen: I can see that. A new style? Looks as thought 1.1 ::CAN :=Karen: up to my room later and I'll see if I can fix it for you. 1.1 ::CAN :=Karen: bunch exactly like this in the garbage can this morning. 1.1 ::CAN :=Karen: you got the flowers out of the garbage can. What I do want to know is why you feel 1.1 ::CAN :=Karen: I don't think it can be very serious. 1.2 ::CAN :=Martha: admit it. We've tried everything we can think of. She's had more attention than 1.2 ::CAN :=Karen: We can scrape up enough money to send her away. 1.2 ::CAN :=Martha: probably be a week or two before she can be ready to leave. Is that all right 1.3 ::CAN :=Martha: Well, you can go any time you like. We can spare the 1.3 ::CAN :=Martha: Well, you can go any time you like. We can spare the money now, and it will do you 1.3 ::CAN :=Martha: it. You've wanted to go ever since I can remember. 1.3 ::CAN :=Martha: Oh, my God, how can anybody deal with you? You're going where 1.3 ::CAN :=Mrs. Mortar: unnatural, just as unnatural as it can be. You don't like their being together. 1.3 ::CAN :=Mrs. Mortar: he's in the house you think you can take it out on me. You've got to have 1.3 ::CAN :=Cardin: It's another side of the family. You can look at Aunt Amelia and tell: old New 1.4 ::CAN :=Mary: Who cares if she does? And she can hear that, too. 1.4 ::CAN :=Mary: You can have it. That's what I was doing this 1.4 ::CAN :=Mary: She just wants to see how much fun she can take away from me. She hates me. 1.4 ::CAN :=Mary: and they don't have to think they can. 1.4 ::CAN :=Mary: I'll think of something to tell her. I can always do it better on the spur of the 1.4 ::CAN :=Mary: my father was her favorite son. I can manage her all right. 1.4 ::CAN :=Mary: the field to French's, and then I can get the bus to Homestead. 1.4 ::CAN :=Peggy: allowance comes Monday, and then you can go any place you want. Maybe by that 2.1 ::CAN :=Mrs. Tilford: home with me, but at your age you can hardly -- What made you say such a terrible 2.1 ::CAN :=Mary: I can stay for dinner? 2.1 ::CAN :=Mary: Miss Wright's room, I mean, you can just ask Peggy and Evelyn whether we 2.1 ::CAN :=Mrs. Tilford: please. Mrs. Tilford. Joseph? Joseph? Can you come to see me right away? Yes, I'm 2.1 ::CAN :=Mrs. Tilford: well, Joseph, make it as soon as you can. Mrs. Munn, please. This is Mrs. Tilford. 2.2 ::CAN :=Rosalie: Don't act like you can come home every night. 2.2 ::CAN :=Mary: Maybe I can from now on. Maybe I'm never going b 2.2 ::CAN :=Mary: I'll go tell Grandma, anyway. Then she can call the police and they'll come for 2.2 ::CAN :=Cardin: You can get ready to buy the wedding present. 2.2 ::CAN :=Cardin: I don't think I can allow you to say things like that, A 2.3 ::CAN :=Martha: you, I'll tell you. You see if you can make any sense out of it. At dinner-time 2.3 ::CAN :=Martha: lives. That's serious business for us. Can you understand that? 2.3 ::CAN :=Mrs. Tilford: I can understand that, and I understand a lot 2.3 ::CAN :=Mrs. Tilford: I want to do. There's nothing anybody can do. 2.3 ::CAN :=Martha: There must be something we can do to you, and, whatever it is, we'll 2.3 ::CAN :=Cardin: But you can believe this: they've worked eight long 2.3 ::CAN :=Martha: What is there to do with you? What can we do to you? There must be something 2.3 ::CAN :=Mrs. Tilford: you to brazen it out in public. That can bring you nothing but pain. I am an old 2.4 ::CAN :=Mrs. Tilford: did you say you saw through a keyhole? Can you hear from your room -- ? 2.4 ::CAN :=Cardin: We can go home. We are finished here. It's not 3.1 ::CAN :=Martha: your journey? Is there something I can get you? 3.1 ::CAN :=Mrs. Mortar: How can you talk to me like that? 3.2 ::CAN :=Cardin: going quick. Fischer wrote that I can have my old place back. 3.2 ::CAN :=Karen: I know. I'm sorry. Joe, can we have a baby right away? 3.2 ::CAN :=Cardin: let's get out of here as fast as we can. 3.2 ::CAN :=Karen: love, lawyer -- no words that we can use in safety any more. Sick, high-tragic 3.2 ::CAN :=Karen: for dinner. I'm like everybody else. I can have all the things that everybody has. 3.2 ::CAN :=Karen: all the things that everybody has. I can have you and a baby, and I can go to 3.2 ::CAN :=Karen: has. I can have you and a baby, and I can go to market, and we can go to the movies, 3.2 ::CAN :=Karen: a baby, and I can go to market, and we can go to the movies, and people will talk 3.2 ::CAN :=Karen: no good now, for either of us; you can see that. 3.2 ::CAN :=Cardin: It can be. You say I helped you. Help me now; 3.3 ::CAN :=Martha: Let's pinch each other sometimes. We can tell whether we're still living. 3.3 ::CAN :=Martha: wrong. Always -- as long as I can remember. But I never knew it until all 3.3 ::CAN :=Mrs. Mortar: Poor Martha. I don't know what we can do -- You think she's dea -- 3.3 ::CAN :=Mrs. Mortar: I can't help it. How can I help it? I'll never forgive myself 3.3 ::CAN :=Agatha: Can I -- can I get you something? 3.3 ::CAN :=Agatha: Can I -- can I get you something? 3.3 ::CAN :=Mrs. Mortar: in here? With Martha lying there? How can you be so feelingless? I won't stay and 3.3 ::CAN :=Karen: public apology and money paid, and you can sleep again and eat again. That done 3.3 ::CAN :=Mrs. Tilford: for you. You're young and I -- I can help you. 3.3 ::CAN :=Karen: You can help me? 3.3 ::CAN :=Mrs. Tilford: Take whatever I can give you. Take it for yourself and use 3.3 ::CAN :=Karen: You can send her away. 1.1 ::CAN'T :=Evelyn: I can't get the hem thtraight. Honeth, I've 1.1 ::CAN'T :=Evelyn: trying for three weekth, but I jutht can't do it. 1.1 ::CAN'T :=Helen: She can't ever wear that, Mrs. Mortar. 1.1 ::CAN'T :=Mrs. Mortar: Peggy, can't you imagine yourself as Portia? Can't 1.1 ::CAN'T :=Mrs. Mortar: can't you imagine yourself as Portia? Can't you read the lines with some feeling, 1.1 ::CAN'T :=Mrs. Mortar: time, pity makes the actress. Now, why can't you feel pity? 1.1 ::CAN'T :=Mrs. Mortar: Well, I can't allow you to interrupt us like thi 1.1 ::CAN'T :=Mrs. Mortar: Oh, I can't believe it! What a nasty thing to do! 1.1 ::CAN'T :=Lois: in, de, inter, con, post, prae -- I can't seem to remember the rest. 1.1 ::CAN'T :=Karen: have to take a walk, or that you just can't come to class, or that you'd like to 1.1 ::CAN'T :=Karen: I'm sorry, but you can't go. 1.1 ::CAN'T :=Mary: heart! It's stopping or something. I can't breathe. 1.2 ::CAN'T :=Karen: That would be admitting that we can't do the job ourselves. 1.2 ::CAN'T :=Martha: Well, we can't, and we might as well admit it. We've 1.2 ::CAN'T :=Martha: But it will. You know it will. It can't help it. 1.3 ::CAN'T :=Martha: you to leave soon. The three of us can't live together, and it doesn't make 1.3 ::CAN'T :=Mrs. Mortar: you have a fit. It seems like you just can't stand the idea of them being together. 1.3 ::CAN'T :=Martha: shouldn't be said in it that they can't hear. When you're at your best, you're 1.4 ::CAN'T :=Karen: That's a very stupid thing to say. I can't imagine Rosalie hating anyone. 1.4 ::CAN'T :=Mary: I won't let you go if I can't go. But I'll find some way to go. What 1.4 ::CAN'T :=Evelyn: You can't do that. 1.4 ::CAN'T :=Mary: Can't I? You just watch. I'm not staying 1.4 ::CAN'T :=Mary: me, they'll sit up and listen. They can't get away with treating me like this, 1.4 ::CAN'T :=Mary: anything to you they want. Well, they can't do it to me. Who's got any money? 1.4 ::CAN'T :=Evelyn: You can't walk to Lanthet. 1.4 ::CAN'T :=Evelyn: You can't have that money, Mary -- 2.1 ::CAN'T :=Agatha: decide you'd get a better dinner here? Can't you even say hello? 2.1 ::CAN'T :=Mary: But I don't feel all right. I can't even come home without everybody nagging 2.1 ::CAN'T :=Mrs. Tilford: But, darling, you can't leave school any time you please. 2.1 ::CAN'T :=Mary: Grandma! Please! I can't go back! I can't! They'll kill me! 2.1 ::CAN'T :=Mary: Grandma! Please! I can't go back! I can't! They'll kill me! They will, Grandma! 2.1 ::CAN'T :=Mary: -- all the time. Miss Wright says I can't go to the boat-races and -- It's -- 2.1 ::CAN'T :=Mary: I can't tell you. 2.1 ::CAN'T :=Mrs. Tilford: you? Dinner's almost ready, and I can't eat with a girl who has such a dirty 2.1 ::CAN'T :=Mary: I can't tell you. 2.1 ::CAN'T :=Mary: I mean I can't say it out loud. 2.1 ::CAN'T :=Mrs. Tilford: I must see you right away. I -- I can't tell you over the phone. Can't you 2.1 ::CAN'T :=Mrs. Tilford: I -- I can't tell you over the phone. Can't you come sooner? It's not about Mary's 2.2 ::CAN'T :=Rosalie: Why, Mary Tilford! You can't do a thing like that. I didn't tell 2.2 ::CAN'T :=Mary: You can't call me a fibber, Rosalie Wells. That's 2.2 ::CAN'T :=Mary: older, and when you're very old and can't see anymore, they'll let you out maybe 2.3 ::CAN'T :=Mrs. Tilford: to call me names. It comes to this: I can't trust myself to talk about it with 2.3 ::CAN'T :=Mrs. Tilford: This can't do any of us any good, Miss Dobie. 2.3 ::CAN'T :=Martha: "This can't do any of us any good." Listen, listen. 2.3 ::CAN'T :=Mrs. Tilford: to avoid this meeting because it can't do any good. You came here to find 2.3 ::CAN'T :=Karen: not true. Not a word of it is true; can't you understand that? 2.3 ::CAN'T :=Mrs. Tilford: I'm sorry that I can't believe that. 2.3 ::CAN'T :=Karen: That is really where you got it? I can't believe -- it couldn't be. Why, she's 2.4 ::CAN'T :=Martha: She said that, too. For God's sake, can't you see what's happening? This -- this 3.1 ::CAN'T :=Karen: We've got to get out of this place. I can't stand it any more. 3.2 ::CAN'T :=Karen: You can't leave here. I won't have you do this 3.2 ::CAN'T :=Cardin: It's already done. Fischer can't pay me much, but it'll be enough for 3.2 ::CAN'T :=Cardin: here. Well, to hell with that. We can't stay here, and Vienna offers enough 3.2 ::CAN'T :=Martha: I can't go. It's better for all of us if I 3.2 ::CAN'T :=Cardin: My God, we can't go on like this. Everything I say to 3.2 ::CAN'T :=Karen: either. We couldn't do it that way. Can't you see what would happen? We'd be 3.2 ::CAN'T :=Karen: we'd like to have had. It's what we can't have now. Go home, darling. 3.2 ::CAN'T :=Cardin: like that. No matter what it is, we can't leave each other. I can't leave you 3.2 ::CAN'T :=Cardin: it is, we can't leave each other. I can't leave you -- 3.3 ::CAN'T :=Martha: hands down. You've got to know it. I can't keep it any longer. I've got to tell 3.3 ::CAN'T :=Martha: I could convince myself of it. I can't, I can't any longer. It's there. I 3.3 ::CAN'T :=Martha: convince myself of it. I can't, I can't any longer. It's there. I don't know 3.3 ::CAN'T :=Martha: now, Karen. I feel all dirty and -- I can't stay with you any more, darling. 3.3 ::CAN'T :=Mrs. Mortar: Poor, poor Martha. I can't realize it's true. Oh, how could she 3.3 ::CAN'T :=Mrs. Mortar: I can't help it. How can I help it? I'll never 3.3 ::CAN'T :=Mrs. Mortar: It's woman to see you, Karen. You can't come in now; we've had a -- we've had 3.3 ::CAN'T :=Mrs. Mortar: That woman can't come in here. She caused all -- 3.3 ::CAN'T :=Agatha: in the car, hoping you'd come out. She can't get Dr. Joe. He -- he won't talk to 3.3 ::CAN'T :=Karen: you have to right that wrong or you can't rest your head again. You want to be 3.3 ::CAN'T :=Mrs. Tilford: Come away from here now, Karen. You can't stay with -- 1.4 ::CANDY :=Peggy: gone to the movies, I haven't had any candy, I haven't had anything the rest of 1.1 ::CANNOT :=Mrs. Mortar: It is very unfortunate that you girls cannot sit quietly with your sewing and drink 2.3 ::CANNOT :=Mrs. Tilford: You cannot see her. 1.4 ::CAR :=Karen: Wait a minute. I'll walk to the car with you. Go up now and move your things. 3.1 ::CAR :=Grocery Boy: There's a car comin' here. Good-bye. 3.2 ::CAR :=Cardin: He took me back of the baggage car. "Joseph," he said, "you'll be a good 3.3 ::CAR :=Agatha: to. She's been sittin' outside in the car, hoping you'd come out. She can't get 1.4 ::CARDIN :=Peggy: You'll get the devil now. Dr. Cardin gave it to Miss Wright. I guess it 1.4 ::CARDIN :=Evelyn: then they tharted talking about Dr. Cardin. 2.1 ::CARDIN :=Mrs. Tilford: Wright in? Never mind, never mind. Dr. Cardin, please. Mrs. Tilford. Joseph? Joseph? 1.4 ::CARE :=Mary: I don't care about Rosalie and I don't care about 1.4 ::CARE :=Mary: I don't care about Rosalie and I don't care about the vase. I'm not going to be 2.1 ::CARE :=Mary: You don't love me. You don't care whether they kill me or not. 2.1 ::CARE :=Mary: You don't! You don't! You don't care what happens to me. 2.1 ::CARE :=Mrs. Tilford: But I do care that you're talking this way. 3.2 ::CARE :=Cardin: Go back where you were born and take care of your sick. Leave the fancy work to 3.3 ::CARE :=Karen: You know it wasn't true? I don't care what you know. It doesn't matter any 1.1 ::CAREER :=Mrs. Mortar: In my entire career I've never missed a line. 3.1 ::CAREFULLY :=Martha: fire and sit down and she very carefully waited until the whole thing was 1.4 ::CARES :=Mary: Who cares if she does? And she can hear that, 1.4 ::CARES :=Mary: Who cares if she is? 1.4 ::CARES :=Mary: Oh, who cares? I'll think of something to tell her. 2.3 ::CARS :=Martha: out, the children being pushed into cars -- 1.3 ::CASE :=Martha: Just keeping her hand in, in case Sir Henry's watching her from above. 3.1 ::CASE :=Martha: Well, a great part of the defense's case was based on remarks made by Lily Mortar, 3.1 ::CASE :=Martha: And a greater part of the defense's case rested on the telling fact that Mrs. 3.1 ::CASE :=Martha: read in the papers, we lost the case. 3.2 ::CASE :=Karen: I knew surely the day we lost the case. I was watching your face in court. 3.2 ::CASUAL :=Cardin: No, we won't, darling. Love is casual -- that's the way it should be. We 1.1 ::CATALINE :=Catherine: How much longer, O Cataline, are you going to abuse our patience? 1.1 ::CATCH :=Helen: You're going to catch it now. 2.1 ::CATCH :=Agatha: water on your chest? Do you want to catch your death of cold at your age? Did 3.3 ::CAUSE :=Agatha: you got a pain somewhere. I only came cause she's so bad off. She's got to see 2.2 ::CAUSED :=Cardin: to tell you about her faint. It was caused by nothing but bad temper and was 3.3 ::CAUSED :=Mrs. Mortar: That woman can't come in here. She caused all -- 1.2 ::CAUSES :=Martha: ever since the first day she came. She causes trouble here; she's bad for the other 2.1 ::CELEBRATE :=Mrs. Tilford: We don't celebrate my birthday, dear. You'll have 1.4 ::CENTS :=Mary: You've got two dollars and twenty-five cents. 2.2 ::CENTS :=Agatha: York, three dollars and eighty-five cents and families starving, and Mrs. Wells 2.4 ::CERTAIN :=Karen: Mary has told her grandmother that certain things at school have been -- er 2.4 ::CERTAIN :=Karen: says that you told her that you saw certain -- certain acts between Miss Dobie 2.4 ::CERTAIN :=Karen: you told her that you saw certain -- certain acts between Miss Dobie and myself. 1.1 ::CERTAINLY :=Mrs. Mortar: You are certainly doing something. You are ruining 1.1 ::CERTAINLY :=Mrs. Mortar: Certainly. Suppose you all write it down 1.1 ::CERTAINLY :=Mrs. Mortar: Well, I certainly hope you won't read to him. 2.1 ::CERTAINLY :=Agatha: And if you feel so sick, you certainly won't want any dinner. A good dose 2.1 ::CERTAINLY :=Mrs. Tilford: been sick your Cousin Joseph would certainly have known it. It's not nice to 3.3 ::CERTAINLY :=Martha: Certainly that doesn't mean anything. There's 1.2 ::CHAIR :=Martha: she does Hedda Gabler standing on a chair. Sir Henry taught her do it that way. 3.1 ::CHAIRS :=Martha: Well, we'll have to get off these chairs sooner or later. In a couple of months 2.1 ::CHANCE :=Mary: Hello, Agatha. You didn't give me a chance. Where's Grandma? 2.3 ::CHANCE :=Cardin: honest thing to do is to give them a chance to come out whole. Are you honest 2.4 ::CHANCE :=Cardin: time when, if I'd been given a second chance, I wouldn't have taken back the lie 2.4 ::CHANCE :=Cardin: You're lucky if you ever get that chance. I'm telling you this because I'm 2.4 ::CHANCE :=Cardin: you made a mistake, you must talk this chance and say so. You won't be punished 2.4 ::CHANCE :=Cardin: All right, Mary, that was your chance; you passed it up. Now let's find 3.2 ::CHANCE :=Karen: done it. They've taken away every chance we had. Everything we wanted, everything 3.2 ::CHANCE :=Cardin: to stop talking like that. We've got a chance. But it's just one chance, and if 3.2 ::CHANCE :=Cardin: We've got a chance. But it's just one chance, and if we miss it we're done for. 1.3 ::CHANGE :=Martha: I imagine you'll change your mind. 2.1 ::CHANGE :=Mrs. Tilford: along upstairs and wash your face and change your dress, and after dinner John 3.1 ::CHANGED :=Mrs. Mortar: Things have changed in the theater -- drastically changed, 3.1 ::CHANGED :=Mrs. Mortar: changed in the theater -- drastically changed, I might say. 3.1 ::CHANGED :=Karen: Things have changed here, you know. 3.2 ::CHANGED :=Karen: Look, I'm standing here. I haven't changed. My hands look just the same, my 3.2 ::CHANGING :=Karen: it. There's some reason for your changing. 2.3 ::CHARGE :=Mrs. Tilford: here to find out if I had made the charge. You've found out. Let's end it there. 2.3 ::CHAUFFEUR :=Martha: out of it. At dinner-time Mrs. Munn's chauffeur said that Evelyn must be sent home 3.2 ::CHEAP :=Cardin: for the three of us. Plenty if we live cheap. 3.1 ::CHEAPER :=Martha: be hungry in another ten years. It's cheaper this way. 2.1 ::CHEST :=Agatha: didn't you put some cold water on your chest? Do you want to catch your death of 1.1 ::CHILD :=Mrs. Mortar: -- ? Heart trouble is very serious in a child. 1.2 ::CHILD :=Karen: It's funny. We always talk about the child as if she were a grown woman. 1.3 ::CHILD :=Mrs. Mortar: Isn't it natural that the child should have me with her? Isn't it natural 1.3 ::CHILD :=Mrs. Mortar: You were always like that even as a child. If you had a little girl friend, you 1.3 ::CHILD :=Karen: man in every way. Well, the angel child is now putting her clothes back on 2.1 ::CHILD :=Mrs. Tilford: You mustn't imagine things like that, child, or you'll grow up to be a very unhappy 2.3 ::CHILD :=Karen: -- it couldn't be. Why, she's a child. 2.3 ::CHILD :=Martha: She's not a child any longer. 2.4 ::CHILD :=Martha: you see what's happening? This -- this child is taking little things, little family 2.4 ::CHILD :=Martha: That child -- that child is sick. 2.4 ::CHILD :=Martha: That child -- that child is sick. 3.2 ::CHILD :=Karen: be able to run away from that? Woman, child, love, lawyer -- no words that we can 3.3 ::CHILD :=Martha: that since the night we heard the child say it; I've been praying I could convince 3.3 ::CHILD :=Martha: don't do anything about it. Suddenly a child gets bored and lies -- and there you 3.3 ::CHILD :=Agatha: You poor child. You look like you got a pain somewhere. 1.3 ::CHILD'S :=Martha: The angel child's influence is abroad even while she's 2.3 ::CHILD'S :=Cardin: So you took a child's word for it? 1.2 ::CHILDHOOD :=Karen: You must have had a gay childhood. 1.3 ::CHILDREN :=Mrs. Mortar: a woman of my reputation to give these children voice lessons, elocution lessons? 1.3 ::CHILDREN :=Martha: it's really bad having you around the children. 2.3 ::CHILDREN :=Martha: People rushing in and out, the children being pushed into cars -- 2.3 ::CHILDREN :=Mrs. Tilford: a great deal more than that when children are involved. 2.3 ::CHILDREN :=Mrs. Tilford: sure. All I wanted was to get those children away. That has been done. There 3.3 ::CHILDREN :=Martha: have had to invent a new language, as children do, without words like tomorrow 2.3 ::CHILDREN'S :=Mrs. Tilford: You've been playing with a lot of children's lives, and that's why I stopped 3.3 ::CHOKING :=Karen: Well, I won't be your confessor. It's choking you, is it? And you want to stop 3.3 ::CHOKING :=Karen: you, is it? And you want to stop the choking, don't you? You've done a wrong and 3.3 ::CHOSEN :=Martha: who believe in it, who want it, who've chosen it. We aren't like that. We don't 1.1 ::CINEMA :=Mrs. Mortar: I had many offers, my dear. But the cinema is a shallow art. It has no -- no 3.1 ::CIRCULARS :=Martha: clubs and their meetings and their circulars and their visits and their -- 2.3 ::CLAIM :=Mrs. Tilford: mean you any harm. I still don't. You claim that it isn't true; it may be natural 1.1 ::CLASS :=Mrs. Mortar: You have something to tell the class? 1.1 ::CLASS :=Mrs. Mortar: time to be coming to your sewing class, I must say. Even if you have no interest 1.1 ::CLASS :=Mrs. Mortar: for me. It made her a little late to class, but she heard me say I loved flowers, 1.1 ::CLASS :=Karen: a walk, or that you just can't come to class, or that you'd like to go into the 1.3 ::CLASS :=Martha: That's my class. I'll send Peggy and Evelyn down. You 1.4 ::CLASS :=Rosalie: I have a class soon. If you're going to move your 2.1 ::CLASS :=Mary: my heart, and when I fainted right in class, they called Cousin Joe and he said 1.1 ::CLASSES :=Mrs. Mortar: taking walks when we should be at our classes? 1.1 ::CLASSES :=Mrs. Mortar: allow anything to interfere with you classes. Now run along, dear, and get a vase 1.4 ::CLATH :=Evelyn: What did Mith Wright do to you when the clath left? 2.1 ::CLEAN :=Agatha: Where ought any clean person be at this time of day? She's 2.2 ::CLEAN :=Cardin: here, it you don't mind. The smell of clean little girls and boiled linen would 1.1 ::CLEAR :=Karen: for any reason whatsoever. Is that clear? 3.2 ::CLEAR :=Karen: all mixed up and I must get them clear. 3.3 ::CLEAR :=Martha: be back in a little while and you'll clear it all up -- Oh, God, I wanted that 1.2 ::CLEARLY :=Karen: about Mary to see her faults very clearly -- and the kid knows it. 1.1 ::CLEVER :=Mrs. Mortar: some handkerchiefs or something. Be clever about it. Women must learn these tricks. 1.4 ::CLOSE :=Mary: Close that door, you idiot. What do you 3.3 ::CLOSE :=Martha: I don't love you. We've been very close to each other, of course. I've loved 1.4 ::CLOSED :=Peggy: happening to you, but the doors were closed and we could hear Miss Dobie and Mortar 1.3 ::CLOTHES :=Karen: the angel child is now putting her clothes back on. 2.1 ::CLOTHES :=Agatha: you in school? Look at your face and clothes. Where have you been? 3.2 ::CLOTHES :=Cardin: not talk about it. You'll need some clothes? 1.3 ::CLOUN :=Mrs. Mortar: he left her and ran away with Eve Cloun, who was playing the Infant Phenomenon 3.1 ::CLUBS :=Martha: Hasn't he heard about the ladies' clubs and their meetings and their circulars 2.2 ::CLUMSILY :=Cardin: by nothing but bad temper and was very clumsily managed, at that. Amelia, she's 1.2 ::COAT :=Martha: ends meet -- think of having a winter coat without holes in the lining again! -- 2.1 ::COAT :=Agatha: your middy blouse and your old brown coat? 2.1 ::COAT :=Agatha: through the woods in her very best coat? 2.2 ::COAT :=Agatha: Hang up your pretty coat. Have you had your bath? 2.1 ::COAXER :=Mrs. Tilford: You're an earnest little coaxer, but it's out of the question. Back 3.2 ::COFFEE :=Cardin: Swell. I'll buy you good coffee cakes and take you both to Ischl for 3.2 ::COFFEE :=Martha: A big coffee cake with a lot of raisins. It would 2.1 ::COHERENT :=Mrs. Tilford: Run along, Mary. I hope you'll get more coherent as you get older. 2.1 ::COLD :=Agatha: Why didn't you put some cold water on your chest? Do you want to 2.1 ::COLD :=Agatha: Do you want to catch your death of cold at your age? Did you have to hurry 3.1 ::COLD :=Martha: It's cold in here. 3.1 ::COLD :=Karen: What are we going to do? It's all so cold and unreal and -- It's like that dark 3.2 ::COLD :=Cardin: a lot of things -- heavy things. It's cold there now, much colder than you'd expect 3.3 ::COLD :=Mrs. Tilford: It's been cold. It seems a little warmer, now. 3.2 ::COLDER :=Cardin: things. It's cold there now, much colder than you'd expect -- 1.2 ::COLLEGE :=Martha: you and me -- the way we used to at college. 3.1 ::COLLEGE :=Martha: Remember how much we used to eat at college? 3.1 ::COMB :=Martha: you, at five o'clock every day you comb your hair. How's that? It's better for 3.1 ::COMB :=Martha: is rich and full; at five o'clock I'll comb my hair. 1.1 ::COME :=Karen: Never mind. Come up to my room later and I'll see if 1.1 ::COME :=Karen: sub, super. Don't worry, Lois. You'll come out all right. Wait a minute, Mary. 1.1 ::COME :=Karen: to take a walk, or that you just can't come to class, or that you'd like to go into 1.1 ::COME :=Karen: to go into the village by yourself, come and tell me -- I'll try and understand. 1.2 ::COME :=Karen: We tried to get you on the phone. Come in and look at your little cousin. 1.2 ::COME :=Karen: You'd better come in and see her. She says she has a pain 1.3 ::COME :=Martha: that too often, Aunt Lily; you'll come to believe it. 1.3 ::COME :=Mrs. Mortar: I know what I know. Every time that man come into this house, you have a fit. It 1.4 ::COME :=Peggy: Evelyn and I'll get your things. Come on, Evelyn. 2.1 ::COME :=Agatha: What are you doing here? Well, come on in -- don't stand there gaping at 2.1 ::COME :=Mary: I don't feel all right. I can't even come home without everybody nagging at m 2.1 ::COME :=Mary: good to see you, Grandma. You didn't come to visit me all last week. 2.1 ::COME :=Mrs. Tilford: I don't think they'll be that angry. Come, you're acting like a foolish little 2.1 ::COME :=Mrs. Tilford: Mrs. Tilford. Joseph? Joseph? Can you come to see me right away? Yes, I'm perfectly 2.1 ::COME :=Mrs. Tilford: tell you over the phone. Can't you come sooner? It's not about Mary's fainting 2.2 ::COME :=Mary: Oh. Couldn't Evelyn Munn come instead? 2.2 ::COME :=Agatha: act like a lady for once in your life. Come on in, Rosalie. Just go on in there 2.2 ::COME :=Rosalie: Don't act like you can come home every night. 2.2 ::COME :=Mary: phoned your mother in New York to come and get you right away. You're just 2.2 ::COME :=Mary: the night here. I wish Evelyn could come instead of you. 2.2 ::COME :=Mary: Wait a minute, I'll come with you. 2.2 ::COME :=Mary: she can call the police and they'll come for you and you'll spend the rest of 2.3 ::COME :=Agatha: Yes'm. Come on in. 2.3 ::COME :=Martha: We've come to find out what you are doing. 2.3 ::COME :=Mrs. Tilford: You shouldn't have come here. 2.3 ::COME :=Mrs. Tilford: why I don't think you should have come here. I shall not call you names, and 2.3 ::COME :=Martha: here taking it. Didn't you know we'd come here? Were we supposed to lie down and 2.3 ::COME :=Martha: this lie: you made it and you'll come out with it. Shriek it to your town 2.3 ::COME :=Cardin: Sit down. When two people come here with their lives spread on the 2.3 ::COME :=Cardin: to do is to give them a chance to come out whole. Are you honest? 2.3 ::COME :=Cardin: Then where is Mary? Mary! Come here. 2.4 ::COME :=Martha: hear anything from there. Tell her to come and see for herself. 3.1 ::COME :=Martha: Come on. We'll go through the park. 3.1 ::COME :=Martha: isn't it? Returned at long last. Come on in. We're delighted to see you. Are 3.1 ::COME :=Martha: she wonderful? Why did you refuse to come back here and testify for us? 3.1 ::COME :=Mrs. Mortar: Why, Martha, I didn't refuse to come back at all. That's the wrong way to 3.1 ::COME :=Mrs. Mortar: it your way, and I'm sorry I didn't come back. But now that I am here, I'm going 3.1 ::COME :=Martha: You've come back to pick the bones dry. Well, there 3.2 ::COME :=Cardin: coming to and I'm not going to let you come to. 3.3 ::COME :=Martha: time. I don't know. It all seems to come back to me. In some way I've ruined 3.3 ::COME :=Mrs. Mortar: woman to see you, Karen. You can't come in now; we've had a -- we've had trouble 3.3 ::COME :=Agatha: and phoning. Please, please let her come in. Just for a minute, Miss Karen. Please 3.3 ::COME :=Mrs. Mortar: Who wants to come in here? 3.3 ::COME :=Mrs. Mortar: That woman can't come in here. She caused all -- 3.3 ::COME :=Agatha: outside in the car, hoping you'd come out. She can't get Dr. Joe. He -- he 3.3 ::COME :=Agatha: talk to her any more. I wouldn't a come -- I always been on your side -- but 3.3 ::COME :=Agatha: only you could see her, you'd let her come for just a minute. 3.3 ::COME :=Mrs. Mortar: You going to allow that woman to come in here? With Martha lying there? How 3.3 ::COME :=Mrs. Tilford: Karen, let me come in. 3.3 ::COME :=Karen: Why have you come here? 3.3 ::COME :=Mrs. Tilford: I had to come. I know now; I know it wasn't true. 3.3 ::COME :=Karen: any more. Martha is dead. So you've come here to relieve your conscience? Well, 3.3 ::COME :=Karen: wanted us to help you be just? You've come to the wrong place for help. You want 3.3 ::COME :=Mrs. Tilford: I didn't come here to relieve myself. I swear to God 3.3 ::COME :=Mrs. Tilford: Come away from here now, Karen. You can't 1.4 ::COMES :=Peggy: you just wait until your allowance comes Monday, and then you can go any place 2.1 ::COMES :=Mary: cranky and mean every time Cousin Joe comes, and today I heard her say to him: 2.1 ::COMES :=Mary: didn't hear. Almost always Miss Dobie comes in after we go to bed and stays a long 2.3 ::COMES :=Mrs. Tilford: not allow you to call me names. It comes to this: I can't trust myself to talk 3.1 ::COMFORTABLE :=Martha: She expected to walk right up to a comfortable fire and sit down and she very 3.1 ::COMIN' :=Grocery Boy: There's a car comin' here. Good-bye. 1.1 ::COMING :=Mrs. Mortar: This is a pretty time to be coming to your sewing class, I must say. 1.4 ::COMING :=Rosalie: better start right now. Miss Wright's coming in a minute. 1.4 ::COMING :=Peggy: We're coming. 2.1 ::COMING :=Mary: I got a little dirty coming home. I walked part of the way through 2.1 ::COMING :=Mary: Is anybody coming for dinner? 2.1 ::COMING :=Agatha: She didn't say anything about you coming. 2.1 ::COMING :=Mrs. Tilford: I couldn't, dear. But I was coming tomorrow. 2.1 ::COMING :=Mrs. Tilford: not going to scold you any more for coming home this time, though I supposed 2.2 ::COMING :=Agatha: keep your ears open? Rosalie Wells is coming over to spend the night with you. 3.2 ::COMING :=Karen: You'll be coming home again some day. 3.2 ::COMING :=Cardin: nothing else. That's something I'm not coming to and I'm not going to let you come 3.2 ::COMING :=Cardin: I'll be coming back. 2.2 ::COMMON :=Mary: least of all the police. You're just a common, ordinary thief. Stop that bawling. 1.3 ::COMPLAIN :=Martha: off alone. That suits everybody. You complain about the farm, you complain about 1.3 ::COMPLAIN :=Martha: You complain about the farm, you complain about the school, you complain about 1.3 ::COMPLAIN :=Martha: you complain about the school, you complain about Karen, and now you have what 1.3 ::COMPLAIN :=Martha: you're still looking for something to complain about. 1.1 ::CON :=Lois: Ad, ab, ante, in, de, inter, con, post, prae -- I can't seem to remember 2.2 ::CONCERN :=Rosalie: is very unladylike, anyhow. I have no concern with your silly secrets. 3.3 ::CONFESSOR :=Karen: your conscience? Well, I won't be your confessor. It's choking you, is it? And you 3.3 ::CONSCIENCE :=Karen: So you've come here to relieve your conscience? Well, I won't be your confessor. 1.3 ::CONSISTENTLY :=Mrs. Mortar: Karen is consistently rude to me, and you know it 1.3 ::CONSOLE :=Martha: Console yourself. If you've seen one heart 1.1 ::CONTINUE :=Mrs. Mortar: it. Women must learn these tricks. Continue. "Mightiest in the mightiest." 1.3 ::CONTRACT :=Cardin: I'm not writing Mary Tilford in the contract. Forget Mary for a minute. You and 3.3 ::CONVINCE :=Martha: say it; I've been praying I could convince myself of it. I can't, I can't any 1.1 ::CONWAY'S :=Mary: Near Conway's cornfield, I think. 1.1 ::CONWAY'S :=Mary: I did pick the flowers near Conway's. You never believe me. You believe 1.1 ::CONWAY'S :=Mary: I got the flowers near Conway's cornfield. 3.3 ::COOKING :=Martha: It gets dark so early now. Cooking always makes me feel better. Well, 1.4 ::COPY :=Peggy: Oh, my God! Rosalie'll find that copy of "Mademoiselle de Maupin." She'll 1.1 ::CORNFIELD :=Mary: Near Conway's cornfield, I think. 1.1 ::CORNFIELD :=Mary: I got the flowers near Conway's cornfield. 1.1 ::COULD :=Mary: But you said I could go to the boat-races. 1.2 ::COULD :=Karen: a hurricane. Today in the kitchen you could hear her on what Sir Henry said to 1.2 ::COULD :=Karen: Rosalie's finally put an "l" in could. 1.3 ::COULD :=Mrs. Mortar: I know it's true. Where could you have gotten a woman of my reputation 1.3 ::COULD :=Martha: that goes on in your head could keep a psychologist busy for years. 1.3 ::COULD :=Cardin: I could have managed a better faint than that 1.4 ::COULD :=Peggy: I wish I could faint sometimes. I've never even worn 1.4 ::COULD :=Peggy: you, but the doors were closed and we could hear Miss Dobie and Mortar having an 2.1 ::COULD :=Mary: How could she, stupid? She didn't know. 2.1 ::COULD :=Mary: Maybe I could stay till the first of the week. Saturday's 2.1 ::COULD :=Mary: week. Saturday's your birthday and I could be here with you. 2.1 ::COULD :=Mary: to sleep? And it was a rule nobody could say another single word after you finished? 2.1 ::COULD :=Mary: I'm so unhappy there, and if only I could stay out the rest of the term, why, 2.2 ::COULD :=Agatha: Mrs. Wells wanted to know if Rosalie could stay here until tomorrow. 2.2 ::COULD :=Rosalie: to hear funny noises at night? You could have been a werewolf. 2.2 ::COULD :=Mary: to spend the night here. I wish Evelyn could come instead of you. 2.2 ::COULD :=Rosalie: But then you could tell me to do anything. 2.3 ::COULD :=Karen: long time. We never knew why, we never could find out. There didn't seem to be any 2.4 ::COULD :=Karen: Ask her again how she could see us. 2.4 ::COULD :=Cardin: How could you see Miss Dobie and Miss Wright 2.4 ::COULD :=Rosalie: any such thing ever. Why, I never even could have thought of -- 3.2 ::COULD :=Cardin: lives. We're three of those people. We could sit around the rest of our lives and 3.2 ::COULD :=Cardin: It could be, Karen. We'll make it be like t 3.3 ::COULD :=Karen: In a big place we could get something to do. 3.3 ::COULD :=Martha: the child say it; I've been praying I could convince myself of it. I can't, I can't 3.3 ::COULD :=Mrs. Mortar: I can't realize it's true. Oh, how could she -- she was so -- I don't know what 3.3 ::COULD :=Mrs. Mortar: I always tried to do everything I could. Suicide's a sin. Shouldn't we call 3.3 ::COULD :=Mrs. Mortar: good to her too. I did everything I could. I -- I haven't any place to go. I'm 3.3 ::COULD :=Agatha: side -- but she's sick. If only you could see her, you'd let her come for just 3.3 ::COULD :=Mrs. Tilford: No. I could never do that. Whatever she does, it 1.4 ::COULD'VE :=Mary: I'll think of something else. The wind could've knocked it over. 1.2 ::COULDN'T :=Karen: She probably still is. I told her she couldn't go to the boat-races and she had 1.2 ::COULDN'T :=Karen: Couldn't we get rid of her soon, Martha? 1.3 ::COULDN'T :=Peggy: didn't mean to. We heard voices and we couldn't help -- 1.4 ::COULDN'T :=Mary: Told me I couldn't go to the boat-races. 2.1 ::COULDN'T :=Mrs. Tilford: I couldn't, dear. But I was coming tomorro 2.1 ::COULDN'T :=Mary: heart -- I had a pain in my heart. I couldn't help having pain in my heart, and 2.1 ::COULDN'T :=Mary: But couldn't I stay out the rest of this term? 2.1 ::COULDN'T :=Mary: made us move our rooms. They said we couldn't be together any more. They're afraid 2.1 ::COULDN'T :=Mary: We couldn't help hearing because they -- I mean 2.1 ::COULDN'T :=Mrs. Tilford: There couldn't possibly be anything so terrible 2.1 ::COULDN'T :=Mrs. Tilford: be anything so terrible that you couldn't say it out loud. Now either tell 2.1 ::COULDN'T :=Mary: so we wouldn't hear, but sometimes I couldn't help it, but we never talked about 2.1 ::COULDN'T :=Mary: make me go back to that place. I just couldn't stand it any more. Really, Grandma, 2.2 ::COULDN'T :=Mary: Oh. Couldn't Evelyn Munn come instead? 2.3 ::COULDN'T :=Mrs. Tilford: boys. I wouldn't have spared them; I couldn't spare you. 2.3 ::COULDN'T :=Karen: you got it? I can't believe -- it couldn't be. Why, she's a child. 2.4 ::COULDN'T :=Mary: we'd stay awake and listen because we couldn't help hearing and I'd get frightened 3.1 ::COULDN'T :=Martha: Oh, I couldn't do that. I look forward all day 3.1 ::COULDN'T :=Mrs. Mortar: think of it that way, Martha. It couldn't have done any good for all of us 3.2 ::COULDN'T :=Martha: I couldn't go with you, Joe. 3.2 ::COULDN'T :=Karen: never know whether you did, either. We couldn't do it that way. Can't you see what 3.2 ::COULDN'T :=Karen: sorry. I mustn't talk like that. That couldn't be true any more. 3.3 ::COULDN'T :=Martha: maybe I wanted you all along; maybe I couldn't call it by a name; maybe it's been 3.3 ::COULDN'T :=Karen: I couldn't do that, Agatha. 3.1 ::COUPLE :=Martha: off these chairs sooner or later. In a couple of months they'll need dusting. 1.2 ::COURSE :=Karen: Of course. Did you get Joe himself on the p 1.2 ::COURSE :=Karen: Of course we will. The three of us. 1.4 ::COURSE :=Mary: Of course you wouldn't. You'd let 'em do anything 2.1 ::COURSE :=Mrs. Tilford: Of course. 3.2 ::COURSE :=Cardin: Of course I believe you. I only had to hear 3.3 ::COURSE :=Martha: been very close to each other, of course. I've loved you like a friend, the 3.3 ::COURSE :=Karen: Yes, of course. 3.3 ::COURSE :=Martha: No, of course you didn't. But who says I didn't? 2.3 ::COURT :=Martha: it -- and we'll make you do it in a court room. Tomorrow, Mrs. Tilford, you will 3.1 ::COURT :=Martha: that Mrs. Mortar would not appear in court to deny or explain those remarks. Mrs. 3.2 ::COURT :=Karen: the case. I was watching your face in court. It was ashamed -- and sad at being 1.1 ::COURTESY :=Mrs. Mortar: remember that you owe me a little courtesy. Courtesy is breeding. Breeding 1.1 ::COURTESY :=Mrs. Mortar: that you owe me a little courtesy. Courtesy is breeding. Breeding is an excellent 1.2 ::COUSIN :=Karen: phone. Come in and look at your little cousin. 1.4 ::COUSIN :=Mary: and punished for everything. I do, Cousin Joe. All the time for everything. 2.1 ::COUSIN :=Mary: I fainted right in class, they called Cousin Joe and he said I didn't. He said 2.1 ::COUSIN :=Mrs. Tilford: but if you had really been sick your Cousin Joseph would certainly have known 2.1 ::COUSIN :=Mary: was jealous of Miss Wright marrying Cousin Joe. 2.1 ::COUSIN :=Mary: does get cranky and mean every time Cousin Joe comes, and today I heard her say 2.2 ::COUSIN :=Mary: Grandma, Cousin Joe'll say I've got to go back. He'll 2.4 ::COUSIN :=Mary: Yes, Cousin Joe. 2.4 ::COUSIN :=Mary: Yes, Cousin Joe. 2.4 ::COUSIN :=Mary: And, Cousin Joe, she said every time you came 2.1 ::CRANKY :=Mary: because honestly, Miss Dobie does get cranky and mean every time Cousin Joe comes, 1.4 ::CRAWLING :=Mary: And a lot of crawling and crying you both did too, I 1.2 ::CRAZY :=Karen: it wouldn't do any good. She's too crazy about Mary to see her faults very clearly 1.4 ::CRAZY :=Rosalie: You crazy? 1.4 ::CRAZY :=Rosalie: You crazy? 2.2 ::CRAZY :=Agatha: Do I know all the crazy things that are happening around here? 2.3 ::CRAZY :=Karen: It's crazy! It's crazy! What did she do it fo 2.3 ::CRAZY :=Karen: It's crazy! It's crazy! What did she do it for? 2.3 ::CRAZY :=Martha: around. We're being pushed around by crazy people. That's an awful thing. And 3.3 ::CRAZY :=Karen: You're crazy. 2.1 ::CRIES :=Mary: and then they make up, and Miss Dobie cries and Miss Wright gets mad, and then 2.3 ::CRIMINALLY :=Mrs. Tilford: it out here tonight; it would be criminally foolish of you to brazen it out 1.1 ::CROWN :=Peggy: the throned monarch better than his crown; his sceptre shows the force of temporal 1.1 ::CROWN :=Peggy: the throned monarch better than his crown; his sceptre -- his sceptre shows the 1.4 ::CRUSH :=Mary: That's right, stick up for your crush. Take her side against mine. 2.4 ::CRY :=Karen: There's nothing to cry about. You must help us by telling the 3.3 ::CRY :=Karen: Don't cry. 1.4 ::CRYING :=Cardin: now. She's not going to hurt herself crying. The next time she faints, I'd wait 1.4 ::CRYING :=Mary: And a lot of crawling and crying you both did too, I bet. 2.1 ::CRYING :=Mrs. Tilford: Never mind, dear; now stop crying and tell me what is the matter. 2.1 ::CRYING :=Mrs. Tilford: Stop crying, Mary. 2.1 ::CRYING :=Mary: Grandma, and one time Miss Dobie was crying in Miss Wright's room, and Miss Wright 2.4 ::CRYING :=Mrs. Tilford: Stop that crying, Mary. Stand up. 3.3 ::CRYING :=Mrs. Mortar: You're not crying. 1.1 ::CUE :=Mrs. Mortar: read the line again. I'll give you the cue. 1.1 ::CUE :=Peggy: What's a cue? 1.1 ::CUE :=Mrs. Mortar: A cue is a line or word given the actor or 2.2 ::CURIOSITY :=Rosalie: mind, don't bother telling me. I think curiosity is very unladylike, anyhow. I have 1.3 ::CUSTOMARY :=Mrs. Mortar: It -- it's customary for an older woman to be present 1.1 ::CUT :=Rosalie: It got cut, Miss Wright. 2.3 ::CUT :=Cardin: lives spread on the table for you to cut to pieces, then the only honest thing 3.2 ::CUT :=Cardin: be a good doctor; I would trust you to cut up my Minna. But you're not a great doctor, 1.1 ::CUTTING :=Mrs. Mortar: And hereafter we'll have no more hair- cutting. 3.3 ::DAMAGE :=Mrs. Tilford: public apology and an explanation. The damage suit will be paid to you in full and 1.3 ::DAMN :=Martha: God damn you. I wish -- Joe, please, I'm sorry. 2.1 ::DAMN :=Mary: and today I heard her say to him: "God damn you," and then she said she was just 2.3 ::DAMN :=Karen: Damn you! 1.2 ::DAMNED :=Martha: I don't understand you. It's been so damned hard building this thing up, slaving 2.3 ::DAMNED :=Martha: You fool! You damned, vicious -- 2.2 ::DARE :=Mary: Rosalie Wells. That's a kind of a dare and I won't take a dare. I guess I'll 2.2 ::DARE :=Mary: a kind of a dare and I won't take a dare. I guess I'll go tell Grandma, anyway. 3.1 ::DARK :=Karen: cold and unreal and -- It's like that dark hour of the night when, half awake, 3.3 ::DARK :=Martha: It gets dark so early now. Cooking always makes me 1.2 ::DARLING :=Cardin: Hello, darling. Hi, Martha. What's the best new 2.1 ::DARLING :=Mrs. Tilford: But, darling, you can't leave school any time 2.3 ::DARLING :=Cardin: Then you don't want me here either. Darling, what -- ? 3.2 ::DARLING :=Cardin: and get rid of her. Been out today, darling? 3.2 ::DARLING :=Cardin: Shut up, darling, it's all fixed. We're going to Vienna 3.2 ::DARLING :=Cardin: on. Now don't object any more, please, darling. All right? 3.2 ::DARLING :=Cardin: No, we won't, darling. Love is casual -- that's the way 3.2 ::DARLING :=Karen: touched each other. That's all right, darling. I'm glad you asked. I'm not mad 3.2 ::DARLING :=Karen: It's what we can't have now. Go home, darling. 3.2 ::DARLING :=Karen: No, you won't. Never, darling. 3.3 ::DARLING :=Martha: and -- I can't stay with you any more, darling. 1.1 ::DATIVE :=Lois: fungor, potior, and vescor take the dative. 1.2 ::DAY :=Martha: That's been true ever since the first day she came. She causes trouble here; she's 1.2 ::DAY :=Karen: Well, I'm going to marry him some day, you know. 1.2 ::DAY :=Karen: love with Joe a long time. It's a big day for the school. Rosalie's finally put 1.3 ::DAY :=Mrs. Mortar: Any day that he's in the house is a bad day. 1.3 ::DAY :=Mrs. Mortar: Any day that he's in the house is a bad day. 1.3 ::DAY :=Mrs. Mortar: Good day, Joseph. 2.1 ::DAY :=Agatha: any clean person be at this time of day? She's taking a bath. 2.2 ::DAY :=Mary: She's getting fatter every day. 2.4 ::DAY :=Mary: it. I remember it, because it was the day Helen Burton's bracelet was -- 2.4 ::DAY :=Mary: It was the day Helen's bracelet was stolen, and nobody 3.1 ::DAY :=Martha: I couldn't do that. I look forward all day to that bath. It's my last touch with 3.1 ::DAY :=Martha: I tell you, at five o'clock every day you comb your hair. How's that? It's 3.1 ::DAY :=Karen: It never seemed real until the last day. It seems real enough now, all right 3.2 ::DAY :=Karen: You'll be coming home again some day. 3.2 ::DAY :=Karen: for a long time. I knew surely the day we lost the case. I was watching your 3.2 ::DAY :=Karen: -- will you go away for two days -- a day -- and think this all over by yourself 1.2 ::DAY'S :=Cardin: Our little Mary pops up in every day's dispatches. 3.1 ::DAY'S :=Martha: morning and you say to yourself, the day's not entirely empty, life is rich and 1.3 ::DAYS :=Martha: The gilded days. It was very extravagant of them to 3.1 ::DAYS :=Martha: We've been sitting here for eight days asking each other the time. Haven't 3.1 ::DAYS :=Karen: It's been days since we've been out of this house. 3.2 ::DAYS :=Karen: Will you -- will you go away for two days -- a day -- and think this all over 1.1 ::DE :=Lois: Ad, ab, ante, in, de, inter, con, post, prae -- I can't seem 1.4 ::DE :=Peggy: find that copy of "Mademoiselle de Maupin." She'll blab like the dickens 3.3 ::DEA :=Mrs. Mortar: know what we can do -- You think she's dea -- 2.2 ::DEAD :=Mary: and your mother and father will be dead and you won't have any place to go and 3.3 ::DEAD :=Karen: not going suffer any more. Martha is dead. So you've come here to relieve your 1.3 ::DEAL :=Martha: Oh, my God, how can anybody deal with you? You're going where you want 1.3 ::DEAL :=Cardin: our marriage oughtn't to make a great deal of difference -- 2.3 ::DEAL :=Mrs. Tilford: their own business. It becomes a great deal more than that when children are in 3.1 ::DEAL :=Mrs. Mortar: I was moving around a great deal. You know, I think it will throw a very 1.1 ::DEAR :=Mrs. Mortar: I had many offers, my dear. But the cinema is a shallow art. It 1.1 ::DEAR :=Lois: Oh, dear. Utor, fruor, fung -- 1.1 ::DEAR :=Mrs. Mortar: Long ago, my dear, long ago. Now, take you book over by 1.1 ::DEAR :=Mrs. Mortar: with you classes. Now run along, dear, and get a vase and some water to put 2.1 ::DEAR :=Mrs. Tilford: Never mind, dear; now stop crying and tell me what is 2.1 ::DEAR :=Mrs. Tilford: I couldn't, dear. But I was coming tomorrow. 2.1 ::DEAR :=Mrs. Tilford: We don't celebrate my birthday, dear. You'll have to go back to school after 2.4 ::DEAR :=Mrs. Tilford: Sit down, dear, and don't be afraid. 2.4 ::DEAR :=Mrs. Tilford: That's true, my dear? 3.3 ::DEAR :=Mrs. Tilford: You will have. I know it. Good-bye, my dear. 2.1 ::DEATH :=Agatha: your chest? Do you want to catch your death of cold at your age? Did you have to 1.2 ::DEBT :=Karen: By that time we ought to be out of debt, and the school should be paying for 2.1 ::DECIDE :=Agatha: given you a holiday or did you just decide you'd get a better dinner here? Can't 3.2 ::DECIDE :=Karen: and love and pity? Will you? And then decide. 2.2 ::DECIDED :=Mrs. Tilford: Why has Karen decided so suddenly to make it definite? 2.2 ::DECIDED :=Cardin: She has not suddenly decided anything. The school is pretty well 2.3 ::DEFENDING :=Karen: you've said. We're standing here defending ourselves -- and against what? 3.1 ::DEFENSE'S :=Martha: do you? Well, a great part of the defense's case was based on remarks made 3.1 ::DEFENSE'S :=Martha: Martha. And a greater part of the defense's case rested on the telling fact 2.2 ::DEFINITE :=Mrs. Tilford: a long time. Are your plans any more definite than they were a year ago? 2.2 ::DEFINITE :=Mrs. Tilford: Karen decided so suddenly to make it definite? 1.3 ::DELIA :=Mrs. Mortar: It was I who saved Delia Lampert's life the time she had that 1.3 ::DELIA :=Mrs. Mortar: We almost lost her that time. Poor Delia! We went over to London together. She 1.3 ::DELIBERATE :=Mrs. Mortar: difference does it make? Why, it was a deliberate snub. 1.3 ::DELIBERATELY :=Martha: enough to see how we were. Did you deliberately listen? 3.1 ::DELIGHTED :=Martha: at long last. Come on in. We're delighted to see you. Are you tired from 2.3 ::DEMANDING :=Mrs. Tilford: through with that again. You came here demanding explanations. It was I who should 3.1 ::DENY :=Martha: Mortar would not appear in court to deny or explain those remarks. Mrs. Mortar 3.3 ::DESCEND :=Martha: Duchess some dinner. When the hawks descend, you've got to feed 'em. Where's 2.1 ::DESERVE :=Mrs. Tilford: punish you for running away. You deserve to be punished. 2.4 ::DESERVE :=Cardin: an awful beating, Amelia, and you deserve whatever you get. 2.4 ::DESERVE :=Mrs. Tilford: know, any more. Maybe it's what I do deserve. I'm sorry to keep you up so late, 3.2 ::DESK :=Cardin: Dr. Engelhardt, and the nurse at the desk, and to the fat gal in the cake shop, 3.3 ::DESTROYED :=Karen: us we've done. Other people aren't destroyed by it. 1.4 ::DEVIL :=Peggy: You'll get the devil now. Dr. Cardin gave it to Miss Wright. 1.4 ::DICKENS :=Peggy: de Maupin." She'll blab like the dickens. 1.1 ::DID :=Peggy: But you did skip three lines. See? 1.1 ::DID :=Karen: Where did you get them? 1.1 ::DID :=Mary: I did pick the flowers near Conway's. You never 1.2 ::DID :=Karen: Did you get Joe? 1.2 ::DID :=Martha: Oh, I did. I did, indeed. God, how I used to hate 1.2 ::DID :=Martha: Oh, I did. I did, indeed. God, how I used to hate all 1.2 ::DID :=Karen: Of course. Did you get Joe himself on the phone? 1.3 ::DID :=Martha: long enough to see how we were. Did you deliberately listen? 1.4 ::DID :=Mary: leave it alone. She'll never know we did it. 1.4 ::DID :=Peggy: We didn't do it. You did it yourself. 1.4 ::DID :=Mary: And what will you do if I say we did do it? Never mind, I'll think of something 1.4 ::DID :=Evelyn: Did you really have a pain? 1.4 ::DID :=Evelyn: What did Mith Wright do to you when the clath 1.4 ::DID :=Mary: a lot of crawling and crying you both did too, I bet. 1.4 ::DID :=Mary: secret we got. Go on, now, what else did they say? 1.4 ::DID :=Peggy: Wright, and that was unnatural. Boy! Did Miss Dobie get sore at that! 1.4 ::DID :=Mary: What did she mean Dobie was jealous? 1.4 ::DID :=Mary: Say I did it -- it doesn't make a bit of difference 2.1 ::DID :=Agatha: me. Have they given you a holiday or did you just decide you'd get a better dinner 2.1 ::DID :=Agatha: catch your death of cold at your age? Did you have to hurry so? 2.1 ::DID :=Agatha: Did I say that? I said she needed a good 2.1 ::DID :=Mrs. Tilford: We all get homesick. But how did you get here? Did Miss Karen drive you 2.1 ::DID :=Mrs. Tilford: homesick. But how did you get here? Did Miss Karen drive you over? 2.1 ::DID :=Agatha: Did she have to walk through the woods in 2.1 ::DID :=Mary: Yes, I did. My heart -- I had a pain in my heart. 2.1 ::DID :=Mary: But I did have a pain in my heart -- honest. 2.1 ::DID :=Mary: I did faint. I didn't pretend. They just said 2.1 ::DID :=Mary: bad. Anyway, it wasn't anything that I did. 2.1 ::DID :=Mrs. Tilford: What? What did you say? 2.2 ::DID :=Rosalie: I didn't tell you about anything. Did your tell your grandmother such a th 2.2 ::DID :=Rosalie: Did you? 2.2 ::DID :=Mary: Yes, you did. 2.2 ::DID :=Mrs. Tilford: Did I take you away from a patient? 2.2 ::DID :=Mrs. Tilford: When did you last see Karen? 2.3 ::DID :=Karen: It's crazy! It's crazy! What did she do it for? 2.3 ::DID :=Cardin: Did you tell them that? 2.3 ::DID :=Cardin: Then what did you do it for? 2.3 ::DID :=Cardin: that farm, to start that school. They did without everything that young people 2.3 ::DID :=Cardin: Well, now it's gone. What the hell did you do it for? 2.4 ::DID :=Cardin: All right, we'll skip that one. Did you get punished today? 2.4 ::DID :=Martha: them have meanings that -- Where did you learn so much in so little time? 2.4 ::DID :=Karen: don't want her still now. What else did you hear? 2.4 ::DID :=Cardin: But what did you think they were? Why did they frighten 2.4 ::DID :=Cardin: But what did you think they were? Why did they frighten you? 2.4 ::DID :=Cardin: How did you know anybody was in Miss Dobie's 2.4 ::DID :=Mrs. Tilford: What is this, Mary? Why did you say you saw through a keyhole? Can 2.4 ::DID :=Mary: with everybody mixing me all up. I did see it! I did see it! 2.4 ::DID :=Mary: mixing me all up. I did see it! I did see it! 2.4 ::DID :=Mrs. Tilford: What did you see? Where did you see it? I want 2.4 ::DID :=Mrs. Tilford: What did you see? Where did you see it? I want the truth, now. The 2.4 ::DID :=Mary: Yes, you did, Rosalie. You're just trying to get out 2.4 ::DID :=Rosalie: I never did. I -- I -- you're just -- 2.4 ::DID :=Mary: was stolen, and nobody knew who did it, and Helen said that if her mother 2.4 ::DID :=Rosalie: Yes. Yes. I did see it. I told Mary. What Mary said was 3.1 ::DID :=Karen: is no solid world. Oh. Martha, why did it happen? What happened? What are we 3.1 ::DID :=Martha: Isn't she wonderful? Why did you refuse to come back here and testify 3.2 ::DID :=Karen: Why did you do that? 3.2 ::DID :=Karen: You did what? 3.2 ::DID :=Karen: What did you mean? What did you mean when you 3.2 ::DID :=Karen: What did you mean? What did you mean when you said: "What you've 3.2 ::DID :=Karen: believe me. I'd never know whether you did or not. You'd never know whether you 3.2 ::DID :=Karen: or not. You'd never know whether you did, either. We couldn't do it that way. 3.3 ::DID :=Martha: know how, I don't know why. But I did love you. I do love you. I resented your 3.3 ::DID :=Karen: That isn't the reason she did it. 3.3 ::DID :=Mrs. Mortar: Karen, and I was good to her too. I did everything I could. I -- I haven't any 3.3 ::DID :=Karen: us that night you had to do what you did. Now you "have" to do this. A public 3.3 ::DID :=Mrs. Tilford: Did I do that, too? 3.3 ::DID :=Karen: I don't think anyone did anything, any more. 1.1 ::DIDN'T :=Mary: I thought you would like them and I didn't know it would take so long to pick 1.1 ::DIDN'T :=Evelyn: I didn't mean to do it that bad, Mith Wright, 1.1 ::DIDN'T :=Karen: Well, I didn't either. I don't think I do yet. Where'd 1.1 ::DIDN'T :=Mary: flowers and they looked pretty and I didn't know it was so late. 1.3 ::DIDN'T :=Peggy: We didn't mean to. We heard voices and we couldn't 1.4 ::DIDN'T :=Peggy: We're awfully sorry, really. We just didn't think and -- 1.4 ::DIDN'T :=Peggy: We didn't do it. You did it yourself. 1.4 ::DIDN'T :=Mary: I fainted, didn't I? 1.4 ::DIDN'T :=Evelyn: Then we didn't hear any more. Peggy dropped a bo 1.4 ::DIDN'T :=Peggy: I didn't mean it that way. 2.1 ::DIDN'T :=Mary: Hello, Agatha. You didn't give me a chance. Where's Grandma 2.1 ::DIDN'T :=Agatha: Why didn't you put on your middy blouse and your 2.1 ::DIDN'T :=Agatha: She didn't say anything about you coming. 2.1 ::DIDN'T :=Mary: How could she, stupid? She didn't know. 2.1 ::DIDN'T :=Agatha: for a walk in the woods when they didn't feel well? 2.1 ::DIDN'T :=Agatha: Why didn't you put some cold water on your chest? 2.1 ::DIDN'T :=Mary: It's so good to see you, Grandma. You didn't come to visit me all last week. 2.1 ::DIDN'T :=Mary: I ran away, Grandma. They didn't know -- 2.1 ::DIDN'T :=Mary: they called Cousin Joe and he said I didn't. He said it was maybe only that I 2.1 ::DIDN'T :=Mary: I didn't want to be sick, but I'm always getting 2.1 ::DIDN'T :=Mrs. Tilford: And sometimes you were naughty and didn't shut them. 2.1 ::DIDN'T :=Mary: I'm sorry I said that, Grandma. I didn't mean to hurt your feelings. Forgive 2.1 ::DIDN'T :=Mary: I did faint. I didn't pretend. They just said that to make 2.1 ::DIDN'T :=Mary: just ask Peggy and Evelyn whether we didn't hear. Almost always Miss Dobie comes 2.1 ::DIDN'T :=Mary: we've always been frightened and so we didn't ask, and one night I was going to 2.2 ::DIDN'T :=Rosalie: You can't do a thing like that. I didn't tell you about anything. Did your 2.2 ::DIDN'T :=Rosalie: up to your grandmother and tell her I didn't tell you anything -- whatever it is. 2.2 ::DIDN'T :=Rosalie: Shut up. I didn't do any such thing. 2.2 ::DIDN'T :=Rosalie: I didn't steal anything. I borrowed the bracelet 2.2 ::DIDN'T :=Cardin: at everybody else -- Amelia, you didn't bring me here to talk about the hospital. 2.3 ::DIDN'T :=Karen: We didn't know what it was. Nobody would talk 2.3 ::DIDN'T :=Martha: that she'd wait outside because she didn't want to enter a place like ours. Five 2.3 ::DIDN'T :=Martha: here -- We're standing here taking it. Didn't you know we'd come here? Were we supposed 2.3 ::DIDN'T :=Karen: why, we never could find out. There didn't seem to be any reason -- 2.3 ::DIDN'T :=Mrs. Tilford: me, you attack Mary. I've told you I didn't mean you any harm. I still don't. 2.4 ::DIDN'T :=Mary: Miss Dobie got jealous, and that she didn't want you to get married. 2.4 ::DIDN'T :=Rosalie: Oh, Miss Wright, I didn't, didn't, I didn't. I never said such 2.4 ::DIDN'T :=Rosalie: Oh, Miss Wright, I didn't, didn't, I didn't. I never said such a th 2.4 ::DIDN'T :=Rosalie: Oh, Miss Wright, I didn't, didn't, I didn't. I never said such a thing. 3.1 ::DIDN'T :=Martha: Why didn't you answer my telegrams? 3.1 ::DIDN'T :=Martha: Why didn't you answer my telegrams? 3.1 ::DIDN'T :=Mrs. Mortar: Why, Martha, I didn't refuse to come back at all. That's 3.1 ::DIDN'T :=Mrs. Mortar: I didn't think of it that way, Martha. It couldn't 3.1 ::DIDN'T :=Mrs. Mortar: I do see it your way, and I'm sorry I didn't come back. But now that I am here, 3.2 ::DIDN'T :=Cardin: I'm sorry, Karen, I'm sorry. I didn't mean to hurt you, I -- 3.2 ::DIDN'T :=Karen: really never wanted to ask at all. You didn't know for sure; you thought there might 3.2 ::DIDN'T :=Cardin: I didn't mean it that way; I don't now. 3.3 ::DIDN'T :=Martha: these months, all during the trial -- Didn't you tell him? For God's sake, didn't 3.3 ::DIDN'T :=Martha: Didn't you tell him? For God's sake, didn't you tell him it wasn't true? 3.3 ::DIDN'T :=Martha: He didn't believe you? 3.3 ::DIDN'T :=Martha: No, of course you didn't. But who says I didn't? I never felt 3.3 ::DIDN'T :=Martha: of course you didn't. But who says I didn't? I never felt that way about anybody 3.3 ::DIDN'T :=Martha: your life. I've ruined my own. I didn't even know. There's a big difference 3.3 ::DIDN'T :=Mrs. Tilford: I didn't come here to relieve myself. I swear 3.3 ::DIDN'T :=Mrs. Tilford: to relieve myself. I swear to God I didn't. I came to try -- to try anything. 1.2 ::DIFFERENCE :=Karen: my marriage wasn't going to make any difference to the school. 1.3 ::DIFFERENCE :=Martha: What difference does it make? 1.3 ::DIFFERENCE :=Mrs. Mortar: What difference does it make? Why, it was a deliberate 1.3 ::DIFFERENCE :=Martha: live together, and it doesn't make any difference whose fault it is. 1.3 ::DIFFERENCE :=Cardin: oughtn't to make a great deal of difference -- 1.4 ::DIFFERENCE :=Mary: I did it -- it doesn't make a bit of difference any more to me. Now listen, you 3.1 ::DIFFERENCE :=Karen: I don't know. What's the difference? 3.1 ::DIFFERENCE :=Karen: What difference does it all make now? 3.2 ::DIFFERENCE :=Cardin: Yes, if you want, but it won't make any difference. We will -- 3.3 ::DIFFERENCE :=Martha: own. I didn't even know. There's a big difference between us now, Karen. I feel 3.3 ::DIFFERENCE :=Karen: What difference does it make now? 2.4 ::DIFFERENT :=Cardin: don't. I've lied myself for a lot of different reasons, but there was never a 2.4 ::DIFFERENT :=Mary: and then I got scared because it was different sort of and I -- 3.3 ::DIFFERENT :=Mrs. Mortar: It's different for you. You're young. 1.3 ::DIG :=Martha: it. We don't want you around when we dig up the buried treasure. 1.4 ::DIME :=Mary: at least a dollar for the taxi and a dime for the bus. 1.1 ::DIMENSION :=Mrs. Mortar: art. It has no -- no -- no fourth dimension. Now, Peggy, if you would only 1.2 ::DINNER :=Karen: Nothing unusual. Last night at dinner she was telling the girls about the 1.4 ::DINNER :=Mary: got to help. They won't miss me before dinner if you make Rosalie shut the door 2.1 ::DINNER :=Agatha: did you just decide you'd get a better dinner here? Can't you even say hello? 2.1 ::DINNER :=Mary: Is anybody coming for dinner? 2.1 ::DINNER :=Agatha: so sick, you certainly won't want any dinner. A good dose of rhubarb and soda will 2.1 ::DINNER :=Mrs. Tilford: here. John will drive her back before dinner. 2.1 ::DINNER :=Mrs. Tilford: face and change your dress, and after dinner John will drive you back. Run alo 2.1 ::DINNER :=Mary: I can stay for dinner? 2.1 ::DINNER :=Mrs. Tilford: You'll have to go back to school after dinner. 2.1 ::DINNER :=Mrs. Tilford: Now run upstairs and get ready for dinner. 2.1 ::DINNER :=Mrs. Tilford: you. Now go upstairs and get ready for dinner. Is Miss Wright -- is Miss Wright 2.2 ::DINNER :=Agatha: yourself at home. Have you had your dinner? 3.1 ::DINNER :=Martha: not talk about it. What about eggs for dinner? 3.2 ::DINNER :=Karen: you always sit; it's nearly time for dinner. I'm like everybody else. I can have 3.3 ::DINNER :=Martha: we'll have to give the Duchess some dinner. When the hawks descend, you've got 3.3 ::DINNER :=Martha: A patient? Will he be back in time for dinner? 3.3 ::DINNER :=Martha: We'll save dinner for him, then. Karen! What's the 2.3 ::DINNER-TIME :=Martha: you can make any sense out of it. At dinner-time Mrs. Munn's chauffeur said that 1.3 ::DINNER'S :=Cardin: still thinks honor is honor and dinner's at eight thirty. Yes, ma'am, we're 2.1 ::DINNER'S :=Mrs. Tilford: we've had enough gossip, don't you? Dinner's almost ready, and I can't eat with 2.2 ::DINNERS :=Mrs. Tilford: weeks. Agatha misses you for Sunday dinners. 1.4 ::DIRTY :=Mary: It was a dirty trick making us move. She just wants 2.1 ::DIRTY :=Mary: I got a little dirty coming home. I walked part of the way 2.1 ::DIRTY :=Mrs. Tilford: I can't eat with a girl who has such a dirty face. 2.2 ::DIRTY :=Agatha: that she doesn't get my good quilt all dirty, and let her wear your green pajam 2.3 ::DIRTY :=Karen: mess, do you hear me? It makes me feel dirty and sick to be forced to say this, 3.3 ::DIRTY :=Martha: between us now, Karen. I feel all dirty and -- I can't stay with you any more, 1.3 ::DISCIPLINE :=Mrs. Mortar: with these new- fangled notions of discipline and -- 1.3 ::DISCONNECTED :=Martha: Aunt Lily, the amount of disconnected unpleasantness that goes on 1.2 ::DISPATCHES :=Cardin: Our little Mary pops up in every day's dispatches. 1.4 ::DISPOSITION :=Rosalie: time, but just 'cause I got a good disposition. But don't think you're going 1.1 ::DISTURB :=Mrs. Mortar: you book over by the window and don't disturb our enjoyment of Shakespeare. Let 1.1 ::DO :=Evelyn: for three weekth, but I jutht can't do it. 1.1 ::DO :=Mrs. Mortar: Well, try to do something with it. Make some handkerchiefs 1.1 ::DO :=Mrs. Mortar: God's when mercy seasons justice. We do pray for mercy, and that same prayer doth 1.1 ::DO :=Evelyn: I didn't mean to do it that bad, Mith Wright, but Rothalie'th 1.1 ::DO :=Evelyn: in the paper, and I wath trying to do it that way. 1.1 ::DO :=Rosalie: Oh, what shall I do, Miss Wright? It's long here, and it's 1.1 ::DO :=Karen: Well, I didn't either. I don't think I do yet. Where'd you get those flowers, M 1.1 ::DO :=Mrs. Mortar: believe it! What a nasty thing to do! And I suppose you have just as fine an 1.1 ::DO :=Karen: and me, that they liked the school. Do you think that's true? 1.1 ::DO :=Karen: to find out why. Why, for example, do you find it necessary to lie to us so 1.1 ::DO :=Karen: flowers out of the garbage can. What I do want to know is why you feel you have 1.1 ::DO :=Mary: say you fuss at me about. Everything I do is wrong. 1.1 ::DO :=Karen: that I'll always agree that you should do exactly what you want to do, but I've 1.1 ::DO :=Karen: you should do exactly what you want to do, but I've had feelings like that, too 1.1 ::DO :=Karen: But this way, this kind of lying you do, makes everything wrong. 1.1 ::DO :=Mary: get punished for every little thing I do. I'll tell her, I'll -- 1.1 ::DO :=Mrs. Mortar: Do you think -- ? Heart trouble is very serious 1.2 ::DO :=Karen: a swell black eye. But we ought to do something. 1.2 ::DO :=Karen: You want to do it? I hate to do it. She's been so nice 1.2 ::DO :=Karen: You want to do it? I hate to do it. She's been so nice to us. Anyway, 1.2 ::DO :=Karen: so nice to us. Anyway, it wouldn't do any good. She's too crazy about Mary to 1.2 ::DO :=Karen: That would be admitting that we can't do the job ourselves. 1.2 ::DO :=Martha: on a chair. Sir Henry taught her do it that way. He said it was a test of 1.2 ::DO :=Karen: enough money to send her away. Let's do it. 1.2 ::DO :=Karen: going to leave, and you know it. Why do you say things like that? We agreed a 1.2 ::DO :=Karen: getting married tomorrow, and when I do, it's not going to interfere with my work 1.2 ::DO :=Karen: For God's sake, do you expect me to give up my marriage? 1.3 ::DO :=Martha: can spare the money now, and it will do you a lot of good. You pick out the boat 1.3 ::DO :=Mrs. Mortar: Please do not raise your voice. 1.3 ::DO :=Martha: You ought to be glad I don't do worse. 1.3 ::DO :=Mrs. Mortar: being together. God knows what you'll do when they get married. You're jealous 1.3 ::DO :=Mrs. Mortar: something nice young ladies just don't do. 1.3 ::DO :=Mrs. Mortar: You mean to say you're not going to do anything about that? That's the trouble 1.3 ::DO :=Martha: hearing the things you say. Oh, I'll "do something about it," but the truth is 1.3 ::DO :=Martha: But it's such a silly thing to do. She knew we'd have you in. Maybe she's 1.3 ::DO :=Martha: what to take seriously, either. But I do think somebody ought to talk to Mrs. Tilford 1.4 ::DO :=Karen: Peggy. You and Evelyn never used to do things like this. We'll have to separate 1.4 ::DO :=Mary: blamed and punished for everything. I do, Cousin Joe. All the time for everyth 1.4 ::DO :=Evelyn: Don't do that. She'll hear you. 1.4 ::DO :=Evelyn: Now what are you going to do? 1.4 ::DO :=Peggy: We didn't do it. You did it yourself. 1.4 ::DO :=Mary: And what will you do if I say we did do it? Never mind, I'll 1.4 ::DO :=Mary: And what will you do if I say we did do it? Never mind, I'll think of something 1.4 ::DO :=Evelyn: What did Mith Wright do to you when the clath left? 1.4 ::DO :=Mary: You do, do you? You just don't tell me and see 1.4 ::DO :=Mary: You do, do you? You just don't tell me and see what 1.4 ::DO :=Peggy: doesn't want them to get married. How do you like that? 1.4 ::DO :=Mary: Close that door, you idiot. What do you want? 1.4 ::DO :=Mary: You'll do for today. Now go on, Rosalie, and fix 1.4 ::DO :=Rosalie: All right, I'll do it this time, but just 'cause I got a 1.4 ::DO :=Evelyn: Now what do you think of that? What made her tho 1.4 ::DO :=Evelyn: What are you going to do about the vathe? 1.4 ::DO :=Evelyn: Not going to be here! What do you mean? 1.4 ::DO :=Peggy: Not going to be here! What do you mean? 1.4 ::DO :=Evelyn: You can't do that. 1.4 ::DO :=Mary: of something to tell her. I can always do it better on the spur of the moment. 1.4 ::DO :=Mary: Of course you wouldn't. You'd let 'em do anything to you they want. Well, they 1.4 ::DO :=Mary: to you they want. Well, they can't do it to me. Who's got any money? 2.1 ::DO :=Agatha: you put some cold water on your chest? Do you want to catch your death of cold at 2.1 ::DO :=Mrs. Tilford: Mary! Do you mean you left without permission? 2.1 ::DO :=Mrs. Tilford: That was a very bad thing to do, and they'll be worried. Agatha, phone 2.1 ::DO :=Mary: No, Grandma, don't do that. Please don't do that. Please let 2.1 ::DO :=Mary: Grandma, don't do that. Please don't do that. Please let me stay. 2.1 ::DO :=Mary: But -- How much do you love me? 2.1 ::DO :=Mrs. Tilford: But I do care that you're talking this way. 2.1 ::DO :=Mary: scared, Grandma, I'm scared. They'll do dreadful things to me. 2.1 ::DO :=Mary: It's not that. It's not anything I do. It never is. They -- they just punish 2.1 ::DO :=Mrs. Tilford: What has that to do with you? I don't understand a word you're 2.1 ::DO :=Mrs. Tilford: How do you know all this? 2.1 ::DO :=Mrs. Tilford: Do you know what you're saying? Mary? Are 2.2 ::DO :=Agatha: Do I know all the crazy things that are happening 2.2 ::DO :=Agatha: Don't tell me what you won't do. You'll act like a lady for once in your 2.2 ::DO :=Rosalie: and Lois went home tonight, too. Do you think somebody's got scarlet fever 2.2 ::DO :=Rosalie: Do you know what it is? How'd you find out? 2.2 ::DO :=Rosalie: Why, Mary Tilford! You can't do a thing like that. I didn't tell you about 2.2 ::DO :=Rosalie: Shut up. I didn't do any such thing. 2.2 ::DO :=Mary: am the vassal of Mary Tilford and will do and say whatever she tells me under the 2.2 ::DO :=Rosalie: But then you could tell me to do anything. 2.2 ::DO :=Mary: And you'd have to do it. Say it quick or I'll -- 2.2 ::DO :=Rosalie: am the vassal of Mary Tilford and will do and say whatever she tells me under the 2.3 ::DO :=Karen: It's crazy! It's crazy! What did she do it for? 2.3 ::DO :=Cardin: What are you talking about? What do you mean? 2.3 ::DO :=Martha: insane asylum has been let loose. How do we know what's happened? 2.3 ::DO :=Cardin: Then what did you do it for? 2.3 ::DO :=Karen: Do you realize what you're saying? 2.3 ::DO :=Karen: What's she mean? What is she trying to do to us? What is everybody doing to us? 2.3 ::DO :=Mrs. Tilford: This can't do any of us any good, Miss Dobie. 2.3 ::DO :=Martha: "This can't do any of us any good." Listen, listen. Try 2.3 ::DO :=Cardin: I don't think you do know. 2.3 ::DO :=Mrs. Tilford: to avoid this meeting because it can't do any good. You came here to find out if 2.3 ::DO :=Mrs. Tilford: Very well. There's nothing I mean to do, nothing I want to do. There's nothing 2.3 ::DO :=Mrs. Tilford: I mean to do, nothing I want to do. There's nothing anybody can do. 2.3 ::DO :=Mrs. Tilford: to do. There's nothing anybody can do. 2.3 ::DO :=Mrs. Tilford: I have done what I had to do. What they are may possibly be their own 2.3 ::DO :=Martha: There must be something we can do to you, and, whatever it is, we'll find 2.3 ::DO :=Karen: I don't want to have anything to do with your mess, do you hear me? It makes 2.3 ::DO :=Karen: to have anything to do with your mess, do you hear me? It makes me feel dirty and 2.3 ::DO :=Cardin: and bread and butter, and honest work. Do you know what it is to try so hard for 2.3 ::DO :=Cardin: now it's gone. What the hell did you do it for? 2.3 ::DO :=Martha: What is there to do with you? What can we do to you? There 2.3 ::DO :=Martha: is there to do with you? What can we do to you? There must be something -- something 2.3 ::DO :=Martha: that makes you feel the way we do tonight. You don't want any part of this, 2.3 ::DO :=Martha: you shriek it -- and we'll make you do it in a court room. Tomorrow, Mrs. Tilford, 2.3 ::DO :=Cardin: pieces, then the only honest thing to do is to give them a chance to come out whole. 2.4 ::DO :=Cardin: say so. You won't be punished for it. Do you get all that? 2.4 ::DO :=Mary: Oh, I do like them. They just don't like me. They 2.4 ::DO :=Cardin: How do you know? 2.4 ::DO :=Cardin: Why do you think they do that? 2.4 ::DO :=Cardin: Why do you think they do that? 2.4 ::DO :=Cardin: What do you think Mrs. Mortar meant by all that, 2.4 ::DO :=Mrs. Tilford: know, any more. Maybe it's what I do deserve. I'm sorry to keep you up so late, 3.1 ::DO :=Martha: Oh, I couldn't do that. I look forward all day to that bath. 3.1 ::DO :=Martha: ahead of me, one thing I've got to do. You ought to get yourself something like 3.1 ::DO :=Karen: What'll we do when we get off? 3.1 ::DO :=Karen: We won't see anybody, and suppose we do, what of it? We'll jus -- 3.1 ::DO :=Karen: What are we going to do? It's all so cold and unreal and -- It's 3.1 ::DO :=Martha: of one another." Don't like that, do you? Well, a great part of the defense's 3.1 ::DO :=Mrs. Mortar: now that you've explained it, why, I do see it your way, and I'm sorry I didn't 3.1 ::DO :=Mrs. Mortar: gone through, but the body and heart do recover, you know. I'll be here working 3.1 ::DO :=Mrs. Mortar: I will be temporarily in my room. How do you do? 3.1 ::DO :=Mrs. Mortar: be temporarily in my room. How do you do? 3.2 ::DO :=Cardin: Now, what do you think brought her back? 3.2 ::DO :=Karen: Why did you do that? 3.2 ::DO :=Cardin: Do what? 3.2 ::DO :=Karen: You can't leave here. I won't have you do this for me. What about the hospital and 3.2 ::DO :=Karen: Yes, you do. We've both known for a long time. I knew 3.2 ::DO :=Karen: whether you did, either. We couldn't do it that way. Can't you see what would 3.2 ::DO :=Karen: Joe, Joe. Let's do it now and quick; it will be too hard 3.2 ::DO :=Karen: No, Joe! Will you do something for me? 3.3 ::DO :=Karen: a big place we could get something to do. 3.3 ::DO :=Martha: don't know why. But I did love you. I do love you. I resented your marriage; maybe 3.3 ::DO :=Martha: and you don't know it and you don't do anything about it. Suddenly a child gets 3.3 ::DO :=Martha: to invent a new language, as children do, without words like tomorrow. 3.3 ::DO :=Mrs. Mortar: -- What -- what is it? What shall we do? What shall we do? 3.3 ::DO :=Mrs. Mortar: is it? What shall we do? What shall we do? 3.3 ::DO :=Mrs. Mortar: We've got to do something. Oh, it's awful. Poor Martha. 3.3 ::DO :=Mrs. Mortar: Poor Martha. I don't know what we can do -- You think she's dea -- 3.3 ::DO :=Mrs. Mortar: me for that once. I always tried to do everything I could. Suicide's a sin. Shouldn't 3.3 ::DO :=Karen: I couldn't do that, Agatha. 3.3 ::DO :=Mrs. Mortar: and see it. I won't have anything to do with it. I'll never let that woman -- 3.3 ::DO :=Mrs. Tilford: talked to Mary. I've found out. Don't do that, Karen. I have only a little more 3.3 ::DO :=Karen: You told us that night you had to do what you did. Now you "have" to do this. 3.3 ::DO :=Karen: to do what you did. Now you "have" to do this. A public apology and money paid, 3.3 ::DO :=Mrs. Tilford: No. I could never do that. Whatever she does, it must be to 3.3 ::DO :=Mrs. Tilford: Did I do that, too? 1.1 ::DOBIE :=Karen: here were happy; that they like Miss Dobie and me, that they liked the school. 1.1 ::DOBIE :=Karen: Ask Miss Dobie to give you some hot water and bicarbonate 1.3 ::DOBIE :=Evelyn: We were going upthtairth, Mith Dobie. 1.3 ::DOBIE :=Cardin: be meaning me now, would you, Miss Dobie? 1.4 ::DOBIE :=Peggy: were closed and we could hear Miss Dobie and Mortar having an awful row. Then 1.4 ::DOBIE :=Peggy: Mortar having an awful row. Then Miss Dobie opens the door and there we were. 1.4 ::DOBIE :=Mary: Dobie and Mortar, silly. 1.4 ::DOBIE :=Peggy: But everybody doesn't know that Miss Dobie doesn't want them to get married. How 1.4 ::DOBIE :=Peggy: Well, Mortar said that Dobie was jealous of them, and that she was 1.4 ::DOBIE :=Peggy: and that was unnatural. Boy! Did Miss Dobie get sore at that! 1.4 ::DOBIE :=Mary: What did she mean Dobie was jealous? 2.1 ::DOBIE :=Mrs. Tilford: thing about Miss Wright and Miss Dobie? You know they wouldn't hurt you. 2.1 ::DOBIE :=Mary: It was -- it was all about Miss Dobie and Mrs. Mortar. They were talking 2.1 ::DOBIE :=Mary: Peggy and Evelyn heard them and Miss Dobie found out, and then they made us move 2.1 ::DOBIE :=Mary: Evelyn heard Mrs. Mortar telling Miss Dobie that she was jealous of Miss Wright 2.1 ::DOBIE :=Mary: funny about it, and that Miss Dobie had always been like that, even when 2.1 ::DOBIE :=Mary: I bet it was, because honestly, Miss Dobie does get cranky and mean every time 2.1 ::DOBIE :=Mary: she said, Grandma, and one time Miss Dobie was crying in Miss Wright's room, and 2.1 ::DOBIE :=Mary: hearing because they -- I mean Miss Dobie -- was talking awful loud, and their 2.1 ::DOBIE :=Mary: we didn't hear. Almost always Miss Dobie comes in after we go to bed and stays 2.1 ::DOBIE :=Mary: fight and then they make up, and Miss Dobie cries and Miss Wright gets mad, and 2.3 ::DOBIE :=Mrs. Tilford: This can't do any of us any good, Miss Dobie. 2.3 ::DOBIE :=Mrs. Tilford: but pain. I am an old woman, Miss Dobie, and I have seen too many people, out 2.4 ::DOBIE :=Cardin: exact truth about Miss Wright and Miss Dobie? 2.4 ::DOBIE :=Cardin: Why don't you like Miss Dobie and Miss Wright? 2.4 ::DOBIE :=Mary: Mrs. Mortar told Miss Dobie that there was something funny about 2.4 ::DOBIE :=Mrs. Tilford: Miss Dobie? 2.4 ::DOBIE :=Mary: every time you came to the school Miss Dobie got jealous, and that she didn't want 2.4 ::DOBIE :=Mary: girls would talk about it when Miss Dobie went and visited Miss Wright late at 2.4 ::DOBIE :=Cardin: How could you see Miss Dobie and Miss Wright? 2.4 ::DOBIE :=Mrs. Tilford: lately about Miss Wright and Miss Dobie. Is that true? 2.4 ::DOBIE :=Karen: certain -- certain acts between Miss Dobie and myself. She says that once, when 3.1 ::DOBIE :=Martha: over. Listen, Karen Wright and Martha Dobie brought a libel suit against a woman 3.3 ::DOBIE :=Mrs. Tilford: saying that she had seen you and Miss Dobie together. I -- I've talked to Mary. 2.4 ::DOBIE'S :=Mary: the other room, I guess. It was Miss Dobie's room. I saw them through the keyhole 2.4 ::DOBIE'S :=Mary: I saw them through the keyhole in Miss Dobie's room. 2.4 ::DOBIE'S :=Cardin: How did you know anybody was in Miss Dobie's room? 3.2 ::DOCTOR :=Cardin: "Joseph," he said, "you'll be a good doctor; I would trust you to cut up my Minna. 3.2 ::DOCTOR :=Cardin: up my Minna. But you're not a great doctor, and you never will be. Go back where 3.3 ::DOCTOR :=Mrs. Mortar: We've got to get a doctor -- right away. 1.1 ::DOES :=Mary: It hurts right here. Really it does. 1.2 ::DOES :=Martha: Wait until she does Hedda Gabler standing on a chair. Sir 1.3 ::DOES :=Martha: What difference does it make? 1.3 ::DOES :=Mrs. Mortar: What difference does it make? Why, it was a deliberate s 1.3 ::DOES :=Mrs. Mortar: What exactly does that mean? 1.4 ::DOES :=Mary: Who cares if she does? And she can hear that, too. 2.1 ::DOES :=Mary: it was, because honestly, Miss Dobie does get cranky and mean every time Cousin 3.1 ::DOES :=Karen: What difference does it all make now? 3.3 ::DOES :=Karen: What difference does it make now? 3.3 ::DOES :=Mrs. Tilford: No. I could never do that. Whatever she does, it must be to me and no one else. She's 1.1 ::DOESN'T :=Karen: Peggy doesn't like Portia? 1.1 ::DOESN'T :=Karen: Well, there doesn't seem to be any other way with you; 1.2 ::DOESN'T :=Karen: That's nonsense. Joe doesn't want me to give up here. 1.3 ::DOESN'T :=Martha: of us can't live together, and it doesn't make any difference whose fault it 1.4 ::DOESN'T :=Peggy: But everybody doesn't know that Miss Dobie doesn't want 1.4 ::DOESN'T :=Peggy: everybody doesn't know that Miss Dobie doesn't want them to get married. How do 1.4 ::DOESN'T :=Peggy: No, she doesn't, Mary. She treats you just like the 1.4 ::DOESN'T :=Mary: Say I did it -- it doesn't make a bit of difference any more 1.4 ::DOESN'T :=Peggy: I won't. I won't. Mamma doesn't send me much allowance -- not half 2.2 ::DOESN'T :=Agatha: And see to it that she doesn't get my good quilt all dirty, and 2.4 ::DOESN'T :=Cardin: She doesn't know. 3.1 ::DOESN'T :=Martha: She doesn't know. She expected to walk right 3.3 ::DOESN'T :=Martha: Certainly that doesn't mean anything. There's nothing wrong 3.3 ::DOESN'T :=Karen: true? I don't care what you know. It doesn't matter any more. If that's what you 3.3 ::DOESN'T :=Mrs. Tilford: be again. But what I am or why I came doesn't matter. The only thing that matters 1.1 ::DOING :=Mrs. Mortar: Evelyn! What are you doing? 1.1 ::DOING :=Mrs. Mortar: You are certainly doing something. You are ruining the scissors 1.1 ::DOING :=Mrs. Mortar: Who's doing that? 1.3 ::DOING :=Martha: What were you doing outside the door? 1.4 ::DOING :=Mary: find some way to go. What were you doing? 1.4 ::DOING :=Mary: You can have it. That's what I was doing this morning -- finishing it. There's 2.1 ::DOING :=Agatha: What are you doing here? Well, come on in -- don't stand 2.1 ::DOING :=Agatha: Then what are you doing here? 2.1 ::DOING :=Mrs. Tilford: Mary, what are you doing home? 2.3 ::DOING :=Martha: We've come to find out what you are doing. 2.3 ::DOING :=Karen: trying to do to us? What is everybody doing to us? 3.1 ::DOING :=Karen: it happen? What happened? What are we doing here like this? 3.1 ::DOING :=Martha: He's been doing all right. 1.4 ::DOLLAR :=Mary: I've got to have at least a dollar for the taxi and a dime for the b 1.4 ::DOLLARS :=Mary: You've got money. You've got two dollars and twenty-five cents. 2.2 ::DOLLARS :=Agatha: Wells all the way to New York, three dollars and eighty-five cents and families 2.3 ::DOLLS :=Martha: this: you're not playing with paper dolls. We're human beings, see? It's our 1.1 ::DON'T :=Mrs. Mortar: take you book over by the window and don't disturb our enjoyment of Shakespeare. 1.1 ::DON'T :=Peggy: I don't want to go on the stage. I want to 1.1 ::DON'T :=Mrs. Mortar: I don't think she quite appreciates it, but 1.1 ::DON'T :=Karen: Well, I didn't either. I don't think I do yet. Where'd you get those 1.1 ::DON'T :=Mary: I don't know. 1.1 ::DON'T :=Karen: Prae, pro, sub, super. Don't worry, Lois. You'll come out all right. 1.1 ::DON'T :=Karen: Mary, I've had the feeling -- and I don't think I'm wrong -- that the girls here 1.1 ::DON'T :=Karen: true until you came here a year ago. I don't think you're very happy here, and I'd 1.1 ::DON'T :=Karen: tell me -- I'll try and understand. I don't say that I'll always agree that you 1.1 ::DON'T :=Karen: No horseback-riding and no hockey. Don't leave the school grounds for any reason 1.1 ::DON'T :=Mary: I don't feel well. 1.1 ::DON'T :=Karen: I don't think it can be very serious. 1.2 ::DON'T :=Martha: here; she's bad for the other girls. I don't know what it is -- it's a feeling I've 1.2 ::DON'T :=Martha: I don't understand you. It's been so damned 1.2 ::DON'T :=Martha: I don't mean that, but it's so -- 1.3 ::DON'T :=Mrs. Mortar: if you are so thick-skinned that you don't resent these things -- 1.3 ::DON'T :=Mrs. Mortar: So you don't resent your aunt being snubbed and 1.3 ::DON'T :=Martha: Don't tell yourself that too often, Aunt 1.3 ::DON'T :=Martha: But you don't like the school or the farm or -- 1.3 ::DON'T :=Martha: That's it. We don't want you around when we dig up the 1.3 ::DON'T :=Martha: You ought to be glad I don't do worse. 1.3 ::DON'T :=Martha: Don't act, Aunt Lily. Go as soon as you've 1.3 ::DON'T :=Martha: Spite? Oh, don't let's have any more of this today. 1.3 ::DON'T :=Mrs. Mortar: Don't think you're fooling me, young lady. 1.3 ::DON'T :=Mrs. Mortar: just as unnatural as it can be. You don't like their being together. You were 1.3 ::DON'T :=Mrs. Mortar: is something nice young ladies just don't do. 1.3 ::DON'T :=Martha: It means that I don't like them hearing the things you say. 1.3 ::DON'T :=Cardin: Don't blame her on me. It's another side 1.4 ::DON'T :=Karen: It was evidently too long. Now, don't let's talk about it. Peggy, you will 1.4 ::DON'T :=Evelyn: Don't do that. She'll hear you. 1.4 ::DON'T :=Mary: You do, do you? You just don't tell me and see what happens. 1.4 ::DON'T :=Mary: you go on up and move my things and don't say a word about our being down he 1.4 ::DON'T :=Rosalie: I don't know what you're talking about. 1.4 ::DON'T :=Rosalie: 'cause I got a good disposition. But don't think you're going to boss me around, 1.4 ::DON'T :=Mary: get the things done neatly, Rosalie. Don't muss my white linen bloomers -- 1.4 ::DON'T :=Mary: A lot of people don't -- they're too ugly. 1.4 ::DON'T :=Evelyn: Don't forget to give it to me. 1.4 ::DON'T :=Mary: I don't care about Rosalie and I don't care 1.4 ::DON'T :=Mary: I don't care about Rosalie and I don't care about the vase. I'm not going 1.4 ::DON'T :=Mary: with treating me like this, and they don't have to think they can. 1.4 ::DON'T :=Peggy: I don't think you ought to go, really, Mary. 1.4 ::DON'T :=Peggy: See? Why don't you just wait until your allowance 2.1 ::DON'T :=Agatha: you doing here? Well, come on in -- don't stand there gaping at me. Have they 2.1 ::DON'T :=Mary: Leave me alone. I don't feel well. 2.1 ::DON'T :=Agatha: Why don't you feel well? Who ever heard of a 2.1 ::DON'T :=Mary: But I don't feel all right. I can't even come home 2.1 ::DON'T :=Agatha: Don't you think you're fooling me, young 2.1 ::DON'T :=Mary: No, Grandma, don't do that. Please don't do that. Please 2.1 ::DON'T :=Mary: No, Grandma, don't do that. Please don't do that. Please let me stay. 2.1 ::DON'T :=Mary: Oh, please, Grandma, don't send me back right away. You don't 2.1 ::DON'T :=Mary: don't send me back right away. You don't know how they'll punish me. 2.1 ::DON'T :=Mrs. Tilford: I don't think they'll be that angry. Come, 2.1 ::DON'T :=Mrs. Tilford: We don't celebrate my birthday, dear. You'll 2.1 ::DON'T :=Mary: You don't love me. You don't care whether they 2.1 ::DON'T :=Mary: You don't love me. You don't care whether they kill me or not. 2.1 ::DON'T :=Mary: You don't! You don't! You don't care what happens 2.1 ::DON'T :=Mary: You don't! You don't! You don't care what happens to me 2.1 ::DON'T :=Mary: You don't! You don't! You don't care what happens to me. 2.1 ::DON'T :=Mrs. Tilford: What has that to do with you? I don't understand a word you're saying. 2.1 ::DON'T :=Mrs. Tilford: now I think we've had enough gossip, don't you? Dinner's almost ready, and I can't 2.1 ::DON'T :=Mary: Well, a lot of things I don't understand. But it's awful, and sometimes 2.1 ::DON'T :=Mary: I don't know. I just got to. 2.1 ::DON'T :=Mary: they'd find out and -- Oh, Grandma, don't make me go back to that awful plac 2.1 ::DON'T :=Mary: Don't make me go back to that place. I just 2.2 ::DON'T :=Agatha: Who? Don't you ever keep your ears open? Rosalie 2.2 ::DON'T :=Agatha: Don't tell me what you won't do. You'll act 2.2 ::DON'T :=Rosalie: You know everything, don't you? Isn't it funny about school? 2.2 ::DON'T :=Rosalie: Don't act like you can come home every n 2.2 ::DON'T :=Rosalie: Am I going back? I don't want to stay home. 2.2 ::DON'T :=Rosalie: You don't know, anyway. 2.2 ::DON'T :=Rosalie: You're just faking. Never mind, don't bother telling me. I think curiosity 2.2 ::DON'T :=Rosalie: the worst oath there is. Mary! Please don't -- 2.2 ::DON'T :=Mary: Don't forget that. 2.2 ::DON'T :=Cardin: Hard for you to say to me? Don't be worried about Mary. I guessed that 2.2 ::DON'T :=Cardin: We'll have the wedding here, it you don't mind. The smell of clean little girls 2.2 ::DON'T :=Mrs. Tilford: Don't you find it odd, Joseph, that they 2.2 ::DON'T :=Cardin: I don't know what you're talking about, but 2.2 ::DON'T :=Cardin: I don't think I can allow you to say things 2.3 ::DON'T :=Cardin: Then you don't want me here either. Darling, what 2.3 ::DON'T :=Mrs. Tilford: And that's why I don't think you should have come here. I 2.3 ::DON'T :=Cardin: I don't think you do know. 2.3 ::DON'T :=Mrs. Tilford: found out. Let's end it there. I don't want you in this house. I'm sorry this 2.3 ::DON'T :=Cardin: I don't like your sympathy. 2.3 ::DON'T :=Mrs. Tilford: thing is your own. Go away with it. I don't understand it and I don't want any 2.3 ::DON'T :=Mrs. Tilford: with it. I don't understand it and I don't want any part of it. 2.3 ::DON'T :=Karen: I don't want to have anything to do with your 2.3 ::DON'T :=Cardin: You don't know anything about how I feel. And 2.3 ::DON'T :=Cardin: anything about how I feel. And you don't know how they feel, either. 2.3 ::DON'T :=Martha: you feel the way we do tonight. You don't want any part of this, you said. But 2.3 ::DON'T :=Martha: All right. That's fine. But don't get the idea we'll let you whisper 2.3 ::DON'T :=Mrs. Tilford: I didn't mean you any harm. I still don't. You claim that it isn't true; it may 2.4 ::DON'T :=Mrs. Tilford: Sit down, dear, and don't be afraid. 2.4 ::DON'T :=Cardin: Sometimes they have to, sometimes they don't. I've lied myself for a lot of different 2.4 ::DON'T :=Cardin: Why don't you like Miss Dobie and Miss Wrigh 2.4 ::DON'T :=Mary: Oh, I do like them. They just don't like me. They never have liked me. 2.4 ::DON'T :=Mary: I don't know, but it was always kind of funny 2.4 ::DON'T :=Karen: No, no. You don't want her still now. What else did you 2.4 ::DON'T :=Mary: I don't know; there were just sounds. 2.4 ::DON'T :=Mary: I don't know. 2.4 ::DON'T :=Mary: Everybody is yelling at me. I don't know what I'm saying with everybody 2.4 ::DON'T :=Mrs. Tilford: I don't know. I don't know, any more. Maybe 2.4 ::DON'T :=Mrs. Tilford: I don't know. I don't know, any more. Maybe it's what I do 2.4 ::DON'T :=Rosalie: I -- I don't know what you mean. 2.4 ::DON'T :=Karen: Don't be frightened. 2.4 ::DON'T :=Rosalie: I don't know what she means, Miss Wright. 2.4 ::DON'T :=Karen: each other in a way that -- women don't kiss one another. 3.1 ::DON'T :=Karen: I don't know. What's the difference? 3.1 ::DON'T :=Karen: out. He says that all the people who don't think it's true will begin to wonder 3.1 ::DON'T :=Karen: Don't tell him. 3.1 ::DON'T :=Karen: I don't know. I don't know about anything any 3.1 ::DON'T :=Karen: I don't know. I don't know about anything any more. Martha, 3.1 ::DON'T :=Martha: I don't know. 3.1 ::DON'T :=Martha: Answer me and don't bother about my temper. 3.1 ::DON'T :=Mrs. Mortar: a moral obligation, you know. Now don't let's talk about unpleasant things 3.1 ::DON'T :=Martha: sexual knowledge of one another." Don't like that, do you? Well, a great part 3.2 ::DON'T :=Cardin: Don't let her worry you this time, Martha. 3.2 ::DON'T :=Karen: You don't want to go back to Vienna. 3.2 ::DON'T :=Cardin: Look: I don't want to go to Vienna; I'd rather have 3.2 ::DON'T :=Cardin: rather have stayed here. But then you don't want to go to Vienna; you'd rather 3.2 ::DON'T :=Cardin: eat and sleep and drink beer on. Now don't object any more, please, darling. All 3.2 ::DON'T :=Martha: go. It's better for all of us if I don't. 3.2 ::DON'T :=Cardin: you is made to mean something else. We don't talk like people any more. Oh, let's 3.2 ::DON'T :=Cardin: I don't know what you're talking about. 3.2 ::DON'T :=Cardin: Don't let's talk any more. Let's forget and 3.2 ::DON'T :=Cardin: I didn't mean it that way; I don't now. 3.2 ::DON'T :=Karen: be all right. Not ever, ever, ever. I don't know all the reasons why. Look, I'm 3.2 ::DON'T :=Cardin: Don't talk like that. No matter what it is, 3.2 ::DON'T :=Karen: Don't say anything. Please go now. And all 3.3 ::DON'T :=Martha: I don't believe you. 3.3 ::DON'T :=Martha: I don't believe it. He's never said a word 3.3 ::DON'T :=Karen: Don't. I feel sick to my stomach. 3.3 ::DON'T :=Karen: I don't know. I want to be sleepy. I want to 3.3 ::DON'T :=Karen: I don't know. Some place; any place. 3.3 ::DON'T :=Martha: chosen it. We aren't like that. We don't love each other. I don't love you. 3.3 ::DON'T :=Martha: like that. We don't love each other. I don't love you. We've been very close to 3.3 ::DON'T :=Martha: maybe the way they said I loved you. I don't know. Listen to me! 3.3 ::DON'T :=Martha: I can't any longer. It's there. I don't know how, I don't know why. But I did 3.3 ::DON'T :=Martha: It's there. I don't know how, I don't know why. But I did love you. I do 3.3 ::DON'T :=Martha: up. There's something in you, and you don't know it and you don't do anything about 3.3 ::DON'T :=Martha: in you, and you don't know it and you don't do anything about it. Suddenly a child 3.3 ::DON'T :=Martha: are, seeing it for the first time. I don't know. It all seems to come back to 3.3 ::DON'T :=Mrs. Mortar: Oh, it's awful. Poor Martha. I don't know what we can do -- You think she's 3.3 ::DON'T :=Mrs. Mortar: Oh, how could she -- she was so -- I don't know what -- I'm -- I'm frightened 3.3 ::DON'T :=Karen: Don't cry. 3.3 ::DON'T :=Karen: Don't be afraid. 3.3 ::DON'T :=Agatha: Mrs. Tilford. Don't you feel well? You ain't mad at me 3.3 ::DON'T :=Agatha: I don't blame you. But I had to tell you. She's 3.3 ::DON'T :=Karen: You know it wasn't true? I don't care what you know. It doesn't matter 3.3 ::DON'T :=Karen: I don't want to hear you. 3.3 ::DON'T :=Mrs. Tilford: I've talked to Mary. I've found out. Don't do that, Karen. I have only a little 3.3 ::DON'T :=Karen: it? And you want to stop the choking, don't you? You've done a wrong and you have 3.3 ::DON'T :=Karen: head again. You want to be "just," don't you, and you wanted us to help you 3.3 ::DON'T :=Karen: You want to be a "good" woman again, don't you? Oh, I know. You told us that night 3.3 ::DON'T :=Mrs. Tilford: I don't know. 3.3 ::DON'T :=Karen: I don't think anyone did anything, any mor 1.3 ::DONATED :=Mrs. Mortar: lessons? Patient with me! Here I've donated my services -- 1.2 ::DONE :=Cardin: going to be plenty of good breeding done in these hills. 1.4 ::DONE :=Peggy: I guess we shouldn't have done it, really. We came down to see what 1.4 ::DONE :=Mary: No, indeed. And get the things done neatly, Rosalie. Don't muss my white 2.1 ::DONE :=Mrs. Tilford: That's ridiculous. What have they ever done to you that is so terrible? 2.3 ::DONE :=Mrs. Tilford: this house. I'm sorry this had to be done to you, Joseph. 2.3 ::DONE :=Cardin: You have already done a terrible thing. 2.3 ::DONE :=Mrs. Tilford: I have done what I had to do. What they are may 2.3 ::DONE :=Mrs. Tilford: It had to be done. 2.3 ::DONE :=Mrs. Tilford: get those children away. That has been done. There won't be any talk about it or 3.1 ::DONE :=Mrs. Mortar: it that way, Martha. It couldn't have done any good for all of us to get mixed 3.2 ::DONE :=Cardin: It's already done. Fischer can't pay me much, but it'll 3.2 ::DONE :=Karen: I've done this to you. I've taken you away from 3.2 ::DONE :=Karen: They -- they've done it. They've taken away every chance 3.2 ::DONE :=Cardin: one chance, and if we miss it we're done for. It means that we've got to start 3.2 ::DONE :=Cardin: behind us now. Now, Karen. What you've done, you've done -- and that's that. 3.2 ::DONE :=Cardin: Now, Karen. What you've done, you've done -- and that's that. 3.2 ::DONE :=Karen: What I've done? 3.2 ::DONE :=Cardin: What's been done to you. 3.2 ::DONE :=Karen: you mean when you said: "What you've done"? 3.2 ::DONE :=Karen: I'd hate you for what I thought I'd done to you. And I'd hate myself, too. It 3.3 ::DONE :=Martha: Then what have you done? 3.3 ::DONE :=Karen: What had to be done. 3.3 ::DONE :=Karen: isn't a new sin they tell us we've done. Other people aren't destroyed by i 3.3 ::DONE :=Mrs. Mortar: She shouldn't have done it, she shouldn't have done it. It was 3.3 ::DONE :=Mrs. Mortar: have done it, she shouldn't have done it. It was because of all this awful 3.3 ::DONE :=Karen: to stop the choking, don't you? You've done a wrong and you have to right that wrong 3.3 ::DONE :=Karen: can sleep again and eat again. That done and there'll be peace for you. You're 1.3 ::DOOR :=Martha: What were you doing outside the door? 1.3 ::DOOR :=Martha: room-mates were busy listening at the door while Aunt Lily and I were yelling at 1.4 ::DOOR :=Peggy: awful row. Then Miss Dobie opens the door and there we were. 1.4 ::DOOR :=Mary: Close that door, you idiot. What do you want? 1.4 ::DOOR :=Mary: dinner if you make Rosalie shut the door and keep it shut. Now, I'll go through 1.4 ::DOOR :=Mary: to walk out. You know where the front door is, or are you too dumb even for that? 1.4 ::DOOR :=Mary: Well, I'm going right out that front door. 2.4 ::DOOR :=Karen: There's no keyhole on my door. 2.4 ::DOOR :=Karen: -- is -- no -- keyhole -- on -- my -- door. 2.4 ::DOOR :=Mary: honest truth. She said it was when the door was open once and she told us all about 2.4 ::DOOR :=Karen: myself. She says that once, when the door was open, you saw us kissing each other 3.1 ::DOOR :=Grocery Boy: I knocked on the kitchen door but nobody answered. 1.4 ::DOORS :=Peggy: see what was happening to you, but the doors were closed and we could hear Miss 2.1 ::DOSE :=Agatha: won't want any dinner. A good dose of rhubarb and soda will fix you up 2.1 ::DOSE :=Agatha: I say that? I said she needed a good dose of rhubarb and soda. Most likely she 1.1 ::DOTH :=Peggy: " -- doth sit the dread and fear of kings; 1.1 ::DOTH :=Peggy: "Wherein doth sit the dread and fear of kings; but 1.1 ::DOTH :=Mrs. Mortar: to God himself; and earthly power doth then show likest God's when mercy seasons 1.1 ::DOTH :=Mrs. Mortar: "And earthly power doth then show likest God's when mercy seasons 1.1 ::DOTH :=Mrs. Mortar: pray for mercy, and that same prayer doth teach -- " 1.2 ::DOUBT :=Karen: I doubt it. She's a problem, that kid. Her 1.1 ::DOWN :=Rosalie: Please, Mrs. Mortar, can I write that down? 1.1 ::DOWN :=Mrs. Mortar: Certainly. Suppose you all write it down. 1.1 ::DOWN :=Peggy: But we wrote it down last week. 1.3 ::DOWN :=Peggy: We came down to see how Mary was. 1.3 ::DOWN :=Martha: my class. I'll send Peggy and Evelyn down. You talk to them. 1.4 ::DOWN :=Karen: Sit down. 1.4 ::DOWN :=Karen: Sit down, girls, I want to talk to you. 1.4 ::DOWN :=Peggy: have done it, really. We came down to see what was happening to you, but 1.4 ::DOWN :=Mary: you won't get out of it that way. Sit down and stop being such a sissy. Rosalie, 1.4 ::DOWN :=Mary: and don't say a word about our being down here. 2.2 ::DOWN :=Mary: bawling. You'll have the whole house down here in a minute. 2.2 ::DOWN :=Mrs. Tilford: Hello, Joseph. Sit down. Whisky? 2.3 ::DOWN :=Martha: come here? Were we supposed to lie down and grin while you kicked us around 2.3 ::DOWN :=Cardin: Sit down. When two people come here with their 2.4 ::DOWN :=Mrs. Tilford: Sit down, dear, and don't be afraid. 2.4 ::DOWN :=Mary: It was at night and I was leaning down by the keyhole. 3.1 ::DOWN :=Martha: right up to a comfortable fire and sit down and she very carefully waited until 3.2 ::DOWN :=Karen: You're a fine man. Now go and sit down, Joe. I have things to say. They're 3.3 ::DOWN :=Martha: Take your hands down. You've got to know it. I can't keep 3.3 ::DOWN :=Karen: Go and lie down, Martha. You'll feel better. 1.4 ::DR :=Peggy: You'll get the devil now. Dr. Cardin gave it to Miss Wright. I guess 1.4 ::DR :=Evelyn: and then they tharted talking about Dr. Cardin. 2.1 ::DR :=Mrs. Tilford: Wright in? Never mind, never mind. Dr. Cardin, please. Mrs. Tilford. Joseph? 3.2 ::DR :=Cardin: show you off all over the place -- to Dr. Engelhardt, and the nurse at the desk, 3.2 ::DR :=Karen: A few. Oh, your Dr. Fischer was so right. This is where you 3.3 ::DR :=Agatha: hoping you'd come out. She can't get Dr. Joe. He -- he won't talk to her any more. 3.1 ::DRASTICALLY :=Mrs. Mortar: Things have changed in the theater -- drastically changed, I might say. 3.2 ::DRAW :=Karen: Draw back that way. 1.1 ::DREAD :=Peggy: " -- doth sit the dread and fear of kings; but mercy is 1.1 ::DREAD :=Peggy: "Wherein doth sit the dread and fear of kings; but mercy is above 2.1 ::DREADFUL :=Mary: Grandma, I'm scared. They'll do dreadful things to me. 2.1 ::DREADFUL :=Mrs. Tilford: Dreadful? Nonsense. They'll punish you for 3.1 ::DREAMING :=Karen: through the black mess you've been dreaming. Then, suddenly, you wake up and 2.1 ::DRESS :=Mrs. Tilford: and wash your face and change your dress, and after dinner John will drive you 3.2 ::DRESS :=Karen: the same, my face is the same, even my dress is old. We're in a room we've been 1.1 ::DRINK :=Mrs. Mortar: sit quietly with your sewing and drink in the immortal words of the immortal 2.4 ::DRINK :=Karen: we read at night and sometimes we drink tea at night. Those are guilty things, 3.2 ::DRINK :=Cardin: offers enough to eat and sleep and drink beer on. Now don't object any more, 2.1 ::DRIVE :=Mrs. Tilford: how did you get here? Did Miss Karen drive you over? 2.1 ::DRIVE :=Mrs. Tilford: and tell her Mary is here. John will drive her back before dinner. 2.1 ::DRIVE :=Mrs. Tilford: your dress, and after dinner John will drive you back. Run along. 1.4 ::DROPPED :=Evelyn: Then we didn't hear any more. Peggy dropped a book. 3.1 ::DRY :=Martha: You've come back to pick the bones dry. Well, there aren't even bones anymore. 1.3 ::DUCHESS :=Cardin: What's the matter with the Duchess? 3.1 ::DUCHESS :=Martha: The Duchess, isn't it? Returned at long last. 3.3 ::DUCHESS :=Martha: Well, I guess we'll have to give the Duchess some dinner. When the hawks descend, 1.3 ::DUENNA :=Martha: to Joe. Maybe he'll give you a job as duenna for his office. 1.4 ::DUMB :=Mary: the front door is, or are you too dumb even for that? Well, I'm going right 1.2 ::DURING :=Karen: gave her best performance of Rosalind during a hurricane. Today in the kitchen 1.3 ::DURING :=Mrs. Mortar: seems that I'm not wanted in the room during the examination. 1.3 ::DURING :=Mrs. Mortar: for an older woman to be present during an examination. 3.3 ::DURING :=Martha: said a word all these months, all during the trial -- Didn't you tell him? 3.1 ::DUSTING :=Martha: In a couple of months they'll need dusting. 1.1 ::EACH :=Karen: look at me. Let's try to understand each other. If you feel that you have to 1.3 ::EACH :=Martha: while Aunt Lily and I were yelling at each other. 2.3 ::EACH :=Karen: that Martha and I are -- in love with each other. In love with each other. Mrs. 2.3 ::EACH :=Karen: in love with each other. In love with each other. Mrs. Tilford told them. 2.4 ::EACH :=Karen: the door was open, you saw us kissing each other in a way that -- women don't kiss 3.1 ::EACH :=Martha: sitting here for eight days asking each other the time. Haven't you heard? There 3.2 ::EACH :=Karen: No. Martha and I have never touched each other. That's all right, darling. I'm 3.2 ::EACH :=Cardin: No matter what it is, we can't leave each other. I can't leave you -- 3.2 ::EACH :=Cardin: No, no, no. We love each other. I'd give anything not to have 3.3 ::EACH :=Martha: be here for a long time. Let's pinch each other sometimes. We can tell whether 3.3 ::EACH :=Martha: it. We aren't like that. We don't love each other. I don't love you. We've been 3.3 ::EACH :=Martha: love you. We've been very close to each other, of course. I've loved you like 3.3 ::EACH :=Karen: yourself a lie. We never thought of each other that way. 2.1 ::EARLY :=Mary: but I got scared and we went to bed early so we wouldn't hear, but sometimes 3.1 ::EARLY :=Karen: Take it early today. 3.3 ::EARLY :=Martha: It gets dark so early now. Cooking always makes me feel better. 1.3 ::EARN :=Mrs. Mortar: That small thing! I used to earn twice that for one performance. 2.1 ::EARNEST :=Mrs. Tilford: You're an earnest little coaxer, but it's out of the 1.3 ::EARS :=Martha: at your best, you're not for tender ears. 2.2 ::EARS :=Agatha: Who? Don't you ever keep your ears open? Rosalie Wells is coming over to 1.1 ::EARTHLY :=Mrs. Mortar: it is an attribute to God himself; and earthly power doth then show likest God's 1.1 ::EARTHLY :=Mrs. Mortar: "And earthly power doth then show likest God's 2.1 ::EAT :=Mrs. Tilford: Dinner's almost ready, and I can't eat with a girl who has such a dirty fac 3.1 ::EAT :=Martha: again. Remember how much we used to eat at college? 3.2 ::EAT :=Cardin: stay here, and Vienna offers enough to eat and sleep and drink beer on. Now don't 3.3 ::EAT :=Karen: paid, and you can sleep again and eat again. That done and there'll be peace 1.3 ::EAVESDROPPING :=Mrs. Mortar: Eavesdropping is something nice young ladies 2.1 ::EAVESDROPPING :=Mrs. Tilford: For eavesdropping, I should think. Well, now 3.1 ::EFFETE :=Mrs. Mortar: bygones. As I was saying, there's an effete something in the theater now, and 3.1 ::EGGS :=Martha: Let's not talk about it. What about eggs for dinner? 2.2 ::EH :=Cardin: Hello, Amelia. Mary home, eh? 1.3 ::EIGHT :=Cardin: thinks honor is honor and dinner's at eight thirty. Yes, ma'am, we're a proud old 2.3 ::EIGHT :=Cardin: you can believe this: they've worked eight long years to save enough money to 3.1 ::EIGHT :=Martha: We've been sitting here for eight days asking each other the time. Haven't 3.1 ::EIGHT :=Martha: I've got eight fingers, see? I'm a freak. 3.1 ::EIGHT :=Martha: There's an eight o'clock train. Get on it. 2.2 ::EIGHTY-FIVE :=Agatha: the way to New York, three dollars and eighty-five cents and families starving, 1.1 ::EITHER :=Karen: Well, I didn't either. I don't think I do yet. Where'd you 1.3 ::EITHER :=Cardin: Amelia's spoiling hasn't helped any, either. 1.3 ::EITHER :=Martha: you won't know what to take seriously, either. But I do think somebody ought to 2.1 ::EITHER :=Mrs. Tilford: that you couldn't say it out loud. Now either tell the truth or be still. 2.3 ::EITHER :=Cardin: Then you don't want me here either. Darling, what -- ? 2.3 ::EITHER :=Mrs. Tilford: There won't be any punishment for either of you. But there mustn't be any punishment 2.3 ::EITHER :=Mrs. Tilford: mustn't be any punishment for me, either -- and that's what this meeting is. 2.3 ::EITHER :=Cardin: And you don't know how they feel, either. 3.2 ::EITHER :=Karen: not. You'd never know whether you did, either. We couldn't do it that way. Can't 3.2 ::EITHER :=Karen: me than -- But it's no good now, for either of us; you can see that. 1.1 ::ELOCUTION :=Mrs. Mortar: And you intend to occupy the sewing and elocution hour learning what should have 1.3 ::ELOCUTION :=Mrs. Mortar: to give these children voice lessons, elocution lessons? Patient with me! Here 1.3 ::ELSE :=Mrs. Mortar: always got mad when she liked anybody else. Well, you'd better get a beau of your 1.4 ::ELSE :=Mary: all because I had a pain. If anybody else was sick they'd be put to bed and petted. 1.4 ::ELSE :=Mary: Never mind, I'll think of something else. The wind could've knocked it over. 1.4 ::ELSE :=Mary: little secret we got. Go on, now, what else did they say? 2.1 ::ELSE :=Mrs. Tilford: You mean something else besides your naughtiness in pretending 2.2 ::ELSE :=Cardin: everybody growling at everybody else -- Amelia, you didn't bring me here 2.4 ::ELSE :=Karen: no. You don't want her still now. What else did you hear? 2.4 ::ELSE :=Rosalie: makes things up about me and everybody else. I never said any such thing ever. Why, 3.2 ::ELSE :=Cardin: until in the end we had nothing else and we'd want nothing else. That's something 3.2 ::ELSE :=Cardin: had nothing else and we'd want nothing else. That's something I'm not coming to 3.2 ::ELSE :=Cardin: I say to you is made to mean something else. We don't talk like people any more. 3.2 ::ELSE :=Karen: time for dinner. I'm like everybody else. I can have all the things that everybody 3.3 ::ELSE :=Mrs. Tilford: she does, it must be to me and no one else. She's -- she's -- 3.1 ::EMPTY :=Martha: to yourself, the day's not entirely empty, life is rich and full; at five o'clock 1.3 ::END :=Martha: We're reaching the end of our rope with her. This kind of thing 2.3 ::END :=Mrs. Tilford: the charge. You've found out. Let's end it there. I don't want you in this house. 2.3 ::END :=Mrs. Tilford: of pride, act on that pride. In the end they punish themselves. 2.4 ::END :=Martha: It is on the first floor at the other end of the house. It is impossible to hear 3.2 ::END :=Cardin: exist on that trouble, until in the end we had nothing else and we'd want nothing 3.2 ::END :=Karen: I'd be frightened, always, and in the end my own fright would make me -- would 3.3 ::END :=Karen: over for me now, but it will never end for you. She's harmed us both, but she's 1.2 ::ENDS :=Martha: and going without things to make ends meet -- think of having a winter coat 2.2 ::ENGAGED :=Mrs. Tilford: Joseph, you've been engaged to Karen for a long time. Are your 3.2 ::ENGELHARDT :=Cardin: you off all over the place -- to Dr. Engelhardt, and the nurse at the desk, and 1.3 ::ENGLAND :=Mrs. Mortar: thousand miles away. I'm not going to England. I shall go back to the stage. I'll 1.3 ::ENGLAND :=Cardin: look at Aunt Amelia and tell: old New England stock; never married out of Boston; 1.4 ::ENGLAND :=Evelyn: talking about Mortar going away to England and -- 1.1 ::ENJOYMENT :=Mrs. Mortar: by the window and don't disturb our enjoyment of Shakespeare. Let us go back 1.2 ::ENOUGH :=Karen: We can scrape up enough money to send her away. Let's do 1.3 ::ENOUGH :=Mrs. Mortar: Satisfied enough, I guess, for a poor relation. 1.3 ::ENOUGH :=Martha: I ought to be able to let you have enough to get along on. 1.3 ::ENOUGH :=Martha: And you stopped long enough to see how we were. Did you deliberately 1.3 ::ENOUGH :=Martha: I am. But you stay around kids long enough and you won't know what to take seriously, 1.4 ::ENOUGH :=Cardin: You've been unpleasant enough to Miss Wright. Lie here until you've 1.4 ::ENOUGH :=Mary: Just say when you've had enough. 2.1 ::ENOUGH :=Mrs. Tilford: think. Well, now I think we've had enough gossip, don't you? Dinner's almost 2.2 ::ENOUGH :=Cardin: woman, although God knows she's silly enough. She's a nasty, tiresome, spoilt old 2.3 ::ENOUGH :=Cardin: worked eight long years to save enough money to buy that farm, to start that 2.3 ::ENOUGH :=Mrs. Tilford: that. You have been in my house long enough. Get out. 3.1 ::ENOUGH :=Karen: real until the last day. It seems real enough now, all right. 3.2 ::ENOUGH :=Cardin: can't pay me much, but it'll be enough for the three of us. Plenty if we 3.2 ::ENOUGH :=Cardin: We can't stay here, and Vienna offers enough to eat and sleep and drink beer on. 3.2 ::ENOUGH :=Cardin: me now; help me to be strong and good enough to -- Karen! 3.3 ::ENOUGH :=Mrs. Tilford: and -- and any more that will be kind enough to take from me. I -- I must see that 2.3 ::ENTER :=Martha: outside because she didn't want to enter a place like ours. Five minutes later 2.2 ::ENTERTAIN :=Agatha: Sure. We'll have the whole town over to entertain you. 1.1 ::ENTHRONED :=Peggy: is above this sceptred sway, it is enthroned in the hearts of kings, it is an 1.1 ::ENTHRONED :=Mrs. Mortar: is above this sceptred sway; it is enthroned in the hearts of kings, it is an 1.1 ::ENTIRE :=Mrs. Mortar: In my entire career I've never missed a line. 3.1 ::ENTIRELY :=Martha: and you say to yourself, the day's not entirely empty, life is rich and full; at 2.2 ::ENVIABLE :=Cardin: you the rest of your life is an enviable way of being put out. 2.2 ::EQUIPPED :=Cardin: Just the same. No money, badly equipped, a lousy laboratory, everybody growling 2.4 ::ER :=Karen: certain things at school have been -- er -- puzzling you girls. You, particula 1.3 ::EVE :=Mrs. Mortar: later he left her and ran away with Eve Cloun, who was playing the Infant Phenomenon 1.1 ::EVELYN :=Mrs. Mortar: Evelyn! What are you doing? 1.1 ::EVELYN :=Mrs. Mortar: immortal words of the immortal bard. Evelyn, go back to your sewing. 1.1 ::EVELYN :=Mrs. Mortar: Helen, please help Evelyn with the hem. 1.3 ::EVELYN :=Martha: That's my class. I'll send Peggy and Evelyn down. You talk to them. 1.4 ::EVELYN :=Karen: I'm sorry too, Peggy. You and Evelyn never used to do things like this. 1.4 ::EVELYN :=Karen: room, and Lois will move in with Evelyn. Mary will go in with Rosalie. 1.4 ::EVELYN :=Mary: Shut up! Go on, Evelyn. 1.4 ::EVELYN :=Peggy: It's all right. Evelyn and I'll get your things. Come on, 1.4 ::EVELYN :=Peggy: and I'll get your things. Come on, Evelyn. 2.1 ::EVELYN :=Mary: talking awful things and Peggy and Evelyn heard them and Miss Dobie found out, 2.1 ::EVELYN :=Mary: But they've got funny ones. Peggy and Evelyn heard Mrs. Mortar telling Miss Dobie 2.1 ::EVELYN :=Mary: I mean, you can just ask Peggy and Evelyn whether we didn't hear. Almost always 2.1 ::EVELYN :=Mary: Honest, honest. You just ask Peggy and Evelyn and -- They know too. And maybe there're 2.1 ::EVELYN :=Mrs. Tilford: -- something about the school and Evelyn and Mary -- 2.2 ::EVELYN :=Mary: Oh. Couldn't Evelyn Munn come instead? 2.2 ::EVELYN :=Mary: going to spend the night here. I wish Evelyn could come instead of you. 2.2 ::EVELYN :=Rosalie: what's happened? Peggy and Helen and Evelyn and Lois went home tonight, too. Do 2.3 ::EVELYN :=Martha: Mrs. Munn's chauffeur said that Evelyn must be sent home right away. At half 2.4 ::EVELYN :=Mary: Yes, and it was just because Peggy and Evelyn heard them and so they took it out 1.1 ::EVEN :=Mrs. Mortar: to your sewing class, I must say. Even if you have no interest in your work 1.3 ::EVEN :=Mrs. Mortar: together. You were always like that even as a child. If you had a little girl 1.3 ::EVEN :=Martha: The angel child's influence is abroad even while she's unconscious. Her room-mates 1.4 ::EVEN :=Peggy: I could faint sometimes. I've never even worn glasses, like Rosalie. 1.4 ::EVEN :=Mary: the front door is, or are you too dumb even for that? Well, I'm going right out 2.1 ::EVEN :=Agatha: get a better dinner here? Can't you even say hello? 2.1 ::EVEN :=Mary: But I don't feel all right. I can't even come home without everybody nagging 2.1 ::EVEN :=Mary: Miss Dobie had always been like that, even when she was a little girl, and that 2.4 ::EVEN :=Rosalie: said any such thing ever. Why, I never even could have thought of -- 3.1 ::EVEN :=Martha: pick the bones dry. Well, there aren't even bones anymore. There's nothing here 3.2 ::EVEN :=Karen: just the same, my face is the same, even my dress is old. We're in a room we've 3.3 ::EVEN :=Martha: life. I've ruined my own. I didn't even know. There's a big difference between 2.2 ::EVENING :=Rosalie: Good evening. Yes'm. 2.2 ::EVENING :=Mrs. Tilford: Good evening, Rosalie, you're looking very we 2.2 ::EVENING :=Rosalie: Good evening, Mrs. Tilford. 1.1 ::EVER :=Helen: She can't ever wear that, Mrs. Mortar. 1.1 ::EVER :=Rosalie: Weren't you ever in the movies, Mrs. Mortar? 1.2 ::EVER :=Martha: matter with the kid. That's been true ever since the first day she came. She causes 1.3 ::EVER :=Martha: the way to put it. You've wanted to go ever since I can remember. 2.1 ::EVER :=Agatha: Why don't you feel well? Who ever heard of a person going for a walk in 2.1 ::EVER :=Mrs. Tilford: have no more running away from school ever. 2.1 ::EVER :=Mrs. Tilford: That's ridiculous. What have they ever done to you that is so terrible? 2.2 ::EVER :=Agatha: Who? Don't you ever keep your ears open? Rosalie Wells is 2.3 ::EVER :=Mrs. Tilford: to talk about it with you now or ever. 2.4 ::EVER :=Cardin: told the truth. You're lucky if you ever get that chance. I'm telling you this 2.4 ::EVER :=Rosalie: else. I never said any such thing ever. Why, I never even could have thought 3.2 ::EVER :=Cardin: Nothing -- All right. Is it -- was it ever -- 3.2 ::EVER :=Karen: again. But we won't be all right. Not ever, ever, ever. I don't know all the reasons 3.2 ::EVER :=Karen: But we won't be all right. Not ever, ever, ever. I don't know all the reasons 3.2 ::EVER :=Karen: we won't be all right. Not ever, ever, ever. I don't know all the reasons why. Look, 3.2 ::EVER :=Karen: You're a good man -- the best I'll ever know -- and you've been better to me 3.3 ::EVER :=Martha: it by a name; maybe it's been there ever since I first knew you -- 3.3 ::EVER :=Karen: If I ever have anything to say. Good-bye, now 1.1 ::EVERY :=Mary: me here and the way I get punished for every little thing I do. I'll tell her, I'll 1.2 ::EVERY :=Cardin: Our little Mary pops up in every day's dispatches. 1.3 ::EVERY :=Mrs. Mortar: I know what I know. Every time that man come into this house, 1.3 ::EVERY :=Cardin: I have got something to fight about. Every time anything's said about marrying 1.3 ::EVERY :=Karen: He's an admirable man in every way. Well, the angel child is now putting 2.1 ::EVERY :=Mary: Miss Dobie does get cranky and mean every time Cousin Joe comes, and today I 2.2 ::EVERY :=Rosalie: Don't act like you can come home every night. 2.2 ::EVERY :=Mary: She's getting fatter every day. 2.4 ::EVERY :=Mary: And, Cousin Joe, she said every time you came to the school Miss Dobie 3.1 ::EVERY :=Martha: like that. I tell you, at five o'clock every day you comb your hair. How's that? 3.2 ::EVERY :=Karen: -- they've done it. They've taken away every chance we had. Everything we wanted, 3.2 ::EVERY :=Karen: And every word will have a new meaning. You think 1.1 ::EVERYBODY :=Mary: You never believe me. You believe everybody but me. It's always like that. 1.1 ::EVERYBODY :=Karen: I've had feelings like that, too -- everybody has -- and I won't be unreasonable 1.1 ::EVERYBODY :=Mary: tell my grandmother. I'll tell her how everybody treats me here and the way I get 1.3 ::EVERYBODY :=Martha: we'll be better off alone. That suits everybody. You complain about the farm, you 1.4 ::EVERYBODY :=Mary: Everybody knows that. 1.4 ::EVERYBODY :=Peggy: But everybody doesn't know that Miss Dobie doesn't 1.4 ::EVERYBODY :=Peggy: It's funny, because everybody gets married. 2.1 ::EVERYBODY :=Mary: right. I can't even come home without everybody nagging at me. 2.2 ::EVERYBODY :=Cardin: badly equipped, a lousy laboratory, everybody growling at everybody else -- Amelia, 2.2 ::EVERYBODY :=Cardin: laboratory, everybody growling at everybody else -- Amelia, you didn't bring 2.3 ::EVERYBODY :=Karen: is she trying to do to us? What is everybody doing to us? 2.3 ::EVERYBODY :=Martha: There wasn't any reason. She hates everybody and everything. 2.4 ::EVERYBODY :=Cardin: Look: everybody lies all the time. Sometimes they 2.4 ::EVERYBODY :=Mary: I told you. Because we heard them. Everybody heard them -- 2.4 ::EVERYBODY :=Mary: Everybody is yelling at me. I don't know 2.4 ::EVERYBODY :=Mary: me. I don't know what I'm saying with everybody mixing me all up. I did see it! 2.4 ::EVERYBODY :=Mary: I was just trying to save Rosalie, and everybody jumps on me. 2.4 ::EVERYBODY :=Rosalie: always makes things up about me and everybody else. I never said any such thing 3.2 ::EVERYBODY :=Karen: it's nearly time for dinner. I'm like everybody else. I can have all the things 3.2 ::EVERYBODY :=Karen: else. I can have all the things that everybody has. I can have you and a baby, 1.1 ::EVERYTHING :=Mary: but me. It's always like that. Everything I say you fuss at me about. Everything 1.1 ::EVERYTHING :=Mary: Everything I say you fuss at me about. Everything I do is wrong. 1.1 ::EVERYTHING :=Karen: way, this kind of lying you do, makes everything wrong. 1.2 ::EVERYTHING :=Martha: we might as well admit it. We've tried everything we can think of. She's had more 1.4 ::EVERYTHING :=Mary: to me. I get blamed and punished for everything. I do, Cousin Joe. All the time 1.4 ::EVERYTHING :=Mary: I do, Cousin Joe. All the time for everything. 1.4 ::EVERYTHING :=Peggy: But we'll remember everything that happens and we'll give you 1.4 ::EVERYTHING :=Mary: Ah, you're always sorry about everything. What were they saying? 2.1 ::EVERYTHING :=Mary: but I'm always getting punished for everything. 2.2 ::EVERYTHING :=Rosalie: You know everything, don't you? Isn't it funny about 2.2 ::EVERYTHING :=Rosalie: out? You're always pretending you know everything. You're just faking. Never mind, 2.3 ::EVERYTHING :=Cardin: to start that school. They did without everything that young people ought to have. 2.3 ::EVERYTHING :=Martha: Listen: are you willing to stand by everything you've said tonight? 2.3 ::EVERYTHING :=Martha: any reason. She hates everybody and everything. 2.4 ::EVERYTHING :=Mary: on me. They're always punishing me for everything that happens. No matter what happens, 3.1 ::EVERYTHING :=Martha: You'll be getting married soon. Everything will be all right then. 3.1 ::EVERYTHING :=Mrs. Mortar: to see the old place again. How is everything? 3.2 ::EVERYTHING :=Karen: this to you. I've taken you away from everything you want. 3.2 ::EVERYTHING :=Karen: taken away every chance we had. Everything we wanted, everything we were 3.2 ::EVERYTHING :=Karen: chance we had. Everything we wanted, everything we were going to be. 3.2 ::EVERYTHING :=Cardin: My God, we can't go on like this. Everything I say to you is made to mean something 3.3 ::EVERYTHING :=Mrs. Mortar: me for that once. I always tried to do everything I could. Suicide's a sin. Shouldn't 3.3 ::EVERYTHING :=Mrs. Mortar: and I was good to her too. I did everything I could. I -- I haven't any place 3.1 ::EVERYTHING'S :=Martha: Everything's fine. We're splendid, thank 1.1 ::EVERYWHERE :=Helen: No, I haven't, and I've looked everywhere. 1.4 ::EVIDENTLY :=Karen: It was evidently too long. Now, don't let's talk 2.4 ::EXACT :=Cardin: the truth this afternoon? The exact truth about Miss Wright and Miss D 1.1 ::EXACTLY :=Karen: to go so far. There was a bunch exactly like this in the garbage can this 1.1 ::EXACTLY :=Karen: I'll always agree that you should do exactly what you want to do, but I've had 1.3 ::EXACTLY :=Mrs. Mortar: What exactly does that mean? 1.1 ::EXAM :=Lois: We've got a Latin exam this afternoon. 1.3 ::EXAMINATION :=Mrs. Mortar: I'm not wanted in the room during the examination. 1.3 ::EXAMINATION :=Mrs. Mortar: an older woman to be present during an examination. 1.1 ::EXAMPLE :=Karen: and I'd like to find out why. Why, for example, do you find it necessary to lie 1.1 ::EXCELLENT :=Mrs. Mortar: Courtesy is breeding. Breeding is an excellent thing. Always remember that. 1.1 ::EXCUSE :=Mrs. Mortar: And I suppose you have just as fine an excuse for being an hour late to breakfast 3.3 ::EXCUSE :=Mrs. Mortar: to her, Karen, and you know God will excuse me for that once. I always tried to 3.2 ::EXIST :=Cardin: sit around the rest of our lives and exist on that trouble, until in the end we 1.2 ::EXPECT :=Karen: For God's sake, do you expect me to give up my marriage? 3.2 ::EXPECT :=Cardin: cold there now, much colder than you'd expect -- 3.1 ::EXPECTED :=Martha: She doesn't know. She expected to walk right up to a comfortable 3.1 ::EXPLAIN :=Martha: would not appear in court to deny or explain those remarks. Mrs. Mortar had a 3.1 ::EXPLAINED :=Mrs. Mortar: notoriety -- But now that you've explained it, why, I do see it your way, 1.1 ::EXPLANATION :=Mrs. Mortar: Mary, I am still awaiting your explanation. Where have you been? 3.3 ::EXPLANATION :=Mrs. Tilford: There will be a public apology and an explanation. The damage suit will be paid 2.3 ::EXPLANATIONS :=Mrs. Tilford: that again. You came here demanding explanations. It was I who should have asked 1.3 ::EXTRAVAGANT :=Martha: The gilded days. It was very extravagant of them to pay you so much. You're 1.2 ::EYE :=Karen: would give the school a swell black eye. But we ought to do something. 2.1 ::EYES :=Agatha: might pull the wool over some people's eyes, but -- I bet you've been up to something 2.1 ::EYES :=Mary: "Wor-rr-ld," and then I had to shut my eyes tight. 2.1 ::FACE :=Agatha: Why aren't you in school? Look at your face and clothes. Where have you been? 2.1 ::FACE :=Mrs. Tilford: Run along upstairs and wash your face and change your dress, and after dinner 2.1 ::FACE :=Mrs. Tilford: eat with a girl who has such a dirty face. 3.2 ::FACE :=Karen: we lost the case. I was watching your face in court. It was ashamed -- and sad 3.2 ::FACE :=Karen: My hands look just the same, my face is the same, even my dress is old. We're 3.1 ::FACT :=Martha: defense's case rested on the telling fact that Mrs. Mortar would not appear in 1.2 ::FADED :=Karen: aunt out of a sewing lesson with those faded flowers we threw out. Then she threatened 1.3 ::FAINT :=Cardin: I could have managed a better faint than that when I was six years old 1.4 ::FAINT :=Peggy: I wish I could faint sometimes. I've never even worn glasses, 1.4 ::FAINT :=Mary: A lot it'll get you to faint. 2.1 ::FAINT :=Mrs. Tilford: your naughtiness in pretending to faint and then running away? 2.1 ::FAINT :=Mary: I did faint. I didn't pretend. They just said that 2.2 ::FAINT :=Cardin: she ran home to tell you about her faint. It was caused by nothing but bad temper 2.2 ::FAINT :=Mrs. Tilford: I heard about the faint. That's not what is worrying me. 1.4 ::FAINTED :=Mary: I fainted, didn't I? 2.1 ::FAINTED :=Mary: Oh, but they would. They -- I -- I fainted today! 2.1 ::FAINTED :=Mrs. Tilford: Fainted? 2.1 ::FAINTED :=Mary: having pain in my heart, and when I fainted right in class, they called Cousin 1.2 ::FAINTEST :=Martha: put together. And we still haven't the faintest idea what goes on inside her he 2.1 ::FAINTING :=Mrs. Tilford: you come sooner? It's not about Mary's fainting -- I said it's not about Mary, Joseph; 1.4 ::FAINTS :=Cardin: hurt herself crying. The next time she faints, I'd wait until she got tired lying 2.2 ::FAKING :=Rosalie: you know everything. You're just faking. Never mind, don't bother telling 2.2 ::FAMILIES :=Agatha: dollars and eighty-five cents and families starving, and Mrs. Wells wanted 1.1 ::FAMILY :=Mrs. Mortar: that book away, Peggy. I am sure your family need never worry about your going 1.3 ::FAMILY :=Martha: not so bright. Any idiots in your family, Joe? Any inbreeding? 1.3 ::FAMILY :=Cardin: her on me. It's another side of the family. You can look at Aunt Amelia and tell: 1.3 ::FAMILY :=Martha: The Jukes were an old family, too. Look, Joe, have you any idea 2.4 ::FAMILY :=Martha: child is taking little things, little family things, and making them have meanings 3.3 ::FAMOUS :=Martha: They'd know about us. We've been famous. 3.2 ::FANCY :=Cardin: and take care of your sick. Leave the fancy work to the others." I came home. 1.3 ::FANGLED :=Mrs. Mortar: That's the trouble with these new- fangled notions of discipline and -- 1.1 ::FAR :=Karen: It wasn't necessary to go so far. There was a bunch exactly like this 1.3 ::FARM :=Martha: But you don't like the school or the farm or -- 1.3 ::FARM :=Mrs. Mortar: place like this. Burying yourself on a farm! You'll regret it. 1.3 ::FARM :=Martha: everybody. You complain about the farm, you complain about the school, you 2.3 ::FARM :=Cardin: years to save enough money to buy that farm, to start that school. They did without 2.1 ::FAST :=Mary: maybe only that I ate my breakfast too fast and Miss Wright blamed me for it. 2.2 ::FAST :=Mrs. Tilford: milk on the table. Be sure you're both fast asleep by half past ten. 3.2 ::FAST :=Cardin: any more. Oh, let's get out of here as fast as we can. 3.2 ::FAT :=Cardin: and the nurse at the desk, and to the fat gal in the cake shop, and to Fischer. 1.4 ::FATHER :=Mary: very fond of me, on account my father was her favorite son. I can manage 2.2 ::FATHER :=Mary: you're a thief, and your mother and father will be dead and you won't have any 2.2 ::FATTER :=Mary: She's getting fatter every day. 1.3 ::FAULT :=Martha: it doesn't make any difference whose fault it is. 1.3 ::FAULT :=Mrs. Mortar: So now it's my fault, is it? Just as I said, whenever he's 1.2 ::FAULTS :=Karen: She's too crazy about Mary to see her faults very clearly -- and the kid knows 1.4 ::FAVORITE :=Mary: of me, on account my father was her favorite son. I can manage her all right 1.1 ::FEAR :=Peggy: " -- doth sit the dread and fear of kings; but mercy is above . . 1.1 ::FEAR :=Peggy: "Wherein doth sit the dread and fear of kings; but mercy is above this sceptred 3.3 ::FEED :=Martha: When the hawks descend, you've got to feed 'em. Where's Joe? Where's Joe? 1.1 ::FEEL :=Mrs. Mortar: makes the actress. Now, why can't you feel pity? 1.1 ::FEEL :=Peggy: I guess I feel pity. 1.1 ::FEEL :=Karen: can. What I do want to know is why you feel you have to lie out of it. 1.1 ::FEEL :=Karen: try to understand each other. If you feel that you have to take a walk, or that 1.1 ::FEEL :=Mary: I don't feel well. 2.1 ::FEEL :=Mary: Leave me alone. I don't feel well. 2.1 ::FEEL :=Agatha: Why don't you feel well? Who ever heard of a person going 2.1 ::FEEL :=Agatha: a walk in the woods when they didn't feel well? 2.1 ::FEEL :=Mary: But I don't feel all right. I can't even come home without 2.1 ::FEEL :=Agatha: I tell your grandmother. And if you feel so sick, you certainly won't want any 2.1 ::FEEL :=Mary: I haven't got it much any more, but I feel a little weak, and I was so scared of 2.1 ::FEEL :=Mary: They just said that to make me feel bad. Anyway, it wasn't anything that 2.1 ::FEEL :=Mary: said it was unnatural for a girl to feel that way. 2.3 ::FEEL :=Karen: your mess, do you hear me? It makes me feel dirty and sick to be forced to say this, 2.3 ::FEEL :=Mrs. Tilford: I know how you must feel. 2.3 ::FEEL :=Cardin: You don't know anything about how I feel. And you don't know how they feel, 2.3 ::FEEL :=Cardin: I feel. And you don't know how they feel, either. 2.3 ::FEEL :=Martha: something -- something that makes you feel the way we do tonight. You don't want 2.3 ::FEEL :=Martha: And you feel that you are too old to be punished? 3.1 ::FEEL :=Martha: touch with the full life. It makes me feel important to know that there's one thing 3.1 ::FEEL :=Martha: If it makes you feel better to think there are such people, 3.2 ::FEEL :=Cardin: Feel all right? 3.3 ::FEEL :=Martha: so early now. Cooking always makes me feel better. Well, I guess we'll have to 3.3 ::FEEL :=Karen: Don't. I feel sick to my stomach. 3.3 ::FEEL :=Martha: a friend, the way thousands of women feel about other women. 3.3 ::FEEL :=Martha: difference between us now, Karen. I feel all dirty and -- I can't stay with you 3.3 ::FEEL :=Karen: Go and lie down, Martha. You'll feel better. 3.3 ::FEEL :=Agatha: Mrs. Tilford. Don't you feel well? You ain't mad at me? 3.3 ::FEEL :=Karen: Yes, if it will make you feel better. 1.1 ::FEELING :=Mrs. Mortar: Can't you read the lines with some feeling, some pity? Pity. Ah! As Sir Henry 1.1 ::FEELING :=Karen: a minute, Mary. Mary, I've had the feeling -- and I don't think I'm wrong -- 1.2 ::FEELING :=Martha: I don't know what it is -- it's a feeling I've got that it's wrong somewhere 2.2 ::FEELING :=Cardin: Please. How are you feeling? Headaches again? 2.4 ::FEELING :=Mary: her. She said that she had a funny feeling about Miss Wright, and Mrs. Mortar 3.3 ::FEELINGLESS :=Mrs. Mortar: Martha lying there? How can you be so feelingless? I won't stay and see it. I won't 1.1 ::FEELINGS :=Karen: what you want to do, but I've had feelings like that, too -- everybody has 2.1 ::FEELINGS :=Mary: Grandma. I didn't mean to hurt your feelings. Forgive me? 3.3 ::FEELS :=Karen: It feels very good. 1.2 ::FEET :=Martha: -- and now when we're getting on our feet, you're all ready to let it go to h 2.2 ::FEET :=Cardin: The school is pretty well on its feet, and now that Mrs. Mortar is leaving 3.2 ::FELT :=Mrs. Mortar: still be here. They would have felt -- 3.3 ::FELT :=Martha: didn't. But who says I didn't? I never felt that way about anybody but you. I've 1.1 ::FERE :=Lois: ferebat, ferebamus, ferebatis, fere, fere -- 1.1 ::FERE :=Lois: ferebat, ferebamus, ferebatis, fere, fere -- 1.1 ::FERE :=Lois: Ferebamus, ferebatis, fere -- fere -- fere -- 1.1 ::FERE :=Lois: Ferebamus, ferebatis, fere -- fere -- fere -- 1.1 ::FERE :=Lois: Ferebamus, ferebatis, fere -- fere -- fere -- 1.1 ::FEREBAM :=Lois: Ferebam, ferebas, ferebat, ferebamus, ferebatis, 1.1 ::FEREBAMUS :=Lois: Ferebam, ferebas, ferebat, ferebamus, ferebatis, fere, fere -- 1.1 ::FEREBAMUS :=Lois: Ferebamus, ferebatis, ferebant. 1.1 ::FEREBAMUS :=Lois: Ferebamus, ferebatis, fere -- fere -- fere 1.1 ::FEREBANT :=Catherine: Ferebant. 1.1 ::FEREBANT :=Lois: Ferebamus, ferebatis, ferebant. 1.1 ::FEREBANT :=Catherine: Ferebant, stupid. 1.1 ::FEREBAS :=Lois: Ferebam, ferebas, ferebat, ferebamus, ferebatis, fere, 1.1 ::FEREBAT :=Lois: Ferebam, ferebas, ferebat, ferebamus, ferebatis, fere, fere 1.1 ::FEREBATIS :=Lois: Ferebam, ferebas, ferebat, ferebamus, ferebatis, fere, fere -- 1.1 ::FEREBATIS :=Lois: Ferebamus, ferebatis, ferebant. 1.1 ::FEREBATIS :=Lois: Ferebamus, ferebatis, fere -- fere -- fere -- 2.2 ::FEVER :=Rosalie: Do you think somebody's got scarlet fever or something? 1.2 ::FEW :=Martha: to her? She was perfectly well a few hours ago. 2.2 ::FEW :=Mrs. Tilford: I haven't seen you the last few weeks. Agatha misses you for Sunday 3.1 ::FEW :=Mrs. Mortar: any more. I'll go up and unpack a few things; tomorrow's plenty of time to 3.2 ::FEW :=Karen: A few. Oh, your Dr. Fischer was so right. This 2.2 ::FIBBER :=Mary: You can't call me a fibber, Rosalie Wells. That's a kind of a 2.2 ::FIBBER :=Mary: Am I a fibber? 1.4 ::FIELD :=Mary: keep it shut. Now, I'll go through the field to French's, and then I can get the 3.3 ::FIFTEEN :=Karen: old, and the old are callous. Ten, fifteen years left for you. But what of me? 3.3 ::FIFTEEN :=Mrs. Tilford: what's worrying you. Those ten or fifteen years you talk about! They will be 1.3 ::FIGHT :=Cardin: You and I have got something to fight about. Every time anything's said about 2.1 ::FIGHT :=Mary: But it's awful, and sometimes they fight and then they make up, and Miss Dobie 1.4 ::FIGHTING :=Evelyn: Fighting, you mean. 1.2 ::FINALLY :=Karen: a big day for the school. Rosalie's finally put an "l" in could. 2.3 ::FINALLY :=Karen: Mrs. Rogers finally told us. 1.1 ::FIND :=Karen: very happy here, and I'd like to find out why. Why, for example, do you find 1.1 ::FIND :=Karen: find out why. Why, for example, do you find it necessary to lie to us so often? 1.4 ::FIND :=Mary: let you go if I can't go. But I'll find some way to go. What were you doing 1.4 ::FIND :=Peggy: Oh, my God! Rosalie'll find that copy of "Mademoiselle de Maupin." 1.4 ::FIND :=Evelyn: And where you going to find it? 2.1 ::FIND :=Mary: They're afraid you'll find out. 2.1 ::FIND :=Mrs. Tilford: Find out what? 2.1 ::FIND :=Mary: or something, and they're afraid I'll find out and tell you. 2.1 ::FIND :=Mary: and one night I was going to go and find out, but I got scared and we went to 2.1 ::FIND :=Mary: it much, because we thought they'd find out and -- Oh, Grandma, don't make me 2.2 ::FIND :=Rosalie: Do you know what it is? How'd you find out? You're always pretending you know 2.2 ::FIND :=Mrs. Tilford: Don't you find it odd, Joseph, that they want so much 2.3 ::FIND :=Martha: We've come to find out what you are doing. 2.3 ::FIND :=Mrs. Tilford: it can't do any good. You came here to find out if I had made the charge. You've 2.3 ::FIND :=Martha: do to you, and, whatever it is, we'll find it. 2.3 ::FIND :=Karen: We never knew why, we never could find out. There didn't seem to be any reason 2.4 ::FIND :=Cardin: chance; you passed it up. Now let's find out things. 3.2 ::FIND :=Cardin: that's the way it should be. We must find that out all over again. We must learn 1.1 ::FINE :=Mrs. Mortar: to do! And I suppose you have just as fine an excuse for being an hour late to 2.1 ::FINE :=Mrs. Tilford: You have picked up some very fine words, haven't you, Mary? 2.3 ::FINE :=Martha: All right. That's fine. But don't get the idea we'll let you 3.1 ::FINE :=Martha: Everything's fine. We're splendid, thank you. You're just 3.2 ::FINE :=Karen: been good to me and loyal. You're a fine man. Now go and sit down, Joe. I have 1.3 ::FINGERS :=Mrs. Mortar: Patient with me? I, who have worked my fingers to the bone! 3.1 ::FINGERS :=Martha: I've got eight fingers, see? I'm a freak. 2.4 ::FINISH :=Cardin: started something, and I'm going to finish it for you. Will you answer some more 1.1 ::FINISHED :=Catherine: But we're finished sewing. 2.1 ::FINISHED :=Mary: say another single word after you finished? You used to say: "Wor-rr-ld," and 2.4 ::FINISHED :=Cardin: We can go home. We are finished here. It's not a pleasant place 1.4 ::FINISHING :=Mary: what I was doing this morning -- finishing it. There's one part in it -- 3.1 ::FIRE :=Martha: to walk right up to a comfortable fire and sit down and she very carefully 1.1 ::FIRST :=Mrs. Mortar: and she went to get them for me. The first wild flowers of the season. 1.1 ::FIRST :=Karen: But not the very first, are they, Mary? 1.2 ::FIRST :=Martha: kid. That's been true ever since the first day she came. She causes trouble here; 1.3 ::FIRST :=Mrs. Mortar: your money? I'd rather scrub floors first. 1.4 ::FIRST :=Peggy: moving; Miss Wright will be back first thing we know. 1.4 ::FIRST :=Mary: of Grandma -- she helped 'em when they first started, you know -- and when she tells 1.4 ::FIRST :=Peggy: you going to get out of here in the first place? 2.1 ::FIRST :=Mary: Maybe I could stay till the first of the week. Saturday's your birthday 2.4 ::FIRST :=Martha: a room with my aunt. It is on the first floor at the other end of the house. 3.2 ::FIRST :=Karen: seen all that yourself. You knew it first. 3.3 ::FIRST :=Martha: maybe it's been there ever since I first knew you -- 3.3 ::FIRST :=Martha: and there you are, seeing it for the first time. I don't know. It all seems to 3.2 ::FISCHER :=Cardin: going to Vienna and we're going quick. Fischer wrote that I can have my old place 3.2 ::FISCHER :=Cardin: It's already done. Fischer can't pay me much, but it'll be enough 3.2 ::FISCHER :=Cardin: the fat gal in the cake shop, and to Fischer. The last time I saw him was at the 3.2 ::FISCHER :=Karen: A few. Oh, your Dr. Fischer was so right. This is where you 2.2 ::FISHER :=Rosalie: All right. Lois Fisher told Helen that you were very sma 1.3 ::FIT :=Mrs. Mortar: man come into this house, you have a fit. It seems like you just can't stand the 1.4 ::FIT :=Cardin: you've stopped working yourself into a fit. I've got to go now. She's not going 2.3 ::FITS :=Karen: Oh, my God, it all fits so well now. That girl has hated us 2.3 ::FIVE :=Martha: want to enter a place like ours. Five minutes later the Wells's butler came 3.1 ::FIVE :=Martha: something like that. I tell you, at five o'clock every day you comb your hair. 3.1 ::FIVE :=Martha: empty, life is rich and full; at five o'clock I'll comb my hair. 1.1 ::FIX :=Karen: to my room later and I'll see if I can fix it for you. 1.4 ::FIX :=Mary: do for today. Now go on, Rosalie, and fix our things. 2.1 ::FIX :=Agatha: A good dose of rhubarb and soda will fix you up. 1.3 ::FIXED :=Martha: I'll get the passage. Now that's all fixed. You'll have a grand time seeing all 3.2 ::FIXED :=Cardin: Shut up, darling, it's all fixed. We're going to Vienna and we're going 1.4 ::FLOOR :=Cardin: wait until she got tired lying on the floor. 2.4 ::FLOOR :=Martha: room with my aunt. It is on the first floor at the other end of the house. It is 1.3 ::FLOORS :=Mrs. Mortar: I'd take your money? I'd rather scrub floors first. 1.1 ::FLOWERS :=Mary: Mrs. Mortar, I went to get you these flowers. I thought you would like them and 1.1 ::FLOWERS :=Mary: us last week how much you liked flowers, and I thought that I would bring 1.1 ::FLOWERS :=Mrs. Mortar: get a vase and some water to put my flowers in. 1.1 ::FLOWERS :=Karen: think I do yet. Where'd you get those flowers, Mary? 1.1 ::FLOWERS :=Mrs. Mortar: to class, but she heard me say I loved flowers, and she went to get them for me. 1.1 ::FLOWERS :=Mrs. Mortar: to get them for me. The first wild flowers of the season. 1.1 ::FLOWERS :=Mary: I went out walking and I saw the flowers and they looked pretty and I didn't 1.1 ::FLOWERS :=Karen: story again. I know you got the flowers out of the garbage can. What I do 1.1 ::FLOWERS :=Mary: I did pick the flowers near Conway's. You never believe 1.1 ::FLOWERS :=Mary: I got the flowers near Conway's cornfield. 1.2 ::FLOWERS :=Karen: of a sewing lesson with those faded flowers we threw out. Then she threatened 1.3 ::FOND :=Martha: I'm very fond of Joe, and you know it. 1.3 ::FOND :=Cardin: marrying me -- you -- There it is. I'm fond of you. I always thought you liked me. 1.3 ::FOND :=Cardin: you liked me. What is it? I know how fond you are of Karen, but our marriage oughtn't 1.4 ::FOND :=Mary: me worry about that. Grandma's very fond of me, on account my father was her 3.3 ::FOND :=Martha: perfectly natural that I should be fond of you, that I should -- 1.3 ::FONDER :=Mrs. Mortar: You're fonder of Karen, and I know that. And it's 1.3 ::FOOL :=Martha: wish -- Joe, please, I'm sorry. I'm a fool, a nasty, bitter -- 2.1 ::FOOL :=Mary: then she said she was just a jealous fool and -- 2.3 ::FOOL :=Martha: You fool! You damned, vicious -- 1.3 ::FOOLING :=Mrs. Mortar: Don't think you're fooling me, young lady. I wasn't born ye 2.1 ::FOOLING :=Agatha: Don't you think you're fooling me, young lady. You might pull the 2.3 ::FOOLING :=Martha: beings, see? It's our lives you're fooling with. Our lives. That's serious business 1.1 ::FOOLISH :=Karen: I'm not interested in hearing that foolish story again. I know you got the flowers 2.1 ::FOOLISH :=Mrs. Tilford: that angry. Come, you're acting like a foolish little girl. 2.3 ::FOOLISH :=Mrs. Tilford: here tonight; it would be criminally foolish of you to brazen it out in public. 1.1 ::FOR :=Mrs. Mortar: You are ruining the scissors for one thing. 1.1 ::FOR :=Evelyn: thtraight. Honeth, I've been trying for three weekth, but I jutht can't do i 1.1 ::FOR :=Mrs. Mortar: in this problem. You are pleading for the life of a man. "But mercy is above 1.1 ::FOR :=Mrs. Mortar: when mercy seasons justice. We do pray for mercy, and that same prayer doth teach 1.1 ::FOR :=Catherine: our patience? Now translate it, and for goodness' sakes try to get it right this 1.1 ::FOR :=Karen: later and I'll see if I can fix it for you. 1.1 ::FOR :=Mrs. Mortar: Peggy has been reading Portia for us. 1.1 ::FOR :=Mrs. Mortar: She picked them for me. It made her a little late to class, 1.1 ::FOR :=Mrs. Mortar: flowers, and she went to get them for me. The first wild flowers of the se 1.1 ::FOR :=Mrs. Mortar: you have just as fine an excuse for being an hour late to breakfast this 1.1 ::FOR :=Karen: and I'd like to find out why. Why, for example, do you find it necessary to 1.1 ::FOR :=Karen: Take your recreation periods alone for the next two weeks. No horseback-riding 1.1 ::FOR :=Karen: hockey. Don't leave the school grounds for any reason whatsoever. Is that clear 1.1 ::FOR :=Mary: me here and the way I get punished for every little thing I do. I'll tell her, 1.2 ::FOR :=Martha: She causes trouble here; she's bad for the other girls. I don't know what it 1.2 ::FOR :=Martha: You haven't talked of marriage for a long time. 1.2 ::FOR :=Karen: debt, and the school should be paying for itself. 1.2 ::FOR :=Karen: with Joe a long time. It's a big day for the school. Rosalie's finally put an 1.2 ::FOR :=Karen: For God's sake, do you expect me to give 1.3 ::FOR :=Mrs. Mortar: It -- it's customary for an older woman to be present during an 1.3 ::FOR :=Martha: Maybe he'll give you a job as duenna for his office. 1.3 ::FOR :=Mrs. Mortar: small thing! I used to earn twice that for one performance. 1.3 ::FOR :=Mrs. Mortar: Satisfied enough, I guess, for a poor relation. 1.3 ::FOR :=Martha: Aunt Lily, you've talked about London for a long time. Would you like to go ov 1.3 ::FOR :=Martha: what you want and you're still looking for something to complain about. 1.3 ::FOR :=Mrs. Mortar: as soon as they have something good for me -- 1.3 ::FOR :=Martha: like. I'll put the money in the bank for you tomorrow. 1.3 ::FOR :=Martha: head could keep a psychologist busy for years. Now go take your nap. 1.3 ::FOR :=Martha: are making me sick and I won't stand for them any longer. I want you to leave 1.3 ::FOR :=Martha: When you're at your best, you're not for tender ears. 1.3 ::FOR :=Cardin: Tilford in the contract. Forget Mary for a minute. You and I have got something 1.4 ::FOR :=Mary: mean to me. I get blamed and punished for everything. I do, Cousin Joe. All the 1.4 ::FOR :=Mary: I do, Cousin Joe. All the time for everything. 1.4 ::FOR :=Rosalie: I'm just telling you for your own good. 1.4 ::FOR :=Mary: You'll do for today. Now go on, Rosalie, and fix our 1.4 ::FOR :=Mary: next time to get my buckle and locket for you. 1.4 ::FOR :=Evelyn: Un for not. Not natural. 1.4 ::FOR :=Mary: That's right, stick up for your crush. Take her side against mi 1.4 ::FOR :=Mary: door is, or are you too dumb even for that? Well, I'm going right out that 1.4 ::FOR :=Mary: I've got to have at least a dollar for the taxi and a dime for the bus. 1.4 ::FOR :=Mary: least a dollar for the taxi and a dime for the bus. 1.4 ::FOR :=Mary: Go get it for me. 1.4 ::FOR :=Peggy: No! No! I won't get it for you. 1.4 ::FOR :=Mary: Get it for me. 2.1 ::FOR :=Mary: Is anybody coming for dinner? 2.1 ::FOR :=Agatha: well? Who ever heard of a person going for a walk in the woods when they didn't 2.1 ::FOR :=Agatha: soda. Most likely she only came home for Wednesday night fudge cake. 2.1 ::FOR :=Mary: too fast and Miss Wright blamed me for it. 2.1 ::FOR :=Mary: sick, but I'm always getting punished for everything. 2.1 ::FOR :=Mrs. Tilford: I'm not going to scold you any more for coming home this time, though I supposed 2.1 ::FOR :=Mary: I can stay for dinner? 2.1 ::FOR :=Mrs. Tilford: Dreadful? Nonsense. They'll punish you for running away. You deserve to be puni 2.1 ::FOR :=Mrs. Tilford: well. Now run upstairs and get ready for dinner. 2.1 ::FOR :=Mrs. Tilford: For a little girl you're imagining a lot 2.1 ::FOR :=Mary: Grandma. She said it was unnatural for a girl to feel that way. 2.1 ::FOR :=Mary: room, and they punish me all the time for -- 2.1 ::FOR :=Mrs. Tilford: For eavesdropping, I should think. Well, 2.1 ::FOR :=Mrs. Tilford: at you. Now go upstairs and get ready for dinner. Is Miss Wright -- is Miss Wright 2.2 ::FOR :=Mary: What for? 2.2 ::FOR :=Agatha: you won't do. You'll act like a lady for once in your life. Come on in, Rosalie. 2.2 ::FOR :=Rosalie: What for? 2.2 ::FOR :=Mary: can call the police and they'll come for you and you'll spend the rest of your 2.2 ::FOR :=Mrs. Tilford: the last few weeks. Agatha misses you for Sunday dinners. 2.2 ::FOR :=Cardin: We're talking like people waiting for the muffins to be passed around. What's 2.2 ::FOR :=Cardin: Hard for you to say to me? Don't be worried about 2.2 ::FOR :=Mrs. Tilford: Joseph, you've been engaged to Karen for a long time. Are your plans any more 2.2 ::FOR :=Cardin: her out? Well, maybe. But a nice sum for a trip and a promise that a good niece 2.2 ::FOR :=Mrs. Tilford: I have good reason for saying it. Who is that? 2.3 ::FOR :=Karen: crazy! It's crazy! What did she do it for? 2.3 ::FOR :=Martha: minutes later the Wells's butler came for Rosalie. 2.3 ::FOR :=Cardin: Then what did you do it for? 2.3 ::FOR :=Martha: Our lives. That's serious business for us. Can you understand that? 2.3 ::FOR :=Mrs. Tilford: you. I know how serious this is for you, how serious it is for all of us 2.3 ::FOR :=Mrs. Tilford: this is for you, how serious it is for all of us. 2.3 ::FOR :=Mrs. Tilford: There won't be any punishment for either of you. But there mustn't be any 2.3 ::FOR :=Mrs. Tilford: But there mustn't be any punishment for me, either -- and that's what this meeting 2.3 ::FOR :=Mrs. Tilford: I think that's best for you. 2.3 ::FOR :=Cardin: Do you know what it is to try so hard for anything? Well, now it's gone. What the 2.3 ::FOR :=Cardin: it's gone. What the hell did you do it for? 2.3 ::FOR :=Martha: get a part. More than you bargained for. Listen: are you willing to stand by 2.3 ::FOR :=Karen: Very unwise -- for you. 2.3 ::FOR :=Mrs. Tilford: you I am thinking of. I am frightened for you. It was wrong of you to brazen it 2.3 ::FOR :=Cardin: So you took a child's word for it? 2.3 ::FOR :=Karen: so well now. That girl has hated us for a long time. We never knew why, we never 2.3 ::FOR :=Mrs. Tilford: I was waiting for you to say that, Miss Wright. 2.3 ::FOR :=Cardin: with their lives spread on the table for you to cut to pieces, then the only honest 2.4 ::FOR :=Cardin: sometimes they don't. I've lied myself for a lot of different reasons, but there 2.4 ::FOR :=Cardin: and say so. You won't be punished for it. Do you get all that? 2.4 ::FOR :=Cardin: something, and I'm going to finish it for you. Will you answer some more questions, 2.4 ::FOR :=Mary: on me. They're always punishing me for everything that happens. No matter what 2.4 ::FOR :=Martha: She said that, too. For God's sake, can't you see what's happening? 2.4 ::FOR :=Martha: from there. Tell her to come and see for herself. 3.1 ::FOR :=Martha: None. I was hoping it was time for my bath. 3.1 ::FOR :=Martha: your hair. How's that? It's better for you, take my word. You wake up in the 3.1 ::FOR :=Martha: We've been sitting here for eight days asking each other the time. 3.1 ::FOR :=Martha: not talk about it. What about eggs for dinner? 3.1 ::FOR :=Karen: For what? 3.1 ::FOR :=Martha: thank you. You're just in time for tea. 3.1 ::FOR :=Mrs. Mortar: in the theater now, and that accounts for -- 3.1 ::FOR :=Martha: refuse to come back here and testify for us? 3.1 ::FOR :=Mrs. Mortar: Martha. It couldn't have done any good for all of us to get mixed up in that unpleasant 3.1 ::FOR :=Martha: bones anymore. There's nothing here for you. 3.1 ::FOR :=Mrs. Mortar: God will punish you for that. 3.2 ::FOR :=Karen: I'll call you when it's time for your train. 3.2 ::FOR :=Karen: leave here. I won't have you do this for me. What about the hospital and -- 3.2 ::FOR :=Cardin: can't pay me much, but it'll be enough for the three of us. Plenty if we live c 3.2 ::FOR :=Martha: I can't go. It's better for all of us if I don't. 3.2 ::FOR :=Cardin: cakes and take you both to Ischl for a honeymoon. 3.2 ::FOR :=Cardin: mountains, and that's where we'll go for a month. 3.2 ::FOR :=Cardin: chance, and if we miss it we're done for. It means that we've got to start putting 3.2 ::FOR :=Karen: way you wanted it. There's some reason for your changing. 3.2 ::FOR :=Karen: Yes, you do. We've both known for a long time. I knew surely the day we 3.2 ::FOR :=Karen: wanted to ask at all. You didn't know for sure; you thought there might be just 3.2 ::FOR :=Karen: would; I know it would. I'd hate you for what I thought I'd done